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Vous avez sélectionné:
(You Want To) Make A Memory
Partitions à imprimer
21 partitions trouvées
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(You Want To) Make a Memory by Bon Jovi - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Performed by: Bon Jovi: (You Want To) Make a Memory Digital Sheetmusic - instantly downloa…
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Performed by: Bon Jovi: (You Want To) Make a Memory Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano;Backup Vocals; 5 pages -- Movie/TV~~Rock~~Hard Rock~~Pop Rock~~Album Rock
$5.50
5.15 €
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Piano, Voix
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Bon Jovi
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
(You Want To) Make a Memory by Bon Jovi - Guitar TAB
Guitare notes et tablatures
Performed by: Bon Jovi: (You Want To) Make a Memory Digital Sheetmusic - instantly downloa…
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Performed by: Bon Jovi: (You Want To) Make a Memory Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar 1;Guitar 2;Guitar 3;Guitar 4;Guitar 5;Guitar 6;Strum; 8 pages -- Adult Contemporary~~Pop Rock~~Contemporary Country
$5.50
5.15 €
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Guitare notes et tablatures
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Bon Jovi
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Guitar TAB
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Musicnotes
It Stops Today
Mixed Percussion,Strings Acoustic Guitar,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Doub…
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Mixed Percussion,Strings Acoustic Guitar,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Medium-High Voice,Oboe,Percussion,Piano,Suspended Cymbal,Synthesizer,Trumpet,Tuba - Digital Download SKU: A0.1153337 By Colbie Caillat. By Colbie Caillat and Jason Reeves. Arranged by Amphibia Cultural Legacy. Disco,Jazz,New Age,Pop,Singer/Songwriter. 11 pages. Amphibia Cultural Legacy #753588. Published by Amphibia Cultural Legacy (A0.1153337). It Stops Today is an incredible song remixed by Amphibia Cultural Legacy, adding additional instruments to make it even more inspiring. The original song was written and performed by Colbie Caillat, a talented musician known for uplifting and positive music. It has become one of the most popular songs in recent memory thanks to its powerful message of hope and determination.The remix by Amphibia Cultural Legacy takes this amazing song to new heights, adding layers of instrumentation that enhance the power of the lyrics. The result is a track that will inspire listeners to take action and make positive changes in their lives. Whether you are struggling with personal issues or want to make a difference in the world around you, this remix will motivate you to keep moving forward.
$50.00
46.79 €
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Colbie Caillat
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Amphibia Cultural Legacy
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It Stops Today
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Amphibia Cultural Legacy
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SheetMusicPlus
Erinnerung (Memory) for Horn and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792689 Composed by Anton Bruckn…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792689 Composed by Anton Bruckner. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 10 pages. Gordon Cherry #5754909. Published by Gordon Cherry (A0.792689). Anton Bruckner is remembered as a symphonist and writer of liturgical music. However, he did compose a small number of works for the piano, Erinnerung (Memory) being the most well-known. Written around the year 1868, it falls chronologically between the first and second symphonies. The music is poignant, mysterious, grand and harmonically rich. It is appropriate for moderately advanced performers and is about 5-6 minutes in length and would make a perfect piece for a recital or jury. If you ever wanted to play a solo by Bruckner....this is it!
$15.00
14.04 €
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Trombone et Piano
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Anton Bruckner
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Ralph Sauer
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Erinnerung
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Gordon Cherry
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SheetMusicPlus
Erinnerung (Memory) for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.792703 Composed by Anton Bruck…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.792703 Composed by Anton Bruckner. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 10 pages. Gordon Cherry #5803463. Published by Gordon Cherry (A0.792703). Anton Bruckner is remembered as a symphonist and writer of liturgical music. However, he did compose a small number of works for the piano, Erinnerung (Memory) being the most well-known. Written around the year 1868, it falls chronologically between the first and second symphonies. The music is poignant, mysterious, grand and harmonically rich. It is appropriate for moderately advanced performers and is about 5-6 minutes in length and would make a perfect piece for a recital or jury. If you ever wanted to play a solo by Bruckner....this is it!
