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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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COR
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5 Voix Sopranos
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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Vous avez sélectionné:
5 Voix Sopranos
Partitions à imprimer
41 partitions trouvées
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Ave Maria (Saint-Saens) (Duet for Sopranos or Tenors with Organ)
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Voix duo, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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John Ross
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Ave Maria
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John Ross
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SheetMusicPlus
Voice Duet Soprano voice,Tenor Voice - Level 3 - SKU: A0.741876 Composed by Camille Saint-Saens. Arranged by John Ross. Romantic Period,Sacred. 5 pages....
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Voice Duet Soprano voice,Tenor Voice - Level 3 - SKU: A0.741876 Composed by Camille Saint-Saens. Arranged by John Ross. Romantic Period,Sacred. 5 pages. John Ross #6120449. Published by John Ross (A0.741876). This beautiful setting of Ave Maria by Camille Saint-Saëns was originally written for Soprano or Tenor solo with organ accompaniment. This arrangement is for vocal duet, either two Sopranos or two Tenors, with organ accompaniment.
$1.99
"Prince Igor": Polovtsian Dances Chorus SATB DICTION SCORE with IPA & translation
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Alexander Borodin
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Russian for Singers
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"Prince Igor": Polov
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1475996 By Alexander Borodin. By Alexander Borodin. Arranged by Russian for Singers. 19th Century,Classical,Instru...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1475996 By Alexander Borodin. By Alexander Borodin. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 9 pages. Natalia Melnik #1053562. Published by Natalia Melnik (A0.1475996). A.Borodin (1833 – 1887) Улетай на крыльях ветра / Uletaj na kryl'yah vetra / Fly Away On The Wings Of Windfrom Polovtsian Dances from the opera Prince IgorSATB ChorusDiction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics:
$20.90
"Snowmaiden": Chorus of Flowers Act 4 DICTION SCORE w IPA & translation
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Piano, Voix
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AVANCÉ
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Nikolay Andreyevich Rimsky-Kor
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Russian for Singers
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"Snowmaiden": Chorus
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1101620 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Russian for Si...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1101620 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 15 pages. Natalia Melnik #704994. Published by Natalia Melnik (A0.1101620). N. Rimsky-Korsakov Chorus of Flowers from “The Snow Maiden†“Zor’ vesennikh tsvet dushistyj…†Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK: Diction score (sheet music with IPA phonetics and translations), Diction audio guides - slow syllabic reading of the text for every part by a native speaker, 8 computer-generated rehearsal tracks: full song audio, accompaniment, Spring's part + piano, Sopranos' part + piano, Altos' part + piano, music minus Spring, music minus Sopranos, music minus Altos is available here https://www.russian4singers.com/product-page-2/rimsky-korsakov-chorus-of-flowers-from-the-snow-maiden-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$19.50
"Snowmaiden": Song and Dance of Birds DICTION SCORE w IPA & translation
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Piano, Voix
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AVANCÉ
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Nikolay Andreyevich Rimsky-Kor
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Russian for Singers
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"Snowmaiden": Song a
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1101621 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Russian for Si...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1101621 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 20 pages. Natalia Melnik #704995. Published by Natalia Melnik (A0.1101621). N. Rimsky-Korsakov Song and Dance of Birds from“The Snow Maiden†“Sbiralis’ ptitsy, sbiralis’ pevchi...†Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK: Diction score (sheet music with IPA phonetics and translations), Diction audio guides - slow syllabic reading of the text for every part by a native speaker, 8 computer-generated rehearsal tracks: full song audio, accompaniment, Spring's part + piano, Sopranos' part + piano, Altos' part + piano, music minus Spring, music minus Sopranos, music minus Altos is available here https://www.russian4singers.com/product-page-2/rimsky-korsakov-song-and-dance-of-birds-from-the-snow-maiden-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$19.50
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
O come sei gentile
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Voix duo, Piano
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Classique
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Claudio Monteverdi
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Early Music Scores
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O come sei gentile
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Early Music Scores
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SheetMusicPlus
Voice Duet Voice - SKU: A0.1421082 Composed by Claudio Monteverdi. Arranged by Early Music Scores. Baroque,Early Music. 5 pages. Early Music Scores #100...
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Voice Duet Voice - SKU: A0.1421082 Composed by Claudio Monteverdi. Arranged by Early Music Scores. Baroque,Early Music. 5 pages. Early Music Scores #1002469. Published by Early Music Scores (A0.1421082). Two sopranos and continuoComposed by Claudio Monteverdi (1567-1643). From Concerto: settimo libro de madrigali, Venezia, 1619. Edited by Felipe Dias. 5 pages.
$5.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Quatre Poemes De Guillaume Apollinaire
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Piano, Voix
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AVANCÉ
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Contemporain
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Francis Poulenc and Guillaume
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Nicole Elyse DiPaolo
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Quatre Poemes De Guillaume Apo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Clas...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
$8.95
Le Colibri (D Major)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ernest Chausson
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Jonathan Prentice
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Le Colibri
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Jonathan Prentice
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.884751 Composed by Ernest Chausson. Arranged by Jonathan Prentice. Romantic Period. Score. 5 pages. Jonathan Prent...
