ISBN 9781619118249.

Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era.Nestor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the workas sonority, and the 6th string of the guitar had to be lowered to D to expand the guitaras range and adhere to the original key.The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece.Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bachas intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates.Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.

German - English.

Learning to play the piano with Bach
Easy to intermediate pieces by the master

* Bach as a teacher
* Easy piano pieces
* For beginners with basic knowledge

Learn from the master. Johann Sebastian Bach composed countless pieces specifically for his many students. My First Bach contains many of these educational pieces which are, for the most part, arranged in increasing difficulty. Easy two-part chorales and dances are followed by more demanding little preludes, two-part inventions and the first Prelude from the Well-Tempered Clavier.

This album contains 5 of Johann Sebastian Bach\'s most famous and versatile pieces for saxophone quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther\'s A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.

1: Air on the G String - The original piece is part of Johann Sebastian Bach\'s Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called \"Air on the G String\" dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the \"Air on the G String\". This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.1189781

2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach\'s favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.1189985

3: Jesu, joy of man\'s desiring - This is one of Bach\'s most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary\'s Visitation. It is the final chorale of the cantata \"Herz und Mund und Tat und Leben\". Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.1190041

4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.1190181

5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190377

Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism.

Second Edition - Transcribed into tablature and modern notation for baritone ukulele and other four-course instruments - wonderful selection by the greatest composer in history - Johann Sebastian Bach! Recommended for intermediate to advanced performers.

The well-known soothing Prelude in C from Johann Sebastian Bach's "Das wohltemperierte Klavier" is arranged especially for the 22-string travel harp. It contains lever changes. This arrangement includes a version with lever notations (diamond note method) and fingering suggestions. The range is from A below the small C (C3) to A above the treble staff (A2-A5).

The arrangement remains true to the original, but includes the "Schwencke measure" = m. 23 and some necessary octaviations to accommodate the smaller 22-string travel harp. Charles Gounod used this version to compose his beautiful Ave Maria melody. .

The well-known soothing Prelude in C from Johann Sebastian Bach's "Das wohltemperierte Klavier" is arranged for the Pedal harp. It contains pedal changes. This arrangement includes a version with pedal notations and fingering suggestions and another blank version. This piece is perfect to play on several occasions, including weddings.

The arrangement remains true to the original, but includes the "Schwencke measure" = m. 23. Charles Gounod used this version to compose his beautiful Ave Maria melody.

This is a collection of 2 preludes written by Johann Sebastian Bach, arranged for the 22-string lever harp with range from A below the small C (C3) to A above the treble staff (A2-A5)

It includes:

- The well-known Prelude in C from Johann Sebastian Bach's "Das wohltemperierte Klavier" is arranged especially for the 22-string travel harp. It contains lever changes. This arrangement includes a version with lever notations (diamond note method) and fingering suggestions. Charles Gounod used this prelude to compose his beautiful Ave Maria melody.

- The soothing Prelude in G from Johann Sebastian Bach's Suite No. 1 for Cello is arranged for the 22-string harp. It contains lever changes. These lever changes are indicated by diamond notes.


Both pieces are wonderful to play on several emotional occasions, including weddings

An easy arrangement of Bach\'s \'Aria\' from the Goldberg Variations. The voices have been reduced whilst still retaining the melody, and ornaments written out in full to simplify. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I\'m on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing.

With this piano sheet music, you can play Johann Sebastian Bach's "Air on the G String".

It's an accurate piano transcription of the whole piece which is not too hard to play, and sounds fantastic!

"Air on the G String" is one of the most famous classical compositions.
It was written by J. S. Bach (1685-1750) as the second movement of his orchestral Suite No. 3 in D major (BWV 1068).

While the piece was just titled "Air" in Bach's original composition, the German violinist August Wilhelmj wrote a new arrangement of the piece in the 19th century. In this version, the first violin was transposed so that it only had to use the G string (the lowest string on a violin).
Since his arrangement contributed in a major way to the piece's fame and popularity, it became known as "Air on the G String" or "Air on a G String".

In any way, it is certainly one of the most beautiful pieces from the Baroque era, and sounds wonderful when played on a piano, too!

This arrangement of Menuet I & II from Cello Suite I, by Johann Sebastian Bach, for solo guitar, incorporates slurs (hammer-ons, pull-offs) to simulate aspects of the cello. Four-page score with tablature, plus two-page individual guitar part without tabs. Fingerings and string designations included.

Also available here:

S0.964429 - Selections from Bach Cello Suites (for Solo Guitar)

Kenneth Pasciak Music Publishing, ASCAP
kenpasciak.com

Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.

Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.

Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.

Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.

Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.

Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.

Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.

Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.

Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.

Sleepers awake, English name for the chorale cantata Wachet auf, ruft uns die Stimme, regarded as one of most mature and popular sacred cantatas by Johann Sebastian Bach, based on the homonymous hymn by Philipp Nicolai (1599).
Sleepers awake is the fourth movement ("Zion hört die Wächter singen") of BWV 140. Bach later transcribed this movement for organ (BWV 645).
For classical Guitar solo. Early Intermediate to intermediate.
In drop D tuning (low E to D).
With downloadable mp3 just for audio help.
With standard notation and tablature.
Pages: Seven pages (7).

The advantages of Bach's music are that it is universal and to a certain extent independent of the instruments for which it was composed. His music is structured in such a brilliant and clear manner that it sounds good on any instrument. These compositions by Johann Sebastian Bach definitely are some of his best-known works and very popular. Therefore, also guitarists will certainly appreciate to be able to play this magnificent music on their instrument. All pieces are easy to play on the guitar and a valuable addition to the teaching and concert repertoire.

Johann Sebastian Bach, Bist du bei Mir, BWV 508, arrangment / transcription for piano solo by Jaap Eilander .

Complete scores of the "11 Piano Suites". Composed between 1705 and 1740 by Johann Sebastian Bach. Rewritten and elaborated in Rome in 2019 by Santino Cara.11 Piano Suites:Suite No.1 in A minor BWV 818 Suite No.2 in E flat major BWV 819Suite No.3 in F major BWV 820Suite No.4 in B flat major BWV 821Suite No.5 in G minor BWV 822Suite No.6 in F minor BWV 823Suite No.7 (Partita) in A major BWV 832Suite No.8 in F major BWV 833Suite No.9 in D minor BWV 995Suite No.10 in E minor BWV 996Suite No.11 in C minor BWV 997.