English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
20
Librairie
Musicale
12
Matériel
de Musique
1 895
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
13847
PIANO & CLAVIERS
Piano seul
8120
Accordéon
943
Piano, Voix et Guitare
701
Accompagnement Piano
638
Piano, Voix
554
Piano (partie séparée)
368
Piano Facile
242
Instruments en Do
114
Orgue
94
1 Piano, 4 mains
78
2 Pianos, 4 mains
73
Piano Trio: piano, violon, violoncelle
50
Piano grosses notes
32
Ensemble d'Accordéons
30
Piano Quintette: piano, 2 violons, alto, violoncelle
20
Orgue, Piano (duo)
19
Piano Quatuor: piano, violon, alto, violoncelle
16
Orgue, Trompette (duo)
8
Accordéon et Orchestre
7
Clavecin
5
Orgue et Orchestre
5
Ligne De Mélodie, Piano
4
Clavier
2
Accordéon, Corde(s)
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
2 Accordéons
2
Tous Les Instruments
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
713
Guitare notes et tablatures
550
Ligne De Mélodie, (Paroles) et Accords
152
Guitare (partie séparée)
45
Ukulele
32
Basse electrique
24
2 Guitares (duo)
24
Piano, Guitare (duo)
24
4 Guitares (Quatuor)
21
Paroles et Accords
16
Orchestre à Plectres
14
Guitare, Orchestre
13
Ensemble de guitares
12
Mandoline
9
Basse électrique (partie séparée)
8
Guitare, Violon, Violoncelle (trio)
6
Ensemble de Ukulélés
6
2 Guitares et Orchestre
4
3 Guitares (trio)
3
Banjo
2
Guitare, Quatuor à cordes
2
Guitare, Flûte, Clarinette
2
Mandoline, Guitare (duo)
2
Dulcimer
1
Luth
1
Partitions De Groupes
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
2019
Chorale 3 parties
336
Chorale TTBB
321
Voix seule
117
Chorale 2 parties
116
Chorale Unison
83
Chorale SSAA
77
Soli, choeur mixte et accompagnement
34
Voix duo, Piano
30
Chorale
28
Voix duo
24
Chorale SSATB
15
Voix haute
14
Voix Soprano, Orchestre
9
Chorale SSAATTBB
7
Voix moyenne, Piano
6
Voix Alto, Piano
6
Voix Soprano, Piano
5
Chorale SSATTB
5
Voix basse, Piano
4
Voix Tenor
3
Voix basse
3
Voix Mezzo-Soprano, Piano
3
Chorale SSAATB
2
Voix Soprano
2
Chorale SATBB
2
Chorale SATTBB A Cappella
2
Voix Tenor, Piano
1
Chorale SSAB, Piano
1
Voix Moyenne
1
Instrumentations suivantes
Retracter
VENTS
Clarinette (partie séparée)
1843
Flute (partie séparée)
969
Hautbois (partie séparée)
663
Saxophone (partie séparée)
607
Flûte traversière et Piano
285
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
277
Flûte traversière
254
Clarinette
200
Hautbois
194
Quatuor de Saxophones: 4 saxophones
160
Clarinette et Piano
150
Saxophone Alto et Piano
147
Hautbois, Piano (duo)
141
Quintette de Saxophone: 5 saxophones
127
Quatuor de Clarinettes: 4 clarinettes
118
2 Saxophones (duo)
109
Saxophone Alto
98
Flûte, Hautbois, Clarinette, Basson
91
2 Flûtes traversières (duo)
87
Saxophone Soprano et Piano
85
Ensemble de Clarinettes
83
Saxophone Tenor et Piano
79
2 Clarinettes (duo)
71
Quatuor de Flûtes : 4 flûtes
61
Ensemble de saxophones
59
Saxophone Tenor
51
Saxophone
45
Piccolo
33
Saxophone Baryton, Piano
33
Flûte traversière, Orchestre
32
Quatuor de Flûtes à bec
32
5 Flûtes à bec
31
Ensemble de Flûtes
29
Quintette de Clarinettes: 5 clarinettes
27
Clarinette, Orchestre
24
Saxophone, Clarinette (duo)
24
Cor anglais, Piano
23
2 Hautbois (duo)
22
3 Saxophones (trio)
22
Flûte et Guitare
22
Quintette de Flûte : 5 flûtes
22
Flûte, Clarinette (duo)
22
Ensemble De Flûte à bec
21
Clarinette Basse, Piano
20
2 Flûte à bec (duo)
18
Saxophone et Orchestre
15
Quintette de Clarinette: Clarinette, Quatuor à Cordes
15
3 Clarinettes (trio)
15
Clarinette, Violon (duo)
14
Hautbois, Basson (duo)
14
Flûte, Violon
13
Cor Anglais
13
Flûte à Bec
