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🎼 Evocation [OBOE SCORE]
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Vous avez sélectionné:
🎼 Evocation [OBOE SCORE]
Partitions à imprimer
4 partitions trouvées
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🎼 Evocation [OBOE SCORE] (foglio album)
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Hautbois (partie séparée)
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FACILE
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Contemporain
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Andrea Balzani
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🎼 Evocation [OBOE SCORE
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Andrea Balzani
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SheetMusicPlus
Oboe Solo - Level 2 - SKU: A0.945987 By Andrea Balzani. By Andrea Balzani. Contemporary. Individual part. 4 pages. Andrea Balzani #6640503. Published by...
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Oboe Solo - Level 2 - SKU: A0.945987 By Andrea Balzani. By Andrea Balzani. Contemporary. Individual part. 4 pages. Andrea Balzani #6640503. Published by Andrea Balzani (A0.945987). 🔸​ EVOCATION (per Oboe)[for Oboe] Music by Andrea Balzani (2023) ➡ï¸â€ŠLinktree: https://linktr.ee/AndreaBalzaniâ–¶ WEBSITE: https://www.andrea-balzani.it ▶ FACEBOOK: https://www.facebook.com/AndreaxBalzani/ ▶ YOUTUBE: https://www.youtube.com/user/KeymasterAndrea ✉ï¸â€Šâ€ŠContact: andreabalzani.workinprogress@gmail.com
$1.99
Henry Tomasi: Evocations - oboe solo
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Hautbois
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INTERMÉDIAIRE
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Classique
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Henry Tomasi
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Virtualsheetmusic
Instantly printable sheet music by Henry Tomasi for oboe solo of MEDIUM skill level. / classical
Instantly printable sheet music by Henry Tomasi for oboe solo of MEDIUM skill level. / classical
$5.97
Sonata for Wind Trio (Capers)
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Roma Cafolla
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Sonata for Wind Trio
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Forton Music - Digital
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SheetMusicPlus
Fl. Ob. Bsn. - Intermediate-Advanced - SKU: F2.FM513 Composed by Roma Cafolla. Flute Oboe and Bassoon. Score and Parts. 36 pages. Forton Music - Digital...
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Fl. Ob. Bsn. - Intermediate-Advanced - SKU: F2.FM513 Composed by Roma Cafolla. Flute Oboe and Bassoon. Score and Parts. 36 pages. Forton Music - Digital #FM513. Published by Forton Music - Digital (F2.FM513). ISBN 9790570484126.The 1st Movement is essentially a discourse between the instruments with each highlighting the theme. It's an attempt to capture the trust required and the empathy needed to enjoy chamber music. Initially, this piece was written for the bassoonist Chris Vale and his trio New Horizons. The 2nd Movement features a simple melody which is embellished and shared by all players. The theme meanders through different keys before returning to C major. The bassoon maintains a steady rhythm throughout, and ends with semiquaver scale passages before a final diminuendo. The 3rd Movement a repeated motif throughout, and is a joyous evocation of an hilarious musical party. It features the bassoon and uses the maximum articulation of all the instruments. The last stanza (marked stringendo) challenges each player to contribute to the headlong rush culminating in the final unison.
$15.95
Albeniz/Leytush – “La Vega”, (The Alhambra)
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Orchestre
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AVANCÉ
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Classique
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Isaac Albeniz
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A
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Albeniz/Leytush – &ldquo
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #6...
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Full Orchestra - Level 5 - SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
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