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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
OPERA PIANO
Non classifié
1 628
Piano & claviers
Piano, Voix
3 135
Piano seul
2 176
Piano Facile
659
Piano, Voix et Guitare
478
1 Piano, 4 mains
180
Accompagnement Piano
90
Piano Trio: piano, violon, violoncelle
53
Piano grosses notes
27
2 Pianos, 4 mains
27
Orgue
18
Instruments en Do
14
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue, Piano (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Clavecin
1
1 Piano, 6 mains
1
Accordéon
1
+ 15 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
18
Piano, Guitare (duo)
13
Guitare
8
2 Guitares (duo)
5
Guitare notes et tablatures
4
Ukulele
1
Basse electrique
1
+ 2 instrumentations
Retracter
Voix
Voix Soprano, Piano
213
Chorale SATB
203
Voix Tenor, Piano
158
Voix Baryton, Piano
98
Chorale 3 parties
96
Voix duo, Piano
78
Voix Alto, Piano
66
Voix seule
59
Chorale 2 parties
56
Voix haute
51
Voix basse, Piano
48
Voix Mezzo-Soprano, Piano
42
Chorale Unison
36
Chorale TTBB
35
Voix duo
24
Chorale SSAA
20
Voix moyenne, Piano
18
Voix Tenor
9
Voix Soprano
7
Chorale
7
Voix haute, Piano
4
Soli, choeur mixte et accompagnement
3
Voix basse
1
+ 18 instrumentations
Retracter
Vents
Flûte traversière et Piano
440
Clarinette et Piano
314
Hautbois, Piano (duo)
234
Saxophone Alto et Piano
206
Saxophone Soprano et Piano
118
Saxophone Tenor et Piano
100
Cor anglais, Piano
49
Saxophone Baryton, Piano
41
2 Saxophones (duo)
36
Quatuor de Saxophones: 4 saxophones
35
2 Flûtes traversières (duo)
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Clarinette Basse, Piano
28
Flûte, Hautbois, Clarinette, Basson
26
Quintette de Saxophone: 5 saxophones
21
Clarinette
21
Flûte, Clarinette (duo)
14
Flûte, Violoncelle, Piano (trio)
14
2 Clarinettes (duo)
14
2 Clarinettes, Piano
13
Ensemble de Clarinettes
13
Clarinette, Violon (duo)
13
Flûte, Violon
12
Flûte, Trompette (duo)
11
Saxophone, Clarinette (duo)
11
Hautbois, Clarinette (duo)
11
Flûte, Violon, Piano
11
Hautbois, violon (duo)
10
Clarinette, Violoncelle, Piano (trio)
10
2 Hautbois (duo)
10
Quatuor de Flûtes : 4 flûtes
10
Flûte, Hautbois (duo)
9
Flûte, Clarinette, Piano (trio)
9
Hautbois, Trompette (duo)
8
Saxophone, Violon (duo)
8
2 Flûtes traversières, Piano
8
Flûte, Hautbois, Piano (trio)
7
Flûte irlandaise
6
Quatuor de Flûtes à bec
6
5 Flûtes à bec
5
Ensemble de saxophones
5
Flûte à bec Alto
5
3 Saxophones (trio)
5
Flûte, Basson et Piano
5
Flûte à bec Soprano
5
Quatuor de Clarinettes: 4 clarinettes
5
2 Saxophones, Piano
5
Flûte à Bec, Piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte, Violon, Violoncelle et Piano
4
Flûte traversière
4
Flûte, Saxophone (duo)
3
Flûte à bec Tenor
3
Flûte et Guitare
3
Flûte à bec Soprano, Piano
3
Flûte à Bec
3
Clarinette, Basson (duo)
3
Hautbois, Flûte
2
Instruments en Mib
2
Hautbois, Basson (duo)
2
2 Flûte à bec (duo)
2
Saxophone Alto
2
Quintette de Clarinettes: 5 clarinettes
2
3 Flûtes à bec (trio)
2
Flûte, trombone et piano
2
Hautbois, Clarinette et Piano (Trio)
1
Flûte à bec Alto, Piano
1
Clarinette, Trombone (duo)
1
Clarinette et Alto
1
Hautbois, Violoncelle et Piano
1
Quintette de Flûte : 5 flûtes
1
Saxophone
1
Clarinette, Guitare (duo)
1
Ensemble de Flûtes
1
Hautbois, Clarinette, Basson et Piano
1
Clarinette, Trompette (duo)
1
Flûte, Alto (duo)
1
Clarinette, Basson, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
Cor Anglais
1
Flûte à bec, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violoncelle (duo)
1
Piccolo, Piano
1
+ 80 instrumentations
Retracter
Cuivres
Trompette, Piano
231
Cor et Piano
172
Trombone et Piano
161
Tuba et Piano
94
Cor anglais, Piano
49
Euphonium, Piano (duo)
43
Trompette
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
2 Trompettes (duo)
13
2 Trombones (duo)
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trompette, Saxophone (duo)
10
Trombone, violoncelle (duo)
10
Tuba et Orgue
9
Quatuor de Cuivres
9
2 Cors (duo)
9
Trompette, violon (duo)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trompette, Violoncelle et Piano
6
Trio de Cuivres
4
Trompette, Trombone (duo)
4
2 Trompettes, Clavier (piano ou orgue)
3
Trombone
3
4 Tubas
2
Ensemble de Trombones
2
Cor
2
Trompette, Trombone, Piano
2
2 Euphoniums (duo)
2
Trombone basse et Piano
2
2 Cors, Piano
1
Ensemble de Trompettes
1
Euphonium, Tuba (duo)
1
3 Tubas (trio)
1
Trombone, Cor (duo)
1
Euphonium Ou Saxhorn Et Piano
1
Cor Anglais
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
+ 37 instrumentations
Retracter
Cordes
Violon et Piano
526
Violoncelle, Piano
381
Alto, Piano
280
Contrebasse, Piano (duo)
75
Quatuor à cordes: 2 violons, alto, violoncelle
54
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
2 Violons (duo)
20
Violon
17
2 Violoncelles (duo)
14
2 Altos (duo)
13
Piano Trio: Violon, Alto, Piano
12
Violoncelle
10
Alto, Violoncelle (duo)
9
2 Violons, Piano
7
Alto seul
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Trio à Cordes: violon, alto, violoncelle
4
Violon, Alto (duo)
4
Alto (partie séparée)
3
Violon, Violoncelle (duo)
3
Harpe et Piano
3
Violon, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Contre Basse
2
Violon (partie séparée)
2
2 Altos, Piano
2
Violoncelle , Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Basse continue
1
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Alto et Basson
1
Harpe et mandoline
1
Ensemble de Violoncelles
1
Harpe
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
2 Violoncelles, Piano
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre
110
Orchestre d'harmonie
73