13
Clarinette Basse
12
Clarinette, Trompette (duo)
12
Hautbois, Flûte
11
Ensemble à vent
11
Trio de Flûtes: 3 flûtes
11
Hautbois, Clarinette (duo)
10
Clarinette, Basson (duo)
10
Clarinette et Alto
9
Saxophone Soprano
8
Instruments en Mib
8
2 Saxophones, Piano
8
Hautbois et Orchestre
7
Flûte, Saxophone (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Trompette (duo)
7
2 Cors Anglais Et Pianoforte
6
Flûte à bec Soprano
6
Flûte, Alto (duo)
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Clarinette et Basson
5
Flûte, Violon, Violoncelle et Piano
4
Flûte, Violoncelle
4
Clarinette, Violoncelle (duo)
3
3 Flûtes à bec (trio)
3
Flûte à bec Soprano, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Violoncelle
3
Flûte à bec Alto
3
3 Hautbois
2
Flûte, Clarinette, Piano (trio)
2
Flûte et Trio à cordes
2
Flûte, Violon, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Harmonica, Piano
2
Flute, harpe et violon
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Guitare (duo)
2
Harmonica
2
Flûte à bec Alto, Piano
2
Clarinette, Harpe (duo)
2
Flûte, Basson et Piano
2
Cornemuse
2
Piccolo, Piano
2
4 Hautbois
2
2 Clarinettes, Basson
2
Saxophone et Harpe
1
Ensemble de Hautbois
1
Hautbois, Basson et Piano
1
Saxophone et Orgue
1
Flûte à bec Tenor
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Harpe
1
Flûte, Hautbois, Basson
1
Flûte à bec, Guitare (duo)
1
Flûte à Bec, Piano
1
Flûte traversière, Orgue (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Guitare
1
Flûte, Clarinette, Violon (trio)
1
Cor anglais et Harpe (duo)
1
2 Flûtes, Basse continue
1
Saxophone Baryton
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
1958
Trompette (partie séparée)
1428
Cor (partie séparée)
1190
Tuba (partie séparée)
489
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
278
Cor
211
Quatuor de Cuivres : 2 trompettes, trombone, tuba
192
Trompette
175
Trombone
111
Trombone et Piano
101
Trompette, Piano
97
Cor et Piano
76
Tuba
55
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
Ensemble de Trombones
34
Trompette, Cor (duo)
31
Euphonium, Piano (duo)
30
Ensemble de Trompettes
28
2 Trombones (duo)
27
Tuba et Piano
27
2 Trompettes (duo)
24
Cor anglais, Piano
23
Quatuor de cuivres: 4 trombones
20
Trompette, Orchestre
18
Trompette, Saxophone (duo)
16
Trompette, Trombone (duo)
16
Cor Anglais
13
2 Cors (duo)
11
Quatuor de cuivres: 4 cors
11
Cor, Orchestre
10
Euphonium
9
2 Euphoniums et 2 Tubas
8
Bass Clef Instruments
8
Trombone et orchestre
8
Ensemble de Cors
7
3 Trombones (trio)
7
2 Cors Anglais Et Pianoforte
6
Instruments en Sib
6
3 Euphoniums
5
4 Tubas
5
2 Tubas (duo)
5
Quatuor de cuivres: 4 trompettes
4
Trombone, Orgue
4
Trombone basse et Piano
4
Trombone basse
3
Trompette, violon (duo)
3
3 Trompettes (trio)
3
3 Cors (trio)
2
3 Tubas (trio)
2
Instruments en Fa
2
Trombone, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Euphonium, Tuba (duo)
2
Cornet et orchestre
2
Quatuor de Cuivres
2
Trombone, Tuba (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Ensemble de Tubas
1
Clarinette, Cor (duo)
1
Cor et Orgue
1
Tuba et Orgue
1
Trompette, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
2 Euphoniums (duo)
1
Cor, Tuba (duo)
1
Trio de Cuivres
1
Instrumentations suivantes
Retracter
CORDES
Violon (partie séparée)
7278
Violoncelle (partie séparée)
2540
Contrebasse (partie séparée)
2220
Quatuor à cordes: 2 violons, alto, violoncelle
1458
Alto seul
1426
Alto (partie séparée)
1204
Violon et Piano
441
Violon
397
Violoncelle
270
Quintette à cordes: 2 violons, alto, violoncelle, basse
268
Harpe
228
Contre Basse
225
Violoncelle, Piano
