English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
288
Partitions
Numériques
714
Librairie
Musicale
1 102
Matériel
de Musique
19
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
130
PIANO & CLAVIERS
Piano seul
43
Piano Facile
3
Piano, Voix
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Instruments en Do
1
1 Piano, 4 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
14
Piano, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
4 Guitares (Quatuor)
1
VOIX
Chorale SATB
8
Chorale 2 parties
1
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Saxophone Alto et Piano
17
Flûte traversière et Piano
6
Clarinette
6
Flûte, Hautbois, Clarinette, Basson
5
Quintette de Saxophone: 5 saxophones
5
Quatuor de Saxophones: 4 saxophones
5
Hautbois, Piano (duo)
5
2 Saxophones (duo)
4
3 Saxophones (trio)
4
Saxophone Tenor et Piano
4
Saxophone Soprano et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette et Piano
4
Saxophone Alto
3
3 Clarinettes (trio)
3
2 Clarinettes (duo)
3
Saxophone Baryton, Piano
3
2 Flûtes traversières (duo)
3
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette Basse, Piano
2
Ensemble de Clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte traversière
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette, Violon (trio)
1
Cor anglais et Harpe (duo)
1
Hautbois (partie séparée)
1
Hautbois, Basson (duo)
1
Trio de Flûtes: 3 flûtes
1
Cor anglais, Piano
1
Clarinette (partie séparée)
1
Ensemble de saxophones
1
Ensemble de Hautbois
1
Flûte à Bec
1
Quatuor de Flûtes à bec
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
4
Euphonium, Piano (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trombone
2
Trompette
2
Cor et Piano
1
Cor anglais et Harpe (duo)
1
2 Trombones (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais, Piano
1
2 Cors (duo)
1
2 Euphoniums (duo)
1
Trompette, Piano
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violon et Piano
9
Trio à Cordes: violon, alto, violoncelle
7
Alto, Piano
7
Violoncelle, Piano
6
2 Altos (duo)
4
Violon (partie séparée)
3
2 Violoncelles (duo)
3
Violoncelle (partie séparée)
3
Harpe, Flûte (duo)
2
Violon
2
Violon, Violoncelle (duo)
2
Trio à cordes: 3 violins
1
Flûte, Contrebasse (duo)
1
2 Violons (duo)
1
4 Violoncelles
1
Contrebasse (partie séparée)
1
Violoncelle, Basse continue
1
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
141
Orchestre
65
Orchestre de chambre
28
Orchestre d'harmonie
27
Ensemble de Percussions
3
Ensemble de cuivres
2
Cloches
1
Ensemble d'École
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
3 Pieces for Orchestra
Partitions à imprimer
714 partitions trouvées
<
1
26
51
....
701
5 Famous Songs by Bach for Bassoon Trio
3 Bassons
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1138514
(+)
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1138514 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738854. Published by Woods Only, Arrangements (A0.1138514). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for bassoon trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
22.1 €
#
3 Bassons
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Bassoon Trio
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Flute Trio
Trio de Flûtes: 3 flûtes
Woodwind Ensemble,Woodwind Trio Flute - Level 2 - Digital Download SKU: A0.1138510 …
(+)
Woodwind Ensemble,Woodwind Trio Flute - Level 2 - Digital Download SKU: A0.1138510 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Early Music,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738850. Published by Woods Only, Arrangements (A0.1138510). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for flute trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
22.1 €
#
Trio de Flûtes: 3 flûtes
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Flute Trio
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Clarinet Trio
3 Clarinettes (trio)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.1138513
(+)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.1138513 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738853. Published by Woods Only, Arrangements (A0.1138513). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
22.1 €
#
3 Clarinettes (trio)
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Clarinet Trio
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Alto Sax Trio
3 Saxophones (trio)
Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.11…
(+)
Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1138515 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738855. Published by Woods Only, Arrangements (A0.1138515). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto saxophone trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
22.1 €
#
3 Saxophones (trio)
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Alto Sax Trio
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Baritone Sax Trio
3 Saxophones (trio)
Saxophone Trio,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A…
(+)
Saxophone Trio,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1138517 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738858. Published by Woods Only, Arrangements (A0.1138517). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone saxophone trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
22.1 €
#
3 Saxophones (trio)
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Baritone Sax Trio
