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Glenn Miller Intermediate
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Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Ensemble de Tubas
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comMoonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
11.9 €
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Ensemble de Tubas
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Quintet
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Music for all Occasions
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SheetMusicPlus
In The Mood for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet, Woodwind Quartet - Intermediate - Digital Download By Joe Garland, Glenn Mi…
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Clarinet, Woodwind Quartet - Intermediate - Digital Download By Joe Garland, Glenn Miller & His Orchestra. Arranged by Diego Marani. Score, Set of Parts. 21 pages. Published by Diego Marani
"In the Mood" is a popular jazz-swing big band-era No. 1 hit recorded by American bandleader Glenn Miller. It topped the charts for 13 straight weeks in 1940 in the U.S.<br> <br> This arrangement for clarinet quartet is based on the original version with also the famous sax and trumpet solos.<br> It contains the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet. It is suitable for repertoire, classroom and recital."In the Mood" is a popular jazz-swing big band-era No. 1 hit recorded by American bandleader Glenn Miller. It topped the charts for 13 straight weeks in 1940 in the U.S.<br> <br> This arrangement for clarinet quartet is based on the original version with also the famous sax and trumpet solos.<br> It contains the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet. It is suitable for repertoire, classroom and recital.
$19.99
18.31 €
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Quatuor de Clarinettes: 4 clarinettes
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Joe Garland, Glenn Miller & His Orchestra
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Diego Marani
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His Orchestra
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In The Mood for Clarinet Quartet
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Diego Marani
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SheetMusicPlus
In The Mood - Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet - Intermediate - Digital Download By Joe Garland. Arranged by Jua…
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Clarinet Quartet - Intermediate - Digital Download By Joe Garland. Arranged by Juan A. Perez. Score, Set of Parts. 18 pages. Published by Juan A. Perez
Arrangement of the great success for big band “In The Mood”, composed by Joe Garland and recorded by Glenn Miller. It topped the charts for 13 straight weeks in 1940 in the U.S. and one year later was featured in the movie Sun Valley Serenade. “In the Mood” is based on the composition “Tar Paper Stomp” by Wingy Manone. The first recording under the name “In the Mood” was released by Edgar Hayes & His Orchestra in 1938. In 1983, the Glenn Miller recording from 1939 was inducted into the Grammy Hall of Fame.<br> <br> You can see the score in https://japerezcomposer.com/clarinet-quartet/jazz/in-the-mood/<br> For more sheet music https://japerezcomposer.com/Arrangement of the great success for big band “In The Mood”, composed by Joe Garland and recorded by Glenn Miller. It topped the charts for 13 straight weeks in 1940 in the U.S. and one year later was featured in the movie Sun Valley Serenade. “In the Mood” is based on the composition “Tar Paper Stomp” by Wingy Manone. The first recording under the name “In the Mood” was released by Edgar Hayes & His Orchestra in 1938. In 1983, the Glenn Miller recording from 1939 was inducted into the Grammy Hall of Fame.<br> <br> You can see the score in https://japerezcomposer.com/clarinet-quartet/jazz/in-the-mood/<br> For more sheet music https://japerezcomposer.com/
$16.00
14.66 €
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Quatuor de Clarinettes: 4 clarinettes
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Joe Garland
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Juan A
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In The Mood - Clarinet Quartet
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Juan A. Perez
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.24 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
AT LAST - ETTA JAMES - FOR VIOLIN AND PIANO (WITH BONUS EASY VIOLIN PART)
Violon et Piano
Piano Accompaniment, Violin - Advanced Intermediate - Digital Download By Etta James.…
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Piano Accompaniment, Violin - Advanced Intermediate - Digital Download By Etta James. Arranged by Helen Marple-Horvat. Score, Set of Parts. 12 pages. Published by Helen Marple- Horvat
