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3 Parts upon a Ground
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3 Parts upon a Ground
3 treble recorders (violins) and piano (harpsichord, organ); bass ad libitum (bass recorde…
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3 treble recorders (violins) and piano (harpsichord, organ); bass ad libitum (bass recorder, bassoon, cello, viola da gamba) - Digital Download SKU: S9.Q5323 Chaconne. Composed by Henry Purcell. This edition: score and parts. Original Music for Recorder. Downloadable, Score and parts. Schott Music - Digital #Q5323. Published by Schott Music - Digital (S9.Q5323).
$12.99
12.07 €
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Henry Purcell
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3 Parts upon a Ground
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Schott Music - Digital
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SheetMusicPlus
O Come Let Us Adore Him (Venite Adoremus Dominum) (Medley) - Strings and Piano with parts included
Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.8017…
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Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.801702 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. 29 pages. Connie Boss #6427555. Published by Connie Boss (A0.801702). This is a medley of 3 Christmas Carols - In the Bleak Mid Winter (English), Gesu Bambino (Italian) and The Snow Lay on the Ground (Irish). Venite Adoremus means O Come Let Us Adore Him, Christ the Lord. I thought it sounded nice to have it in 5 part strings - taking turns between the high and low strings and then all together. - all parts are included in purchase. cdboss@cvalley.netLyrics Below: O Come Let Us Adore Him (Venite Adoremus, Dominum)  (Medley of In the Bleak Midwinter, Gesu Bambino and The Snow Lay on the Ground  In the bleak midwinter, frosty winds made moan Earth stood hard as iron, water like a stone Snow had fallen snow on snow, snow on snow. In the bleak midwinter, long, long, ago.  When blossoms flower amid the snow, upon a winter night Was born the Child, the Christmas Rose, The King of Love and Light.  Venite Adoremus, Dominum Venite Adoremus, Dominum  Twas Mary daughter pure of Holy Anne. That brought into this world the God made man She laid Him in a stall at Bethlehem. The ass and oxen shared the roof with Him.  Again the heart with rapture glows, to greet the Holy night. That gave the world it’s Christmas Rose, it’s King of Love and Light  Venite Adoremus, Dominum Venite Adoremus, Dominum  And thus that manger poor became a throne, for He whom Mary bore was God the Son O come then let us join the heav’nly host to praise the Father, Son and Holy Ghost  O come let us adore Him, Christ the Lord O come let us adore Him, Christ the Lord  O come let us adore Him, Christ the Lord Venite Adoremus, Dominum!
$5.50
5.11 €
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Unknown
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Connie Boss
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O Come Let Us Adore Him
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Connie Boss
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SheetMusicPlus
Carson Cooman: Sinfonia Concertante for solo violin and string orchestra, score and parts
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.533278 Composed by Carson Coo…
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String Orchestra - Level 3 - Digital Download SKU: A0.533278 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 58 pages. Musik Fabrik Music Publishing #2329759. Published by Musik Fabrik Music Publishing (A0.533278). I. EstampieII. AriaIII. Echo Gigue (and Cadenza)IV. Ground (in memoriam Lee Hoiby)V. Estampie da capoSinfonia Concertante (2011) for solo violin and string orchestra is dedicated to Walter Simmons andRonnie Halperin. The five movements of the work draw primarily upon stylistic elements of Medievaland Renaissance music, though viewed within a contemporary context. The title “Sinfonia†is used inone of its 17th century senses: a small collection of modest instrumental movements. This item contains the score, the solo part and orchestral parts for 43321. The score plus the solo part only is sold as another item
$39.95
37.14 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman: Sinfonia Concertante for solo violin and string orchestra, score and parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
O Come Let Us Adore Him (Venite Adoremus Dominum) (Medley) - SATB flute, or violin or cello and Pian
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801666 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801666 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 11 pages. Connie Boss #6383925. Published by Connie Boss (A0.801666). This is a medley of 3 Christmas Carols - In the Bleak Mid Winter (English), Gesu Bambino (Italian) and The Snow Lay on the Ground (Irish). Venite Adoremus means O Come Let Us Adore Him, Christ the Lord. I thought it sounded nice to have it in SATB parts - taking turns between the high and low voices and then all together. This also includes a part for choice of flute, violin or cello to play along - all are included in purchase. cdboss@cvalley.netLyrics Below:O Come Let Us Adore Him(Venite Adoremus, Dominum) (Medley of In the Bleak Midwinter, Gesu Bambino and The Snow Lay on the Ground In the bleak midwinter, frosty winds made moanEarth stood hard as iron, water like a stoneSnow had fallen snow on snow, snow on snow.In the bleak midwinter, long, long, ago. When blossoms flower amid the snow, upon a winter nightWas born the Child, the Christmas Rose, The King of Love and Light. Venite Adoremus, DominumVenite Adoremus, Dominum Twas Mary daughter pure of Holy Anne. That brought into this world the God made manShe laid Him in a stall at Bethlehem. The ass and oxen shared the roof with Him. Again the heart with rapture glows, to greet the Holy night.That gave the world it’s Christmas Rose, it’s King of Love and Light Venite Adoremus, DominumVenite Adoremus, Dominum And thus that manger poor became a throne, for He whom Mary bore was God the SonO come then let us join the heav’nly host to praise the Father, Son and Holy Ghost O come let us adore Him, Christ the LordO come let us adore Him, Christ the Lord O come let us adore Him, Christ the LordVenite Adoremus, Dominum!
