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HARP Bartok
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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Vous avez sélectionné:
HARP Bartok
Partitions à imprimer
9 partitions trouvées
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12 pieces in Bulgarian Rhythm
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Anna-Maria Ravnopolska-Dean
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Anna-Maria Ravnopolska-Dean
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12 pieces in Bulgarian Rhythm
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Arpa d'Oro
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SheetMusicPlus
Pedal Harp - Level 4 - SKU: A0.1495265 By Anna-Maria Ravnopolska-Dean. By Parashkev Hadjiev. Arranged by Anna-Maria Ravnopolska-Dean. 20th Century,Class...
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Pedal Harp - Level 4 - SKU: A0.1495265 By Anna-Maria Ravnopolska-Dean. By Parashkev Hadjiev. Arranged by Anna-Maria Ravnopolska-Dean. 20th Century,Classical,Instructional,Traditional. Score. 32 pages. Arpa d'Oro #1071783. Published by Arpa d'Oro (A0.1495265). The 12 pieces in Bulgarian Rhythm by the great Bulgarian composer Parashkev Haddjiev were written originally for piano. The composer had a special gift for composlng brief character pieces that convey a specific mood or illustlate a glven musical problem. Such are the pieces in this collection where the main issue is rfurthmic. Bulgarian Rhyhm, as Bartok calls it, is uneven. It alternates duple and triple beats within each measure. The pieces are fresh and cute in a typical folk-like style. Ravnopolska-Dean’s arrangement uses specific harp techniques and effects. Mastering the rhythrnic patterns found in this colleetion enhances inner rhyhmic stability and provides a valuabie bridge to solving more complex rhytmic problems. As an additional teaching aid Ravnopolska-Dean’s performances of all of them are available on youtube.
$41.99
Bartók: 10 Easy Pieces , Sz.39 5.Evening in Transylvania - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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Bela Bartok
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Ray Thompson
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Bartók: 10 Easy Pieces
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553967 Composed by Bela Bartok. Arranged by Ray Thompson. 20th C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553967 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Contemporary. 9 pages. RayThompsonMusic #6402827. Published by RayThompsonMusic (A0.553967). No. 5 of 10 Easy Pieces Sz.39 written for piano.Bartók later used it, as well as 4 other pieces, as part of his orchestral Suite Hungarian Pictures, sometimes also referred to as Hungarian Sketches, Sz. 97, BB 103 (Hungarian: Magyar képek) The relevant orchestral suite movement 1 is called An Evening in the VillageArranged standard wind quintet and transposed form F sharp minor up to G minor..
$7.95
Three Hungarian Folksongs from Csik- "The Peacock"
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bela Bartok
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Mary Kay
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Three Hungarian Folksongs from
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Mary Kay
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SheetMusicPlus
Guitar,Harp,Instrumental Duet - Level 4 - SKU: A0.1323426 Composed by Bela Bartok. Arranged by Mary Kay. 20th Century,Chamber. 2 pages. Mary Kay #911649...
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Guitar,Harp,Instrumental Duet - Level 4 - SKU: A0.1323426 Composed by Bela Bartok. Arranged by Mary Kay. 20th Century,Chamber. 2 pages. Mary Kay #911649. Published by Mary Kay (A0.1323426). A trascription of a Bartok's piece, originally written for piano solo. Here, I present you a harp- classical guitar duo version. Suitable for intermidiate and advanced players. It's an interesting piece to add to your repertoir.classical guitar and harp duo.
$2.50
Three Hungarian Folksongs from Csik- "White Lily"
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bela Bartok
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Mary Kay
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Three Hungarian Folksongs from
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Mary Kay
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SheetMusicPlus
Guitar,Harp,Instrumental Duet - Level 4 - SKU: A0.1323436 Composed by Bela Bartok. Arranged by Mary Kay. 20th Century,Chamber,Classical. 1 pages. Mary K...
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Guitar,Harp,Instrumental Duet - Level 4 - SKU: A0.1323436 Composed by Bela Bartok. Arranged by Mary Kay. 20th Century,Chamber,Classical. 1 pages. Mary Kay #911660. Published by Mary Kay (A0.1323436). A third piece from Bela Bartok's Three Hungarian Songs from Csik. Originally written for piano solo. Here I present you a transription for classical guitar and harp duo. Great piece to add to your repertoir.