Orchestre de chambre
51
Jazz combo
34
Orchestre à Cordes
33
Ensemble Jazz
21
Xylophone, Piano
13
Ensemble de cuivres
7
Ensemble de Percussions
3
Cloches
2
Marimba
2
Big band
2
Fanfare
1
Piano et Orchestre
1
+ 9 instrumentations
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Handel: Largo from Xerxes for Violin & Piano
Violon et Piano
Violin & Piano - Intermediate - Digital Download Composed by George Frideric Hand…
(+)
Violin & Piano - Intermediate - Digital Download Composed by George Frideric Handel (1685-1759). Arranged by James M. Guthrie, ASCAP. Baroque Period, General Worship, Repertoire, Wedding, Recital. Score, Set of Parts. 9 pages. Published by jmsgu3
Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from "Xerxes"<br> Suitable for any venue requiring meditative music. Excellent choice for a recital encore.<br> <br> Xerxes<br> Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s “Largo,” Handel has, on the contrary, clearly marked "Larghetto" in the score.<br> <br> Handel Background<br> George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany.<br> <br> Career in England<br> It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London.<br> <br> Legacy<br> Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.<br> <br> <br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from "Xerxes"<br> Suitable for any venue requiring meditative music. Excellent choice for a recital encore.<br> <br> Xerxes<br> Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s “Largo,” Handel has, on the contrary, clearly marked "Larghetto" in the score.<br> <br> Handel Background<br> George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany.<br> <br> Career in England<br> It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London.<br> <br> Legacy<br> Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.<br> <br> <br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
30.38 €
#
Violon et Piano
#
George Frideric Handel
#
Handel: Largo from Xerxes for Violin & Piano
#
jmsgu3
#
SheetMusicPlus
Romanza and Scherzo for solo Bass Trombone and Piano
Trombone basse et Piano
Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed b…
(+)
Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music
My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)
$22.50
20.74 €
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Trombone basse et Piano
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Pierce, Alan
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Romanza and Scherzo for solo Bass Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
Va, pensiero (Chorus of the Hebrew Slaves) - Piano Solo (Original Key)
Piano seul
Piano Solo - Digital Download Composed by Giuseppe Verdi (1813-1901). Arranged by Mar…
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Piano Solo - Digital Download Composed by Giuseppe Verdi (1813-1901). Arranged by Mario Stallbaumer. Romantic Period, Opera, Praise & Worship, Funeral, Recital. 4 pages. Published by Mario Stallbaumer
With this piano sheet music, you can play "Va, pensiero" from Nabucco on piano!<br> <br> "Va, pensiero" (also known as the "Chorus of the Hebrew Slaves") is Verdi's most famous opera chorus.<br> <br> This is a piano arrangement in the song's original key (F#).<br> However, you can also get this arrangement in a transposed version so it's a bit easier to read and play:<br> in F: https://www.sheetmusicplus.com/title/21411175<br> in G: https://www.sheetmusicplus.com/title/21410735<br> <br> With this sheet music, you can play the "Chorus of the Hebrew Slaves" from Verdi's opera "Nabucco" in an accurate piano arrangement which is not too hard to play, and sounds fantastic.<br> <br> "Va, pensiero" (the "Chorus of the Hebrew Slaves") is a chorus from Giuseppe Verdi's opera "Nabucco". This opera was Verdi's breakthrough as one of the major composers of the 19th century - Verdi himself said Nabucco "is the opera with which my artistic career really begins".<br> <br> "Va, pensiero" is the most famous number from Verdi's Nabucco and one of the most popular opera pieces of all times.<br> Beginning with the famous opening lines "Va, pensiero, sull'ali dorate", the Israelites (who are in Babylonian capticity and have lost the First Temple) long for their homeland and pray for God's help.<br> <br> Here are the full lyrics to Verdi's "Va, pensiero" from Nabucco:<br> <br> Va, pensiero, sull’ali dorate;<br> va, ti posa sui clivi, sui colli,<br> ove olezzano tepide e molli<br> l’aure dolci del suolo natal!<br> <br> Del Giordano le rive saluta,<br> di Sionne le torri atterrate…<br> O mia patria sì bella e perduta!<br> O membranza sì cara e fatal!<br> <br> Arpa d’or dei fatidici vati,<br> perché muta dal salice pendi?<br> Le memorie nel petto raccendi,<br> ci favella del tempo che fu!<br> <br> O simile di Solima ai fati<br> traggi un suono di crudo lamento,<br> o t’ispiri il Signore un concento<br> che ne infonda al patire virtù.With this piano sheet music, you can play "Va, pensiero" from Nabucco on piano!<br> <br> "Va, pensiero" (also known as the "Chorus of the Hebrew Slaves") is Verdi's most famous opera chorus.<br> <br> This is a piano arrangement in the song's original key (F#).<br> However, you can also get this arrangement in a transposed version so it's a bit easier to read and play:<br> in F: https://www.sheetmusicplus.com/title/21411175<br> in G: https://www.sheetmusicplus.com/title/21410735<br> <br> With this sheet music, you can play the "Chorus of the Hebrew Slaves" from Verdi's opera "Nabucco" in an accurate piano arrangement which is not too hard to play, and sounds fantastic.