$5.50
5.11 €
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Unknown
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Connie Boss
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O Come Let Us Adore Him
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Connie Boss
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SheetMusicPlus
O Come Let Us Adore Him, Christ the Lord (Venite Adoremus Dominum) (Medley) - SATB and Piano
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801665 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801665 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 9 pages. Connie Boss #6383851. Published by Connie Boss (A0.801665). This is a medley of 3 Christmas Carols - In the Bleak Mid Winter (English), Gesu Bambino (Italian) and The Snow Lay on the Ground (Irish). Venite Adoremus means O Come Let Us Adore Him, Christ the Lord. I thought it sounded nice to have it in SATB parts - taking turns between the high and low voices and then all together. cdboss@cvalley.netLyrics Below:O Come Let Us Adore Him (Venite Adoremus, Dominum)  (Medley of In the Bleak Midwinter, Gesu Bambino and The Snow Lay on the Ground  In the bleak midwinter, frosty winds made moan Earth stood hard as iron, water like a stone Snow had fallen snow on snow, snow on snow. In the bleak midwinter, long, long, ago.  When blossoms flower amid the snow, upon a winter night Was born the Child, the Christmas Rose, The King of Love and Light.  Venite Adoremus, Dominum Venite Adoremus, Dominum  Twas Mary daughter pure of Holy Anne. That brought into this world the God made man She laid Him in a stall at Bethlehem. The ass and oxen shared the roof with Him.  Again the heart with rapture glows, to greet the Holy night. That gave the world it’s Christmas Rose, it’s King of Love and Light  Venite Adoremus, Dominum Venite Adoremus, Dominum  And thus that manger poor became a throne, for He whom Mary bore was God the Son O come then let us join the heav’nly host to praise the Father, Son and Holy Ghost  O come let us adore Him, Christ the Lord O come let us adore Him, Christ the Lord  O come let us adore Him, Christ the Lord Venite Adoremus, Dominum! Â
$5.50
5.11 €
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Unknown
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Connie Boss
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O Come Let Us Adore Him, Christ the Lord
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Connie Boss
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SheetMusicPlus
Daybreak
Orchestre d'harmonie
Concert band - Grade 3 - Digital Download SKU: IZ.CBS1512 Composed by Jeff Frost. S…
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Concert band - Grade 3 - Digital Download SKU: IZ.CBS1512 Composed by Jeff Frost. Score and Parts. 69 pages. Imagine Music - Digital #CBS1512. Published by Imagine Music - Digital (IZ.CBS1512). 9 x 12 in inches.When I was growing up, I used to like watching the sun peek over the horizon. My room faced east so I could watch the sun rise and see how it would change positions in the sky throughout the seasons. I still like to watch the sunriseand see the sun peek through the clouds, sometimes evening hiding behind the clouds and have some rain before the sun shines fully upon the ground. My favorite time is watching the sunrise in the spring, just after a soft spring rain. The dark gloomy sky starts to appear light as the sun shines through the clouds as the dark sky slowly gives way to the warm spring sun.
$60.00
55.77 €
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Orchestre d'harmonie
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Jeff Frost
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Daybreak
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Imagine Music - Digital
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.63 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Interm…
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Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 52 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet.<br> <br> Sonata Op. 49 No. 2<br> Arranged from Beethoven’s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement “Allegro ma non troppo” and the second movement“Tempo di Menuetto” are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named “Easy Sonatas” because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike.<br> <br> BeethovenBackground<br> Ludwig vanBeethoven (1770 –1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio.<br> <br> Beethoven Overview<br> First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That’s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period.<br> <br> First Period<br> Seems like we often divideBeethoven’s life into three periods. Period 1 begins with Beethoven’s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13.<br> <br> Second Period<br> His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3– 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio.<br> <br> Third Period<br> In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano.
$49.95
46.43 €
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Quatuor de Flûtes : 4 flûtes
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
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SheetMusicPlus
The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonz…
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
18.59 €
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Orchestre à Cordes
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
Variations on Gilderoy for Oboe and Guitar
Hautbois, Guitare (duo)
Guitar,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1448120 Composed…
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Guitar,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1448120 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 8 pages. David Warin Solomons #1028059. Published by David Warin Solomons (A0.1448120). Based on the old Scottish ballad Gilderoy, about a handsome highwayman who was eventually betrayed by his mistress.The last, the dreaded hour is come,That bears my love from me:I hear the dead note of the drum,I mark the fatal tree.The bell has toll'd; it shakes my heart;The trumpet speaks thy name:And must my Gilderoy depart,To bear a death of shame!No bosom trembles for thy doom;No mourner wipes a tear;The gallows' foot is all they tomb,The sledge is all thy bier.Oh Gilderoy! I bethought we thenSo soon, so sad to part,When first in Roslin's lovely glenYou triumph'd o'er my heart?Your locks they glitter'd to the sheen,Your hunter garb was trim;And graceful was the ribbon green,That bound your many limb!Ah! little thought I to deploreThose limbs in fetters bound;Or hear, upon the scaffold floor,The midnight hammer sound.Ye cruel, cruel, that combinedThe guiltless to pursue;My Gilderoy was ever kind,He could not injure you!A long adieu! but where shall flyThy widow all forlorn,When ev'ry mean and cruel eyeRegards my wo with scorn?Yes! they will mock thy widow's tears,And hate thine orphan boy;Alas! his infant beauty wearsThe form of Gilderoy.Then will I seek the dreary moundThat wraps thy mouldering clay,And weep and linger on the ground,And sigh my heart away.The pdf file contains score and parts.
$5.00
4.65 €
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Hautbois, Guitare (duo)
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Traditional
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David Warin Solomons
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it shakes my heart
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Variations on Gilderoy for Oboe and Guitar
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David Warin Solomons
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SheetMusicPlus
Variations on Gilderoy for oboe and piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1449196 Composed by Traditional. Ar…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1449196 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. Score and part. 6 pages. David Warin Solomons #1029016. Published by David Warin Solomons (A0.1449196). Based on the old Scottish ballad Gilderoy, about a handsome highwayman who was eventually betrayed by his mistress.The last, the dreaded hour is come,That bears my love from me:I hear the dead note of the drum,I mark the fatal tree.The bell has toll'd; it shakes my heart;The trumpet speaks thy name:And must my Gilderoy depart,To bear a death of shame!No bosom trembles for thy doom;No mourner wipes a tear;The gallows' foot is all they tomb,The sledge is all thy bier.Oh Gilderoy! I bethought we thenSo soon, so sad to part,When first in Roslin's lovely glenYou triumph'd o'er my heart?Your locks they glitter'd to the sheen,Your hunter garb was trim;And graceful was the ribbon green,That bound your many limb!Ah! little thought I to deploreThose limbs in fetters bound;Or hear, upon the scaffold floor,The midnight hammer sound.Ye cruel, cruel, that combinedThe guiltless to pursue;My Gilderoy was ever kind,He could not injure you!A long adieu! but where shall flyThy widow all forlorn,When ev'ry mean and cruel eyeRegards my wo with scorn?Yes! they will mock thy widow's tears,And hate thine orphan boy;Alas! his infant beauty wearsThe form of Gilderoy.Then will I seek the dreary moundThat wraps thy mouldering clay,And weep and linger on the ground,And sigh my heart away.The pdf file contains score and parts.
