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[Carl] Quintet for Clarinet and Strings
Partitions à imprimer
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[Carl] Quintet for Clarinet and Strings
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.953155 Composed by Robert Carl. Contem…
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Chamber Orchestra - Digital Download SKU: A0.953155 Composed by Robert Carl. Contemporary. Score and parts. 93 pages. American Composers Alliance Inc. #4640485. Published by American Composers Alliance Inc. (A0.953155). Scored for clarinet and string quartet - PDF download includes score and parts.
$32.95
30.21 €
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Orchestre de chambre
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Robert Carl
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[Carl] Quintet for Clarinet and Strings
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American Composers Alliance Inc.
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SheetMusicPlus
Quintet for Clarinet and Strings
Small Ensemble A Clarinet,Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.10939…
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Small Ensemble A Clarinet,Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1093936 By Alex Tinlin. By Carl Stamitz. Arranged by Alex Tinlin. Classical. Score and parts. 61 pages. Alex Tinlin #698033. Published by Alex Tinlin (A0.1093936). My arrangement for Clarinet and String Quartet of a work by Karl Stamitz, originally for Oboe, violin, Viola d'amore and Cello.
$4.99
4.58 €
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Alex Tinlin
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Alex Tinlin
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Quintet for Clarinet and Strings
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Alex Tinlin
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SheetMusicPlus
Debussy: La plus que lente (Valse) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553915 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Wedding. 12 pages. RayThompsonMusic #6103441. Published by RayThompsonMusic (A0.553915). La plus que lente, L. 121 The more than slow), is a waltz for solo piano written by Claude Debussy in 1910, shortly after his publication of the Préludes, Book I.The piece debuted at the New Carlton Hotel in Paris, where it was transcribed for strings and performed by the popular 'gipsy' violinist, Léoni, for whom Debussy wrote it (and who was given the manuscript by the composer).Despite its title, La plus que lente was not meant to be played slowly; lente, in this context, refers to the valse lente genre that Debussy attempted to emulate.Typical of Debussy's caustic approach to naming his compositions, it represented his reaction to the vast influence of the slow waltz in France's social atmospheres. However, as Frank Howes noted, La plus que lente is, in Debussy's wryly humorous way, the valse lente [slow waltz] to outdo all others.The work is marked Molto rubato con morbidezza, indicating Debussy's encouragement of a flexible tempo.Arranged for standard wind quintet.
$14.95
13.71 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Claude Debussy
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Ray Thompson
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Debussy: La plus que lente
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RayThompsonMusic
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SheetMusicPlus
Pennsylvania 6-5000
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1437299 Composed by Carl Sigman and Jerry Gray. Arranged by Keith Terrett. Instructional,Jazz,Multicultural,Standards,World. 27 pages. Keith Terrett #1017368. Published by Keith Terrett (A0.1437299). An arrangement of Pennsylvania 6-5000 for Clarintet Quintet. By Jerry Gray, Carl Sigma.Pennsylvania 6-5000 (also written Pennsylvania Six-Five Thousand) is a 1940 swing jazz and pop standard recorded by Glenn Miller and His Orchestra as a Bluebird 78 rpm single. The music was by Jerry Gray and the lyrics by Carl Sigman.Many big band musicians played in Hotel Pennsylvania's Cafe Rouge in New York City, including the Glenn Miller Orchestra.The hotel's telephone number, Pennsylvania 6-5000, inspired the Glenn Miller 1940 Top 5 Billboard hit of the same name, which had a 12-week chart run.[2] The instrumental was recorded on April 28, 1940 at the RCA Victor Studios at 155 East 24th Street in New York City. The 78 single was released in June, 1940 as RCA Victor Bluebird 78 B-10754-A backed with Rug Cutter's Swing. The song was also an advertisement for attendance at the band's live performances, as a call could be put through to Hotel Pennsylvania’s venue the Cafe Rouge for a reservation.Johnny Best played the improvised trumpet solo on the recording. The Carl Sigman lyrics were not used, only the refrain was shouted by the band after the ringing of the telephone.Two different sheet music covers were released with different photos of Glenn Miller.The song became a jazz and big band standard also recorded by the Andrews Sisters, Judy Garland and Martha Raye in a duet, the Brian Setzer Orchestra, Jimmy Mundy and His Orchestra (1959), Louise Gold, Kathy Miller, Martin Brushane Big Band, the Blue Moon Big Band (1999), in a 1976 Carol Burnett Show episode in a tribute to Glenn Miller, Syd Lawrence, Michael Maxwell and His Orchestra, Richard Hunt and Jerry Nelson (Bobby Benson and the Baby Band) in The Muppet Show (1979, Episode 319), Fud Candrix and His Orchestra, Jerry Gray, Mina, Lou Haskins, Jack Livingston, Raquel Rastenni (1941) in Copenhagen, Starlight Orchestra, Klaus Wunderlich, New 101 Strings Orchestra, Heptet, Meco, Tex Beneke, The Modernaires, Jack Million Band, Al Pierson Big Band, BBC Big Band Orchestra, SWR Big Band, and by Captain Cook und seine singenden Saxophone in 2012.Fats Waller's arrangement of the song for piano was published in the UK songbook Francis & Day's Album of Fats Waller: Musical Rhythms in the 1940s.
$14.99
13.74 €
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Quintette de Clarinettes: 5 clarinettes
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Jerry Gray, Carl Sigma
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Carl Sigman and Jerry Gray
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Keith Terrett
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Pennsylvania 6-5000
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Keith Terrett
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SheetMusicPlus
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Ensemble de Tubas
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
11.91 €
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Ensemble de Tubas
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Quintet
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Music for all Occasions
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SheetMusicPlus
La plus que lente
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1155081 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1155081 Composed by Claude Debussy. Arranged by Felix Linsmeier. 19th Century,20th Century,Classical,Romantic Period,Traditional. 24 pages. Felix Linsmeier #755365. Published by Felix Linsmeier (A0.1155081). La plus que lente (The more than slow) is a waltz for solo piano written by Claude Debussy in 1910. The piece debuted at the New Carlton Hotel in Paris, where it was transcribed for strings and performed by the popular 'gipsy' violinist, Léoni, for whom Debussy wrote it. Debussy arranged the piece for small orchestra (flute, clarinet, piano, cimbalom and strings) which was published in 1912. This arrangement for brass quintet is challenging and virtuos for all players with an especially rewarding trumpet part.
$25.00
22.92 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Claude Debussy
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Felix Linsmeier
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La plus que lente
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Felix Linsmeier
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SheetMusicPlus
Northwest Passage (Downloadable Piano/Choral Score)
Chorale SATB
SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: M…
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SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E). English.Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall StroopeDuration: 8:25Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).
$3.20
2.93 €
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Chorale SATB
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Z
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Northwest Passage
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Galaxy Music Corporation - Digital
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SheetMusicPlus
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