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Tenor Sax Trio
3 Saxophones (trio)
Saxophone Trio,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1…
(+)
Saxophone Trio,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1138516 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738857. Published by Woods Only, Arrangements (A0.1138516). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor saxophone trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
22.1 €
#
3 Saxophones (trio)
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Tenor Sax Trio
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Saxophone Trio
3 Saxophones (trio)
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level…
(+)
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1138518 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738859. Published by Woods Only, Arrangements (A0.1138518). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
22.1 €
#
3 Saxophones (trio)
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Saxophone Trio
#
Woods Only, Arrangements
#
SheetMusicPlus
3 Pieces for Orchestra
Orchestre
Orchestra - Digital Download SKU: S9.Q54206 Based on a piano music by Karl Amade…
(+)
Orchestra - Digital Download SKU: S9.Q54206 Based on a piano music by Karl Amadeus Hartmann. Composed by Hans Werner Henze and Karl Amadeus Hartmann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q54206. Published by Schott Music - Digital (S9.Q54206). These are free arrangements of three movements from Hartmann’s Piano Sonata ‘27. April 1945.’ Hartmann wrote the Sonata after witnessing endless columns of emaciated prisoners leaving the Dachau concentration camp. The music contains quotes from Jewish folk tunes and from revolutionary songs of the International Worker’s Movement. It is a declaration of pity and outrage and of solidarity with the victims of Nazi Fascism. (from: Hans Werner Henze, Ein Werkverzeichnis 1946-96 [ED 8579])3 (2. auch Picc., 3. auch Picc. u. Altfl.) · 2 · Engl. Hr. · 2 · Bassklar. · Heckelphon · Altsax. (auch Tenorsax.) · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (hg. Beck. · 3 Tamt. [h./m./t.] · Tomt. · kl. Tr. [mit Schnarrs.] · gr. Tr. · gr. Tr. [mit Beck.] · Fingerzimb. · Röhrengl. · Glsp. · Vibr. · Marimba) (2 Spieler) - Hfe. · Cel. · Klav. - Str.
$30.99
28.54 €
#
Orchestre
#
Hans Werner Henze and Karl Amadeus Hartmann
#
3 Pieces for Orchestra
#
Schott Music - Digital
#
SheetMusicPlus
Sinfonietta No.1 (Transformations) for Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1021047 Composed by Scott Markl…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1021047 Composed by Scott Markle. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 122 pages. MarcoPolo Press #5755357. Published by MarcoPolo Press (A0.1021047). Sinfonietta No.1 (Transformations) is an intermediate orchestral pieces in four movements that is almost 10 minutes (9:53) long. It is called a sinfonietta because, while it has the elements of a full symphony, it is shorter. The entire piece is based on the motif in the first bar of the first movement, and that motif get transformed (hence the subtitle Transformations) in many different ways. It is like how a person changes in various situations and in various stages of their life. The first movement (Allegretto) is in sonata form, the second (Andante Adagio) is in a quasi ABA form, the third (Scherzoish) is a Baroque-like quasi scherzo and trio with a modified scherzo at the end, and the fourth (Theme & Variations) is a theme with 3 variations, but elements of the first 3 movements are repeated at the end. .
$40.00
36.84 €
#
Orchestre
#
Scott Markle
#
Sinfonietta No.1
#
MarcoPolo Press
#
SheetMusicPlus
Coventry Carol for Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.979772 Composed by Anon. Arrang…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.979772 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Score and Parts. 44 pages. Monkspath Music #6079181. Published by Monkspath Music (A0.979772). The Coventry Carol originates from a medieval mystery play entitled The Pageant of the Shearmen and Tailors. The play depicts the Christmas story, from the Annunciation (where the Angel Gabriel appears to Mary), to the Massacre of the Innocents (where King Herod of Judea orders the death of all male infants near Bethlehem under the age of two). It is this tale that the Coventry Carol depicts, taking the form of a lullaby sung by the mothers of the murdered children. As is appropriate, the music is in a minor key – this arrangement uses G minor and D minor as a homage to well-known harmonisations by Thomas Sharp and Henry Walford Davies. It is unknown when the words were first set to music, but a proposed date is 1591, or earlier! Other interesting musical features include the use of a ‘Picardy third’, and ‘false relations’, contributing to the haunting quality of this enduring piece, both in the heart of the English Midlands, and further afield. This arrangement is suitable for all orchestras of beginner-intermediate ability or higher. There is plenty of interest for both experienced players, and for newcomers. The instrumentation is designed to facilitate both a full sound, but also for flexibility, which is often desired by school, youth, and amateur orchestras. For further pieces, view the Monkspath Music catalogue and click here!
