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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata
Sheetmusicplus
Non classifié
2 286
Piano & claviers
Piano seul
2 962
Piano Facile
277
Orgue
139
1 Piano, 4 mains
46
Accompagnement Piano
44
Piano, Voix
31
2 Pianos, 4 mains
22
Clavecin
16
Piano Trio: piano, violon, violoncelle
14
Piano, Voix et Guitare
12
Instruments en Do
9
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Accordéon
4
Orgue, Trompette (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
2
Accordéon, Corde(s)
1
Piano grosses notes
1
+ 14 instrumentations
Retracter
Guitares
Guitare
472
Guitare notes et tablatures
134
2 Guitares (duo)
89
Ukulele
21
3 Guitares (trio)
17
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
9
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
4
Banjo
3
Ensemble de guitares
2
Basse electrique
2
2 Mandolines (duo)
1
Orchestre à Plectres
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
19
Chorale 2 parties
7
Chorale 3 parties
6
Voix Baryton, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix duo, Piano
2
Chorale TTBB
1
Chorale SSAA
1
Chorale Unison
1
+ 4 instrumentations
Retracter
Vents
Flûte traversière et Piano
340
Clarinette et Piano
192
2 Flûtes traversières (duo)
159
Saxophone Alto et Piano
127
Hautbois, Piano (duo)
119
Flûte et Guitare
116
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
111
3 Flûtes à bec (trio)
105
3 Clarinettes (trio)
101
2 Saxophones (duo)
92
2 Clarinettes (duo)
90
3 Saxophones (trio)
88
Flûte, Hautbois, Clarinette (trio)
70
Clarinette
68
Saxophone Tenor et Piano
67
Saxophone Soprano et Piano
65
Flûte, Clarinette et Basson
62
Quatuor de Saxophones: 4 saxophones
61
Flûte traversière
59
Flûte, Hautbois, Basson
56
2 Flûte à bec (duo)
53
Trio de Flûtes: 3 flûtes
51
Flûte, Hautbois, Clarinette, Basson
50
Quatuor de Clarinettes: 4 clarinettes
47
Flûte à bec Alto, Basse continue
46
2 Hautbois (duo)
40
Saxophone Baryton, Piano
40
Flûte, Violon et Violoncelle
37
Flûte traversière, Basse continue
31
Clarinette Basse, Piano
31
Ensemble de Clarinettes
29
Flûte, Clarinette (duo)
29
2 Clarinettes, Basson
28
Hautbois, Basson (duo)
28
Flûte, Violoncelle
26
Quintette de Saxophone: 5 saxophones
24
Flûte à Bec
24
Saxophone Alto
23
Quatuor de Flûtes : 4 flûtes
20
Clarinette et Alto
20
Clarinette, Violoncelle (duo)
19
Quintette de Clarinettes: 5 clarinettes
19
Flûte à bec Alto, Piano
19
Hautbois, Clarinette (duo)
18
Clarinette, Violon (duo)
18
Quatuor de Flûtes à bec
18
Hautbois, Clarinette, Basson (trio d'anches)
17
Cor anglais, Piano
17
Clarinette, Basson (duo)
17
Ensemble de saxophones
16
Flûte, Alto (duo)
16
Clarinette, Guitare (duo)
13
Ensemble de Flûtes
12
Hautbois (partie séparée)
11
Ensemble à vent
11
Saxophone (partie séparée)
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
Flûte à bec Soprano
10
Ensemble De Flûte à bec
9
Piccolo, Piano
9
2 Flûtes traversières, Piano
8
Flûte à bec Soprano, Piano
8
Clarinette (partie séparée)
8
Flûte à bec Soprano, Basse continue
7
Saxophone
7
Flute, harpe et violon
6
2 Cors Anglais Et Pianoforte
6
Flûte, Violon
6
Flûte, Violon, Piano
6
Flûte à bec Alto
5
Saxophone, Clarinette (duo)
5
2 Hautbois et Basson
4
Cor anglais, Guitare (duo)
4
Flûte, Hautbois, Piano (trio)
4
Flûte, Alto et Violoncelle
4
5 Flûtes à bec
4
Flûte à bec Tenor
4
2 Flûtes, Basse continue
4
Quintette de Flûte : 5 flûtes
4
Flûte, Violoncelle, Piano (trio)
3
Harmonica
3
Flûte à Bec, Piano
3
Saxophone Tenor
3
Hautbois, Flûte
3