<br> <br> "Va, pensiero" (the "Chorus of the Hebrew Slaves") is a chorus from Giuseppe Verdi's opera "Nabucco". This opera was Verdi's breakthrough as one of the major composers of the 19th century - Verdi himself said Nabucco "is the opera with which my artistic career really begins".<br> <br> "Va, pensiero" is the most famous number from Verdi's Nabucco and one of the most popular opera pieces of all times.<br> Beginning with the famous opening lines "Va, pensiero, sull'ali dorate", the Israelites (who are in Babylonian capticity and have lost the First Temple) long for their homeland and pray for God's help.<br> <br> Here are the full lyrics to Verdi's "Va, pensiero" from Nabucco:<br> <br> Va, pensiero, sull’ali dorate;<br> va, ti posa sui clivi, sui colli,<br> ove olezzano tepide e molli<br> l’aure dolci del suolo natal!<br> <br> Del Giordano le rive saluta,<br> di Sionne le torri atterrate…<br> O mia patria sì bella e perduta!<br> O membranza sì cara e fatal!<br> <br> Arpa d’or dei fatidici vati,<br> perché muta dal salice pendi?<br> Le memorie nel petto raccendi,<br> ci favella del tempo che fu!<br> <br> O simile di Solima ai fati<br> traggi un suono di crudo lamento,<br> o t’ispiri il Signore un concento<br> che ne infonda al patire virtù.
$2.99
2.76 €
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Piano seul
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Giuseppe Verdi (1813-1901)
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Mario Stallbaumer
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Worship, Funeral, Recital
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Va, pensiero
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Mario Stallbaumer
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SheetMusicPlus
Va, pensiero ("Chorus of the Hebrew Slaves" from Nabucco) - Piano Solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Giuseppe Verdi (1…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Giuseppe Verdi (1813-1901). Arranged by Mario Stallbaumer. Romantic Period, Opera, General Worship, Recital, Patriotic. 4 pages. Published by Mario Stallbaumer
With this piano sheet music, you can play "Va, pensiero" - Verdi's most famous opera chorus - on piano!<br> <br> With this sheet music, you can play the "Chorus of the Hebrew Slaves" from Verdi's opera "Nabucco" in an accurate piano arrangement which is not too hard to play, and sounds fantastic.<br> <br> For better playability, the piece has been transposed one half step from the original key (G instead of F#).<br> <br> "Va, pensiero" (the "Chorus of the Hebrew Slaves") is a chorus from Giuseppe Verdi's opera "Nabucco". This opera was Verdi's breakthrough as one of the major composers of the 19th century - Verdi himself said Nabucco "is the opera with which my artistic career really begins".<br> <br> "Va, pensiero" is the most famous number from Verdi's Nabucco and one of the most popular opera pieces of all times.<br> Beginning with the famous opening lines "Va, pensiero, sull'ali dorate", the Israelites (who are in Babylonian capticity and have lost the First Temple) long for their homeland and pray for God's help.<br> <br> Here are the full lyrics to Verdi's "Va, pensiero" from Nabucco:<br> <br> Va, pensiero, sull’ali dorate;<br> va, ti posa sui clivi, sui colli,<br> ove olezzano tepide e molli<br> l’aure dolci del suolo natal!<br> <br> Del Giordano le rive saluta,<br> di Sionne le torri atterrate…<br> O mia patria sì bella e perduta!<br> O membranza sì cara e fatal!<br> <br> Arpa d’or dei fatidici vati,<br> perché muta dal salice pendi?<br> Le memorie nel petto raccendi,<br> ci favella del tempo che fu!<br> <br> O simile di Solima ai fati<br> traggi un suono di crudo lamento,<br> o t’ispiri il Signore un concento<br> che ne infonda al patire virtù.With this piano sheet music, you can play "Va, pensiero" - Verdi's most famous opera chorus - on piano!<br> <br> With this sheet music, you can play the "Chorus of the Hebrew Slaves" from Verdi's opera "Nabucco" in an accurate piano arrangement which is not too hard to play, and sounds fantastic.<br> <br> For better playability, the piece has been transposed one half step from the original key (G instead of F#).<br> <br> "Va, pensiero" (the "Chorus of the Hebrew Slaves") is a chorus from Giuseppe Verdi's opera "Nabucco". This opera was Verdi's breakthrough as one of the major composers of the 19th century - Verdi himself said Nabucco "is the opera with which my artistic career really begins".<br> <br> "Va, pensiero" is the most famous number from Verdi's Nabucco and one of the most popular opera pieces of all times.<br> Beginning with the famous opening lines "Va, pensiero, sull'ali dorate", the Israelites (who are in Babylonian capticity and have lost the First Temple) long for their homeland and pray for God's help.<br> <br> Here are the full lyrics to Verdi's "Va, pensiero" from Nabucco:<br> <br> Va, pensiero, sull’ali dorate;<br> va, ti posa sui clivi, sui colli,<br> ove olezzano tepide e molli<br> l’aure dolci del suolo natal!<br> <br> Del Giordano le rive saluta,<br> di Sionne le torri atterrate…<br> O mia patria sì bella e perduta!<br> O membranza sì cara e fatal!<br> <br> Arpa d’or dei fatidici vati,<br> perché muta dal salice pendi?<br> Le memorie nel petto raccendi,<br> ci favella del tempo che fu!<br> <br> O simile di Solima ai fati<br> traggi un suono di crudo lamento,<br> o t’ispiri il Signore un concento<br> che ne infonda al patire virtù.