198
Violon, Violoncelle (duo)
163
Alto, Piano
147
Trio à Cordes: violon, alto, violoncelle
90
Harpe (partie séparée)
89
2 Violons (duo)
83
Trio à Cordes: 2 violons, violoncelle
72
Violoncelle, Orchestre
68
Violon, Alto (duo)
53
2 Violoncelles (duo)
49
2 Altos (duo)
47
Contrebasse, Piano (duo)
40
Violon, Guitare (duo)
32
4 Violoncelles
25
Alto et orchestre
19
2 Harpes (duo)
18
Alto, Violoncelle (duo)
15
Ensemble de Violons
15
Quintette à cordes: 2 violons, 2 altos, violoncelle
14
Harpe, Violon (duo)
13
Violoncelle, Contrebasse (duo)
13
Ensemble d'Altos
13
Harpe, Flûte (duo)
12
Trio à cordes: 3 violins
10
Alto, Guitare (duo)
9
Harpe, Orchestre
9
Violoncelle , Guitare (duo)
8
Piano Trio: Violon, Alto, Piano
8
Trio à Cordes: 3 violoncelles
7
Trio à cordes
5
Quatuor à cordes: 4 violons
5
Violoncelle, Basse continue
4
Harpe, Quatuor à cordes
4
2 Contrebasses (duo)
4
Violoncelle, Orgue
4
Flûte, Contrebasse (duo)
4
Quatuor à cordes : 4 altos
4
Trio à cordes: 3 altos
3
Ensemble de Violoncelles
3
Trio à Cordes: 2 violons, alto
3
Violon, Basse continue
3
Harpe, Violoncelle (duo)
2
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Alto, Orgue
1
Violon, Orgue
1
Harpe et Piano
1
2 Violons et Basse continue
1
4 Contrebasses
1
2 Violons, Piano
1
3 Harpes
1
Violon, Basson (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
18805
Orchestre à Cordes
16548
Orchestre de chambre
3346
Orchestre d'harmonie
1909
Percussion (partie séparée)
1674
Ensemble Jazz
379
Timbales (partie séparée)
354
Percussion
260
Ensemble de cuivres
210
Batterie (partie séparée)
176
Piano et Orchestre
106
Timbales
98
Ensemble de Percussions
89
Jazz combo
72
Cloches
58
Orchestre, Violon
57
Batterie
30
Fanfare
22
Instrumentation Flexible
8
Voix et Orchestre
8
Big band
8
Ensemble d'École
7
Xylophone, Piano
6
Vibraphone
5
Marimba
5
Orchestre Symphonique
3
Voix Mezzo-Soprano, Orchestre
2
Vibraphone (partie séparée)
2
Xylophone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Instrumentations suivantes
Retracter
AUTRES
Papeterie
1
Vous avez sélectionné:
Orchestra
Clarinette Basse, Piano
Partitions à imprimer
20 partitions trouvées
<
1
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.74 €
#
Clarinette Basse, Piano
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Mr. Blue Sky
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1091662 By Electric Light …
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1091662 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop,Rock. Score and part. 12 pages. Lawrence H Underwood #695816. Published by Lawrence H Underwood (A0.1091662). This classic track from the Electric Light Orchestra found a whole new audience when director James Gunn used it to great effect in the hit film âGuardians of the Galaxy, Vol. 2.â A favorite with audiences â both young and old â and now playable as an instrumental solo with piano accompaniment. Sure to be an audience â and performer â favorite! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
5.59 €
#
Clarinette Basse, Piano
#
Electric Light Orchestra
#
Lawrence H Underwood
#
Mr. Blue Sky
#
Lawrence H Underwood
#
SheetMusicPlus
Badinerie
Clarinette Basse, Piano
Bass Clarinet & Piano - Grade 4 - Digital Download SKU: R0.46195 From the Suite …
(+)
Bass Clarinet & Piano - Grade 4 - Digital Download SKU: R0.46195 From the Suite for Orchestra Nr. 2 in B Minor. Composed by Johann Sebastian Bach. Arranged by John G. Mortimer. Bass Clarinet & Piano. Score and parts. 5 pages. Duration 1'36. Editions Marc Reift - Digital #46195. Published by Editions Marc Reift - Digital (R0.46195).