$39.99
36.83 €
#
Orchestre
#
Anon
#
Robert Luke Thompson
#
Coventry Carol for Orchestra
#
Monkspath Music
#
SheetMusicPlus
14 Easy Pieces for String Orchestra
Orchestre à Cordes
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - Digital Download SKU: S9.Q6628 Com…
(+)
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - Digital Download SKU: S9.Q6628 Composed by Harald Genzmer. This edition: score. Concertino. Erstausgabe von leichten Stücken für die Arbeit mit Schul-, Jugend- und Liebhaberorchestern. Die Stücke können auch einzeln gespielt oder zu kleinen Suiten zusammengestellt werden. Downloadable, Score. Duration 24' 50. Schott Music - Digital #Q6628. Published by Schott Music - Digital (S9.Q6628). Harald Genzmer has done a great deal for the promotion of young musical talent, and no doubt many a string instrument player can recall from their school orchestra days when his Sinfonietta was on the programme. But this highly prominent Hindemith pupil has written yet more of this educational music: all in all 3 sinfoniettas, in addition to collections of easy movements such as '14 Easy Pieces for String Orchestra' from 2002 which is also suitable for a Streicherschule. The individual movements involve specific styles and demands: cantabile playing, unusual and changing time signatures, bowing, pizzicato, intonation, scale playing, and so forth. The use of a double-bass is ad libitum. The pieces can be played separately or as little suites and are ideal for school and amateur orchestras; and regardless of it's educational nature, this music is lively and fun to play!
$22.99
21.18 €
#
Orchestre à Cordes
#
Harald Genzmer
#
14 Easy Pieces for String Orchestra
#
Schott Music - Digital
#
SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.61 €
#
Orchestre de chambre
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (187…
(+)
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes<br> <br> Sergei Rachmaninoff’s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.<br> <br> <br> <br> Instrumentation<br> <br> 2 Flutes<br> <br> 2 Oboes<br> <br> 2 Clarinets (B flat)<br> <br> 2 Bassoons<br> <br> 4 Horns (F)<br> <br> 3 Trumpets (B flat)<br> <br> 2 Trombones<br> <br> 1 Bass Trombone<br> <br> 1 Tuba<br> <br> Timpani<br> <br> Snare Drum<br> <br> Tambourine<br> <br> Harp (substitute piano ifnecessary)<br> <br> Violins I and II<br> <br> Viola<br> <br> Violincello<br> <br> Double Bass
$19.99
18.41 €
#
Orchestre
#
Sergei Rachmaninoff
#
Michael Barrera
#
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra
#
Michael Barrera
#
SheetMusicPlus
Trilogy Pets: Puppy, Kitten, Little Mouse (for a Variety Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.979596 Composed by Nikolay Rozh…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.979596 Composed by Nikolay Rozhko. Children,Jazz,World. Score and parts. 44 pages. Mykola Rozhko #482667. Published by Mykola Rozhko (A0.979596). The Trilogy Pets consists of 3 pieces: Puppy (leading instrument - clarinet), Kitten (leading instrument - flute), Little Mouse (leading instrument - piano) - accompanied by a variety orchestra of 20-30 performers. Duration of work: appr. 4 min. Difficulty: advanced intermediate. Scores for the following groups of instruments: 2 flutes, 2 clarinets, 2 alto sax, 1 tenor sax, 2 trumpets, 1 trombone, 1 drum set, 1 guitar, 1 bass guitar, 1 piano, 2 violins, 2 cellos. Contact Information: Nikolay Rozhko, info.fortamusic@gmail.com.