$2.99
2.76 €
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Piano seul
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Giuseppe Verdi (1813-1901)
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Mario Stallbaumer
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Va, pensiero
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Mario Stallbaumer
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SheetMusicPlus
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Voix Tenor, Piano
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
60.8 €
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Voix Tenor, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Donizetti: Duet Norina/Dottore " Pronta io son " from "Don Pasquale" Opera PIANO ACCOMPANIMENT
Piano seul
Piano - Digital Download SKU: A0.1067730 Composed by G. Donizetti. Arranged by D'An…
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Piano - Digital Download SKU: A0.1067730 Composed by G. Donizetti. Arranged by D'Andrea H. Opera,Romantic Period. Accompaniment. Duration 441. D'Andrea Helios #6317827. Published by D'Andrea Helios (A0.1067730). Opera Don Pasquale Duet Norina/Dottor Malatesta Pronta io son-Vado, corro... Piano accompaniment.
$4.00
3.69 €
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Piano seul
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G
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D'Andrea H
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Don Pasquale
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Donizetti: Duet Norina/Dottore " Pronta io son " from "Don Pasquale" Opera PIANO ACCOMPANIMENT
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D'Andrea Helios
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SheetMusicPlus
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
Violoncelle, Piano
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massen…
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Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Valentine's Day, St. Patrick's Day, Wedding. Individual Part, Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.<br> <br> The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.<br> <br> The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.<br> <br> The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.<br> <br> The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99
5.52 €
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Violoncelle, Piano
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Jules Massenet (1842-1912)
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Flavio Regis Cunha
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MÉDITATION - From the Opera Thaïs
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Flavio Regis Cunha
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SheetMusicPlus
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
Violon et Piano
Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Masse…
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Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Wedding, Graduation, Recital. Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.<br> <br> The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.<br> <br> The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.<br> <br> The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.<br> <br> The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99
5.52 €
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Violon et Piano
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Jules Massenet (1842-1912)
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Flavio Regis Cunha
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MÉDITATION - From the Opera Thaïs
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Flavio Regis Cunha
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SheetMusicPlus
Una voce m’ha colpito - Opera aria for Tuba solo and Piano
Tuba et Piano
Piano Accompaniment, Tuba - Advanced Intermediate - Digital Download Composed by Gioa…
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Piano Accompaniment, Tuba - Advanced Intermediate - Digital Download Composed by Gioachino Rossini (1792-1868). Arranged by Warren Ryland. Romantic Period, Classical Period, Opera. Score, Solo Part. 12 pages. Published by Cherry Classics Music
Rossini's comic one act opera L'inganno felice (The Fortunate Deception) was written and first performed in Venice in 1812 and became an instant success, performed around Europe over the next few years.<br> <br> The aria Una voce m'ha colpito (A Voice Struck Me) is a bass/baritone solo that was arranged for solo Tuba a hundred years later by British bandmaster, composer and cornetist, Colonel James Ord Hume. The Tuba solo went out of print quite a while ago but has been rediscovered and edited for solo Bass Tuba and Piano by Warren Ryland. This solo is featured as part of our Vintage Brass Series.Rossini's comic one act opera L'inganno felice (The Fortunate Deception) was written and first performed in Venice in 1812 and became an instant success, performed around Europe over the next few years.<br> <br> The aria Una voce m'ha colpito (A Voice Struck Me) is a bass/baritone solo that was arranged for solo Tuba a hundred years later by British bandmaster, composer and cornetist, Colonel James Ord Hume. The Tuba solo went out of print quite a while ago but has been rediscovered and edited for solo Bass Tuba and Piano by Warren Ryland. This solo is featured as part of our Vintage Brass Series.