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Piano,Vocal,Voice - Level 4 - SKU: A0.884751 Composed by Ernest Chausson. Arranged by Jonathan Prentice. Romantic Period. Score. 5 pages. Jonathan Prentice #5802419. Published by Jonathan Prentice (A0.884751). Chausson's beautifully understated setting of Leconte de Lisle's erotic poem, The Hummingbird incorporates a lilting 5/4 rhythm, melodious vocal lines and subtly shifting harmonies (Here in D major, suitable for sopranos and tenors).
$1.99
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
COLOURS - Volume 1
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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COLOURS - Volume 1
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1262432 Composed by Ross Fiddes. 20th Century,21st Century,Chamber,Classical. Score. 36 pages. Ross Fiddes #855473...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1262432 Composed by Ross Fiddes. 20th Century,21st Century,Chamber,Classical. Score. 36 pages. Ross Fiddes #855473. Published by Ross Fiddes (A0.1262432). COLOURS – a song collection for mezzo-soprano & pianoLargely untrained, only basically educated and living most his life as a rural worker, Neilson became known as one of Australia's finest lyric poets, who wrote much about the natural world, and the beauty in it.  His poetry is peppered with references to colours particularly of the Australian landscape, notably green, yellow and orange.  There is an art gallery named for him and an art prize in his name requires competing artists to interpret his poems in paint.. His lyricism has appealed to many composers, and in this collection setting six of his poems, I have attempted to capture both his lyricism and his “colouringsâ€. The songs are dedicated variously to the superb mezzo-sopranos, Alessandra Volpe and Deborah Humble.The six song I have set for this Volume 1 are:1.    Paint Me A Petticoat Green2.    Roses Three3.    To Dulcie in a White Dress4.    You and Yellow Air5.    The Orange Tree6.    Song in the Yellow.
$35.00
"Ha! bald nahet sich die Stunde" The Queen of the Night's Aria: from The Magic Flute 2
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Piano, Voix
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AVANCÉ
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Arturo Escorza
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Johann Baptist Henneberg
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"Ha! bald nahet sich die
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Arturo Escorza
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1478385 By Arturo Escorza. By Peter Winter. Arranged by Johann Baptist Henneberg. Chamber,Classical,Historic,Opera...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1478385 By Arturo Escorza. By Peter Winter. Arranged by Johann Baptist Henneberg. Chamber,Classical,Historic,Opera. Score. 10 pages. Arturo Escorza #1055769. Published by Arturo Escorza (A0.1478385). Discover the captivating sequel to Mozart's The Magic Flute with this exclusive voice and piano reduction of the Queen of the Night's stunning recitative Ha! wohl mir! and the virtuosic aria Ha! bald nahet sich die Stunde from the opera Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil (The Labyrinth or The Struggle with the Elements. The Magic Flute's Second Part) composed by Peter Winter with a libretto by Emanuel Schikaneder, this rare gem continues the enchanting story with the same beloved characters.Perfect for sopranos looking to expand their repertoire with a dramatic and challenging piece, this edition provides a faithful reduction for voice and piano, capturing the essence of the original orchestration.This piece promises to enthrall audiences with its powerful emotion and technical brilliance.Summary:Recitative Ha! wohl mir! and aria Ha! bald nahet sich die Stunde from Das Labyrinth by Peter WinterInstrumentation: Soprano (Queen of the Night), and Piano Reduction.
$15.00
Garbage
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Sheldon Harnick
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Jena Cantrell
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Garbage
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Jena Cantrell
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1407171 Composed by Sheldon Harnick. Arranged by Jena Cantrell. 20th Century,Broadway,Comedy,Musical/Show. Score. ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1407171 Composed by Sheldon Harnick. Arranged by Jena Cantrell. 20th Century,Broadway,Comedy,Musical/Show. Score. 5 pages. Jena Cantrell #989870. Published by Jena Cantrell (A0.1407171). Here is the comedic and dramatic arrangement of Garbage from Sheldon Harnick and the Broadway show Shoestring Revue arranged for belters and low-voiced legit sopranos. It is the perfect sprinkling of comedy and drama for your next auditon cut, performance, or something new for your audition book!
$5.99
If You Can Prove That I Should Set You Free
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Voix duo, Piano
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INTERMÉDIAIRE
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Rachel J
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If You Can Prove That I Should
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Rachel J Peters
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SheetMusicPlus
Piano,Voice Duet Mezzo-Soprano Voice,Piano - Level 3 - SKU: A0.1302231 Composed by Rachel J. Peters. 21st Century,Classical,Opera. 33 pages. Rachel J Pe...
