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[Eaton] The End of It
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Vous avez sélectionné:
[Eaton] The End of It
SheetMusicPlus
Partitions à imprimer
21 partitions trouvées
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1
[Eaton] The End of It
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Orchestre de chambre
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Contemporain
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John Eaton
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[Eaton] The End of It
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American Composers Alliance Inc.
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SheetMusicPlus
Chamber Orchestra - SKU: A0.952949 Composed by John Eaton. Contemporary. Score and parts. 72 pages. American Composers Alliance Inc. #4631953. Published...
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Chamber Orchestra - SKU: A0.952949 Composed by John Eaton. Contemporary. Score and parts. 72 pages. American Composers Alliance Inc. #4631953. Published by American Composers Alliance Inc. (A0.952949). Seven songs for soprano with flute (doubling piccolo, alto flute, and bass flute), clarinet, percussion, harp, piano, and strings, sectioned as a pierrot+ ensemble, string quartet, soprano, and harp. Includes: Holy Sonnet V (John Donne), Leaving the Party (Karen Swenson), Holy Sonnet III (John Donne), Styx Pier (Karen Swenson), Circumambulating Mount Kailash (Karen Swenson), Father Death (Frederick Borsch), Excerpt from Paradiso (Dante).PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$39.95
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Two-Part Inventions
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Piano seul
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INTERMÉDIAIRE
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Keaton Springfield
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Two-Part Inventions
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Songburd Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1411457 Composed by Keaton Springfield. Baroque,Classical,Contemporary,Instructional. Score. 31 pages. Songburd Music #99...
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Piano Solo - Level 3 - SKU: A0.1411457 Composed by Keaton Springfield. Baroque,Classical,Contemporary,Instructional. Score. 31 pages. Songburd Music #993724. Published by Songburd Music (A0.1411457). The Two-Part Inventions by Keaton Springfield take their inspiration from the Two-Part Inventions of J.S. Bach.  As students of music become familiar with the inventions of J.S. Bach in the course of their studies, it is unsurprising that they should come to admire and champion these works in music studios and performances. For composers, these works present an opportunity to learn from, model and at times emulate musical styles of the Baroque.  While these two-part inventions are Baroque in nature, musical elements are present that exceed their historical bounds such as the modulations found in No. 5 and No. 6.Performance considerations have been made for the sake of practical instruction, while still retaining a Baroque aesthetic.  For example, typical pieces of the Baroque era are without tempi or dynamic indications.  In keeping with this, the tempi provided in parenthesis should be viewed only as recommended approximations and not as fixed directives.  Liberty is also afforded to the performer and music teacher regarding dynamics, which are entirely absent in the score. Performers are encouraged to seek out their own inspiration on the matter of dynamics and tempi through experimentation and a judicious ear.  The provided ornamentation may be augmented or even done away with entirely depending on the needs and tastes of the performer. While the range of style and difficulty in this collection varies widely, it is suitable for use in music education, worship service, and public performance.  For piano instructors, the following order is recommended to fit a general progressive study: 8, 2, 4, 3, 1, 10, 9, 6, 5, 7, which may be adjusted to accommodate the skills and temperament of individual students.
$21.99
Breath Of Heaven (Mary's Song)
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Amy Grant
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K Davies
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Breath Of Heaven
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Bandmusic.co.uk
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SheetMusicPlus
Small Ensemble Vibraphone - Level 3 - SKU: A0.867489 By Amy Grant. By Amy Grant and Chris Eaton. Arranged by K Davies. Christian,Contemporary. Score and...
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Small Ensemble Vibraphone - Level 3 - SKU: A0.867489 By Amy Grant. By Amy Grant and Chris Eaton. Arranged by K Davies. Christian,Contemporary. Score and parts. 31 pages. Bandmusic.co.uk #3236967. Published by Bandmusic.co.uk (A0.867489). Arranged for Brass Band as a slower and more passionate solo than many Christmas numbers which also includes a few obligato (and higher) phrases. Why not have a listen to the mp3 rendition to decide whether it's for you?
$45.00
Be Still My Soul
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Katie Gustafson
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Brendan Elliget MAGA 537
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Be Still My Soul
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.751087 By Katie Gustafson. By Chris Eaton, John Hartley, and Katie Gustafson. Arranged by Brendan Elliget MAGA 537. C...