Clarinette, Violoncelle, Piano (trio)
3
Saxophone et Orgue
2
Flûte à bec, Guitare (duo)
2
Clarinette, Orchestre
2
Saxophone et Guitare
2
Flûte, Trompette (duo)
2
Clarinette, Harpe (duo)
2
Hautbois, Violoncelle
2
Clarinette, Trompette (duo)
2
Flûte, Saxophone (duo)
2
Flûte, alto et harpe
2
Hautbois
2
Flute (partie séparée)
2
Hautbois, Guitare (duo)
1
Flûte, Hautbois (duo)
1
3 Hautbois
1
Saxophone Soprano
1
Cor anglais et Harpe (duo)
1
Flûte, Basson et Piano
1
Cor Anglais
1
4 Hautbois
1
Flûte, Trombone (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, Harpe
1
Flûte, Tuba (duo)
1
Flûte irlandaise
1
Saxophone et Piano
1
2 Flûtes à bec, Piano
1
Saxophone Baryton
1
Hautbois, violon (duo)
1
+ 109 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
92
Trombone et Piano
90
Trompette, Piano
81
Cor et Piano
74
Euphonium, Piano (duo)
59
Tuba et Piano
57
Trompette
42
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
2 Cors (duo)
33
2 Trompettes (duo)
33
Trombone
30
2 Trombones (duo)
27
Cor
21
Trompette (partie séparée)
19
Cor anglais, Piano
17
2 Euphoniums (duo)
16
Quatuor de cuivres: 4 cors
15
Quatuor de cuivres: 4 trombones
13
Quatuor de Cuivres
12
2 Tubas (duo)
12
Ensemble de Cors
9
Ensemble de Trombones
8
Tuba
8
4 Tubas
8
Trompette, Trombone (duo)
8
Trio de Cuivres
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
2 Euphoniums et 2 Tubas
6
2 Cors Anglais Et Pianoforte
6
Trombone basse et Piano
6
Trombone (partie séparée)
5
Euphonium, Tuba (duo)
5
Ensemble de Trompettes
4
Euphonium
4
Cor anglais, Guitare (duo)
4
3 Trombones (trio)
4
Cor (partie séparée)
4
Ensemble de Tubas
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trompettes
2
Tuba (partie séparée)
2
3 Trompettes (trio)
2
3 Cors (trio)
2
3 Euphoniums
2
Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Cor (duo)
1
Cor Anglais
1
Cor et Harpe
1
Trompette, Harpe
1
3 Tubas (trio)
1
Cor, Orchestre
1
+ 47 instrumentations
Retracter
Cordes
Violon et Piano
478
Violoncelle, Piano
318
Quatuor à cordes: 2 violons, alto, violoncelle
300
Violon
230
Alto, Piano
204
2 Violons (duo)
110
Trio à Cordes: violon, alto, violoncelle
85
Violon, Alto (duo)
76
Violon, Violoncelle (duo)
74
Violoncelle
71
2 Violoncelles (duo)
62
Violon (partie séparée)
61
Alto seul
58
2 Altos (duo)
55
Harpe
52
Violon, Basse continue
42
Violoncelle, Basse continue
38
2 Violons et Basse continue
36
Trio à Cordes: 2 violons, violoncelle
28
Trio à cordes: 3 violins
25
Contrebasse, Piano (duo)
24
Alto (partie séparée)
23
Alto, Violoncelle (duo)
20
Violoncelle (partie séparée)
19
Violon, Guitare (duo)
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violoncelle, Contrebasse (duo)
18
Violoncelle , Guitare (duo)
15
Trio à Cordes: 3 violoncelles
14
2 Violons, Piano
13
Violon, Basson (duo)
12
2 Contrebasses (duo)
10
Alto, Guitare (duo)
10
4 Violoncelles
10
Contrebasse (partie séparée)
10
Harpe, Flûte (duo)
7
Trio à Cordes: 2 violons, alto
6
Flûte, Contrebasse (duo)
5
Violoncelle, Orchestre
5
2 Harpes (duo)
4
Contre Basse
4
Trio à cordes
4
Quatuor à cordes: 4 violons
4
Harpe, Violon (duo)
3
Ensemble de Violoncelles
3
Harpe, Violoncelle (duo)
2
Trio à cordes: 3 altos
2
Alto et Harpe
2
Violoncelle, Orgue
2
Alto, Orgue
1
Ensemble d'Altos
1
Ensemble de Violons
1
Piano Trio: Violon, Alto, Piano
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Violon, Orgue
1
Harpe et Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Quatuor à cordes : 4 altos
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
