An accurate transcription of BTS' "Black Swan" (Map Of The Soul: 7 album version), artfully arranged for a violin and cello duo. Includes full score and all individual parts.

Hereis a suite for string quartet featuring music from Ennio Morricone's score for Brian DePalma's film version of "The Untouchables" (1987). It includes: I. Al Capone II. Ness and his Family III. Death Theme and IV. End Titles. It is suitable for student and professionalensembles. Double-stops are idiomatic and mainly added to enrich the harmonyand texture, but may be dropped by less advanced groups. You may contact me forcommissions or creating additional parts at: goyenard@yahoo.com.

Made popular in the past decade, the "rickroll" is a classic bait and switch prank, whereby someone is tricked into listening to Rick Astley's "Never Gonna Give You Up" when expecting something different. Your students will love to "Rickroll" their audience! This arrangement starts with a snippet of Pachelbel's timeless "Canon in D", to lull the audience into a false sense of seriousness - the bass plays the usual cello part here, with the cello leading the canon. After a few bars, we pause on a dominant chord, before launching into the upbeat strains of this classic 80's pop anthem. To leave out the prank, just omit the first two lines, and commence from rehearsal mark A. Arranged into D major for ease of playing. Cello, bass and viola parts include limited position work. The melody is passed between parts with the exception of the double bass, who opens the Pachelbel's "Canon in D" snippet. Included in purchase is the score and all parts, including Violin 3 (Viola part in treble clef). A great piece for school ensembles.

Hereis a string quartet arrangement of the main theme to TV's "Alf" (1986). It is suitable for both student andprofessional ensembles. Double-stops are idiomatic and mainly added to enrichthe harmony and texture, but may be dropped by less advanced groups. Pleasefeel free to contact me for commissions or creating additional parts at:goyenard@yahoo.com.

Hereis a string quartet arrangement of the "Beetlejuice" theme, by Danny Elfman. It includes bowing and fingeringsuggestions and is suitable for both student and professional ensembles.Double-stops are idiomatic and mainly added to enrich the harmony and texture,but may be dropped by less advanced groups. Please feel free to contact me forcommissions or creating additional parts at: goyenard@yahoo.com.

Recordedby Al Jarreau on his 1981 album ?Breakin? Away?.

INSTRUMENTATION: Lead Vocal, Background Vocal I, BackgroundVocal II, Alto Saxophone (Eb), KeyboardI, Keyboard II, Keyboard III, Electric Guitar, Bass, Drumset.

ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.

Transcribed as recordedby CHICAGO on their album CHICAGO 17 in 1984.

INSTRUMENTATION:Lead Vocal, Lead Vocal Echo, Background Vocal I, Background Vocal II,Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Horn (F), Trombone,Keyboard I, Keyboard II, Keyboard III, Violin I, Violin II, Viola, Cello,Contrabass, Electric Guitar I, Electric Guitar II, Bass, Tambourine,Drumset.

**SCOREis 8.5x14? (legal-sized paper), parts are 8.5x11? (letter-sized) paper.**

ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.

Transcribed as recordedby CHICAGO on their album CHICAGO 17 in 1984.

INSTRUMENTATION:Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II,Background Vocal III, Background Vocal IV, Background Vocal V, Background VocalVI, Flute, Tenor Saxophone (Bb), Trumpet (Bb), Horn (F), Trombone, Keyboard I,Keyboard II, Keyboard III, Keyboard IV, Violin I, Violin II, Viola, Cello,Contrabass, Electric Guitar, Bass, Drumset.

**SCOREis 8.5x14? (legal-sized paper), parts are 8.5x11? (letter-sized) paper.**

ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.

This famous Shaker ?quick dance? has many names includingTis a Gift to be Simple, Simple Gifts, and Lord of the Dance.Aaron Copland included the melody in his ballet, Appalachian Spring(1944). Arrangements of Simple Gifts has been sung at three US PresidentialInaugurations (1985, 1993 and 2009).



The Multi-level pieces were initially arranged in an AVersion. When that was completed, it was then simplified to form the BVersion. The B Version has thinner linesand allows more time for placing the fingers. The purpose is to permit harpistsof various playing levels to enjoy performing together.

In the key of D, the melody is divided evenly between parts. There are nopedal or lever changes. Dynamics are clearly marked. Shaker songs were quite sungoften in rounds.

You will receive the Score, Harp I, andHarp II.