$20.00
18.44 €
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Tuba et Piano
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Gioachino Rossini (1792-1868)
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Warren Ryland
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Una voce m’ha colpito - Opera aria for Tuba solo and Piano
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Cherry Classics Music
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SheetMusicPlus
Bohemian Rhapsody - Piano Solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario S…
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Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
With these piano sheets, you can play “Bohemian Rhapsody” on piano!<br> <br> It’s an accurate piano arrangement of the whole piece, including all parts, full melody & instrumental solos.<br> <br> I believe this is the most accurate piano arrangement of the song you will find anywhere.<br> <br> It’s a “Bohemian Rhapsody” piano version in the song’s original key, it’s playable, and it sounds fantastic!<br> <br> <br> I also created sheet music of the same piano arrangement with the song’s full lyrics - you can get it here: https://www.sheetmusicplus.com/title/21155920<br> <br> <br> “Bohemian Rhapsody” was, of course, written by the one and only Freddie Mercury.<br> <br> It was included on Queen’s 1975 album “A Night at the Opera” and became one of Queen’s biggest hits. Today, it is considered by many to be the best classic rock song of all time.<br> <br> <br> There’s a good reason why the 2018 biographical film about Freddie Mercuy (played by Rami Malek) is named after this song - arguably his greatest composition.<br> <br> <br> “Bohemian Rhapsody” is famous for its diverse parts: from the a-capella-intro to rock ballad verses, from hard rock guitar solos to operatic sections.<br> <br> “Bohemian Rhapsody” really is the whole package - and all parts of it can sound surprisingly great on piano, if played right!<br> <br> <br> In my experience, many arrangements of the song seem to be lacking something: They are not accurate, don’t sound powerful enough, there are important parts or even whole sections missing.<br> <br> So I took my time to create a piano arrangement of the song which I feel does justice to this wonderful piece.<br> <br> <br> I hope you enjoy playing it as much as I do!<br> <br> <br> <br> Here are the full lyrics to “Bohemian Rhapsody”:<br> <br> <br> “Is this the real life?<br> <br> Is this just fantasy?<br> <br> Caught in a landslide<br> <br> No escape from reality<br> <br> Open your eyes<br> <br> Look up to the skies and see<br> <br> I'm just a poor boy, I need no sympathy<br> <br> Because I'm easy come, easy go<br> <br> A little high, little low<br> <br> Anyway the wind blows, doesn't really matter to me, to me<br> <br> Mama, just killed a man<br> <br> Put a gun against his head<br> <br> Pulled my trigger, now he's dead<br> <br> Mama, life had just begun<br> <br> But now I've gone and thrown it all away<br> <br> Mama, oh oh<br> <br> Didn't mean to make you cry<br> <br> If I'm not back again this time tomorrow<br> <br> Carry on, carry on, as if nothing really matters<br> <br> Too late, my time has come<br> <br> Sends shivers down my spine<br> <br> Body's aching all the time<br> <br> Goodbye everybody I've got to go<br> <br> Gotta leave you all behind and face the truth<br> <br> Mama, oh oh (anyway the wind blows)<br> <br> I don't want to die<br> <br> Sometimes wish I'd never been born at all<br> <br> I see a little silhouetto of a man<br> <br> Scaramouch, Scaramouch will you do the Fandango<br> <br> Thunderbolt and lightning very very frightening me<br> <br> Gallileo, Gallileo, Gallileo, Gallileo, Gallileo, figaro, magnifico<br> <br> I'm just a poor boy and nobody loves me<br> <br> He's just a poor boy from a poor family<br> <br> Spare him his life from this monstrosity<br> <br> Easy come easy go will you let me go<br> <br> Bismillah, no we will not let you go, let him go<br> <br> Bismillah, we will not let you go, let him go<br> <br> Bismillah, we will not let you go, let me go<br> <br> (Will not let you go) let me go (never, never let you go) let me go (never let me go)<br> <br> Oh oh no, no, no, no, no, no, no<br> <br> Oh mama mia, mama mia, mama mia let me go<br> <br> Beelzebub has a devil put aside for me for me for me<br> <br> So you think you can stop me and spit in my eye<br> <br> So you think you can love me and leave me to die<br> <br> Oh baby can't do this to me baby<br> <br> Just gotta get out just gotta get right outta here<br> <br> Oh oh oh yeah, oh oh yeah<br> <br> Nothing really matters<br> <br> Anyone can see<br> <br> Nothing really matters<br> <br> Nothing really matters to me<br> <br> Anyway the wind blows”With these piano sheets, you can play “Bohemian Rhapsody” on piano!<br> <br> It’s an accurate piano arrangement of the whole piece, including all parts, full melody & instrumental solos.<br> <br> I believe this is the most accurate piano arrangement of the song you will find anywhere.<br> <br> It’s a “Bohemian Rhapsody” piano version in the song’s original key, it’s playable, and it sounds fantastic!<br> <br> <br> I also created sheet music of the same piano arrangement with the song’s full lyrics - you can get it here: https://www.sheetmusicplus.com/title/21155920<br> <br> <br> “Bohemian Rhapsody” was, of course, written by the one and only Freddie Mercury.<br> <br> It was included on Queen’s 1975 album “A Night at the Opera” and became one of Queen’s biggest hits. Today, it is considered by many to be the best classic rock song of all time.<br> <br> <br> There’s a good reason why the 2018 biographical film about Freddie Mercuy (played by Rami Malek) is named after this song - arguably his greatest composition.<br> <br> <br> “Bohemian Rhapsody” is famous for its diverse parts: from the a-capella-intro to rock ballad verses, from hard rock guitar solos to operatic sections.