$9.99
9.2 €
#
Orchestre
#
Nikolay Rozhko
#
Trilogy Pets: Puppy, Kitten, Little Mouse
#
Mykola Rozhko
#
SheetMusicPlus
MORCEAUX en forme d'une POIRE (PEAR-SHAPED PIECES) Harp and Strings
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1146683 Composed by Erik Sati…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1146683 Composed by Erik Satie. Arranged by Alan Edgar. 20th Century. Score and parts. 42 pages. Alan Edgar Ted Moon #746921. Published by Alan Edgar Ted Moon (A0.1146683). A charming and quirky suite of three movements from the original seven, for solo concert harp with string orchestra. Debussy criticised Satie's music for lack of form--there is a story that Satie showed these pieces to Debussy who asked, ‘Why such a title?’ He replied Because you cannot criticize my Three Pieces in the shape of a Pear. If they are in the form of a pear they cannot be shapeless. Poire had the slang meanings of fool and spinning top--Satie is famous for playing the fool --he said Take my ... Morceaux en Forme d’une Poire... it is evident that musical ideas played no part whatsoever in their composition. First performed by Anita Aslin with Hessle Sinfonia, Alan Edgar conducting.
$24.00
22.11 €
#
Orchestre à Cordes
#
Erik Satie
#
Alan Edgar
#
MORCEAUX en forme d'une POIRE
#
Alan Edgar Ted Moon
#
SheetMusicPlus
Allemande for First Position String Orchestra
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.862525 Composed by Michael Bomier. Baro…
(+)
String Orchestra - Digital Download SKU: A0.862525 Composed by Michael Bomier. Baroque,Contemporary,Instructional,Sacred,Standards. Score and parts. 11 pages. Michael Butkus-Bomier #2032899. Published by Michael Butkus-Bomier (A0.862525). The Allemande was a German dance form used in many Baroque Era suites. Its characteristic rhythm was the dotted-eighth-sixteenth figure, which is used throughout this piece. The real substance of this composition is not the dance form, however, but the strict and highly evocative use of the ascending and descending forms of the melodic minor scale. Since this was such a Baroque Era staple, I felt the piece had to use Baroque forms, techniques and structures as well. So, the key is D minor. C and Bb going down, B and C# going up. No accidentals but these were used. D minor is not the happiest of keys, and accordingly the mood here is somber. The orchestral texture is NOT rich and lush, like other pieces in the series, but is thinner and more contrapuntally transparent. There are three internal cadences before the ending sequence. Suspensions, voice leading, and dissonances are all treated in a standard Baroque fashion. Bowings by string pedagogue Lori Sandell Lacey. Running time is approx 3 mins 30 secs.at suggested tempo. The piece could certainly go faster if your group can handle it. Each part is but a single page, for easy management of music in rehearsal and performance. MBB.
$20.00
18.42 €
#
Orchestre à Cordes
#
Michael Bomier
#
Allemande for First Position String Orchestra
#
Michael Butkus-Bomier
#
SheetMusicPlus
CHINESE RHAPSODY No.3 For Saxophone and Full Orchestra, Op.46(1988) [score】 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1049004 Composed by An-lun Huan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1049004 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 61 pages. DoReMi Edition #653398. Published by DoReMi Edition (A0.1049004). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99
18.41 €
#
Orchestre
#
An-lun Huang
#
CHINESE RHAPSODY No.3 For Saxophone and Full Orchestra, Op.46(1988) [score】 - Score Only
#
DoReMi Edition
#
SheetMusicPlus
CHINESE RHAPSODY No.3 For Saxophone with String Orchestra, Op.46(1988) (SCORE) - Score Only
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1049001 Composed by An-lun Hu…
(+)
String Orchestra - Level 5 - Digital Download SKU: A0.1049001 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 32 pages. DoReMi Edition #653394. Published by DoReMi Edition (A0.1049001). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99
18.41 €
#
Orchestre à Cordes
#
An-lun Huang
#
CHINESE RHAPSODY No.3 For Saxophone with String Orchestra, Op.46(1988)
#
DoReMi Edition
#
SheetMusicPlus
CHINESE RHAPSODY No.3 For Saxophone and String Orchestra, Op.46(1988) [parts]
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1049151 Composed by An-lun Hu…
(+)
String Orchestra - Level 5 - Digital Download SKU: A0.1049151 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 57 pages. DoReMi Edition #653546. Published by DoReMi Edition (A0.1049151). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$300.00
276.32 €
#
Orchestre à Cordes
#
An-lun Huang
#
CHINESE RHAPSODY No.3 For Saxophone and String Orchestra, Op.46(1988) [parts]
#
DoReMi Edition
#
SheetMusicPlus
CHINESE RHAPSODY No.3 For Saxophone and FULL Orchestra,Op.46(1988) [All parts]
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1049005 Composed by An-lun Huan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1049005 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 339 pages. DoReMi Edition #653399. Published by DoReMi Edition (A0.1049005). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$300.00
276.32 €
#
Orchestre
#
An-lun Huang
#
CHINESE RHAPSODY No.3 For Saxophone and FULL Orchestra,Op.46(1988) [All parts]
#
DoReMi Edition
#
SheetMusicPlus
Classics for Contest: 2nd Violin
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0014606_VN2 2nd Violin. Ar…
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0014606_VN2 2nd Violin. Arranged by Richard Meyer. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014606_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014606_VN2). UPC: 038081376158.Stretch your performance music budget further with a collection of pieces for the price of one! The Alfred and Belwin Signature Performance Series combine several best-selling pieces by our popular composers and arrangers into one set of score and parts. Made for young bands and orchestras, each set contains full-length pieces that can be used together in one concert or separately, with themes such as classic popular Christmas, movies, international, pop, and Classics appropriate for Contest. Also available for choir and handbell choir. Enjoy quality music at a great value price! This collection includes classic pieces for festivals, contests, and concerts. Titles: Overture from The Royal Fireworks Music * Hunter's Chorus from Der Freischutz * Can-Can.Concert/Contest.
