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åºé™¢æ·±æ·± You Can’t Tell Him
Non classifié
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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Vous avez sélectionné:
åºé™¢æ·±æ·± You Can’t Tell Him
Partitions à imprimer
57 partitions trouvées
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I Don’t Want to Play in Your Yard: Trumpet Feature
Quatuor de Cuivres
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95
7.33 €
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Quatuor de Cuivres
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H
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F
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I Don’t Want to Play in Your Yard: Trumpet Feature
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Sweetwater Brass Press
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SheetMusicPlus
Tell My Father
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1411273 By Sol3 Mio. By Frank Wildhorn and Jack Murphy. Arranged by Nicholas Garrett. Broadway,Musical/Show. Brass Band. 30 pages. Nicholas Garrett #993608. Published by Nicholas Garrett (A0.1411273). Arrangement of Tell My Father for Brass Band - featuring Euphonium, Trombone, and Eb Bass soloists.Tell My Father from the musical Civil War is a heartwrenching song sung by a soldier wishing to let his father know that he died a man.Lyrics:Tell my father that his sonDidn’t run or surrenderThat I bore his name with prideAs I tried to rememberYou are judged by what you doWhile passing throughAs I rest ‘neath fields of greenLet him lean on your shoulderTell him how I spent my youthSo the truth could grow olderTell my father, when you canI was a manTell him we will meet againWhere the angels learn to flyTell him we will meet as menFor with honour did I dieTell him I wore the blueProud and true, through the fireTell my father so he’ll knowI love him soTell him how I wore the blueJust the way that he taught meTell my father not to cryThen say goodbye
$25.00
23.05 €
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Sol3 Mio
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Nicholas Garrett
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Tell My Father
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Nicholas Garrett
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SheetMusicPlus
åºé™¢æ·±æ·± You Can’t Tell Him
Piano seul
Piano Solo - Digital Download SKU: A0.818522 Composed by Thomas Ling Swee Chin æž…
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Piano Solo - Digital Download SKU: A0.818522 Composed by Thomas Ling Swee Chin æž—åž‚æ£. Arranged by Ling’s Link Publication. Concert,Film/TV,Standards,World. Score. 3 pages. Thomas Swee Chin #6473079. Published by Thomas Swee Chin (A0.818522). Arranged with colourful harmonies. Popular old Chinese movie theme.
$5.99
5.52 €
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Piano seul
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Thomas Ling Swee Chin æž—åž‚æ£
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åºé™¢æ·±æ·± You Can’t Tell Him
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Thomas Swee Chin
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SheetMusicPlus
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1335072 Composed by J…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
$5.50
5.07 €
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Piano, Voix et Guitare
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James R
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Connie Boss
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Here to See Santa Claus
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Connie Boss
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SheetMusicPlus
Vom Himmel hoch, da komm ich her
Flûte à bec Soprano
Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.1471158 Compose…
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Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.1471158 Composed by M. Luther, about 1520. Arranged by songbooks.info. Historic,Medieval,Renaissance. Individual part. 2 pages. Songbooks.info #1048816. Published by songbooks.info (A0.1471158). Songs from the Middle Ages and the Renaissance, some of them over 1000 years old - notated for the Soprano or Tenor Recorder. The classic musical notation indicates the rhythm of the notes, and a fingering diagram shows how the appropriate note is played. A simple explanation of the fingering diagrams for the recorder is in the appendix. The song was recorded at a slow tempo. We hope you enjoy making music...!Lieder aus dem Mittelalter und der Renaissance, teilweise über 1000 Jahre alt - notiert für die Sopran- oder Tenorblockflöte. Die klassische Notenschrift gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Blockflöte ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.99
2.76 €
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Flûte à bec Soprano
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M
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songbooks
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Vom Himmel hoch, da komm ich her
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songbooks.info
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SheetMusicPlus
Vom Himmel hoch, da komm ich her
Flûte à bec Soprano
Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1327402 Compose…