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Full Orchestra - Level 3 - SKU: A0.751087 By Katie Gustafson. By Chris Eaton, John Hartley, and Katie Gustafson. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #6736981. Published by BJE Music (A0.751087). The Finlandia hymn (Finnish: Finlandia-hymni) refers to a serene hymn-like section of the patriotic symphonic poem Finlandia, written in 1899 and 1900 by the Finnish composer Jean Sibelius. It was later re-worked by the composer into a stand-alone piece. With words written in 1940 by Veikko Antero Koskenniemi, it is one of the most important national songs of Finland. Although not the official national anthem of Finland, it has been continuously proposed as such. Other major uses of the tune include several Christian hymns and other national songs including Be Still My Soul. This is an arrangement for both Orchestra and/or the Concert Band – It would work for either ensemble or combinations of both… There are parts for Horns in F and Eb. There is an optional Piano part. There is a descant for Piccolo, Flute, Clarinet, and Trumpet in the last verse and an optional Amen at the end of the arrangement… Grade = 3 Duration = 3:25 mins. (3 verses) The MP3 was recorded with NotePerformer 3.
$49.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Trombone or Euphonium and Piano
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0....
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B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0.1320503 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. Score and individual part. 9 pages. RBMusic #909019. Published by RBMusic (A0.1320503). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement (for solo trombone or euphonium and piano accompaniment) includes an alternative part for trombone/euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Clas...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Brass Quintet
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1321540 Composed by Pietro Mascagni. Arranged ...
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Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1321540 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 18 pages. RBMusic #910007. Published by RBMusic (A0.1321540). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$19.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages....
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Piano,Violin - Level 4 - SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages. RBMusic #904730. Published by RBMusic (A0.1315952). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Winelight
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Ensemble Jazz
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INTERMÉDIAIRE
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Grover Washington Jr
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MAJOR SCORE PUBLISHING TM
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Winelight
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Major Score Publishing
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1487208 By Grover Washington Jr. By William Eaton. Arranged by MAJOR SCORE PUBLISHING TM. Contest,Festiv...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1487208 By Grover Washington Jr. By William Eaton. Arranged by MAJOR SCORE PUBLISHING TM. Contest,Festival,Funk,Jazz,Pop. 67 pages. Major Score Publishing #1064179. Published by Major Score Publishing (A0.1487208). Winelight - Grover Washington Jr. Big Band Chart Big bands! Perform this crowd pleaser today and feature your soloists! We have arranged Winelight as performed by Grover Washington Jr. to be as much fun to play as it is to listen to! It is based entirely off the original version and we have added a small background line for the band to play before taking it back into the chorus after the open solo section. The end of the arrangement features a bit of trading between the alto saxes into a custom ending as the original fades out! Be sure to check out the full arrangement preview on our YouTube channel! Enjoy!MORE BIG BAND CHARTS (SHEET MUSIC PLUS & DIRECT)Battle Without Honor or Humanity (Kill Bill Vol. 1)A Taste of Honey (Herb Alpert) Follow us today! Instagram@majorscorepublishingYouTube@majorscorepublishingWebsitehttps://www.majorscorepublishing.com/
$49.99
Great Big World
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Chorale Unison
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DÉBUTANT
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Contemporain
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Chris Eaton
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Kenneth Martin
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Great Big World
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Martin Music Editions
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.838999 Composed by Chris Eaton. Arranged by Kenneth Martin. Contemporary. Octavo. 14 pages. Martin Music Editi...