380
Orchestre
112
Orchestre de chambre
75
Orchestre d'harmonie
68
Ensemble de cuivres
30
Ensemble Jazz
6
Quintette à Vent
5
Percussion (partie séparée)
4
Ensemble de Percussions
3
Cloches
3
Xylophone
2
2 Xylophones
2
Batterie
1
Orchestre, Violon
1
Voix Mezzo-Soprano, Orchestre
1
Marimba
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Partitions à imprimer
14 464 partitions trouvées
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9976
Triosonata B minor
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Johann Ludwig Krebs
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Triosonata B minor
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Schott Music - Digital
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SheetMusicPlus
2 flutes, cello (viola da gamba) and piano (basso continuo) - intermediate - SKU: S9.Q16177 Composed by Johann Ludwig Krebs. This edition: Sheet music. ...
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2 flutes, cello (viola da gamba) and piano (basso continuo) - intermediate - SKU: S9.Q16177 Composed by Johann Ludwig Krebs. This edition: Sheet music. Il Flauto traverso. Downloadable. Schott Music - Digital #Q16177. Published by Schott Music - Digital (S9.Q16177). Key: B minor.Johann Ludwig Krebs (1713-1780) was a student of Johann Sebastian Bach who greatly valued his musical accomplishments and scholarly knowledge. During his time in Zwickau (1737-43) Krebs composed a collection of six trio sonatas 'Denen Liebhabern der Instrumental-Music zum angenehmen Zeitvertreib', the second of which is the sonata published here. Although still in the formal tradition of the sonata da chiesa, the four-movement church sonata, it already points to the post Baroque era, especially with regard to the melody, to the gallant sentimental movements. This very charming work has been out of print for a long time and is now republished in the Edition Schott.
$18.99
Vivaldi - Violin Sonata No. 3 in B flat major RV 33 Op.5 for Violin and Cembalo (or Piano)
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Sonata No. 3
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Santino Cara
#
SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Violin - Level 4 - SKU: A0.517377 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score ...
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Instrumental Duet Harpsichord,Instrumental Duet,Violin - Level 4 - SKU: A0.517377 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 15 pages. Santino Cara #4780865. Published by Santino Cara (A0.517377). Complete score and part of the SonataNo.3 in B flat major RV 33 for Violin and Cembalo (or Piano). Reconstructed and elaborated by Santino Cara from Six Violin Sonatas Op,5 by Antonio Vivaldi.
$14.40
Sonata, Op 27, No 2 Sonata Quasi una Fantasia (Moonlight Sonata)
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Piano seul
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Classique
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Ludwig van Beethoven
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Arte Nova Music Lab
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Sonata, Op 27, No 2 Sonata Qua
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Arte Nova Music Lab
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SheetMusicPlus
Piano Solo - SKU: A0.742469 Composed by Ludwig van Beethoven. Arranged by Arte Nova Music Lab. Classical,Concert,Standards,World. Score. 6 pages. Arte N...