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Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1327402 Composed by M. Luther, Traditional. Arranged by songbooks.info. Christian,Christmas,Religious. Individual part. 2 pages. Songbooks.info #915448. Published by songbooks.info (A0.1327402). Christmas Songs from all over the world - notated for the Soprano or Tenor Recorder. The classic musical notation and/or the lyrics indicate the rhythm of the tones, and a fingering diagram shows how the appropriate tone is played. A simple explanation of the fingering images for the Recorder is included in the appendix. The song's recording was made at a slow tempo. We hope you enjoy making music...!Weihnachtslieder aus aller Welt - notiert für die Sopran- oder Tenorblockflöte. Die klassische Notenschrift und/oder der Liedtext gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Blockflöte ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.22
2.05 €
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Flûte à bec Soprano
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M
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songbooks
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Vom Himmel hoch, da komm ich her
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songbooks.info
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SheetMusicPlus
Estrellita (Star of Love - Mexican Love Song)
Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.955811 Compo…
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Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.955811 Composed by Manuel M. Ponce. Arranged by Scott S. Stewart. 20th Century,Concert,Holiday,Romantic Period,World. Score and parts. 8 pages. Scott S. Stewart #6088787. Published by Scott S. Stewart (A0.955811). In 1912 Mexican composer Manuel M. Ponce traveled to Aguascalientes on vacation and spent an evening looking at the starry night. This inspired him to compose the words and music for the song, Estrellita (Star of Love/Little Star/Petit Astre/Stellina). The text ‘Star from far away, you know about my love and my suffering…’ has been speculated by many that these lyrics are Ponce’s sentimental expressions for his beloved Mexico as a little star… ‘Because I cannot live without his love.’ Or, it is widely held that the lovely melody of Estrellita came to Ponce in a moment of inspiration while spending a romantic evening with his wife… either scenario could be true. In 1923 violinist Jascha Heifetz was in Mexico City and realized he didn’t have any work by a Mexican composer on his program. While in a café, he heard a local musician sing the popular song Estrellita and noted its title on a napkin. Estrellita became one of his favorite encore songs ever since. Scored for solo violin, tenor and piano this trio runs 2:59.
$24.99
23.04 €
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Manuel M
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Scott S
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Estrellita
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Scott S. Stewart
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 18 La Stella
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869426
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 4 pages. Thomas Oboe Lee #2071133. Published by Thomas Oboe Lee (A0.869426). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
9.21 €
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos
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Thomas Oboe Lee
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SheetMusicPlus
Fall Of Snow
Piano, Guitare (duo)
Guitar,Piano - Level 3 - Digital Download SKU: A0.1145635 By William McKechnie. By …
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Guitar,Piano - Level 3 - Digital Download SKU: A0.1145635 By William McKechnie. By William McKechnie. Arranged by Lindsay Garvin & Anthony King. Christmas,Contemporary,Holiday,Singer/Songwriter,Traditional. Score and part. 2 pages. William McKechnie #745878. Published by William McKechnie (A0.1145635). Piano manuscript for Intermediate. Fall of Snow is a jolly upbeat, 194bpm Christmas swing with an excellent hook. It tells the story of Santa setting off on his journey to deliver presents while elves wave him goodbye and Frosty the snowman and how he is made. The story-telling also describes Santa's clothing, the reindeers and the elves. In all, what makes Fall of Snow unique is its chorus which once heard is difficult to forget...it sticks somewhere in the back of the mind and you can't help humming it all day long Lyrics Fall of Snow It's Christmas time it's party time it comes round every year The time when we start singing about Rudolph the reindeer His nose is red and shiny and it does glow so bright He guides old Santa's sleigh across the sky Christmas eve night. Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Frosty he is our snowman a friendly jolly chap He has a carrot for his nose and sometimes wears a cap He has a scarf around his neck and two black eyes to see Branches are used for his arms taken from a tree Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Santa has a big red suit with white bits here and there He has his little helpers those young elves are everywhere A back belt round his tummy and a very long white beard Standing at the Christmas tree then whoosh he's disappeared Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Santa Claus needs his reindeers to help him on his way Dasher, Dancer, Prancer, Vixen, Comet, Cupid, hey Donner, Blitzen, Rudolph all his reindeers now you know But Christmas isn't Christmas without a fall of Snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow ho ho ho ho ho.