$5.00
4.65 €
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Hautbois, Piano (duo)
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Traditional
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David Warin Solomons
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it shakes my heart
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Variations on Gilderoy for oboe and piano
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David Warin Solomons
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SheetMusicPlus
Gilderoy for cello and guitar
Violoncelle , Guitare (duo)
Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1434759 Compose…
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Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1434759 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 8 pages. David Warin Solomons #1014890. Published by David Warin Solomons (A0.1434759). Based on the old Scottish ballad Gilderoy, about a handsome highwayman who was eventually betrayed by his mistress.The pdf contains score and partsThe last, the dreaded hour is come,That bears my love from me:I hear the dead note of the drum,I mark the fatal tree.The bell has toll'd; it shakes my heart;The trumpet speaks thy name:And must my Gilderoy depart,To bear a death of shame!No bosom trembles for thy doom;No mourner wipes a tear;The gallows' foot is all they tomb,The sledge is all thy bier.Oh Gilderoy! I bethought we thenSo soon, so sad to part,When first in Roslin's lovely glenYou triumph'd o'er my heart?Your locks they glitter'd to the sheen,Your hunter garb was trim;And graceful was the ribbon green,That bound your many limb!Ah! little thought I to deploreThose limbs in fetters bound;Or hear, upon the scaffold floor,The midnight hammer sound.Ye cruel, cruel, that combinedThe guiltless to pursue;My Gilderoy was ever kind,He could not injure you!A long adieu! but where shall flyThy widow all forlorn,When ev'ry mean and cruel eyeRegards my wo with scorn?Yes! they will mock thy widow's tears,And hate thine orphan boy;Alas! his infant beauty wearsThe form of Gilderoy.Then will I seek the dreary moundThat wraps thy mouldering clay,And weep and linger on the ground,And sigh my heart away.
$5.00
4.65 €
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Violoncelle , Guitare (duo)
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Traditional
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David Warin Solomons
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it shakes my heart
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Gilderoy for cello and guitar
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David Warin Solomons
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SheetMusicPlus
Carson Cooman: Sinfonia Concertante for solo violin and string orchestra: score plus solo part only
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.533279 Composed by Carson Cooman. …
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Violin Solo - Level 3 - Digital Download SKU: A0.533279 Composed by Carson Cooman. Contemporary,Standards. 33 pages. Musik Fabrik Music Publishing #2329761. Published by Musik Fabrik Music Publishing (A0.533279). I. EstampieII. AriaIII. Echo Gigue (and Cadenza)IV. Ground (in memoriam Lee Hoiby)V. Estampie da capoSinfonia Concertante (2011) for solo violin and string orchestra is dedicated to Walter Simmons andRonnie Halperin. The five movements of the work draw primarily upon stylistic elements of Medievaland Renaissance music, though viewed within a contemporary context. The title “Sinfonia†is used inone of its 17th century senses: a small collection of modest instrumental movements. This item contains the score and the solo part. The score, the solo part and orchestral parts for 43321 is sold as a seperate item
$16.95
15.76 €
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Violon
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Carson Cooman
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the solo part
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Carson Cooman: Sinfonia Concertante for solo violin and string orchestra: score plus solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman - Concerto in modo antico (2011) for recorder (soprano or tenor) and strings, full sco
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.775953 Composed by Carson Coo…
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String Orchestra - Level 3 - Digital Download SKU: A0.775953 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 27 pages. Musik Fabrik Music Publishing #2033577. Published by Musik Fabrik Music Publishing (A0.775953). Concerto in modo antico (2011) for recorder and strings was commissioned by and is dedicated to recorderist John Turner. The five movements of the work draw upon stylistic elements of Medieval and Renaissance music. I. Estampie II. Aria III. Echo Gigue IV. Ground (in memoriam Lee Hoiby) V. Estampie da capo Orchestra details: A small string orchestra is suggested. String quintet may be used if necessary (although the first violin part in the second movement will be nearly entirely double stops). Though it is not preferred, the recorder may be discretely amplified if necessary, particularly if using a large string orchestra. A piano reduction is provided primarily for rehearsal purposes. If absolutely necessary, the work may be performed in concert with piano, although the string scoring is vastly preferred.
$16.85
15.66 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman - Concerto in modo antico
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman : Concerto in modo antico (2011) for recorder (soprano or tenor) and strings, score, s
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.775954 Composed by Carson Coo…
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String Orchestra - Level 3 - Digital Download SKU: A0.775954 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 52 pages. Musik Fabrik Music Publishing #2033579. Published by Musik Fabrik Music Publishing (A0.775954). Concerto in modo antico (2011) for recorder and strings was commissioned by and is dedicated to recorderist John Turner. The five movements of the work draw upon stylistic elements of Medieval and Renaissance music. I. Estampie II. Aria III. Echo Gigue IV. Ground (in memoriam Lee Hoiby) V. Estampie da capo Orchestra details: A small string orchestra is suggested. String quintet may be used if necessary (although the first violin part in the second movement will be nearly entirely double stops). Though it is not preferred, the recorder may be discretely amplified if necessary, particularly if using a large string orchestra.
$38.95
36.21 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman : Concerto in modo antico
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Musik Fabrik Music Publishing
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SheetMusicPlus
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