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14 Easy Duets For Trombone
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Vous avez sélectionné:
14 Easy Duets For Trombone
SheetMusicPlus
Partitions à imprimer
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Bach: 14 Easy Duets for Trombone Duo
2 Trombones (duo)
Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.550911 Composed by Joha…
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Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.550911 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards. Score. 36 pages. Jmsgu3 #4887761. Published by jmsgu3 (A0.550911). Score: 18 pages, Duration ca. 21:30, players read from the score.
$38.95
35.91 €
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2 Trombones (duo)
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Johann Sebastian Bach
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James M
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Bach: 14 Easy Duets for Trombone Duo
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jmsgu3
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SheetMusicPlus
Nineteen Skeletal Duets for Trombones
2 Trombones (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.<br> <br> 1. Cranium<br> This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.<br> <br> 2. Stirrup<br> This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.<br> 3. Humerus<br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.<br> 4. Vertebra<br> This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.<br> 5. Axis<br> Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.<br> 6. Tibia<br> This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.<br> 7. Clavicle<br> The key of A for this duet provides variation for the students.<br> 8. Fibula nd<br> This duet uses the easiest of rhythms and range, especially for the 2<br> 9. Scapula<br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.<br> 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.<br> <br> (student) part.<br> <br> 11. Radius<br> This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.<br> 12. Femur<br> This duet works on double time and half time tempo changes.<br> 13. Patella<br> This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.<br> 14. Anvil<br> This gallop displays different types of articulation.<br> 15. Hammer<br> This duet is in the style of a fanfare.<br> 16. Rib<br> This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.<br> 17. Sacrum<br> This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.<br> 18. Ulna<br> This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.<br> 19. Ilium<br> This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.<br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.<br> <br> 1. Cranium<br> This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.<br> <br> 2. Stirrup<br> This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.<br> 3. Humerus<br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.<br> 4. Vertebra<br> This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.<br> 5. Axis<br> Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.<br> 6. Tibia<br> This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.<br> 7. Clavicle<br> The key of A for this duet provides variation for the students.<br> 8. Fibula nd<br> This duet uses the easiest of rhythms and range, especially for the 2<br> 9. Scapula<br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.<br> 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.<br> <br> (student) part.<br> <br> 11. Radius<br> This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.<br> 12. Femur<br> This duet works on double time and half time tempo changes.<br> 13. Patella<br> This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.<br> 14. Anvil<br> This gallop displays different types of articulation.<br> 15. Hammer<br> This duet is in the style of a fanfare.<br> 16. Rib<br> This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.<br> 17. Sacrum<br> This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.<br> 18. Ulna<br> This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.<br> 19. Ilium<br> This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.<br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.44 €
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2 Trombones (duo)
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Gregory Fritze
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Nineteen Skeletal Duets for Trombones
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Musica Nova USA
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SheetMusicPlus
C Jam Blues for Trombone / Low Brass Quintet
Ensemble de Trombones
Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duk…
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Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Traditional. 14 pages. Keith Terrett #863773. Published by Keith Terrett (A0.1271373). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Trombone/Low Brass Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
11.05 €
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Ensemble de Trombones
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Duke Ellington
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Keith Terrett
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C Jam Blues for Trombone / Low Brass Quintet
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Keith Terrett
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SheetMusicPlus
14 Easy Duets For Trombone
2 Trombones (duo)
Composed by Traditional. Arranged by Curd. Folk. Score. 8 pages. Published by Tim Curd (S0…
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Composed by Traditional. Arranged by Curd. Folk. Score. 8 pages. Published by Tim Curd (S0.178007). - Score - Folk - Tim Curd
$4.99
4.6 €
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2 Trombones (duo)
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Traditional
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Curd
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14 Easy Duets For Trombone
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Tim Curd
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SheetMusicPlus
14 Easy Flexible Duets.
Instrumental Duet - Level 1 - Digital Download SKU: A0.716952 Composed by Tradition…
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Instrumental Duet - Level 1 - Digital Download SKU: A0.716952 Composed by Traditional. Arranged by Tim Curd. Children,Classical,Folk,Romantic Period. 58 pages. Tim Curd #5019909. Published by Tim Curd (A0.716952). These duets can be played with combination of woodwind and brass instruments.These duets can be played with your teacher or fellow students and they make excellent repertoire pieces. They can also help bridge the gap between grades and can be used for sight reading practice, concert items or just for fun! The tunes are:1. This Old Man 2. London Bridge 3. Aura Lee 4. Polly Wolly Doodle 5. Old Macdonald 6. Little Brown Jug 7. The Muffin Man 8. Yankee Doodle 9. Camptown Ladies 10. Ode to Joy 11. She’ll be Coming Round the Mountain 12. The Old Grand Duke of York 13. Troika 14. Sand DanceScore and parts included:Part 1 in C:Flute/OboePart 2 in C:Flute/Oboe Part 1 in Bb: Clarinet/Trumpet/Tenor Saxophone/Trombone/Euphonium Part 2 in Bb: Clarinet/Trumpet/Tenor Saxophone/Trombone/Euphonium Part 1 in Eb: Alto Saxophone/Horn in Eb Part 2 in Eb: Alto Saxophone/Horn in Eb Part 1 in F: Horn Part 2 in F: Horn Part 1 in C: Trombone/Euphonium/Bassoon Part 2 in C: Trombone/Euphonium/Bassoon
$9.99
9.21 €
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Traditional
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Tim Curd
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14 Easy Flexible Duets.