$1.99
1.83 €
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Piano, Guitare (duo)
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William McKechnie
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Lindsay Garvin & Anthony King
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Fall Of Snow
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William McKechnie
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SheetMusicPlus
Fall of Snow
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1139900 Composed by William McKechn…
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Piano Solo - Level 3 - Digital Download SKU: A0.1139900 Composed by William McKechnie. Arranged by Lindsay Garvin & Anthony King. Christmas,Contemporary,Holiday,Instructional,Traditional. Score. 2 pages. William McKechnie #740168. Published by William McKechnie (A0.1139900). Piano manuscript for Intermediate. Fall of Snow is a jolly upbeat, 194bpm Christmas swing with an excellent hook. It tells the story of Santa setting off on his journey to deliver presents while elves wave him goodbye and Frosty the snowman and how he is made. The story-telling also describes Santa's clothing, the reindeers and the elves. In all, what makes Fall of Snow unique is its chorus which once heard is difficult to forget...it sticks somewhere in the back of the mind and you can't help humming it all day long Lyrics Fall of Snow It's Christmas time it's party time it comes round every year The time when we start singing about Rudolph the reindeer His nose is red and shiny and it does glow so bright He guides old Santa's sleigh across the sky Christmas eve night. Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Frosty he is our snowman a friendly jolly chap He has a carrot for his nose and sometimes wears a cap He has a scarf around his neck and two black eyes to see Branches are used for his arms taken from a tree Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Santa has a big red suit with white bits here and there He has his little helpers those young elves are everywhere A back belt round his tummy and a very long white beard Standing at the Christmas tree then whoosh he's disappeared Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Santa Claus needs his reindeers to help him on his way Dasher, Dancer, Prancer, Vixen, Comet, Cupid, hey Donner, Blitzen, Rudolph all his reindeers now you know But Christmas isn't Christmas without a fall of Snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow Hey hey hey hey hey hey hey hey Ho ho ho ho ho ho ho ho Christmas isn't Christmas without a fall of snow ho ho ho ho ho.
$1.99
1.83 €
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Piano seul
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William McKechnie
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Lindsay Garvin & Anthony King
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Fall of Snow
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William McKechnie
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SheetMusicPlus
Wounded For Me I Stand Amazed - piano solo arrangement by Stephen R Dalrymple
Piano seul
Piano Solo - Digital Download SKU: A0.818323 Arranged by Stephen R. Dalrymple (Dalr…
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Piano Solo - Digital Download SKU: A0.818323 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Sacred. Score. 14 pages. Stephen R Dalrymple #6011219. Published by Stephen R Dalrymple (A0.818323). Piano solo arrangement of 2 hymns, Wounded for Me and My Savior's Love by Stephen R Dalrymple. William Gilbert Jones Ovens (1870-1945) conducted seaside missions in Northern Ireland for over 30 years. Following World War I, Owens saw a wounded veteran limping past him on the street and he thought He was wounded for me. Gladys Dobson Roberts, a missionary in India, wrote 4 additional verses (Dying for me, Risen for me, Living for me, Coming for me.) Charles Hutchinson Gabriel (1856 -1932) taught himself to play the family’s reed organ, growing up on a farm in Iowa. He was teaching singing school by age 16. He served as music director in Grace Methodist Episcopal Church in San Francisco for 2 years beginning in 1890. In 1912 he began working with Homer Rodeheaver’s publishing company. He edited 43 song books, 7 men’s chorus books, 19 anthem collections and 23 cantatas. He wrote the lyrics for 63 hymns and the tunes for 218 hymns. I used to like to tease the pastor of the Nazarene Church we were attending at that time whenever he chose this song. Responding to the lyrics I stand amazed in the presence of Jesus the Nazarene, I would remind him that Jesus wasn’t a Nazarene; He is THE Nazarene.Suitable for preludes, offertories, concerts, personal meditation. Includes 2 versions 1) piano score letter size 2) piano score - small page format for performing from 10.1 inch tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