https://www.youtube.com/watch?v=8SYROYYYOc8<br> <br> <br> ‘At Last’ was composed by Mack Gordon and Harry Warren for the musical ‘Sun Valley Serenade’ in 1941. It was recorded by Glenn Miller and his orchestra, becoming a chart hit in 1942, and in 1960 by Etta James, who was subsequently inducted into the Grammy Hall of Fame. The song is a frequent wedding favourite for quartets.<br> <br> Why chose my arrangement?<br> <br> This is a song from my gig repertoire, and as such I have spent a long time on the piano part to make sure that it lies under the fingers. I have assigned the opening to the piano as it is tricky, even for very experienced violin players, and I shortened the introduction to make it more appropriate for concerts, wedding venues and pub gigs. I have also made the piano notation slightly smaller so that it falls onto two pages. It’s very important for a live performance to be able to see it easily. And unlike some sheet music that you can buy, I make sure the treble and bass clefs are easy to read….very few horrible ledger lines!<br> <br> The violin part has difficult rhythms but I enclose a midi version to help you. (Watch the video) Having said that, although the pianist needs to hold a steady pulse, the violin part can be extremely varied and you can play around with the tune as much as you like. I have included a cadenza that my daughter sings in live performances, but feel free to change it, or miss it out altogether.<br> <br> I have also included an Easy Violin version for your pupils, or as a way in to working on the more difficult version.<br> <br> My tips for the performance.<br> <br> The first piano chord is tricky, but works if you do a glissando in the left hand, and land on the A on the first beat of the bar. I tried many different spacings of the chord but this is the one that sounded best. I have largely written a quaver accompaniment throughout the song, but sometimes I hint at it rather than playing it literally. There are some fingerings that I have found helpful, but feel free to change them, of course! The same goes for my bowing. Take as many bows as you need to feel comfortable.https://www.youtube.com/watch?v=8SYROYYYOc8<br> <br> <br> ‘At Last’ was composed by Mack Gordon and Harry Warren for the musical ‘Sun Valley Serenade’ in 1941. It was recorded by Glenn Miller and his orchestra, becoming a chart hit in 1942, and in 1960 by Etta James, who was subsequently inducted into the Grammy Hall of Fame. The song is a frequent wedding favourite for quartets.<br> <br> Why chose my arrangement?<br> <br> This is a song from my gig repertoire, and as such I have spent a long time on the piano part to make sure that it lies under the fingers. I have assigned the opening to the piano as it is tricky, even for very experienced violin players, and I shortened the introduction to make it more appropriate for concerts, wedding venues and pub gigs. I have also made the piano notation slightly smaller so that it falls onto two pages. It’s very important for a live performance to be able to see it easily. And unlike some sheet music that you can buy, I make sure the treble and bass clefs are easy to read….very few horrible ledger lines!<br> <br> The violin part has difficult rhythms but I enclose a midi version to help you. (Watch the video) Having said that, although the pianist needs to hold a steady pulse, the violin part can be extremely varied and you can play around with the tune as much as you like. I have included a cadenza that my daughter sings in live performances, but feel free to change it, or miss it out altogether.<br> <br> I have also included an Easy Violin version for your pupils, or as a way in to working on the more difficult version.<br> <br> My tips for the performance.<br> <br> The first piano chord is tricky, but works if you do a glissando in the left hand, and land on the A on the first beat of the bar. I tried many different spacings of the chord but this is the one that sounded best. I have largely written a quaver accompaniment throughout the song, but sometimes I hint at it rather than playing it literally. There are some fingerings that I have found helpful, but feel free to change them, of course! The same goes for my bowing. Take as many bows as you need to feel comfortable.
$10.00
9.16 €
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Violon et Piano
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Etta James
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Helen Marple-Horvat
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AT LAST - ETTA JAMES - FOR VIOLIN AND PIANO
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Helen Marple- Horvat
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SheetMusicPlus
Moonlight Serenade
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1105012 Composed by Glenn Mi…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1105012 Composed by Glenn Miller and Mitchell Parish. Arranged by Kenneth Abeling. Jazz,Standards. 14 pages. LINCOLN MUSIC PUBLICATIONS #708257. Published by LINCOLN MUSIC PUBLICATIONS (A0.1105012). Moonlight Serenade, Music by Glenn Miller & Lyrics by Mitchell Parish arranged for Clarinet Quartet. This is an advanced intermediate arrangement, with solo being more difficult, of The Glenn Miller Orchestra theme song! The playing time is approximately 3:20. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$14.99
13.73 €
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Glenn Miller and Mitchell Parish
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Kenneth Abeling
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Moonlight Serenade
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Moonlight Serenade
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1105019 Composed by Glenn Miller and Mitchell Parish. Arranged by Kenneth Abeling. Jazz,Standards. 14 pages. LINCOLN MUSIC PUBLICATIONS #708264. Published by LINCOLN MUSIC PUBLICATIONS (A0.1105019). Moonlight Serenade, Music by Glenn Miller & Lyrics by Mitchell Parish arranged for Woodwind Quartet. This is an advanced intermediate arrangement, with solo being more difficult, of The Glenn Miller Orchestra theme song! The playing time is approximately 3:20. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$14.99
13.73 €
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Flûte, Hautbois, Clarinette, Basson
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Glenn Miller and Mitchell Parish
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Kenneth Abeling
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Moonlight Serenade
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Moonlight Serenade
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1105017 Composed by Glenn Miller and Mitchell Parish. Arranged by Kenneth Abeling. Jazz,Standards. Score and parts. 14 pages. LINCOLN MUSIC PUBLICATIONS #708262. Published by LINCOLN MUSIC PUBLICATIONS (A0.1105017). Moonlight Serenade, Music by Glenn Miller & Lyrics by Mitchell Parish arranged for String Quartet. This is an advanced intermediate arrangement, with solo being more difficult, of The Glenn Miller Orchestra theme song! The playing time is approximately 3:20. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$14.99
13.73 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Glenn Miller and Mitchell Parish
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Kenneth Abeling
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Moonlight Serenade
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Moonlight Serenade
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1105021 Composed by Glenn Miller and Mitchell Parish. Arranged by Kenneth Abeling. Jazz,Standards. 16 pages. LINCOLN MUSIC PUBLICATIONS #708266. Published by LINCOLN MUSIC PUBLICATIONS (A0.1105021). Moonlight Serenade, Music by Glenn Miller & Lyrics by Mitchell Parish arranged for Woodwind Quintet. This is an advanced intermediate arrangement, with solo being more difficult, of The Glenn Miller Orchestra theme song! The playing time is approximately 3:20. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$15.99
14.65 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Glenn Miller and Mitchell Parish
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Kenneth Abeling
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Moonlight Serenade
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Moonlight Serenade
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.850190 Composed by Glenn Mil…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.850190 Composed by Glenn Miller. Arranged by Leah Ginzburg. Contemporary. Score. 3 pages. Leah Ginzburg #6506021. Published by Leah Ginzburg (A0.850190). Moonlight Serenade - is an American swing ballad composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when released in May 1939 as an instrumental arrangement, though it had been adopted and performed as Miller's signature tune as early as 1938, even before it had been given the name Moonlight Serenade. In 1991, Miller's recording of Moonlight Serenade was inducted into the Grammy Hall of Fame. I offer a piano version of the Moonlight Serenade for the intermediate level
$8.99
8.24 €
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Piano, Voix
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Glenn Miller
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Leah Ginzburg
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Moonlight Serenade
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Leah Ginzburg
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SheetMusicPlus
Flute Quartet easy arrangement: Little Brown Jug (score & parts)
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1509428
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1509428 By Francesco Leone. By Glenn Miller and Joseph Winner. Arranged by Francesco Leone. Jazz,Standards. 23 pages. Glissato Edizioni Musicali #1084667. Published by Glissato Edizioni Musicali (A0.1509428). Little Brown Jug, the enduring swing classic by Joseph Winner and brilliantly reimagined by Glenn Miller, is now beautifully arranged for Flute Quartet by Francesco Leone. This easy-level arrangement invites flute players to immerse themselves in the lively rhythms and captivating melodies of swing music, making it an ideal choice for ensembles at the early stages of their musical development.This arrangement features a SCORE and PARTS for 4 C Flutes, offering a straightforward yet engaging approach to this beloved piece. To add versatility and depth to the ensemble's performance, an optional Drum part is included, bringing a rhythmic pulse that echoes the swing era's energetic vibe. Furthermore, an alternative part for G Alto Flute is provided to replace the fourth flute part, offering ensembles the opportunity to explore a richer, more varied tonal palette.Listeners and performers can access an audio demo of this arrangement at www.glissato.it. This demo serves as an invaluable resource, offering a clear example of how the arrangement should sound and aiding in practice and performance preparation.Little Brown Jug by Francesco Leone for flute quartet captures the essence of swing music, making it accessible to early intermediate players. Whether for educational purposes, ensemble practice, or performance, this arrangement promises to bring joy and swing to musicians and audiences alike.
$16.00
14.66 €
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Quatuor de Flûtes : 4 flûtes
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Francesco Leone
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Francesco Leone
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Flute Quartet easy arrangement: Little Brown Jug
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Glissato Edizioni Musicali
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SheetMusicPlus
In The Mood
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453552 By Glenn M…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453552 By Glenn Miller & His Orchestra. By Joe Garland. Arranged by John Hoesly. Jazz,Pop,Standards. 74 pages. PRS&B #1032776. Published by PRS&B (A0.1453552). IN THE MOOD- You know it! You love it (maybe)! A staple for big band. Arrangement for Little Big Band/ Jazz Ensemble. In the Mood is a swing-era classic that has endured as a timeless favorite since its release in 1939. Composed by Joe Garland and popularized by the Glenn Miller Orchestra, this instrumental piece is synonymous with the vibrant, toe-tapping sound of the Big Band era. A reduction of the big band version (all the same notes). Difficulty: Intermediate.Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
$55.00
50.39 €
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Ensemble Jazz
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Glenn Miller & His Orchestra
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Joe Garland and popularized by the Glenn Miller Orchestra, this instrumental piece is synonymous with the vibrant, toe-tapping sound of the Big Band era
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John Hoesly
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In The Mood
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PRS&B
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SheetMusicPlus
I'm Thrilled
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1011133 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1011133 Composed by Performed By Glenn Miller and Words by Sylvia Dee & Music by Sidney Lippman. Arranged by Transcribed/Arranged By P. Eastman. Contemporary. Score and parts. 27 pages. Parker Eastman #3066953. Published by Parker Eastman (A0.1011133). Here is a Big Band Transcription/Arrangement of Glenn Miller's I'm Thrilled. The Vocal part has been replaced with Trombone 1 and it's a great tune for Intermediate to Advanced Ensembles.
$20.00
18.32 €
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Ensemble Jazz
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Glenn Miller and Words by Sylvia Dee & Music by Sidney Lippman
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Performed By Glenn Miller and Words by Sylvia Dee & Music by Sidney Lippman
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Transcribed/Arranged By P
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I'm Thrilled
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Parker Eastman
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SheetMusicPlus
Chattanooga Choo Choo
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.924071 By Harpers Bizarre. B…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.924071 By Harpers Bizarre. By Harry Warren. Arranged by Dominic McGonigal. Contemporary. 8 pages. C8 Music #5868847. Published by C8 Music (A0.924071). A Glenn Miller classic, depicting a train ride from New York to Chattanooga, Tennessee, passing through Baltimore and North Carolina. It starts with the old steam train slowly pulling out of the station, then rattling along with one of the great big band tunes. This arrangement imitates train whistles to enhance the railway experience. It ends with two cheeky chords for the final whistle, Whoo Whoo. It's suitable for intermediate or advanced players and is ideal for pupil / teacher playing together. Older audiences remember the tune. Younger ones want to know more about Glenn Miller and the big band era. Duration 2'00. More at www.dominicmcgonigal.com
$4.99
4.57 €
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Harpers Bizarre
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Dominic McGonigal
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Chattanooga Choo Choo
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C8 Music
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SheetMusicPlus
Chattanooga Choo Choo
2 Trombones (duo)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.924073 By Harpers Bizar…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.924073 By Harpers Bizarre. By Harry Warren. Arranged by Dominic McGonigal. Contemporary. Score. 8 pages. C8 Music #5868859. Published by C8 Music (A0.924073). A Glenn Miller classic, depicting a train ride from New York to Chattanooga, Tennessee, passing through Baltimore and North Carolina. It starts with the old steam train slowly pulling out of the station, then rattling along with one of the great big band tunes. This arrangement imitates train whistles to enhance the railway experience. It ends with two cheeky chords for the final whistle, Whoo Whoo. It's suitable for intermediate or advanced players and is ideal for pupil / teacher playing together. Older audiences remember the tune. Younger ones want to know more about Glenn Miller and the big band era. Duration 2'00. More at www.dominicmcgonigal.com 
$4.99
4.57 €
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2 Trombones (duo)
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Harpers Bizarre
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Dominic McGonigal