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Tim Curd
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SheetMusicPlus
9 Spirituals for Flexible Trio
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Horn,Obo…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Horn,Oboe,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.719828 Composed by Traditional. Arranged by Tim Curd. Gospel,Jazz,Praise & Worship,Spiritual. Score and parts. 90 pages. Tim Curd #6640009. Published by Tim Curd (A0.719828). 9 Spirituals for Flexible TrioThese trios can be played with any combination of woodwind and brass instruments.Parts and score included:Part 1 in C:Flute/OboePart 2 in C:Flute/OboePart 3 in C Flute/OboePart 1 in Bb: Clarinet/Trumpet/Trombone/EuphoniumPart 2 in Bb: Clarinet/Trumpet/Trombone/EuphoniumPart 3 in Bb: Clarinet/Trumpet/Trombone/EuphoniumPart 2 in Bb: Tenor SaxophonePart 3 in Bb: Tenor SaxophonePart 1 in Eb: Alto SaxophonePart 2 in Eb: Alto Saxophone/Horn in EbPart 3 in Eb: Alto Saxophone/Horn in EbPart 2 in F: HornPart 3 in F: HornPart 1 in C: Trombone/Euphonium/BassoonPart 2 in C: Trombone/Euphonium/BassoonPart 3 in C: Trombone/Euphonium/BassoonThe tunes are:O When The Saints, Swing Low Sweet Chariot, This Little Light Of Mine, Joshua Fit The Battle Of Jericho, Deep River, Michael Row The Boat Ashore,Kum Ba Yah, He’s Got The Whole World In His Hands, Amazing Grace.Check out my other trios.14 Easy Trios (Grades 0 to 2) 14 Fun Trios (Grades 2 to 4) 8 Christmas Trios (Grades 1 to 4)There are also some duets and quartets too.
$9.99
9.21 €
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Traditional
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Tim Curd
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9 Spirituals for Flexible Trio
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Tim Curd
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SheetMusicPlus
14 Easy Duets For Trumpet And Trombone
Trompette, Trombone (duo)
Composed by Traditional. Arranged by Curd. Folk. Score. 8 pages. Published by Tim Curd (S0…
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Composed by Traditional. Arranged by Curd. Folk. Score. 8 pages. Published by Tim Curd (S0.177997). - Score - Folk - Tim Curd
$4.99
4.6 €
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Trompette, Trombone (duo)
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Traditional
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Curd
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14 Easy Duets For Trumpet And Trombone
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Tim Curd
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SheetMusicPlus
Your Favorite Christmas Hymns and Carols for Wind Instruments Book 1
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, …
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Christmas. Score, Set of Parts. 125 pages. Published by Colin Kirkpatrick Publications
Your Favorite Christmas Hymns and Carols for Wind Instruments<br> Arranged by Colin Kirkpatrick<br> Book 1<br> <br> This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! The arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing.<br> <br> The publication consists of a four-staff score in concert pitch together with fourteen separate parts in various transpositions. There is also a fairly easy optional keyboard part. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing. You can also create interesting instrumental tone colour by omitting groups of instruments. This can be achieved with the aid of a pencil. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities. You can hear the effect of omitting sections in the audio samples. The arrangements could therefore be played by brass quartet, woodwind quartet, saxophone quartet or virtually any combination of wind instruments. Using the piano part (which has been kept as simple as possible) the arrangements could also be used as solos or duets, depending of what instruments are available. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because the parts invariably are too low for flute or oboe. All the scores and parts are contained in a single125-page PDF file.<br> <br> The publication consists of four-stave scores for each hymn and carol plus:<br> <br> 1. Part 1 in B flat (clarinet, trumpet, cornet, soprano sax);<br> <br> 2. Part 1 in C (8ve higher for piccolo, flute, oboe);<br> <br> 3. Part 1 in E flat (alto saxophone, E flat clarinet);<br> <br> 4. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn);<br> <br> 5. Part 2 in C (8ve higher for flute, oboe);<br> <br> 6. Part 2 in E flat (alto saxophone);<br> <br> 7. Part 3 in B flat (tenor saxophone, B flat baritone);<br> <br> 8. Part 3 in C (bass clef for trombone, bassoon);<br> <br> 9. Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet);<br> <br> 10. Part 3 in F (French horn in F);<br> <br> 11. Part 3a in B flat (8ve below score pitch for 3rd clarinet);<br> <br> 12. Part 4 in B flat (B flat bass clarinet, B flat bass);<br> <br> 13. Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba);<br> <br> 14. Part 4 in E flat (E flat baritone saxophone, E flat bass)<br> <br> Book 1 includes the following 19 titles: Angels from the Realms of Glory (Melody: Gloria); Away in a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: Puer Nobis); Christians Awake! (Melody: Yorkshire); Deck the Halls with Boughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; Good Christian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; It Came Upon the Midnight Clear (Melody: Carol); Little Jesus, Sweetly Sleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); O Come all ye Faithful (Melody: Adeste Fidelis); O Little Town of Bethlehem (Melody: Saint Louis); O Holy Night (Melody: Cantique Noël); Silent Night (Melody: Stille Nacht); The Holly and the Ivy; We Wish You a Merry Christmas and What Child is This? (Melody: Greensleeves)<br> <br> The audio samples include Angels from the Realms of Glory, Deck the Halls with Boughs of Holly, Go Tell it on the Mountain and Silent Night. Please note that arrangements in the publication are not intended to be compatible with Your Favorite Christmas Hymns and Carols for Brass.Your Favorite Christmas Hymns and Carols for Wind Instruments<br> Arranged by Colin Kirkpatrick<br> Book 1<br> <br> This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! The arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing.<br> <br> The publication consists of a four-staff score in concert pitch together with fourteen separate parts in various transpositions. There is also a fairly easy optional keyboard part. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing. You can also create interesting instrumental tone colour by omitting groups of instruments. This can be achieved with the aid of a pencil. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities. You can hear the effect of omitting sections in the audio samples. The arrangements could therefore be played by brass quartet, woodwind quartet, saxophone quartet or virtually any combination of wind instruments. Using the piano part (which has been kept as simple as possible) the arrangements could also be used as solos or duets, depending of what instruments are available. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because the parts invariably are too low for flute or oboe. All the scores and parts are contained in a single125-page PDF file.<br> <br> The publication consists of four-stave scores for each hymn and carol plus:<br> <br> 1. Part 1 in B flat (clarinet, trumpet, cornet, soprano sax);<br> <br> 2. Part 1 in C (8ve higher for piccolo, flute, oboe);<br> <br> 3. Part 1 in E flat (alto saxophone, E flat clarinet);<br> <br> 4. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn);<br> <br> 5. Part 2 in C (8ve higher for flute, oboe);<br> <br> 6. Part 2 in E flat (alto saxophone);<br> <br> 7. Part 3 in B flat (tenor saxophone, B flat baritone);<br> <br> 8. Part 3 in C (bass clef for trombone, bassoon);<br> <br> 9. Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet);<br> <br> 10. Part 3 in F (French horn in F);<br> <br> 11. Part 3a in B flat (8ve below score pitch for 3rd clarinet);<br> <br> 12. Part 4 in B flat (B flat bass clarinet, B flat bass);<br> <br> 13. Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba);<br> <br> 14. Part 4 in E flat (E flat baritone saxophone, E flat bass)<br> <br> Book 1 includes the following 19 titles: Angels from the Realms of Glory (Melody: Gloria); Away in a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: Puer Nobis); Christians Awake! (Melody: Yorkshire); Deck the Halls with Boughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; Good Christian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; It Came Upon the Midnight Clear (Melody: Carol); Little Jesus, Sweetly Sleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); O Come all ye Faithful (Melody: Adeste Fidelis); O Little Town of Bethlehem (Melody: Saint Louis); O Holy Night (Melody: Cantique Noël); Silent Night (Melody: Stille Nacht); The Holly and the Ivy; We Wish You a Merry Christmas and What Child is This? (Melody: Greensleeves)<br> <br> The audio samples include Angels from the Realms of Glory, Deck the Halls with Boughs of Holly, Go Tell it on the Mountain and Silent Night. Please note that arrangements in the publication are not intended to be compatible with Your Favorite Christmas Hymns and Carols for Brass.
$29.99
27.65 €
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Various
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Your Favorite Christmas Hymns and Carols for Wind Instruments Book 1
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Colin Kirkpatrick Publications
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SheetMusicPlus
14 Easy Duets For French Horn And Trombone
2 Cors (duo)
Composed by Traditional. Arranged by Curd. Folk. Score. 8 pages. Published by Tim Curd (S0…
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Composed by Traditional. Arranged by Curd. Folk. Score. 8 pages. Published by Tim Curd (S0.178275). - Score - Folk - Tim Curd
$4.99
4.6 €
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2 Cors (duo)
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Traditional
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Curd
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14 Easy Duets For French Horn And Trombone
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Tim Curd
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SheetMusicPlus
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14 Easy Duets For Trombone