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Choral Choir (Unison) - Level 1 - SKU: A0.838999 Composed by Chris Eaton. Arranged by Kenneth Martin. Contemporary. Octavo. 14 pages. Martin Music Editions #5033421. Published by Martin Music Editions (A0.838999). Step into a world of musical wonder with the unison choir arrangement of Life Is Good by Great Big World, featured in the heartwarming Motion Picture The Star. Crafted with young singers in mind, this arrangement invites budding voices to join in a harmonious celebration of life's joys and the magic of the silver screen.As the musical notes come alive on the sheet music, the voices of young singers rise like stars in the night sky, illuminating the essence of hope and happiness. Life Is Good becomes more than just a song—it becomes a shared anthem for the bright dreams and aspirations of tomorrow.The arrangement's simplicity is its strength, allowing young voices to shine individually and collectively. The unison choir, like a constellation of voices, carries the melody with clarity and purity, creating a harmonious tapestry that showcases the beauty of unity. As the song's lyrics tell a tale of optimism and wonder, the young singers infuse their voices with innocence and enthusiasm, embodying the spirit of youthful exuberance.With each note, the choir creates a musical bridge between reality and imagination, mirroring the sentiment of the film from which it springs. The melody becomes a vessel that transports both singers and listeners to a world where anything is possible—a world where life is indeed good.As the final chord echoes, the arrangement leaves a lasting impression on young hearts and eager minds. The unison choir's rendition of Life Is Good becomes a shared memory, a musical touchstone that reminds them of the boundless potential that lies ahead.So, gather your young singers and let their voices soar in harmony, embracing the magic of Life Is Good as they unite their voices in a chorus of hope, joy, and the promise of a bright future inspired by the magic of the movies.
$2.50
A Christmas Lullaby
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Chorale SATB
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FACILE
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Amy Grant and Chris Eaton
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Michael Thomas Coull
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A Christmas Lullaby
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1268167 Composed by Amy Grant and Chris Eaton. Arranged by Michael Thomas Coull. 20th Century,Christian,C...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1268167 Composed by Amy Grant and Chris Eaton. Arranged by Michael Thomas Coull. 20th Century,Christian,Christmas,Holiday,Spiritual. 12 pages. MTC Publishing #860728. Published by MTC Publishing (A0.1268167). I Will Lead You Home (A Christmas Lullaby) - Choral Arrangement for SATB and Piano arranged by Michael Thomas CoullI Will Lead You Home (A Christmas Lullaby) written by Amy Grant and co-writer Chris Eaton, was recorded and released on Amy’s third seasonal holiday album in 1999, and is a song about faith and finding the right path in life.  The last verse is mostly based on John T McFarland's lyrics from the third verse of the traditional carol Away In A Manger.I Will Lead You Home (A Christmas Lullaby) is a beautiful song full of loving sentiment, and this arrangement for SATB and piano accompaniment is full of lovely harmonies that are both simple and reflective, making it an ideal addition to any choirs end of year holiday concert.Also available for SSA.
$3.99
A Christmas Lullaby
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Chorale 3 parties
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FACILE
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Amy Grant and Chris Eaton
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Michael Thomas Coull
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A Christmas Lullaby
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 2 - SKU: A0.1268164 Composed by Amy Grant and Chris Eaton. Arranged by Michael Thomas Coull. 20th Century,Christian,Ch...
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Choral Choir,Choral (SSA) - Level 2 - SKU: A0.1268164 Composed by Amy Grant and Chris Eaton. Arranged by Michael Thomas Coull. 20th Century,Christian,Christmas,Holiday,Sacred. 12 pages. MTC Publishing #860724. Published by MTC Publishing (A0.1268164). I Will Lead You Home (A Christmas Lullaby) - Choral Arrangement for SSA and Piano arranged by Michael Thomas CoullI Will Lead You Home (A Christmas Lullaby) written by Amy Grant and co-writer Chris Eaton, was recorded and released on Amy’s third seasonal holiday album in 1999, and is a song about faith and finding the right path in life.  The last verse is mostly based on John T McFarland's lyrics from the third verse of the traditional carol Away In A Manger.I Will Lead You Home (A Christmas Lullaby) is a beautiful song full of loving sentiment, and this arrangement for SSA and piano accompaniment is full of lovely harmonies that are both simple and reflective, making it an ideal addition to any choirs end of year holiday concert.Also available for SATB.
$3.99
Moonlight In Vermont
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2 Saxophones (duo)
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FACILE
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Frank Sinatra
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P
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Moonlight In Vermont
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P. R. Frederick
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SheetMusicPlus
Alto Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1388332 By Frank Sinatra. By John Blackburn and Karl Suessdorf. Arranged by P. R. Frederick. Film/TV,...