$2.99
Harom Csikmegyei Nepdal (1907)
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Contemporain
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Bela Bartok
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Brett L
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Harom Csikmegyei Nepdal
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.837505 Composed by Bela Bartok. Arranged by Brett L. Wery. Contemporary. ...
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Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.837505 Composed by Bela Bartok. Arranged by Brett L. Wery. Contemporary. Score and parts. 7 pages. Sonata Grendel Publishing #6015277. Published by Sonata Grendel Publishing (A0.837505). Three Hungarian Folksongs from CsÃk was originally written for piano by Hungarian composer, Béla Bartók, and reportedly later arranged for recorder and piano by the composer himself. There is much speculation about when the piece was actually composed. Some put it as late as 1918. Bartók revised and published the three-movement set through Boosey & Hawkes in 1942 after moving to the United States at a time in his life when he was barely making a living by publishing old manuscripts. The county of CsÃk was once part of Hungary and its territory is now in the eastern Transylvanian region of Romania. Duration - 3:00
$7.95
Axis
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Robert A
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Axis
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Robert A. Howard
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.998835 Composed by Robert A. Howard. 20th Century,Folk,Standards. 7 pages. Robert A...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.998835 Composed by Robert A. Howard. 20th Century,Folk,Standards. 7 pages. Robert A. Howard #6134575. Published by Robert A. Howard (A0.998835). This work is influenced by the folk-inspired works of Bartok, particularly his use of alternative scales (such as the octatonic), and the textures created in his string quartets. This piece's title refers to its two main 'axes' on C and F sharp (almost as tonic and dominant poles) in the work's employment of the octatonic scale. The piece is highly accessible and is appropriate for most standards of string player, including students and the more advanced. Duration: 2 minute 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk.
$5.99
String Quartet No. 1, op. 12
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Adrian Gagiu
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String Quartet No. 1, op. 12
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1004707 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 132 pages. Adrian Gagiu ...
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String Quartet String Quartet - Level 4 - SKU: A0.1004707 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 132 pages. Adrian Gagiu #5038243. Published by Adrian Gagiu (A0.1004707). String Quartet No. 1 in A minor, op. 12 (1999), a cyclic composition in Neo-Classical style, partly influenced by Romanian folk music, Shostakovich and Bartok. Its compositional language, while not avant-garde and not exceedingly difficult, might help students with some aspects of modern music and liberties taken with classical forms. The first movement (Larghetto - Allegro non troppo) presents first dramatically and mysteriously the core motifs and themes of the entire composition, followed by a surprisingly relaxed sonata movement in the relative key of C major. The following Scherzo (Allegro assai), in E major, plays humorously and vigorously with derived motifs, and the third movement (Adagio assai), in F sharp minor, is treated in variations on the Romanian Christmas carol La Vitleem colo jos ('Down at Bethlehem'). The dramatic and expanding sonata form of the fourth movement (Allegro con brio - Larghetto) returns finally to the A minor of the introduction, then dissolving into the transcendent, slow coda. The mp3 audio clip is a recording of the finale. Total duration 26 min. Performing Rights Organization: SOCAN.
$27.95
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Graded Guitar Duos, Volume 1
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Guitare
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DÉBUTANT
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Classique
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Mark Small
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Graded Guitar Duos, Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Mark Small. For Guitar (Classical). Classic. Beginning. E-book. 32 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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Composed by Mark Small. For Guitar (Classical). Classic. Beginning. E-book. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742041. This volume contains sixteen pieces for the beginning classical guitar duo. Efforts have been made to include composers of note from various periods such as Tchaikovsky, Dowland, Beethoven, Bartok, and Bach, yet the music is not above the abilities of beginning readers. By and large, the key signatures have only one sharp or flat and the accidentals are minimal. The music falls within first position and difficult bar chords have been avoided. The book will provide beginning duos access to music by great composers that is not beyond their capabilities. Written in standard notation only with suggested left hand fingering. This book contains the score and parts for guitars I and II.
$17.99
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HARP Bartok 
