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Voix Soprano et violon
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Voix Soprano et violon
Partitions à imprimer
5 partitions trouvées
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Nostalgie for soprano and piano trio --- FULL SCORE AND PARTS --- JCM2012
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jean-Christophe Masson
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Nostalgie for soprano and pian
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Jean-Christophe Masson
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.878769 Composed by Jean-Christophe Masson. Contemporary. Score. 20 pages. Jean-Christophe Masson #6306257. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.878769 Composed by Jean-Christophe Masson. Contemporary. Score. 20 pages. Jean-Christophe Masson #6306257. Published by Jean-Christophe Masson (A0.878769). ''Nostalgie'' vocalise pour soprano, violon, violoncelle et piano (2012) Courte pièce néo-tonale pour soprano et trio avec piano. Niveau professionnel Durée : 4 minutes Création le 23 mai 2012 aux ''amis du 7'' à Dijon, avec Clémentine Decouture (voix), Aude Randrianarisoa (violon), Jean-Christophe Masson (violoncelle) et Marie-Anne Faupin (piano).
$12.00
Aria: 'Mon coeur s'ouvre à ta voix' (Act II) from Samson et Dalila, Op. 47 (arr. for Violin & Piano)
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Violon et Piano
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INTERMÉDIAIRE
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Saint-Saëns, Camille
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Kamada, Mikio
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Aria: 'Mon coeur s'ouvre &agra
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ACORDO Sheet Music
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1216987 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. 9 pages. ACORDO...
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Piano,Violin - Level 3 - SKU: A0.1216987 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. 9 pages. ACORDO Sheet Music #813515. Published by ACORDO Sheet Music (A0.1216987). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.
$7.20
Orphée et les chemins ne sont pas si loin ceux qui version orchestrée
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Contemporain
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Julien Boulier
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Julien Boulier
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Orphée et les chemins n
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Julien Boulier
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SheetMusicPlus
Large Ensemble Cello,Flute,Piano,Trumpet,Violin,Voice - Level 4 - SKU: A0.1014399 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century,C...
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Large Ensemble Cello,Flute,Piano,Trumpet,Violin,Voice - Level 4 - SKU: A0.1014399 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century,Contemporary. Score and parts. 36 pages. Julien Boulier #4635235. Published by Julien Boulier (A0.1014399). Orphée et les chemins ne sont pas si loin ceux quiversion orchestrée pour piano, violoncelle & voix soprano / Celesta , Cymbalum / 3 violons divisi & flûte ou flûte Pinkillo / trompette en do avec delay et reverb
$15.00
O, Divine Redeemer (Mezzo-Soprano or Baritone, Violin, Piano)
Voice, Violin and Piano
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Musique Sacrée
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Charles Francois Gounod
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O, Divine Redeemer
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Mike Carson
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SheetMusicPlus
Small Ensemble Piano, Violin, Voice - Composed by Charles Francois Gounod (1818-1893). Arranged by Mike Carson. Sacred. Score and parts. 21 pages. Mik...
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Small Ensemble Piano, Violin, Voice - Composed by Charles Francois Gounod (1818-1893). Arranged by Mike Carson. Sacred. Score and parts. 21 pages. Mike Carson #4594563. Published by Mike Carson
Setting of this sacred classic vocal solo with violin and piano.
$5.99
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jacques Leguerney
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Jacques Leguerney: Sept Poème
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Musik Fabrik Music Publishing
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publi...
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Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95
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