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Piano Solo - SKU: A0.742469 Composed by Ludwig van Beethoven. Arranged by Arte Nova Music Lab. Classical,Concert,Standards,World. Score. 6 pages. Arte Nova Music Lab #4412113. Published by Arte Nova Music Lab (A0.742469). The Piano Sonata No. 14 in C♯ minor Quasi una fantasia, Op. 27, No. 2, popularly known as the Moonlight Sonata, is a piano sonata by Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil, Countess Giulietta Guicciardi. The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favorite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata. The first edition of the score is headed Sonata quasi una fantasia, a title this work shares with its companion piece,Op. 27, No. 1. Grove Music Online translates the Italian title as sonata in the manner of a fantasy.The title could also be interpreted to imply ...as though improvised. The name Moonlight Sonata comes from remarks made by the German music critic and poet Ludwig Rellstab. In 1832, five years after Beethoven's death, Rellstab likened the effect of the first movement to that of moonlight shining upon Lake Lucerne. Within ten years, the name Moonlight Sonata (Mondscheinsonate in German) was being used in German and English publications. Later in the nineteenth century, the sonata was universally known by that name. Many critics have objected to the subjective, romantic nature of the title Moonlight, which has at times been called a misleading approach to a movement with almost the character of a funeral march and absurd. Other critics have approved of the sobriquet, finding it evocative or in line with their own interpretation of the work. Gramophone founder Compton Mackenzie found the title harmless, remarking that it is silly for austere critics to work themselves up into a state of almost hysterical rage with poor Rellstab, and adding, what these austere critics fail to grasp is that unless the general public had responded to the suggestion of moonlight in this music Rellstab's remark would long ago have been forgotten. Notes taken from https://en.wikipedia.org/wiki/Piano_Sonata_No._14_(Beethoven)#cite_note-8
$5.00
Six Sonatas for Cello, Op. 40
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Aaron Sinnett
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Aaron Sinnett
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Six Sonatas for Cello, Op. 40
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Aaron Sinnett
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SheetMusicPlus
Cello Duet Cello - Level 2 - SKU: A0.1508659 By Aaron Sinnett. By Jean-Baptiste Bréval. Arranged by Aaron Sinnett. 19th Century,Baroque,Chamber,Classic...
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Cello Duet Cello - Level 2 - SKU: A0.1508659 By Aaron Sinnett. By Jean-Baptiste Bréval. Arranged by Aaron Sinnett. 19th Century,Baroque,Chamber,Classical. Score. 89 pages. Aaron Sinnett #1083923. Published by Aaron Sinnett (A0.1508659). Jean-Baptiste Bréval, Six Sonatas, Op. 40Score and parts included. (Minimal markings, no additional edits, i.e. no fingerings or bowing added)As per the tradition of the era, Bréval composed the Cello solo and the bass line, leaving the chord making up to the performer. This means that there is originally no piano accompaniment part by Bréval. (If you are familiar with any sonata by said composer, it is likley No. 1 in C major, as it appears in volume 4 of a popular method, which is supplied with a piano accompoaniment.) Even so, as many can attest, most sonatas of the Baroque/early Classical periods are beautiful performed with two cellos, or cello duet.In this edition, I have made the notation modern, the layout clean and clear, as well as providing the score of the two original parts and individual parts, labeled Cello 1 and Cello 2. (For those wishing for historical accuracy in part naming Cello 2 should more appropriately be labelled Basso.) I have elevated it to Cello 2 simply to encourage the performance of this excellent set of sonatas with two cellos. I believe they sound very good this way in spite of being traditionally expected to be performed with a chord making instrument like a keyboard in addition to the solo cello and bass instrument. Thus, making it a trio.The Table of contents is the following without being overly detailed (one of the preview pages will have incipits from all six sonatas as is the custom when printing a complete set of pieces in a single volume). Sonata No. 1 in C major Sonata No. 2 in F major Sonata No. 3 in G major Sonata No. 4 in Bb major Sonata No. 5 in A major Sonata No. 6 in D major Each sonata is two movements long. They all have first movements with the customary Sonata Allegro form. The seconds movements vary from RONDOs to Minuets to a set of variations.It is my sincere hope that more of these sonatas be learned and performed as they are not only great learning material, Bréval has crafted each one masterfully.