$15.00
14.04 €
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Euphonium, Piano (duo)
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Anton Bruckner
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Ralph Sauer
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Erinnerung
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Gordon Cherry
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SheetMusicPlus
Havana
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.547026 By Camila Cabello. By Adam Feeney, Ali Tamposi, Andrew Wotman, Brian Lee, Brittany Hazzard, Camila Cabello, Jeffery Lamar Williams, Kaan Gunesberk, Louis Bell, and Pharrell. Arranged by Mark Harrison. Latin,Pop. Brass Band. 27 pages. Mark Harrison #156964. Published by Mark Harrison (A0.547026). A Brass Band arrangement of Havana - The hit song from Camila Cabello and Young Thug. This is a relatively simple Latin Groove arrangement, with most parts having a very easy time - the band should be encouraged to use this as a horn feature for the opening soli, a percussion/drum feature (feel free to make the 4 bar solo into 8, 16, 32, as long as you like!) and to add as much auxiliary Latin percussion as possible alongside the drumkit - Guiros, Castanets, Shakers, the kitchen sink, use it all! Maybe use the drum solo as an open percussion battle? The repeat from E back to A is completely optional if wanting to make the piece a bit longer. Feel free to take 2nd time straight away. The final Cornet solo should be encouraged to stand up and perform from memory, with as much gusto and suave as possible! Maybe even on a trumpet if the player should feel so inclined! I hope you enjoy! - British Style Brass Band - Bass Clef parts available on request.
$49.99
46.78 €
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Camila Cabello
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Mark Harrison
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Havana
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Mark Harrison
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SheetMusicPlus
Take It To The Limit
C Instrument - Level 3 - Digital Download SKU: A0.1419147 By The Eagles. By Don Hen…
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C Instrument - Level 3 - Digital Download SKU: A0.1419147 By The Eagles. By Don Henley, Glenn Frey, and Randy Meisner. Arranged by Ian Fitze. Country,Folk,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. Ian Fitze #1000577. Published by Ian Fitze (A0.1419147). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This lead sheet is designed for experienced musicians who are looking for an easy-to-read lead sheet that gives the outline of the song. The melody has been simplified to make the lead sheet more readable. In most cases your vocalist will be performing from memory based on the recording. The original backing vocals are quite involved, so most performances will just inclue one or two improvised parts sung in the spirit of the original track.A NOTE ABOUT THE KEY: in every version of this tune that I could find (except the Miley Cyrus), the guitars play in G. The version given with Randy Meisner singing lead is in B major - guitars playing CAPO 4. Apparently, singing this tune live (with the soaring ad lib vocals at the end) ended up being too taxing for Randy Meisner and legend has it that disagreements about performing it live (at least in part) ended up with him leaving the group.When Glen Frey sang this in the 2000's and 2010's he did it in G as written here.When Vince Gill sang this in the 2020's he did it in A major - guitars playing CAPO 2.I reccomend using G or A major - a female singer might want to do it in C major (like the Miley Cyrus version). https://youtu.be/KI7YNyL-nt8?si=pCAQXZowUYxDTqa9.
$3.99
3.73 €
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The Eagles
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Ian Fitze
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Take It To The Limit
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Ian Fitze
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SheetMusicPlus
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
Piano seul
Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
4.68 €
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Piano seul
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
A Promise to Stand By:
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemp…
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Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99
18.71 €
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Orchestre d'harmonie
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
(You Want To) Make A Memory
Piano, Voix et Guitare
By Bon Jovi and Desmond Child. For piano, voice, and guitar (chords only). Metal; Pop; Roc…
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By Bon Jovi and Desmond Child. For piano, voice, and guitar (chords only). Metal; Pop; Rock. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.67 €
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Piano, Voix et Guitare
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Bon Jovi and Desmond Child
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Pop
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(You Want To) Make A Memory
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
(You Want To) Make A Memory
Piano, Voix et Guitare
By Bon Jovi. By Jon Bon Jovi, Desmond Child, and Richie Sambora. For piano, voice, and gui…
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By Bon Jovi. By Jon Bon Jovi, Desmond Child, and Richie Sambora. For piano, voice, and guitar (chords only). Pop; Rock. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.67 €
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Piano, Voix et Guitare
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Bon Jovi
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Rock
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(You Want To) Make A Memory
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
(You Want To) Make A Memory
Guitare notes et tablatures
By Bon Jovi. By Jon Bon Jovi, Desmond Child, and Richie Sambora. For guitar. Rock. Guitar …
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By Bon Jovi. By Jon Bon Jovi, Desmond Child, and Richie Sambora. For guitar. Rock. Guitar TAB. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.67 €
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Guitare notes et tablatures
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Bon Jovi
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(You Want To) Make A Memory
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Desmond Child: (You Want To) Make A Memory for guitar
Guitare notes et tablatures