$8.95
8.35 €
#
Clarinette Basse, Piano
#
Johann Sebastian Bach
#
John G
#
Badinerie
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethovenâs Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 â1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâs when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâs life into three periods. Period 1 begins with Beethovenâs arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃe Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.27 €
#
Clarinette Basse, Piano
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
O Come, All Ye Faithful for Solo Bass Clarinet
Clarinette Basse, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.967644 C…
(+)
Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.967644 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and individual part. 10 pages. Lawrence H Underwood #6189171. Published by Lawrence H Underwood (A0.967644). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember!
$5.99
5.59 €
#
Clarinette Basse, Piano
#
Attr
#
Lawrence H
#
O Come, All Ye Faithful for Solo Bass Clarinet
#
Lawrence H Underwood
#
SheetMusicPlus
3 popular and easy themes by Tchaikovsky with accompaniment and chord symbols for Contrabass Clarine
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.964526 Composed by Peter I…
(+)
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.964526 Composed by Peter Ilyich Tchaikovsky. Arranged by Leyandder Trustworthy. Christmas,Easter,Romantic Period,Wedding,World. Score and part. 6 pages. Leyandder Trustworthy #6341721. Published by Leyandder Trustworthy (A0.964526). Swan Lake is a dramatic ballet in four acts by Russian composer Piotr Ilitch Tchaikovski and with the libretto by Vladimir Begitchev and Vasily Geltzer. Its premiere took place at the Bolshoi Theater in Moscow on February 20, 1877, and was a failure not because of the music, but because of the poor performance of the orchestra and dancers, as well as the choreography and set design. The ballet was commissioned by the Bolshoi Theater in 1876 and the composer soon began writing.
$4.99
4.65 €
#
Clarinette Basse, Piano
#
Peter Ilyich Tchaikovsky
#
Leyandder Trustworthy
#
3 popular and easy themes by Tchaikovsky with accompaniment and chord symbols for Contrabass Clarine
#
Leyandder Trustworthy
#
SheetMusicPlus
DvoÅák: Largo from the New World Symphony for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin…
(+)
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. DvoÅák Background AntonÃn DvoÅák (1841 â1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  DvoÅák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame DvoÅák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to DvoÅák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed DvoÅák to the publisher Simrock. Later, the publisher commissioned DvoÅák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, DvoÅák's worldwide status was launched. International Status DvoÅák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed DvoÅák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, DvoÅák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.74 €
#
Clarinette Basse, Piano
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅák: Largo from the New World Symphony for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâs most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.61 €
#
Clarinette Basse, Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
(+)
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur OâLeary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâs The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
25.14 €
#
Clarinette Basse, Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
It's Been A Long, Long Time
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule St…
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). Itâs Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. Itâs Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of Itâs Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find Itâs Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.59 €
#
Clarinette Basse, Piano
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Ange Flégier: Méditation for bass clarinet and piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.534534 Composed by Ange Fl…
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.534534 Composed by Ange Flégier. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #3627025. Published by Musik Fabrik Music Publishing (A0.534534). Ange Flégier was a French composer and painter who was born on February 25, 1846 at Marseilles and died on Octobre 8, 1927 in Martigues. Flégier is principally known as havng composed the famous song for bass and orchestra âLe Corâ, but he also wronte more than 300 works for piano, (including a concerto), many songs, an opéra-comique âFatima, the oratorio Ossian and many chamber works, including the first âdixtuorâ for wind quintet and string quintet. This work is dedicated to the composer's friend Jules Massenet and is obviously influenced by the famous Meditation from Thaïs.
$10.35
9.65 €
#
Clarinette Basse, Piano
#
Ange Flégier
#
Paul Wehage
#
Ange Flégier: Méditation for bass clarinet and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
"furusato" (Fdur) buss clarinet & piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1393363 By Teiichi Okano …
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1393363 By Teiichi Okano . By Teiichi Okano . Arranged by pfkaori. Children,Folk,Traditional. Score and part. 4 pages. Pfkaorimusic #976850. Published by pfkaorimusic (A0.1393363). Composer: Teiichi Okano Song: Furusato Hometown Key:Fdur (clarinet inBâ) Orchestration: buss clarinet & Piano Level: Beginner buss clarinet/Intermediate piano accompaniment (There are individual differences in level) *Part score included.