$14.99
Sonatas and Interludes (2024)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Sonatas and Interludes
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Thomas Oboe Lee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1493847 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. Score. 40 pages. Thomas Oboe Lee #10705...
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Piano Solo - Level 4 - SKU: A0.1493847 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. Score. 40 pages. Thomas Oboe Lee #1070504. Published by Thomas Oboe Lee (A0.1493847). Full scoreProgram note:In the late spring of 2024 I read a review in BBC Music Magazine of an ECM recording from 1994 of Keith Jarrett playing the CPE Bach Württemberg Sonatas. I am a long time fan of CPE Bach's music. But I have confess that the Württemberg Sonatas never did much for me. Maybe it's because all the previous albums of the work were recorded on the harpsichord, which I hate. But, when I heard Keith Jarrett do these sonatas on a Steinway grand, I was blown away!!! So blown away was I that I immediately wanted to do my own version of these great works by CPE. I am calling my work, after John Cage, Sonatas and Interludes. There will be altogether eleven movements. I. Sonata No. 1 - Moderato, Andante II. Sonata No. 1 - Adagio III. Sonata No. 1 - Presto TRIO iV. Interlude 1 - Andante moderato V. Sonata No. 2 - Adagio, più tranquillo TRIO VI. Sonata No. 2 - Molto allegro VII. Sonata No. 2 - Largo VIII. Interlude 2 - Allegro IX. Sonata No. 3 - Moderato X. Sonata No. 3 - Presto TRIO XI. Sonata No. 3 - Largo.
$9.99
Sonata Hymnica No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Paradisi - 12 Piano Sonatas, P893 - Complete scores
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Piano seul
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INTERMÉDIAIRE
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Classique
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Santino Cara
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Santino Cara
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Paradisi - 12 Piano Sonatas, P
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1183058 By Santino Cara. By Pier Domenico Paradisi. Arranged by Santino Cara. Baroque. Score. 93 pages. Santino Cara #782...
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Piano Solo - Level 3 - SKU: A0.1183058 By Santino Cara. By Pier Domenico Paradisi. Arranged by Santino Cara. Baroque. Score. 93 pages. Santino Cara #782783. Published by Santino Cara (A0.1183058). Complete scores of 12 Piano Sonatas P893. Composed in London between 1740 and 1745 by Pier Domenico Paradisi. Published in London in 1754 by John Johnson at the author's request and dedicated to 'Her Highness the Princess Augusta'. Rewritten and elaborated in Rome in 2020 by Santino Cara.Sonatas:1. Â Sonata in G major2. Â Sonata in B-flat major3. Â Sonata in E major4. Â Sonata in C minor5. Â Sonata in F major6. Â Sonata in A major7. Â Sonata in B-flat major8. Â Sonata in E minor9. Â Sonata in A minor10. Sonata in D major11. Sonata in F major12. Sonata in C major.
$38.60
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
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String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,St...
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,S...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
Vivaldi: Sonata No. 1 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550397 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 24 pa...
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Flute,Piano - Level 3 - SKU: A0.550397 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 24 pages. Jmsgu3 #4628299. Published by jmsgu3 (A0.550397). Sonata da Chiesa in Bb for Flute & Piano by Antonio Vivaldi in Four movements.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period who is widely considered one of the greatest composers of all time. He significantly influenced many other composers of the Baroque era, and his impact can still be felt in music today.Vivaldi's most significant contribution to music history was his development of the Sonata da Chiesa or church sonata. This composition was a variation of the Baroque sonata and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, focusing on melody and harmonic structure. Vivaldi was one of the first composers to use this form, and his works set the standard for future composers. His church sonatas were written in various keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the Sonata da Chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy shapes modern-era music.The mood of Vivaldi's Sonata No. 1 can be described as diverse, as it typically consists of multiple movements with varying emotional qualities. Vivaldi's cello sonatas, including Sonata No. 1, are known for their attractive melodies, stylistic variety, and dance-like movements, which can evoke emotions from lively and joyful to reflective and sad. The sonatas often feature a combination of slow and quick movements, reflecting the typical structure of church sonatas from the Baroque period. Therefore, the mood of Sonata No. 1 is likely to encompass a spectrum of emotional expressions characteristic of Vivaldi's compositional style.