Instantly printable sheet music by Bon Jovi for guitar (tablature) of MEDIUM skill level. …
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Instantly printable sheet music by Bon Jovi for guitar (tablature) of MEDIUM skill level. / rock
$8.97
8.39 €
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Guitare notes et tablatures
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Desmond Child
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Virtualsheetmusic
Desmond Child: (You Want To) Make A Memory for voice, piano and guitar
Piano, Voix et Guitare
Instantly printable sheet music by Bon Jovi for voice, piano or guitar of MEDIUM skill lev…
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Instantly printable sheet music by Bon Jovi for voice, piano or guitar of MEDIUM skill level. / pop,rock
$6.97
6.52 €
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Piano, Voix et Guitare
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Desmond Child
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Virtualsheetmusic
Richie Sambora: (You Want To) Make A Memory for voice, piano and guitar
Piano, Voix et Guitare
Instantly printable sheet music by Bon Jovi for voice, piano or guitar of MEDIUM skill lev…
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Instantly printable sheet music by Bon Jovi for voice, piano or guitar of MEDIUM skill level. / metal,pop,rock
$7.97
7.46 €
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Piano, Voix et Guitare
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Richie Sambora
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Virtualsheetmusic
Broke - Chose Money Over Me
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.518631 By GbÄrÄ …
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.518631 By GbÄrÄ Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
$6.70
6.27 €
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Ensemble Jazz
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GbÄrÄ Dodoh
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Broke - Chose Money Over Me
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Holyone Tombari Dodoh
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. âIs that you kids?â It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship⦠You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you knowâthem pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For â¦he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.73 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Paisley's Sonata
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brow…
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Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99
4.67 €
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Piano seul
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Godzilla Main Title (godzilla 1954)
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.895225 By Alan Silvestri. By Akira …
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Piano Solo - Level 1 - Digital Download SKU: A0.895225 By Alan Silvestri. By Akira Ifukube. Arranged by Fernando Ramos. Film/TV. Score. 2 pages. Fernando Ramos #6574975. Published by Fernando Ramos (A0.895225). Hear it on YouTube:https://youtu.be/CwppXelFw4MI make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music, but most importantly, that it actually makes pianistic sense. Sometimes I even hide exercises in the arrangements that I want a student to work on. All of my arrangements are usually made for a specific student, so the results will always vary.This arrangement was made for a late beginner, Primary III, student working on Level 1-2 of the Alfred's Masterwork Classics series. He is a huge Godzilla fan and was thrilled to be playing this. It was not an easy arrangement for him! But he was resilient and persevered even after I offered to make it easier. It has been a year since he performed it, and he can still play it from memory. The rhythmic melody is difficult to keep up with. Good focus on the pedal and accented notes will help with this. The sudden jump to a higher octave might take some time. Also, the split voices at the end should be encouraged, but can always be ignored.Pedal and fingering suggestions are included.
$4.99
4.67 €
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Piano seul
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Alan Silvestri
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Fernando Ramos
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Godzilla Main Title
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Fernando Ramos
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SheetMusicPlus
Vichnaya Pamyat
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - Digital Download …
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Religious,Sacred. 17 pages. RBMusic #6506025. Published by RBMusic (A0.752458). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crewsâ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttirâs arrangement is heard at the end of the final episode of the series. This arrangement is not in the original key and has been transposed to make it easier to play. A version in the original key is available, item number H0.1099667-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
13.09 €
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Various
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Rob Bushnell
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giants Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherlys intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who cant pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Boards History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King Jamess deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks its confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here lets look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesnt have a title. What do we call it?<br> <br> If you were a proper Victorian, theres no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchills theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LPs last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Graingers masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So theres another variant on the name for it. It doesnt say who wrote the notes, but the bits in quotes for each of the works on the record are Graingers original comments.<br> <br> The references to Londonderry Air that Ive seen dont go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosbys version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadnt come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.41 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
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