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Alto Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1388332 By Frank Sinatra. By John Blackburn and Karl Suessdorf. Arranged by P. R. Frederick. Film/TV,Pop,Standards. Saxophone Duet. 4 pages. P. R. Frederick #971930. Published by P. R. Frederick (A0.1388332). Moonlight in Vermont is a timeless jazz standard that celebrates the state of Vermont and has been embraced by musicians and audiences alike for its unique and evocative qualities.  The song is notable for its unique structure, as it does not rhyme and each verse follows a haiku pattern (5-7-5 syllables). The song's unconventional structure and its ability to resonate with listeners have contributed to its enduring appeal. It has been featured in various media, such as the Diane Keaton movie Baby Boom, and has been performed by notable artists like Frank Sinatra and Ella Fitzgerald, who recorded a duet version.Here it is arranged as a flute duet.  A score and separate parts are provided. Enjoy playing this timeless tune.See my other Saxophone Duets here
$10.00
Moonlight In Vermont
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2 Flûtes traversières (duo)
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FACILE
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Frank Sinatra
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P
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Moonlight In Vermont
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P. R. Frederick
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SheetMusicPlus
Flute Duet Flute - Level 2 - SKU: A0.1384117 By Frank Sinatra. By John Blackburn and Karl Suessdorf. Arranged by P. R. Frederick. Film/TV,Pop,Standards....
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Flute Duet Flute - Level 2 - SKU: A0.1384117 By Frank Sinatra. By John Blackburn and Karl Suessdorf. Arranged by P. R. Frederick. Film/TV,Pop,Standards. Score. 4 pages. P. R. Frederick #968480. Published by P. R. Frederick (A0.1384117). Moonlight in Vermont is a timeless jazz standard that celebrates the state of Vermont and has been embraced by musicians and audiences alike for its unique and evocative qualities.  The song is notable for its unique structure, as it does not rhyme and each verse follows a haiku pattern (5-7-5 syllables). The song's unconventional structure and its ability to resonate with listeners have contributed to its enduring appeal. It has been featured in various media, such as the Diane Keaton movie Baby Boom, and has been performed by notable artists like Frank Sinatra and Ella Fitzgerald, who recorded a duet version.Here it is arranged as a flute duet.  A score and separate parts are provided. Enjoy playing this timeless tune.See my other flute duets here
$10.00
Moonlight In Vermont
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2 Clarinettes (duo)
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FACILE
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Frank Sinatra
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P
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Moonlight In Vermont
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P. R. Frederick
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SheetMusicPlus
Clarinet Duet Clarinet - Level 2 - SKU: A0.1384126 By Frank Sinatra. By John Blackburn and Karl Suessdorf. Arranged by P. R. Frederick. Film/TV,Pop,Stan...
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Clarinet Duet Clarinet - Level 2 - SKU: A0.1384126 By Frank Sinatra. By John Blackburn and Karl Suessdorf. Arranged by P. R. Frederick. Film/TV,Pop,Standards. 2 scores. 4 pages. P. R. Frederick #968489. Published by P. R. Frederick (A0.1384126). Moonlight in Vermont is a timeless jazz standard that celebrates the state of Vermont and has been embraced by musicians and audiences alike for its unique and evocative qualities.  The song is notable for its unique structure, as it does not rhyme and each verse follows a haiku pattern (5-7-5 syllables). The song's unconventional structure and its ability to resonate with listeners have contributed to its enduring appeal. It has been featured in various media, such as the Diane Keaton movie Baby Boom, and has been performed by notable artists like Frank Sinatra and Ella Fitzgerald, who recorded a duet version.Here it is arranged as a clarinet duet.  A score and separate parts are provided. Enjoy playing this timeless tune.
$10.00
O Holy Night
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Chorale SATB
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AVANCÉ
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Noël
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Adolphe-Charles Adam
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Greg Wheatley
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O Holy Night
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Greg Wheatley
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.939946 Composed by Adolphe-Charles Adam. Arranged by Greg Wheatley. Christian,Christmas,Sacred. Octavo. 2 pages....
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Choral Choir (SATB) - Level 5 - SKU: A0.939946 Composed by Adolphe-Charles Adam. Arranged by Greg Wheatley. Christian,Christmas,Sacred. Octavo. 2 pages. Greg Wheatley #3011433. Published by Greg Wheatley (A0.939946). Greg Wheatley's arrangement of the much-loved O Holy Night was written as a finale for the Glen Ellyn-Wheaton Chorale's Christmas concert Wintersong. It captures the wonder and awe of that night divine when Christ was born. The organ provides a shimmering backdrop for the choir, including richly textured added-note chords. After building to a full climax, the piece ends with sopranos sustaining a single note, with the full choir echoing quietly O holy night.
$2.25
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