$7.00
6.53 €
#
Clarinette Basse, Piano
#
Teiichi OkanoÂ
#
pfkaori
#
"furusato"
#
pfkaorimusic
#
SheetMusicPlus
Burgmüller "La candeur" bass Clarinet & piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1388690 By Burgmüller . …
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1388690 By Burgmüller . By Burgmüller . Arranged by pfkaori. Classical. Score and part. 2 pages. Pfkaorimusic #972195. Published by pfkaorimusic (A0.1388690). Composer: Burgmüller Song: 25 Leichte Etuden La candeur op.100-1 Orchestration: bass Clarinet & piano Key: C major Level: Beginner to intermediate (level varies by individual) Part music includedI arranged a piano practice song so that it can be played on bass Clarinet and piano. It is also a nostalgic song for piano lovers. Please take this opportunity to try it.
$5.50
5.13 €
#
Clarinette Basse, Piano
#
BurgmüllerÂ
#
pfkaori
#
Burgmüller "La candeur" bass Clarinet & piano
#
pfkaorimusic
#
SheetMusicPlus
Burgmüller "La chasse" bass Clarinet & piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1389700 By Burgmüller . …
(+)
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1389700 By Burgmüller . By Burgmüller . Arranged by pfkaori. Classical. Score and part. 4 pages. Pfkaorimusic #973295. Published by pfkaorimusic (A0.1389700). Composer: Burgmüller Song: 25 Leichte Etuden La chasse op.100-9 Orchestration: bass Clarinet & piano Key: C major (bass Clarinet inBâ) Level: Beginner to intermediate (level varies by individual) Part music includedI arranged a piano practice song so that it can be played on bass Clarinet and piano. It is also a nostalgic song for piano lovers. Please take this opportunity to try it.
$6.00
5.6 €
#
Clarinette Basse, Piano
#
BurgmüllerÂ
#
pfkaori
#
Burgmüller "La chasse" bass Clarinet & piano
#
pfkaorimusic
#
SheetMusicPlus
"Liebesträum No.3" (Asdur) Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1372334 By Fr.Liszt . By …
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1372334 By Fr.Liszt . By Fr.Liszt . Arranged by pfkaori. Classical. Score and part. 8 pages. Pfkaorimusic #956632. Published by pfkaorimusic (A0.1372334). Composer: Fr.Liszt Song: Dream of love - Liebesträum No.3 Orchestration: Bass Clarinet & Piano Tone:Aflat (clarinet in Bâ) *Part score included full ver.
$6.99
6.52 €
#
Clarinette Basse, Piano
#
Fr
#
pfkaori
#
"Liebesträum No.3"
#
pfkaorimusic
#
SheetMusicPlus
The Entertainer, by Scott Joplin, for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1113161 Composed by Scott …
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1113161 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pages. David McKeown #715119. Published by David McKeown (A0.1113161). Probably the best known of Scott Joplinâs piano rags, The Entertainer was written in 1902. It was included on Joshua Rifkinâs famous 1970 revival recording of Joplinâs music and an orchestration featured on the soundtrack of the movie The Sting in 1973. This arrangement won an Oscar and reached No.3 on the US single charts. This version for Bass Clarinet with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument and includes all four sections of the original composition. The pdf file contains both the piano accompaniment and the separate solo part. The linked full-length youtube performance is the Clarinet version of this arrangement. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
#
Clarinette Basse, Piano
#
Scott Joplin
#
David McKeown
#
The Entertainer, by Scott Joplin, for Bass Clarinet and Piano
#
David McKeown
#
SheetMusicPlus
Air (on the G string) BWV 1068 for bass clarinet in Bb and low piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1229319 Composed by Johann…
(+)
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1229319 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical,Wedding. Score and part. 5 pages. Amadeus Music #825225. Published by Amadeus Music (A0.1229319). The original piece is part of Bachâs Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The title comes from violinist August Wilhelmjâs late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string. The air is usually played slowly and freely, and features an intertwining harmony and melody.
$4.95
4.62 €
#
Clarinette Basse, Piano
#
transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string
#
Johann Sebastian Bach
#
Klas Krantz
#
Air
#
Amadeus Music
#
SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
(+)
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797â1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958â960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubertâs music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.94 €
#
Clarinette Basse, Piano
#
Franz Schubert
#
James M
#
Schubert: Ave Maria for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann …
(+)
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.74 €
#
Clarinette Basse, Piano
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Clarinette Basse, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
(+)
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience!
Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.
Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).
In Quebec the song has been used for several decades in commercials for Sico paint.
In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.
This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.
In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.
The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto.
Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
12.12 €
#
Clarinette Basse, Piano
#
The Andrews Sisters
#
Keith Terrett
#
Tico Tico
#
Music for all Occasions
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale