A famous song by Hayedeh, composed by a legendary Persian musician Anoushirvan Rohani. Arranged for two guitars closer to rumba flamenco style. Notes & tabs for both guitars. Many oranmentations for the melody, how it must be) Enjoy!

Suite flamenca para piano n�2 (2017)
Consta de siete piezas originales de aire rom�ntico impregnado del estilo flamenco espa�ol.
Para piano solo, nivel intermedio / alto.
Aprox. 20 min de duraci�n.

Flamenco suite for piano n�2 (2017)
It consists of seven original pieces with a romantic air impregnated with the Spanish flamenco style.
For piano solo, intermediate / high level.
Aprox. 20 min of duration.

ISBN 9781513455532. 8.75x11.75 inches.

The acclaimed first volume of this exciting series gave extensive insights into basic techniques of flamenco guitar playing and the two important rhythmic forms (palos) of Solea and Alegrias. This second volume continues on with an exploration of further essential rhythmic palos. The first of these is the Bulerias. Juan Martin brings his many years of experience as an internationally renowned flamenco soloist and accompanist for singers and dancers to unravelling its mysteries, explaining and demonstrating very clearly the different elements of its rhythmic structure and the various ways it may be accented and counted. He uses traditional and more modern examples of the different kinds of rhythm and melodic passages (falsetas) to provide an invaluable understanding of this wonderful palo. The second rhythmic form is devoted to the popular flamenco Rumba, then Tangos, Tientos and that most profound of all the palos, the deeply moving Seguiriyas. Juan\'s solo playing is complemented by demonstrations of the guitar\'s role in accompanying the flamenco dance (baile) and song (cante) with the help of outstanding dancers Raquel de Luna and Miguel Infante and singers Amparo Heredia (La Repompilla) and Carlos Brias. The music for solo guitar is transcribed in standard notation and tablature (cifra) and the online video contain nearly three hours of explanation and demonstrations. The series is complemented by two other best-selling Juan Martin volumes published by Mel Bay. These provide progressively graded solo material to extend the repertoire, from beginner to concert level. Includes access to online video.

Complete PDF score, 21 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.
Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the sofware dynamically (I painstainkingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece.
(email me at teodorov[at]gmail.com for a quote).
Enjoy!

Complete PDF score, 12 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.
Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the sofware dynamically (I painstainkingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece. 2nd percussions track also available in the GP formats !
(email me at teodorov[at]gmail.com for a quote).
Enjoy!

Complete PDF score, 14 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.
Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the sofware dynamically (I painstainkingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece. GP formats include also percussions and 2nd guitar tracks!
(email me at teodorov[at]gmail.com for a quote).
Enjoy!

Eugen Sedko's bulerias falseta, advaced level. The video tutorial is present on youtube (sedkolessons).

Complete PDF score, 9 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.
Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the sofware dynamically (I painstainkingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece.
(email me at teodorov[at]gmail.com for a quote).
Enjoy!

Famous flamenco guitar composition from Paco De Lucia's repertoire arranged for two guitars by Eugen Sedko. Notes + tablature + fingering details.

Este segundo libro de estudios flamencos para piano sigue la estela del primer volumen, siendo una s�ntesis entre el pianismo virtuoso rom�ntico y las sonoridades y armon�as flamencas y espa�olas, "hablando" a trav�s del lenguaje flamenco y espa�ol para dar libertad a las dificultades t�picas del piano: octavas, arpegios, etc., pretendiendo crear un lenguaje propio, natural, adaptado al piano y a sus posibilidades. Se pueden considerar pues, 12 estudios de concierto, cada uno con su propia personalidad, su sonoridad particular y su car�cter diferenciado.
Nivel de dificultad alto.
40 min. aprox.


This second book of flamenco studies for piano follows the wake of the first volume, being a synthesis between romantic virtuoso pianism and flamenco and Spanish sounds and harmonies, "speaking" through the flamenco and Spanish language to give freedom to the typical difficulties of the piano: octaves, arpeggios, etc., trying to create its own natural language, adapted to the piano and its possibilities. Thus, 12 concert studios can be considered, each with its own personality, its particular sound and its differentiated character.High difficulty level.40 min. approx.

If the composition\'s heart has a romantic essence, then it embodies a flamenco soul. The beginning has a happy and vibrant nature, but is followed up by modal flourishes that passionately collide against rasgueados. As the piece progresses, the ideas continue to morph and cascade through different moods and gestures before the main theme is recapitulated.