<br> <br> “Bohemian Rhapsody” really is the whole package - and all parts of it can sound surprisingly great on piano, if played right!<br> <br> <br> In my experience, many arrangements of the song seem to be lacking something: They are not accurate, don’t sound powerful enough, there are important parts or even whole sections missing.<br> <br> So I took my time to create a piano arrangement of the song which I feel does justice to this wonderful piece.<br> <br> <br> I hope you enjoy playing it as much as I do!<br> <br> <br> <br> Here are the full lyrics to “Bohemian Rhapsody”:<br> <br> <br> “Is this the real life?<br> <br> Is this just fantasy?<br> <br> Caught in a landslide<br> <br> No escape from reality<br> <br> Open your eyes<br> <br> Look up to the skies and see<br> <br> I'm just a poor boy, I need no sympathy<br> <br> Because I'm easy come, easy go<br> <br> A little high, little low<br> <br> Anyway the wind blows, doesn't really matter to me, to me<br> <br> Mama, just killed a man<br> <br> Put a gun against his head<br> <br> Pulled my trigger, now he's dead<br> <br> Mama, life had just begun<br> <br> But now I've gone and thrown it all away<br> <br> Mama, oh oh<br> <br> Didn't mean to make you cry<br> <br> If I'm not back again this time tomorrow<br> <br> Carry on, carry on, as if nothing really matters<br> <br> Too late, my time has come<br> <br> Sends shivers down my spine<br> <br> Body's aching all the time<br> <br> Goodbye everybody I've got to go<br> <br> Gotta leave you all behind and face the truth<br> <br> Mama, oh oh (anyway the wind blows)<br> <br> I don't want to die<br> <br> Sometimes wish I'd never been born at all<br> <br> I see a little silhouetto of a man<br> <br> Scaramouch, Scaramouch will you do the Fandango<br> <br> Thunderbolt and lightning very very frightening me<br> <br> Gallileo, Gallileo, Gallileo, Gallileo, Gallileo, figaro, magnifico<br> <br> I'm just a poor boy and nobody loves me<br> <br> He's just a poor boy from a poor family<br> <br> Spare him his life from this monstrosity<br> <br> Easy come easy go will you let me go<br> <br> Bismillah, no we will not let you go, let him go<br> <br> Bismillah, we will not let you go, let him go<br> <br> Bismillah, we will not let you go, let me go<br> <br> (Will not let you go) let me go (never, never let you go) let me go (never let me go)<br> <br> Oh oh no, no, no, no, no, no, no<br> <br> Oh mama mia, mama mia, mama mia let me go<br> <br> Beelzebub has a devil put aside for me for me for me<br> <br> So you think you can stop me and spit in my eye<br> <br> So you think you can love me and leave me to die<br> <br> Oh baby can't do this to me baby<br> <br> Just gotta get out just gotta get right outta here<br> <br> Oh oh oh yeah, oh oh yeah<br> <br> Nothing really matters<br> <br> Anyone can see<br> <br> Nothing really matters<br> <br> Nothing really matters to me<br> <br> Anyway the wind blows”
$4.99
4.6 €
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Piano seul
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Queen
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Mario Stallbaumer
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Bohemian Rhapsody - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
Humperdinck - Evening Prayer (from "Hansel and Gretel") - Piano Solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Engelbert Humperd…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Engelbert Humperdinck (1854-1921). Arranged by Mario Stallbaumer. Romantic Period, Opera, Fairy Tales. 2 pages. Published by Mario Stallbaumer
With this sheet music, you can play the "Evening Prayer" (German: "Abendsegen") from Engelbert Humperdinck's opera "Hansel and Gretel" on piano!<br> <br> It's an accurate arrangement of the full piece, it's playable, and it sounds beautiful.<br> <br> Humperdinck (1854-1921) composed the opera "Hansel and Gretel" in the years 1891 and 1892, based on the German fairy tale "Hänsel und Gretel" by the Brothers Grimm.<br> <br> The beautiful "Evening Prayer" would become the most popular piece from the opera, and arguably Humperdinck's most famous composition.<br> <br> It's a beautiful, calm, melancholic piece, and makes for a wonderful piano cover!With this sheet music, you can play the "Evening Prayer" (German: "Abendsegen") from Engelbert Humperdinck's opera "Hansel and Gretel" on piano!<br> <br> It's an accurate arrangement of the full piece, it's playable, and it sounds beautiful.<br> <br> Humperdinck (1854-1921) composed the opera "Hansel and Gretel" in the years 1891 and 1892, based on the German fairy tale "Hänsel und Gretel" by the Brothers Grimm.<br> <br> The beautiful "Evening Prayer" would become the most popular piece from the opera, and arguably Humperdinck's most famous composition.<br> <br> It's a beautiful, calm, melancholic piece, and makes for a wonderful piano cover!
$1.99
1.83 €
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Piano seul
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Engelbert Humperdinck
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Mario Stallbaumer
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Humperdinck - Evening Prayer
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Mario Stallbaumer
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SheetMusicPlus
Italian Opera Arias
Voix Mezzo-Soprano, Piano
Mezzo-soprano voice and piano - intermediate to difficult - Digital Download This edi…
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Mezzo-soprano voice and piano - intermediate to difficult - Digital Download This edition: Sheet music. Schott VOCAL. Downloadable. Schott Music - Digital #Q11069. Published by Schott Music - Digital
Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume. A cross-section of the art of singing spanning three centuries.Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume. A cross-section of the art of singing spanning three centuries.