$32.95
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Abel - 6 Easy Sonatas, WK 141-146
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Classique
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Carl Friedrich Abel
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J
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Abel - 6 Easy Sonatas, WK 141-
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J.G. Cuco Barber
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SheetMusicPlus
Small Ensemble Continuo,Flute,Harpsichord,Violin - SKU: A0.819757 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and...
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Small Ensemble Continuo,Flute,Harpsichord,Violin - SKU: A0.819757 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 47 pages. J.G. Cuco Barber #6133199. Published by J.G. Cuco Barber (A0.819757). Work Title 6 Easy SonatasAlternative Title Six Easy Sonatas for the Harpsichord or for a Viola da Gamba, Violin or German Flute with a Thorough-Bass AccompanimentComposer Abel, Carl FriedrichOpus/Catalogue Number WK 141-146Movements/Sections 6 sonatas:Sonata in C major, WK 141Sonata in A major, WK 142Sonata in D major, WK 143Sonata in G major, WK 144Sonata in A major, WK 145Sonata in E minor, WK 146First Publication 1771 ca.Composer Time Period ClassicalPiece Style ClassicalInstrumentation harpsichord (viola da gamba), violin (flute), continuoExtra Information Knape classifies these as sonatas for viola da gamba and continuo.
$28.00
Handel: Six Sonatas Complete for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Six Sonatas Complete f
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552880 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552880 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 156 pages. Jmsgu3 #6362473. Published by jmsgu3 (A0.552880). G. F. Handel: Six Sonatas Complete (K. 555) Sonata No. II. LarghettoII. AllegroIII. AndanteIV. AllegroDuration: 9', Score: 13 pages Sonata No. II I. AffettuosoII. AllegroIII. DolceIV. VivaceDuration: 8:20' Score: 16 pages Sonata No. III I. AndanteII. PrestoIII. GraziosoIV. AllegroDuration: 8:50' Score: 15 pages Sonata No. IV I. AdagioII. AllegroIII. AmorosoIV. VivaceDuration: 9:15 Score: 14 Pages Sonata No. V I. LargoII. AllegroIII. SoaveIV. AllegroScore: 13 Pages, Duration: 11:12 Sonata No. VI I. AdagioII. AllegroIII. AndanteIV. VivaceDuration: 9:30 Score: 13 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period. Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$59.95
Sonatasia for Guitar and Piano
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Piano, Guitare (duo)
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AVANCÉ
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Sy Brandon
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Sonatasia for Guitar and Piano
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Sy Brandon
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SheetMusicPlus
Guitar,Piano - Level 5 - SKU: A0.755171 Composed by Sy Brandon. 20th Century,Contemporary,Multicultural,World. Score and part. 23 pages. Sy Brandon #340...
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Guitar,Piano - Level 5 - SKU: A0.755171 Composed by Sy Brandon. 20th Century,Contemporary,Multicultural,World. Score and part. 23 pages. Sy Brandon #3409349. Published by Sy Brandon (A0.755171). The title is a combination of the words sonata and fantasia suggesting a loosely structured sonata form as well as a combination of the words sonata and Asia that is referring to the Japanese and Malaysian folk music source of the melodic material.
$14.99
Sonatasia for Two Harps
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2 Harpes (duo)
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AVANCÉ
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Sy Brandon
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Sonatasia for Two Harps
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Sy Brandon
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet - Level 5 - SKU: A0.755170 Composed by Sy Brandon. 20th Century,Contemporary,Multicultural,World. Score and par...
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Instrumental Duet Harp,Instrumental Duet - Level 5 - SKU: A0.755170 Composed by Sy Brandon. 20th Century,Contemporary,Multicultural,World. Score and parts. 21 pages. Sy Brandon #3409347. Published by Sy Brandon (A0.755170). This piece was composed for Harpsody. The title is a combination of the words sonata and fantasia suggesting a loosely structured sonata form as well as a combination of the words sonata and Asia that is referring to the Japanese and Malaysian folk music source of the melodic material. Both musicians play from the score.