4.15 €
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Piano seul
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Stephen R
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He is THE Nazarene
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Wounded For Me I Stand Amazed - piano solo arrangement by Stephen R Dalrymple
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Stephen R Dalrymple
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SheetMusicPlus
CASSANDRA'S VISION
Violon et Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704…
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
4.61 €
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Violon et Piano
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Sweet Home Alabama
Basse electrique
Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1502107 By Alabama. By Ed King…
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Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1502107 By Alabama. By Ed King, Gary Rossington, and Ronnie Van Zant. Arranged by Tracy Dean McCallum. 20th Century,Rock. Score. 6 pages. Tracy Dean McCallum #1077985. Published by Tracy Dean McCallum (A0.1502107). https://tracymccallum.com Lyrics They got loose to you Here it comes Oh, whoa-whoa Big wheels keep on turnin' Carry me home to see my kin Singin' songs about the Southland I miss Alabamy once again, and I think it's a sin, I said Well, I heard Mr. Young sing about her Well, I heard old Neil put her down Well, I hope Neil Young will remember A Southern man don't need him around, anyhow Sweet home Alabama Where the skies are so blue Sweet home Alabama Lord, I'm comin' home to you One thing I wanna tell you In Birmingham, they love the governor (boo, boo, boo!) Now we all did what we could do Now Watergate does not bother me, uh-uh Does your conscience bother you? Tell the truth Sweet home Alabama Where the skies are so blue Sweet home Alabama (oh, my baby) Lord, I'm comin' home to you (here I come, Alabama) Speak your mind Ah-ah-ah (can you feel that?), Alabama Ah-ah-ah, Alabama Ah-ah-ah, Alabama Ah-ah-ah, Alabama Now Muscle Shoals has got the Swampers And they've been known to pick a song or two (yes, they do) Lord, they get me off so much They pick me up when I'm feelin' blue, now how 'bout you? Sweet home Alabama (oh) Where the skies are so blue Sweet home Alabama Lord, I'm comin' home to you Sweet home Alabama (home, sweet home, baby) Where the skies are so blue (and the governor's, too) Sweet home Alabama (Lord, yeah) Lord, I'm comin' home to you (whoo, whoa, yeah, oh) Alright, brother, now Wait one minute Oh-oh, sweet Alabama Thank you
$7.77
7.16 €
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Basse electrique
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Alabama
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Tracy Dean McCallum
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Sweet Home Alabama
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Tracy Dean McCallum
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SheetMusicPlus
Get Out PVG
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983997 Composed by Steven H.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983997 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 12 pages. Boothe Publishing #4360831. Published by Boothe Publishing (A0.983997). Whether its food, alcohol, drugs, or viewing pornography. Addictions destroy the lives of everyone around them. I look at addictions as if they were little devils that have us down and are jumping on top of us and won’t let us get up. Little by little the addicted and all of his friends and family lose faith, hope, love, peace, joy, and self respect. The shame of addiction keeps them in despair. They constantly have voices in their heads that say you’re no good, you’re no good, do you hear me, you’re no good. Well I’m here to tell you that is a lie. You are good. You are worth something. Life , family, love, peace, joy. Those are all things that are worth fighting for. Take them back. You are not unworthy. You can fight the addiction. You have made mistakes that are correctable. God tells us to resist the devil and he will flee from you. Then God says to draw near unto Him and He will draw near unto you. When God draws close to us, we will recieve His strength and power to leave the addiction behind. With Him we can overcome anything.