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Piano,Voice Duet Mezzo-Soprano Voice,Piano - Level 3 - SKU: A0.1302231 Composed by Rachel J. Peters. 21st Century,Classical,Opera. 33 pages. Rachel J Peters #891836. Published by Rachel J Peters (A0.1302231). Song cycle for 2 sopranos and up to 5 non-singing narrators Texts by Alice Duer Miller and Frances Ellen Watkins HarperDURATION: 14 minutesWORLD PREMIERE: Albany Symphony’s Dogs of Desire, Spring 2019Settings of suffrage-era satirist Alice Duer Miller’s poems are framed by underscored excerpts from Frances Ellen Watkins Harper’s “We Are All Bound Up Together†speech. The songs can be performed without the narration/underscoring movements between them.
$12.00
Sound The Trumpet - Come Ye Sons Of Art (F Major)
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Henry Purcell
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Jonathan Prentice
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Sound The Trumpet - Come Ye So
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Jonathan Prentice
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.884831 Composed by Henry Purcell. Arranged by Jonathan Prentice. Baroque. 5 pages. Jonathan Prentice #5...
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Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.884831 Composed by Henry Purcell. Arranged by Jonathan Prentice. Baroque. 5 pages. Jonathan Prentice #5888161. Published by Jonathan Prentice (A0.884831). A joyous duet from Purcell's birthday ode for Queen Mary, Come Ye Sons of Art (Here in F Major, suitable for sopranos and tenors).
$1.99
Quando m’en vo - La Bohème (D Major)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Giacomo Puccini
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Jonathan Prentice
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Quando m’en vo - La Boh&
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884803 Composed by Giacomo Puccini. Arranged by Jonathan Prentice. 20th Century,Opera. 5 pages. Jonathan Pr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884803 Composed by Giacomo Puccini. Arranged by Jonathan Prentice. 20th Century,Opera. 5 pages. Jonathan Prentice #5866765. Published by Jonathan Prentice (A0.884803). Musetta sing's this wonderfully flirtatious waltz, When I Go Along, in Act 2 of Puccini's La Bohème, where she delights in causing her jealous ex-lover, Marcello, as much embarrassment as possible. (Here a tone lower than the original, in D Major, more suitable for mezzos and younger sopranos).
$1.99
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Wie Melodien zieht es mir (B Major)
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Jonathan Prentice
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Wie Melodien zieht es mir
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Jonathan Prentice
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.884847 Composed by Johannes Brahms. Arranged by Jonathan Prentice. Romantic Period. Score. 5 pages. Jonathan Prent...
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Piano,Vocal,Voice - Level 3 - SKU: A0.884847 Composed by Johannes Brahms. Arranged by Jonathan Prentice. Romantic Period. Score. 5 pages. Jonathan Prentice #5952931. Published by Jonathan Prentice (A0.884847). Brahms subtle and beautifully melodic setting of Kraus Roth's poem, It Moves Like A Melody, (Here in B Major, suitable for sopranos and tenors).
$1.99
Nocturne (G Minor)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Michael Head
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Jonathan Prentice
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Nocturne
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Jonathan Prentice
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.884790 Composed by Michael Head. Arranged by Jonathan Prentice. 20th Century. Score. 5 pages. Jonathan Prentice #5...
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Piano,Vocal,Voice - Level 4 - SKU: A0.884790 Composed by Michael Head. Arranged by Jonathan Prentice. 20th Century. Score. 5 pages. Jonathan Prentice #5828969. Published by Jonathan Prentice (A0.884790). A wonderfully imaginative and atmospheric setting of Francis Ledwidge's mournful poem by a young Michael Head (Here in G Minor, suitable for sopranos and tenors).
$1.99
All The Things You Are
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Jack Leonard with Tommy Dorsey
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Jonathan Prentice
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All The Things You Are
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Jonathan Prentice
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.884873 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Jonathan Prentice. Contemporary. S...
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Piano,Vocal,Voice - Level 3 - SKU: A0.884873 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Jonathan Prentice. Contemporary. Score. 5 pages. Jonathan Prentice #6073671. Published by Jonathan Prentice (A0.884873). This song from Hammerstein and Kern's largely forgotten musical, Very Warm For May, has become an enduring standard for all voices due to it's beautiful melody and rich harmonies. (Here in Bb Major, suitable for tenors and sopranos).
$4.99
When I Am Laid (Dido's Lament) - F# Minor
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Henry Purcell
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Jonathan Prentice
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When I Am Laid
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884924 Composed by Henry Purcell. Arranged by Jonathan Prentice. Baroque,Opera. 5 pages. Jonathan Prentice ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884924 Composed by Henry Purcell. Arranged by Jonathan Prentice. Baroque,Opera. 5 pages. Jonathan Prentice #6591399. Published by Jonathan Prentice (A0.884924). This hauntingly beautiful aria from the finale of Purcell's, Dido and Aeneas, is rightly one of the most famous in baroque opera. Thinking his love for her has faded, Dido sends Aeneas away but unable to go on with out him, takes poison and sings this lament in the arms of her maid, Belinda. (Here in F# minor, baroque pitch, suitable for sopranos).
$1.99
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5 Voix Sopranos