$14.99
Abel - 6 Sonatas for Keyboard and Violin, Op.13 ; WK 129-134
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Classique
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Carl Friedrich Abel
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J
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Abel - 6 Sonatas for Keyboard
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J.G. Cuco Barber
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - SKU: A0.819761 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Cl...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - SKU: A0.819761 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 91 pages. J.G. Cuco Barber #6196529. Published by J.G. Cuco Barber (A0.819761). Work Title 6 Sonatas for Keyboard and ViolinAlternative Title Six sonatas pour le clavecin, ou piano forte, avec accompagnement d'un violonComposer Abel, Carl FriedrichOpus/Catalogue Number WK 129-134 ; Op.13Movements/Sections 6 sonatasViolin Sonata in G major, WK 129Violin Sonata in F major, WK 130Violin Sonata in A major, WK 131Violin Sonata in B-flat major, WK 132Violin Sonata in C major, WK 133Violin Sonata in E-flat major, WK 134First Publication 1777 - London: Robert BremnerDedication Countess of AbingdonComposer Time Period ClassicalPiece Style ClassicalInstrumentation: violin, harpsichord/piano.
$25.00
Moonlight Sonata
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Kevin Riley
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Moonlight Sonata
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1343863 Composed by Ludwig van Beethoven. Arranged by Kevin Riley. Classical,Romantic Period. 37 pages. Kevin Riley #...
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Full Orchestra - Level 4 - SKU: A0.1343863 Composed by Ludwig van Beethoven. Arranged by Kevin Riley. Classical,Romantic Period. 37 pages. Kevin Riley #929368. Published by Kevin Riley (A0.1343863). The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonataby Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil Countess Julie Giulietta Guicciardi. The name Moonlight Sonata (German: Mondscheinsonate) grew popular later, likely after Beethoven's death.The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favourite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata.This is an arrangement of the opening movement.
$70.00
Seven Bach's Piano Sonatas - Complete scores
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Seven Bach's Piano Sonatas - C
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.805391 By Santino Cara. By Johann Sebastian Bach. Arranged by Johann Sebastian Bach, Santino Cara. Baroque. Score. 98 pag...
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Piano Solo - Level 4 - SKU: A0.805391 By Santino Cara. By Johann Sebastian Bach. Arranged by Johann Sebastian Bach, Santino Cara. Baroque. Score. 98 pages. Santino Cara #412424. Published by Santino Cara (A0.805391). Complete scores of 7 Bach's Piano Sonatas Transcribed by Johann Sebastian Bach and Santino Cara. Sonatas: Sonata No.1 in D minor BWV 964 Sonata No.2 in A minor BWV 965 after Reincken Sonata No.3 in C major BWV 966 after Reincken Sonata No.4 in A minor BWV 967 Sonata No.5 (Partita) in B minor BWV 1002 Sonata No.6 (Partita) in E major BWV 1006 Sonata No.7 in C major BWV 1033.
$28.99
Beethoven: Sonatas (Urtext), Volume IB
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Piano seul
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Classique
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Ludwig van Beethoven
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Beethoven: Sonatas
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano - SKU: AX.00-PC-0005218 Sonata No. 11, Opus 22, B flat Major. Composed by Ludwig van Beethoven. Classical. Part. 24 pages. Alfred Music - D...
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Piano - SKU: AX.00-PC-0005218 Sonata No. 11, Opus 22, B flat Major. Composed by Ludwig van Beethoven. Classical. Part. 24 pages. Alfred Music - Digital Sheet Music #00-PC-0005218. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0005218). ISBN 9780769234090. UPC: 029156637779.This Urtext Edition of Beethoven's Piano Sonatas, Nos. 8-15, includes editorial and performance notes by Carl Krebs (Berlin, March 1898). Includes: Sonata No. 8, Op. 13 (Pathetique) * Sonata No. 9, Op. 14, No. 1 * Sonata No. 10, Op. 14, No. 2 * Sonata No. 11, Op. 22 * Sonata No. 12, Op. 26 * Sonata No. 13, Op. 27, No. 1, (Quasi Fantasia) * Sonata No. 14, Op. 27, No. 2, (Quasi Fantasia, Moonlight Sonata) * Sonata No. 15, Op. 28, (Pastorale).