$3.99
3.68 €
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Piano, Voix
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Steven H
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Ashley Ivers
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Get Out PVG
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Boothe Publishing
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SheetMusicPlus
Get Out Piano Minus Vocal
Piano seul
Piano - Digital Download SKU: A0.1069990 Composed by Steven H. Boothe. Arranged by …
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Piano - Digital Download SKU: A0.1069990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Accompaniment. Duration 210. Boothe Publishing #4737115. Published by Boothe Publishing (A0.1069990). Whether its food, alcohol,drugs, or viewing pornography. Addictions destroy the lives of everyone around them. I look at addictions as if they were little devils that have us down and are jumping on top of us and won’t let us get up. Little by little the addicted and all of his friends and family lose faith, hope, love, peace, joy, and self respect. The shame of addiction keeps them in despair. They constantly have voices in their heads that say you’re no good, you’re no good, do you hear me, you’re no good. Well I’m here to tell you that is a lie. You are good. You are worth something. Life ,family, love, peace, joy. Those are all things that are worth fighting for. Take them back. You are not unworthy. You can fight the addiction. You have made mistakes that are correctable. God tells us to resist the devil and he will flee from you. Then God says to draw near unto Him and He will draw near unto you. When God draws close to us, we will receive His strength and power to leave the addiction behind. With Him we can overcome anything.
$1.99
1.83 €
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Piano seul
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Steven H
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Ashley Ivers
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Get Out Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
The Potter's Hand
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.818342 Composed by Darlene Zschech.…
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Piano Solo - Level 3 - Digital Download SKU: A0.818342 Composed by Darlene Zschech. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Contemporary,Sacred. Score. 18 pages. Stephen R Dalrymple #6252777. Published by Stephen R Dalrymple (A0.818342). The Potter’s Hand ♫ by Darlene Zschech ♫ with Spirit of God Descend Upon My Heart (lyrics by George Croly, melody MORECAMBE by Frederick C Atkinson) ♫ piano solo arrangement by Stephen R Dalrymple♫ With the images of the potter, the clay, and the pottery vessel, Isaiah answers the age-old question “What claim does God have on my life?†Nothing we see, hear, taste, smell, or feel would exist without the Creator. Neither you nor I would or could exist without Him. As a painter, sculptor, composer, designer etc. creates a masterwork for his or her own purposes, so we have a purpose beyond ourselves and our existence. ♫ But the images in Isaiah of the potter go beyond the functionality of the created objects, and the purpose and rights of the artisan. Darlene Zschech brings out the beauty and glory of being the masterwork of a true artist. ♫ A song of commitment and consecration, we need songs like this in our repertoire of worship, to urge us to go beyond the words of worship to the giving of our lives in worship. ♫ If our current worship music wasn’t so disposable, we’d be singing this song for many years to come. ♫ slide presentation by Stephen R Dalrymple ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet. (Tell your computer which pages you want to print. You can find programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.) ♫ The YouTube video contains the full recording.
$6.00
5.53 €
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Piano seul
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Darlene Zschech
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Stephen R
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The Potter's Hand
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Stephen R Dalrymple
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SheetMusicPlus
Majesty
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.818272 Composed by Jack W. Hayford.…
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Piano Solo - Level 5 - Digital Download SKU: A0.818272 Composed by Jack W. Hayford. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Praise & Worship,Sacred. Score. 14 pages. Stephen R Dalrymple #4745405. Published by Stephen R Dalrymple (A0.818272). Majesty ♫ by Jack Hayford♫ piano solo arrangement by Stephen R Dalrymple ♫ I came back from a pastor’s conference with a new song in my head. I didn’t have a copy of the sheet music, but I sat down at the piano and began to create this arrangement from my memory. Our pictures of Jesus Christ in the scriptures show Him to be humble, yet authoritative; patient, yet decisive; gracious, yet holy, approachable, yet majestic.♫ slide presentation by Stephen R Dalrymple ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet. (Tell your computer which pages you want to print. You can find programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.) ♫ The YouTube video contains the full recording.
$6.00
5.53 €
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Piano seul
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Jack W
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Stephen R
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patient, yet decisive
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Majesty
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Stephen R Dalrymple
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SheetMusicPlus
Savin' Jeremiah - SATB Choir
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?†Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.†The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.†That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.†“Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.†Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.†Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,†Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.â€.
