This beloved work by J. S. Bach is arranged here for Soprano (Descant) Recorder with a fully realized keyboard part that is accessible to intermediate players and can be played on piano, organ, or harpsichord. It is perfect for weddings, concerts, or solo/ensemble repertoire and is able to be used with the Choral Edition, which provides a new translation. For worship, it can be performed almost any time since it exudes peace and joy, but it is particularly suited for Advent and Christmas since it comes from Cantata 147, "Herz und Mund und Tat und Leben" ("Heart and Mouth and Deeds and Life"), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). An optional part is provided for Cello/Bassoon. An arrangement with an easier keyboard part is also available as are arrangements for Alto (Treble) Recorder or Tenor Recorder and other instruments and ensembles. For more music and information, visit www.jubalslyre.com/music.

Item Number: S0.1045365

This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.

Jesu joy of man's desiring or Wohl mir, da� ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.

"Se�orita" was released in June of 2019, and it quickly became a massive hit. Debuting at number 2 on the charts, it made its way up and became Shawn Mendes' first number one hit in the US (and Camila Cabello's second). Your audience will love this version for two-violin and cello trio -- maintaining the sultry danceable groove, layered harmonies, and back-and-forth melodic lines of the original, this arrangement is sure to get everyone singing along! Perfect for solo & ensemble contests, cocktail parties, private events, or even weddings and receptions, this chart is definitely as much fun to play as it is to listen to. Rated advanced-intermediate for some tricky rhythms, but overall this will be playable for students and easily sightreadable for professionals.


Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, M�tley Cr�e, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:
http://www.cellobat.com
http://www.instagram.com/cellobat
http://www.youtube.com/c/SarahCellobatChaffee

Score: 116 pages, Duration: ca. 1:09:00
The first 12 Preludes & Fugues in Book II arranged for string quartet.

"Jesu, Joy of Man's Desiring" (or simply "Joy") is the most common English title of a piece of music derived from a chorale setting of the cantata Herz und Mund und Tat und Leben, BWV 147 ("Heart and Mouth and Deed and Life"), composed by Johann Sebastian Bach in 1723. The same music on different stanzas of a chorale closes both parts of the cantata.

A transcription by the English pianist Myra Hess (1890?1965) was published in 1926 for piano solo and in 1934 for piano duet. It is often performed slowly and reverently at wedding ceremonies, as well as during Christian festive seasons like Christmas and Easter.Jesus joy of men (Jesus bleibet meine Freude, in German) is the final choir of the cantata "Herz und Mund und Tat und Leben" ("Heart and Mouth and Actions and Life", in a free translation), written by Johann Sebastian Bach in Leipzig, Germany in the year 1716.

Although it is the 32nd cantata composed by Bach, of those that survived, it was given the number BWV 147 in the complete catalog of his works. Contrary to what is supposed, Johann Schop (1590-1664), and not Bach, composed the melodic line of the choir Werde munter, mein Gem�the (1641), which gave rise to the sixth and tenth movements of Cantata 147, being the tenth Jesus bleibet meine Freude. Bach gave him harmonization and an instrumental accompaniment. In this composition, the choir is superimposed on a great succession of triplets, "one of the Bachian symbols to indicate the Trinity.

The famous C Major prelude (#1) from the Well-Tempered Clavier book 1 by J.S. Bach is here arranged for string quartet. Division of parts into pizzicato and arco is used to emulate the attack and decay of a piano. A score and set of parts are included with every purchase.

Opus/Catalog Number: Arranged from Orchestral Suite No. 3, BWV 1068
Key/Tone: D Major
Movements/Sections: Adagio
Year/Date of Composition: 1731
Difficulty: Grade 5/12 (Intermediate)
Obs.: This piece is arranged from the second movement of Bach's Orchestral Suite No. 3 in D Major. It was originally composed for strings and continuo.
It is known under the title Air on the G String, because some arrangements for violin are meant to be played entirely on that string.
This score is an arrangement for String Quartet: Violins 1, 2, Viola and Cello.
Please note that in this score, all ornaments are authentic.
Included: Full score and individual parts.

Ralph Sauer's landmark new work, Practice With Bach, will challenge your technique and musicality with demanding new �tudes. Based on the keyboard works of J. S. Bach, each of the Three Volumes is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.).



Tenor trombonists will find that the Alto version is excellent for high register practice and alto clef reading. Likewise, Tenor trombonists can use the Bass version for low register work.



Bass trombonists will find excellent material in the Tenor version for work in the upper register and tenor clef reading. The Euphonium version is in the same key as the Tenor version, but all in bass clef, with many more trills added. The Tuba version is in the same key as the Bass version, also with more trills.



Volume One contains Twenty-four �tudes in all keys, based upon preludes from The Well-Tempered Clavier.and#65279;

This arrangement of Menuet I & II from Cello Suite I, by Johann Sebastian Bach, for solo guitar, incorporates slurs (hammer-ons, pull-offs) to simulate aspects of the cello. Four-page score with tablature, plus two-page individual guitar part without tabs. Fingerings and string designations included.

Also available here:

S0.964429 - Selections from Bach Cello Suites (for Solo Guitar)

Kenneth Pasciak Music Publishing, ASCAP
kenpasciak.com