$19.99
18.43 €
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Voix Mezzo-Soprano, Piano
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Italian Opera Arias
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Schott Music - Digital
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SheetMusicPlus
Italian Opera Arias
Voix Soprano, Piano
Soprano voice and piano - intermediate to difficult - Digital Download This edition: …
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Soprano voice and piano - intermediate to difficult - Digital Download This edition: Sheet music. Schott VOCAL. Downloadable. Schott Music - Digital #Q11090. Published by Schott Music - Digital
Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume each. A cross-section of the art of singing over three centuries.Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume each. A cross-section of the art of singing over three centuries.
$19.99
18.43 €
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Voix Soprano, Piano
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Italian Opera Arias
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Schott Music - Digital
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SheetMusicPlus
The Birdcatcher Aria from Mozart's opera The Magic Flute for Solo Piano
Piano seul
Piano Solo - Digital Download SKU: A0.930489 Composed by Wolfgang Amadeus Mozart. A…
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Piano Solo - Digital Download SKU: A0.930489 Composed by Wolfgang Amadeus Mozart. Arranged by Lisa Ruping Cheng. Contemporary. Score. 3 pages. Lisa Ruping Cheng #4747393. Published by Lisa Ruping Cheng (A0.930489). Intermediate level piano solo arrangement of the Aria Der Vogelfänger bin ich ja (The birdcatcher; that's me), from Wolfgang A Mozart's opera The Magic Flute. Suitable for piano teachers to use as supplemental teaching materials for intermediate level. Key signature set in C major to make easier for sight read. A light hearted, classic Mozart operatic aria that is wonderful for piano students to approach a different genre of music - operas. ISMN 979-0-706118-00-0Arrangement by Lisa Ruping Cheng, copy righted 2019.
$3.99
3.68 €
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Piano seul
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Wolfgang Amadeus Mozart
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Lisa Ruping Cheng
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that's me),
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The Birdcatcher Aria from Mozart's opera The Magic Flute for Solo Piano
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Lisa Ruping Cheng
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SheetMusicPlus
W. A. Mozart: Queen of the Night for Clarinet and Piano
Clarinette et Piano
Piano Accompaniment, Clarinet - Advanced - Digital Download Composed by Wolfgang Amadeu…
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Piano Accompaniment, Clarinet - Advanced - Digital Download Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Seunghee Lee. Classical Period, Opera, Children's Music, Wedding, Recital. Piano Reduction, Solo Part. 8 pages. Published by Musica Solis
Queen of the Night by W.A Mozart for Clarinet in Bb and Piano. Arranged by Seunghee Lee.<br> <br> Publisher: Musica Solis Publishing. Piano (6 pages) Clarinet (2 pages). Classical Period. Opera Aria.Queen of the Night by W.A Mozart for Clarinet in Bb and Piano. Arranged by Seunghee Lee.<br> <br> Publisher: Musica Solis Publishing. Piano (6 pages) Clarinet (2 pages). Classical Period. Opera Aria.
$9.99
9.21 €
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Clarinette et Piano
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Wolfgang Amadeus Mozart
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W. A. Mozart: Queen of the Night for Clarinet and Piano
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Musica Solis
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SheetMusicPlus
Nessun Dorma (Puccini) - Piano Solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download By Luciano Pavarotti. Arrange…
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Piano Solo - Advanced Intermediate - Digital Download By Luciano Pavarotti. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Nessun Dorma" from Puccini's opera "Turandot" on piano.<br> <br> It's an accurate piano arrangement of the full piece which includes the full melody, so it makes for a wonderful instrumental (piano solo) cover.<br> <br> "Turandot" is the last opera written by Italian composer Giacomo Puccini (1858-1924). Since it was not finished at the time of his death, it was completed by Franco Alfano.<br> "Nessun Dorma" is sung in the opera's final act by the unkown Prince Calaf, who is overwhelmed by the beautiful Princess Turandot.<br> <br> The aria was immensely popularized by Luciano Pavarotti, but was also recorded by many other famous tenors (including Plàcido Domingo, José Carreras, Maurizio Marchini and Andrea Bocelli).<br> It also reached a massive audience when English tenor Paul Potts won the first series of "Bitain's Got Talent" with his performance of the song in 2007.<br> "Nessun Dorma" became a part of popular culture as well by appearing in countless films and commercials.<br> It's also a fantastic song to play on the piano!<br> <br> If you like this arrangement, please consider leaving a review - it would mean a lot!With this sheet music, you can play "Nessun Dorma" from Puccini's opera "Turandot" on piano.<br> <br> It's an accurate piano arrangement of the full piece which includes the full melody, so it makes for a wonderful instrumental (piano solo) cover.<br> <br> "Turandot" is the last opera written by Italian composer Giacomo Puccini (1858-1924). Since it was not finished at the time of his death, it was completed by Franco Alfano.<br> "Nessun Dorma" is sung in the opera's final act by the unkown Prince Calaf, who is overwhelmed by the beautiful Princess Turandot.<br> <br> The aria was immensely popularized by Luciano Pavarotti, but was also recorded by many other famous tenors (including Plàcido Domingo, José Carreras, Maurizio Marchini and Andrea Bocelli).<br> It also reached a massive audience when English tenor Paul Potts won the first series of "Bitain's Got Talent" with his performance of the song in 2007.<br> "Nessun Dorma" became a part of popular culture as well by appearing in countless films and commercials.<br> It's also a fantastic song to play on the piano!<br> <br> If you like this arrangement, please consider leaving a review - it would mean a lot!