$1.99
1.83 €
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Chorale SATB
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a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire
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Kevin G
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Savin' Jeremiah - SATB Choir
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Kevin G. Pace
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SheetMusicPlus
Civility
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.38 €
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Voix Soprano, Piano
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
27.66 €
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Chorale SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
Rock - a Roger Jones musical
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger J…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
9.21 €
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Chorale SATB
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Julian Arcas: 10 Pieces from the Romantic Era For Low G Ukulele
Ukulele
Ukulele - Level 3 - Digital Download SKU: A0.1116934 By Michael P Walker. By Julian…
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Ukulele - Level 3 - Digital Download SKU: A0.1116934 By Michael P Walker. By Julian Arcas. Arranged by Michael P Walker. 19th Century,Classical,Romantic Period. Score. 41 pages. Michael P Walker #718582. Published by Michael P Walker (A0.1116934). Who would have thought you could play classical music on a ukulele? But you can! Here are compositions from the 19th Century – the Romantic Era – transcribed for the Low G ukulele. Julián Arcas (1832-1882) was a Spanish classical guitarist and composer. He was born in AlmerÃa and died in Antequera, Spain. Arcas performed all over Europe from 1860 through 1880 where a young Francisco Tárrega listened to him in 1862 in Castellón and played for him after the performance. Arcas then invited Tárrega to study with him in Barcelona. Arcas wrote fifty-two original works and transcribed thirty pieces for the guitar, including waltzes, variations, preludes, and dances. Through the work of the guitar maker Antonio de Torres, Arcas influenced the development of the classical guitar, particularly concerning the design of the soundboard. These pieces are somewhat more complex and are for intermediate to advanced players. Have fun!
$19.95
18.39 €
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Ukulele
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Michael P Walker
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Michael P Walker
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Julian Arcas: 10 Pieces from the Romantic Era For Low G Ukulele
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Michael P Walker
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SheetMusicPlus
God So Loved
Instrumental Parts - Digital Download SKU: H1.9165DP Composed by Pepper Choplin. In…
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Instrumental Parts - Digital Download SKU: H1.9165DP Composed by Pepper Choplin. Instrumental parts. 500 pages. Hope Publishing - Digital #9165DP. Published by Hope Publishing - Digital (H1.9165DP). Pepper Choplin.Easter Cantata Beginning with John 3:16, this musical tells the remarkable Passion story. The theme of God's love is highlighted in every step of Jesus' journey to the cross. With a light contemporary feel in the rhythm and harmony, the music is full of memorable melodies with a dramatic flair. From the rhythmic call of Hosanna, God Save Us to the reassuring, Remember I Am There to the dramatic one note melody of They Came to Arrest Him, this work will provide a moving experience for any service during Holy Week. The choir parts are carefully crafted and choir-tested, ensuring that your singers will perform with confidence. Four of the pieces may serve as Sunday anthems as the larger work is being prepared. Accompaniment can be provided by piano, or a small ensemble of eleven instruments arranged by Ed Hogan. Performance time is 39-minutes.Instrumental Parts include: Conductor's Score, Flute, Clarinet, Trumpet, French Horn (opt. Alto Sax), Trombone (opt. Baritone T.C. or Tenor Sax), Drums, Piano, Electric Bass, 2 Violins (opt. Viola), Cello & String Reduction.
Song List: God So Loved Hosanna, God Save Us! By the Way You Love Is It I? Remember I Am There They Came to Arrest Him What Wondrous Love of the Cross God So Loved (Reprise) Behold the Lord of Love
Song List
: God So Loved Hosanna, God Save Us! By the Way You Love Is It I? Remember I Am There They Came to Arrest Him What Wondrous Love of the Cross God So Loved (Reprise) Behold the Lord of Love
$250.00
230.48 €
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Pepper Choplin
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God So Loved
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Hope Publishing - Digital
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SheetMusicPlus
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