$1.99
Beethoven: Sonatas (Urtext), Volume IB
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Piano seul
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Classique
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Ludwig van Beethoven
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Beethoven: Sonatas
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano - SKU: AX.00-PC-0005222 Sonata No. 15, Opus 28, Pastorale, D Major. Composed by Ludwig van Beethoven. Classical. Part. 18 pages. Alfred Mus...
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Piano - SKU: AX.00-PC-0005222 Sonata No. 15, Opus 28, Pastorale, D Major. Composed by Ludwig van Beethoven. Classical. Part. 18 pages. Alfred Music - Digital Sheet Music #00-PC-0005222. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0005222). ISBN 9780769234090. UPC: 029156637779.This Urtext Edition of Beethoven's Piano Sonatas, Nos. 8-15, includes editorial and performance notes by Carl Krebs (Berlin, March 1898). Includes: Sonata No. 8, Op. 13 (Pathetique) * Sonata No. 9, Op. 14, No. 1 * Sonata No. 10, Op. 14, No. 2 * Sonata No. 11, Op. 22 * Sonata No. 12, Op. 26 * Sonata No. 13, Op. 27, No. 1, (Quasi Fantasia) * Sonata No. 14, Op. 27, No. 2, (Quasi Fantasia, Moonlight Sonata) * Sonata No. 15, Op. 28, (Pastorale).
$1.99
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Piccolo Duo
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2 Flûtes traversières (duo)
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FACILE
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Classique
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Six Sonatas Op. 5 No
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jmsgu3
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piccolo - Level 2 - SKU: A0.612839 Composed by Jean Baptiste Loeillet of Ghent (1688 â?? 1720). Arranged by James M...
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Instrumental Duet Instrumental Duet,Piccolo - Level 2 - SKU: A0.612839 Composed by Jean Baptiste Loeillet of Ghent (1688 â?? 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 59 pages. Jmsgu3 #222035. Published by jmsgu3 (A0.612839). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto â?? Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
Abel - 6 Flute Sonatas, Op.6 ; WK 123-128
Flute, Harpsichord
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Classique
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Carl Friedrich Abel
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J
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Abel - 6 Flute Sonatas, Op.6 ;
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J.G. Cuco Barber
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SheetMusicPlus
Instrumental Duet Flute,Harpsichord,Instrumental Duet - SKU: A0.819759 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Scor...
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Instrumental Duet Flute,Harpsichord,Instrumental Duet - SKU: A0.819759 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 55 pages. J.G. Cuco Barber #6134725. Published by J.G. Cuco Barber (A0.819759). Work Title 6 Flute Sonatas, Op.6Alternative Title Sei sonate a solo per il flauto traverso e bassoComposer Abel, Carl FriedrichOpus/Catalogue Number Op.6 ; WK 123-128Movements/Sections 6 sonatasFlute Sonata in C major, WK 123Flute Sonata in G major, WK 124Flute Sonata in E minor, WK 125Flute Sonata in E major, WK 126Flute Sonata in F major, WK 127Flute Sonata in G major, WK 128First Publication 1763 - London: ComposerComposer Time Period ClassicalPiece Style ClassicalInstrumentation flute, continuo.
$25.00
Loeillet: Six Sonatas Op. 5 No. 2 Complete for English Horn Duo
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2 Cors Anglais Et Pianoforte
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FACILE
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Six Sonatas Op. 5 No
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jmsgu3
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet - Level 2 - SKU: A0.612807 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged b...
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Instrumental Duet English Horn,Instrumental Duet - Level 2 - SKU: A0.612807 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 59 pages. Jmsgu3 #222001. Published by jmsgu3 (A0.612807). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
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