$4.99
4.6 €
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Piano seul
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Luciano Pavarotti
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Mario Stallbaumer
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Nessun Dorma
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Mario Stallbaumer
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas. 'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99
7.37 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.<br> <br> <br> <br> https://youtu.be/qTwqBVt2ClwLes Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.<br> <br> <br> <br> https://youtu.be/qTwqBVt2Clw
$7.99
7.37 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Meditation from Thais - Violin and Piano
Violon et Piano
Piano Accompaniment, Violin - Advanced - Digital Download Composed by Massenet, Jules. …
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Piano Accompaniment, Violin - Advanced - Digital Download Composed by Massenet, Jules. Arranged by Anne Christopherson GRSM ARCM. Opera, General Worship, Valentine's Day, Wedding, Recital. Score, Set of Parts. 7 pages. Published by Music- Scores.com
Meditation from Thais, Act II. This opera, set in Egypt, explores a monks confused struggle between lust and religious ardour. This is a gorgeous piece, arranged for violin and piano.<br> Duration: under 4 minutes.<br> Arranged by Anne L. Christopherson GRSM ARCM at https://www.music-scores.comMeditation from Thais, Act II. This opera, set in Egypt, explores a monks confused struggle between lust and religious ardour. This is a gorgeous piece, arranged for violin and piano.<br> Duration: under 4 minutes.<br> Arranged by Anne L. Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
5.49 €
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Violon et Piano
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Massenet, Jules
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Meditation from Thais - Violin and Piano
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Music- Scores.com
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Renaissance, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99
7.37 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Queen of the Night Aria from the Magic Flute for Piccolo Trumpet and Piano
Trompette, Piano
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Wolfgang Amadeus…
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Keith Terrett. Classical Period, Baroque Period, Renaissance, Early Music, Opera. Score, Solo Part. 9 pages. Published by Cherry Classics Music
The Queen of the Night Aria from the Opera Magic Flute is one of the most recognized works of the classical era, featuring a coloratura soprano soloist reaching brilliant heights of dramatic fervor.<br> <br> Keith Terrett has also been brilliant with his 3 minute arrangement (in C minor, down a step) for Piccolo Trumpet in B-flat and Piano for advanced performers.The Queen of the Night Aria from the Opera Magic Flute is one of the most recognized works of the classical era, featuring a coloratura soprano soloist reaching brilliant heights of dramatic fervor.<br> <br> Keith Terrett has also been brilliant with his 3 minute arrangement (in C minor, down a step) for Piccolo Trumpet in B-flat and Piano for advanced performers.
$25.00
23.05 €
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Trompette, Piano
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Wolfgang Amadeus Mozart
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Queen of the Night Aria from the Magic Flute for Piccolo Trumpet and Piano
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Cherry Classics Music
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99
7.37 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Meditation from Thais - Piano
Piano seul
Piano Solo - Advanced - Digital Download Composed by Massenet, Jules. Arranged by Anne L…
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Piano Solo - Advanced - Digital Download Composed by Massenet, Jules. Arranged by Anne L. Christopherson GRSM ARCM. Opera, General Worship, Valentine's Day, Wedding, Recital. Solo Part. 4 pages. Published by Music-Scores.com
Meditation from Thais, Act II. This opera, set in Egypt, explores a monks confused struggle between lust and religious ardour. This is a gorgeous piece, arranged for piano. Duration: under 4 minutes. Arranged by Anne L. Christopherson GRSM ARCM at https://www.music-scores.comMeditation from Thais, Act II. This opera, set in Egypt, explores a monks confused struggle between lust and religious ardour. This is a gorgeous piece, arranged for piano.
Duration: under 4 minutes.
Arranged by Anne L. Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
5.49 €
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Piano seul
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Massenet, Jules
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Anne L
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Meditation from Thais - Piano
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Music-Scores.com
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SheetMusicPlus
Brindisi Song, duet from La Traviata for Trumpet, Trombone and Piano accompaniment
Trompette, Trombone, Piano
Piano Accompaniment, Trumpet and Trombone Duet - Intermediate - Digital Download Co…
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Piano Accompaniment, Trumpet and Trombone Duet - Intermediate - Digital Download Composed by Giuseppe Verdi (1813-1901). Arranged by Robert Fisco. Romantic Period, Classical Period, Opera. Score, Set of Parts. 12 pages. Published by Cherry Classics Music
The Brindisi song is a famous duet from Verdi's La Traviata opera. The music is lively and encourages the drinking of wine during a party at Violetta's house by her friend Gastone and herself.<br> <br> The music is appropriate for intermediate performers for Trumpet in B-flat and Trombone in bass clef. This lovely arrangement by Robert Fisco is good for training young performers how to tune octaves and blend their sounds together in a fun way.The Brindisi song is a famous duet from Verdi's La Traviata opera. The music is lively and encourages the drinking of wine during a party at Violetta's house by her friend Gastone and herself.<br> <br> The music is appropriate for intermediate performers for Trumpet in B-flat and Trombone in bass clef. This lovely arrangement by Robert Fisco is good for training young performers how to tune octaves and blend their sounds together in a fun way.
$22.50
20.74 €
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Trompette, Trombone, Piano
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Giuseppe Verdi (1813-1901)
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Robert Fisco
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Brindisi Song, duet from La Traviata for Trumpet, Trombone and Piano accompaniment
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Cherry Classics Music
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SheetMusicPlus
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