$5.99
5.52 €
#
Orchestre à Cordes
#
Richard Meyer
#
Classics for Contest: 2nd Violin
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Classics for Contest: Cello
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0014606_VC1 Cello. Arrange…
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0014606_VC1 Cello. Arranged by Richard Meyer. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014606_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014606_VC1). UPC: 038081376158.Stretch your performance music budget further with a collection of pieces for the price of one! The Alfred and Belwin Signature Performance Series combine several best-selling pieces by our popular composers and arrangers into one set of score and parts. Made for young bands and orchestras, each set contains full-length pieces that can be used together in one concert or separately, with themes such as classic popular Christmas, movies, international, pop, and Classics appropriate for Contest. Also available for choir and handbell choir. Enjoy quality music at a great value price! This collection includes classic pieces for festivals, contests, and concerts. Titles: Overture from The Royal Fireworks Music * Hunter's Chorus from Der Freischutz * Can-Can.Concert/Contest.
$5.99
5.52 €
#
Orchestre à Cordes
#
Richard Meyer
#
Classics for Contest: Cello
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Classics for Contest: 3rd Violin (Viola [TC])
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0014606_VN3 3rd Violin (Viola …
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0014606_VN3 3rd Violin (Viola [TC]). Arranged by Richard Meyer. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014606_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014606_VN3). UPC: 038081376158.Stretch your performance music budget further with a collection of pieces for the price of one! The Alfred and Belwin Signature Performance Series combine several best-selling pieces by our popular composers and arrangers into one set of score and parts. Made for young bands and orchestras, each set contains full-length pieces that can be used together in one concert or separately, with themes such as classic popular Christmas, movies, international, pop, and Classics appropriate for Contest. Also available for choir and handbell choir. Enjoy quality music at a great value price! This collection includes classic pieces for festivals, contests, and concerts. Titles: Overture from The Royal Fireworks Music * Hunter's Chorus from Der Freischutz * Can-Can.Concert/Contest.
$5.99
5.52 €
#
Orchestre à Cordes
#
Richard Meyer
#
Classics for Contest: 3rd Violin
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Classics for Contest: String Bass
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0014606_SB String Bass. Ar…
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0014606_SB String Bass. Arranged by Richard Meyer. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014606_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014606_SB). UPC: 038081376158.Stretch your performance music budget further with a collection of pieces for the price of one! The Alfred and Belwin Signature Performance Series combine several best-selling pieces by our popular composers and arrangers into one set of score and parts. Made for young bands and orchestras, each set contains full-length pieces that can be used together in one concert or separately, with themes such as classic popular Christmas, movies, international, pop, and Classics appropriate for Contest. Also available for choir and handbell choir. Enjoy quality music at a great value price! This collection includes classic pieces for festivals, contests, and concerts. Titles: Overture from The Royal Fireworks Music * Hunter's Chorus from Der Freischutz * Can-Can.Concert/Contest.
$5.99
5.52 €
#
Orchestre à Cordes
#
Richard Meyer
#
Classics for Contest: String Bass
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
<
1
26
51
....
701
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