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Chattanooga Choo Choo
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C8 Music
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SheetMusicPlus
Chattanooga Choo Choo
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.924072 By Harpers Bizarre. B…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.924072 By Harpers Bizarre. By Harry Warren. Arranged by Dominic McGonigal. Contemporary. 8 pages. C8 Music #5868851. Published by C8 Music (A0.924072). A Glenn Miller classic, depicting a train ride from New York to Chattanooga, Tennessee, passing through Baltimore and North Carolina. It starts with the old steam train slowly pulling out of the station, then rattling along with one of the great big band tunes. This arrangement imitates train whistles to enhance the railway experience. It ends with two cheeky chords for the final whistle, Whoo Whoo. It's suitable for intermediate or advanced players and is ideal for pupil / teacher playing together. Older audiences remember the tune. Younger ones want to know more about Glenn Miller and the big band era. Duration 2'00. More at www.dominicmcgonigal.com 
$4.99
4.57 €
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Harpers Bizarre
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Dominic McGonigal
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Chattanooga Choo Choo
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C8 Music
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SheetMusicPlus
Chattanooga Choo Choo
2 Flûtes traversières (duo)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.924070 By Harpers Bizarre. By…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.924070 By Harpers Bizarre. By Harry Warren. Arranged by Dominic McGonigal. Contemporary. Score. 8 pages. C8 Music #5868841. Published by C8 Music (A0.924070). A Glenn Miller classic, depicting a train ride from New York to Chattanooga, Tennessee, passing through Baltimore and North Carolina. It starts with the old steam train slowly pulling out of the station, then rattling along with one of the great big band tunes. This arrangement imitates train whistles to enhance the railway experience. It ends with two cheeky chords for the final whistle, Whoo Whoo. It's suitable for intermediate or advanced players and is ideal for pupil / teacher playing together. Older audiences remember the tune. Younger ones want to know more about Glenn Miller and the big band era. Duration 2'00. More at www.dominicmcgonigal.com
$4.99
4.57 €
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2 Flûtes traversières (duo)
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Harpers Bizarre
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Dominic McGonigal
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Chattanooga Choo Choo
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C8 Music
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SheetMusicPlus
Moonlight Serenade
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1073228 Composed by Glenn Miller a…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1073228 Composed by Glenn Miller and Mitchell Parish. Arranged by Victoria Rose. 20th Century,Jazz,Standards. Individual part. 3 pages. Victoria Rose #677491. Published by Victoria Rose (A0.1073228). This is a classical guitar finger style arrangement of the Big Band hit, Moonlight Serenade by Glenn Miller. This contains both Standard Notation and TAB and is suitable for Intermediate Guitarists.
$4.99
4.57 €
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Guitare
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Glenn Miller and Mitchell Parish
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Victoria Rose
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Moonlight Serenade
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Victoria Rose
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SheetMusicPlus
Moonlight Serenade
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.500851
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.500851 Composed by Glenn Miller and Mitchell Parish. Arranged by Anthony Alessio Tralongo. Blues,Jazz. Score and parts. 11 pages. Alexyo Netcom Publishing Corp. #113946. Published by Alexyo Netcom Publishing Corp. (A0.500851). Simple Arrangement of Glenn Miller's iconic piece Moonlight Serenade for Intermediate Brass Quintet. The Trombone Solo ad Libitum at the end is Mandatory ;-).
$19.95
18.28 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Glenn Miller and Mitchell Parish
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Anthony Alessio Tralongo
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Moonlight Serenade
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Alexyo Netcom Publishing Corp.
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SheetMusicPlus
Little Brown Jug
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1227424 Composed by Glenn Miller (1904-1944). Arranged by Carson Yu. 20th Century,Folk,Jazz. 26 pages. Carson Music Gallery #823400. Published by Carson Music Gallery (A0.1227424). Little Brown Jug is a song written in 1869 by Joseph Winner. Â It was originally a drinking song. Â It remained well known as a folk song into the early 20th century. Â In 1939, Glenn Miller (1904-1944) and his orchestra released a hit version of the song on RCA Bluebird.Arranged for Woodwind Quintet by Carson Yu. Â Swing Jazz style. Â Intermediate level. Â Suitable for concert, gigs, party or any occasions. Â Score and parts.Published by Carson Music GalleryE-mail: carsonmusicgallery@gmail.com.
$18.99
17.4 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Glenn Miller
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Carson Yu
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Little Brown Jug
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Carson Music Gallery
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SheetMusicPlus
DvoÅ™ák: Songs My Mother Taught Me for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597365 By Antonin Dvorak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597365 By Antonin Dvorak. By Antonin Dvorak. Arranged by Flavio Regis Cunha. Contest,Festival,Instructional,Romantic Period,Wedding. Score. 8 pages. Flavio Regis Cunha #5766443. Published by Flavio Regis Cunha (A0.597365). Songs My Mother Taught Me - German: Als die alte Mutter sang) is a song for voice and piano written in 1880 by AntonÃn Dvořák. It is the fourth of seven songs from his cycle Gypsy Songs (Czech: Cigánské melodie), B. 104, Op. 55. The Gypsy Songs are set to poems by Adolf Heyduk in both Czech and German. This song in particular has achieved widespread fame. The song has been recorded by a number of well-known singers, including Gabriela BeňaÄková, Evan Williams, Gervase Elwes, Nellie Melba, Rosa Ponselle, Jeanette MacDonald, Elisabeth Schwarzkopf, Victoria de los Angeles, Joan Sutherland, Paul Robeson, Frederica von Stade, Edita Gruberová, Angela Gheorghiu, Magdalena Kožená, and Renée Fleming. The song is also featured on the album Charlotte Church. Fritz Kreisler transcribed the song for violin and piano and performed it frequently. His transcription was first published in 1914. Artists who have recorded instrumental versions of the song include Kreisler himself, Glenn Miller, Julian Lloyd Webber, Yo-Yo Ma, Itzhak Perlman, Joshua Bell, and Tine Thing Helseth. The title Songs My Mother Taught Me has frequently been used by singers in recitals or on recital discs even when the song itself is not included in the recording.Intermediate.Format: Concert 12 x 9 inches. 8 pages.
$4.99
4.57 €
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Piano, Voix
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Antonin Dvorak
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Flavio Regis Cunha
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DvoÅ™ák: Songs My Mother Taught Me for Voice and Piano
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Flavio Regis Cunha
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SheetMusicPlus
The Baby Sheep Shuffle for Clarinet and Trumpet Duet
Clarinette, Trompette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.591294 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 4 pages. David McKeown #6291989. Published by David McKeown (A0.591294). The Baby Sheep Shuffle is a fun and original duet written by David McKeown for one Clarinet and one Trumpet. The Baby Sheep Shuffle is one in a series of ten Easter-themed duets each written in a different American dance style. In the musical sense Shuffle is a combination of the jazz swing rhythm with a backbeat. Shuffle rhythms can be found in the Swing music of Glenn Miller right through Rock’n’Roll, R’n’B and to the modern day. The Shuffle connection allowed Swing dance styles like Lindy Hop and Jitterbug to be adapted for Rock’n’Roll music in the late 50s and beyond.The Baby Sheep Shuffle is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Baby Sheep Shuffle is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Clarinette, Trompette (duo)
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David McKeown
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The Baby Sheep Shuffle for Clarinet and Trumpet Duet
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David McKeown
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SheetMusicPlus
The Baby Sheep Shuffle for Flute and Trumpet Duet
Flûte, Trompette (duo)
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.591302 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 4 pages. David McKeown #6292005. Published by David McKeown (A0.591302). The Baby Sheep Shuffle is a fun and original duet written by David McKeown for one Flute and one Trumpet. The Baby Sheep Shuffle is one in a series of ten Easter-themed duets each written in a different American dance style. In the musical sense Shuffle is a combination of the jazz swing rhythm with a backbeat. Shuffle rhythms can be found in the Swing music of Glenn Miller right through Rock’n’Roll, R’n’B and to the modern day. The Shuffle connection allowed Swing dance styles like Lindy Hop and Jitterbug to be adapted for Rock’n’Roll music in the late 50s and beyond.The Baby Sheep Shuffle is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Baby Sheep Shuffle is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Flûte, Trompette (duo)
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David McKeown
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The Baby Sheep Shuffle for Flute and Trumpet Duet
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David McKeown
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SheetMusicPlus
Moonlight Serenade
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1208532 Composed by Glenn Miller an…
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Piano Solo - Level 3 - Digital Download SKU: A0.1208532 Composed by Glenn Miller and Mitchell Parish. Arranged by Danilo Daca Alves. Blues,Jazz,Singer/Songwriter,Standards,Wedding. Score. 3 pages. Mezzo Pop #806644. Published by Mezzo Pop (A0.1208532). An Intermediate Piano Sheet Music to read and play!LYRICS INCLUDEDWe also have other versions of sheet music for this song, so you can choose what fits best for you to practice! Search and check out our Publisher or Arranger Profile! For all those who search for a beautiful arrangement within a clean score!We know how harsh can be to play a song with poor sheet music... So we decide to make it different and better!The Mezzo Pop's score editions want to help you to play your favorite songs on any instrument!So let us know: How can we help you to play your favorite songs?
$4.99
4.57 €
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Piano seul
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Glenn Miller and Mitchell Parish
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Danilo Daca Alves
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Moonlight Serenade
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Mezzo Pop
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SheetMusicPlus
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