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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
3 Plain Pieces
Non classifié
29
Piano & claviers
Piano seul
13
Orgue
5
Piano, Voix et Guitare
2
2 Pianos, 8 mains
1
Piano, Voix
1
Piano Facile
1
+ 1 instrumentations
Retracter
Guitares
Guitare
3
Voix
Chorale SATB
5
Chorale 3 parties
3
Vents
Quintette de Saxophone: 5 saxophones
6
Flûte à bec Soprano
4
Flûte traversière
3
Ensemble de Flûtes
3
Quintette de Flûte : 5 flûtes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte et Guitare
1
Flûte, Clarinette, Violon (trio)
1
2 Saxophones (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Clarinette, Basson (duo)
1
Ensemble de Clarinettes
1
2 Clarinettes (duo)
1
Trio de Flûtes: 3 flûtes
1
Ensemble de saxophones
1
+ 10 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Ensemble de Trompettes
2
Ensemble de Trombones
2
Trombone
2
2 Trompettes (duo)
1
Trombone, Tuba (duo)
1
Cor, Trompette, Trombone (trio)
1
+ 2 instrumentations
Retracter
Cordes
Violon
3
Ensemble de Violons
2
Trio à Cordes: violon, alto, violoncelle
2
Violon et Piano
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Alto seul
1
2 Violoncelles (duo)
1
Violon, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Violoncelle, Piano
1
Contre Basse
1
+ 6 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
2
Orchestre d'harmonie
1
Ensemble de cuivres
1
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
3 Plain Pieces
Partitions à imprimer
130 partitions trouvées
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126
3 Plain Pieces
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Piano seul
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Paul Burnell
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3 Plain Pieces
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Paul Burnell
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SheetMusicPlus
Piano Solo - SKU: A0.835723 Composed by Paul Burnell. Concert,Contemporary. Score. 13 pages. Paul Burnell #56017. Published by Paul Burnell (A0.835723)....
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Piano Solo - SKU: A0.835723 Composed by Paul Burnell. Concert,Contemporary. Score. 13 pages. Paul Burnell #56017. Published by Paul Burnell (A0.835723). '3 Plain Pieces' was written for pianist Natalie Bleicher in 2009. The three movements are included on her 2014 album 'Dream Rotation: British Contemporary Piano Works'. The tempo markings and durations are: 1. Very Fast (1:50), 2. Slow/Andante (1:40), 3. Moderato (2:40).
$1.99
FOREST TALES (pieces for classical guitar in unequal time signatures)
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Vasil Belezhkov
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Vasil Belezhkov
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FOREST TALES
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Vasil Belezhkov
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1399445 By Vasil Belezhkov. By Vasil Belezhkov. Arranged by Vasil Belezhkov. 21st Century,Children...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1399445 By Vasil Belezhkov. By Vasil Belezhkov. Arranged by Vasil Belezhkov. 21st Century,Children,Classical,Folk. Individual part. 26 pages. Vasil Belezhkov #982729. Published by Vasil Belezhkov (A0.1399445). FOREST TALES is a collection of 10 pieces that aim to acquaint classical guitar students with the unequal time signatures most commonly used in Bulgarian folk music  (starting with 5/8, all the way  to 15/8). Each of the pieces is aimed at mastering a certain technical element: the ‘Little Spider’ stretches the threads of its cobweb through a descending legato to an open string, ‘Dr. Woodpecker’ takes care of the bark of the trees through various percussion techniques, the ‘Fireflies’ glitter with the sound of natural harmonics, and so on.All musicians all over the world are familiar with dance forms like alemande and sarabande, menuette and waltz, tango and rumba, but how many of them are familiar with the different Bulgarian types of 'horo' (ring-dances)? Each piece in my 'Forest Tales' collection is predecesed by a text explaining which dances from which Bulgarian folk regions are typical for this or that time signature and how we are supposed to count the beats in it.I wish you a pleasant and fruitful time with this book!Vasil BelezhkovP.S. Some of the pieces also have piano transcriptions made by me.
$3.00
Winner's Plain Cotillons: Ballad Set
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Piano seul
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Sep
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(2) My Cottage Home
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Winner's Plain Cotillons: Ball
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.6591 Arranged by Sep. Winner. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6591).
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Piano - SKU: LV.6591 Arranged by Sep. Winner. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6591). Winner's Plain Cotillons Arranged for the Piano-Forte. No. 2. Ballad Set. (1) Katy Avourneen; (2) My Cottage Home; (3) What is Home Without a Mother; (4) How Sweet are the Roses; (5) Katy Darling; (6) Freeman Reel. Arranged by Sep. Winner. Published 1855 by Lee & Walker, 722 Chestnut St. in Philadelphia. Composition of da capo with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Seven Renaissance Pieces arr. for classical guitar quartet with soprano, alto and tenor recorders
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Tielmann Susato and John Dowla
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John Pinno
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Seven Renaissance Pieces arr.
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John Pinno
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SheetMusicPlus
Small Ensemble Alto Recorder,Guitar,Hand Percussion,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.775446 Composed by Tielmann Susato and John Dowl...
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Small Ensemble Alto Recorder,Guitar,Hand Percussion,Soprano Recorder,Tenor Recorder - Level 4 - SKU: A0.775446 Composed by Tielmann Susato and John Dowland. Arranged by John Pinno. Concert,Renaissance,Wedding. Score and parts. 21 pages. John Pinno #3235415. Published by John Pinno (A0.775446). An arrangement of seven pieces from the Renaissance era by Tielmann Susato and John Dowland, for classical guitar quartet along with soprano, alto and tenor recorders. I have played these pieces in public performances, with three classical guitarists and myself playing either classical guitar or one of the recorders. Optionally the whole group could be played with four guitarists and a fifth member playing the different recorders. Additionally, my group has also included my wife playing some light ad-lib parts on bodhran (Irish-style hand drum), tambourine, and finger cymbals. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745 The way I've performed these pieces, including myself and three guitarists: The Allemande gtr 1 part is played with tenor recorder playing the gtr 1 line down an octave, as shown in the tenor rec part, and on repeats, while the tenor rec. is not playing, the gtr 3 player plays the gtr 1 part, leaving the third gtr part unplayed, or the tenor recorder could play it. The Ronde in D minor is for gtr qt only On the Ronde in F major, I played the top part on an alto recorder. The Ronde and the Hupfauf are basically the same tune, but with different time signatures. On the Hupfauf I played the the gtr 1 part and there was no recorder part. For the Hoboeckentanz I played the gtr 1 part from the provided alto recorder part, which is a plain and then ornamented version. On the Ronde in C major I played the gtr 1 line on soprano recorder. The last piece in the group, Now O Now I Needs Must Part, either the soprano recorder plays the gtr 1 part through the whole tune, or alternates with one of the guitarists, as shown in the part for soprano and gtr 1.For any questions, concerns, etc. email John Pinno at jpinno093@hotmail.com
$15.00
Lighter and Darker: 5 repertoire pieces above grade 5
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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John McLachlan
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Lighter and Darker: 5 repertoi
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John McLachlan
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.912593 Composed by John McLachlan. Contemporary. Score. 12 pages. John McLachlan #3466558. Published by John McLachlan (A...
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Piano Solo - Level 3 - SKU: A0.912593 Composed by John McLachlan. Contemporary. Score. 12 pages. John McLachlan #3466558. Published by John McLachlan (A0.912593). Album of new and original pieces for piano solo. A collection of titles also sold separately by Acla Music. Includes Ice-Dance (previously selected for RIAM piano syllabus inclusion, grade 5), Dark Blues, The Meltemi, Plaint and ...the crystal sea, the fractal shore...
$9.99
On the Plains Fairy Trains for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Renaissance
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Thomas Weelkes
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Lisa Ochoco
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On the Plains Fairy Trains for
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559611 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 16 page...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559611 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 16 pages. Lisa L Ochoco #3506531. Published by Lisa L Ochoco (A0.559611). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today. He was probably friends with Thomas Morley, another English composer and organist of the Renaissance period.
$7.00
On the Plains Fairy Trains for Low Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Renaissance
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Thomas Weelkes
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Lisa Ochoco
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On the Plains Fairy Trains for
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559612 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 16 page...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.559612 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 16 pages. Lisa L Ochoco #3506777. Published by Lisa L Ochoco (A0.559612). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today. He was probably friends with Thomas Morley, another English composer and organist of the Renaissance period.
$7.00
On the Plains Fairy Trains for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Renaissance
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Thomas Weelkes
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Lisa Ochoco
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On the Plains Fairy Trains for
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559727 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissan...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559727 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 16 pages. Lisa L Ochoco #4278367. Published by Lisa L Ochoco (A0.559727). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today. He was probably friends with Thomas Morley, another English composer and organist of the Renaissance period.
$7.00
On the Plains Fairy Trains for Double Reed Choir
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Renaissance
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Thomas Weelkes
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Lisa Ochoco
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On the Plains Fairy Trains for
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Lisa L Ochoco
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.559729 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 16 pages. Lisa ...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.559729 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 16 pages. Lisa L Ochoco #4278375. Published by Lisa L Ochoco (A0.559729). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today. He was probably friends with Thomas Morley, another English composer and organist of the Renaissance period.
$7.00
On the Plains Fairy Trains for Saxophone Choir
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Ensemble de saxophones
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INTERMÉDIAIRE
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Renaissance
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Thomas Weelkes
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Lisa Ochoco
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On the Plains Fairy Trains for
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Lisa L Ochoco
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.559728 Composed by Thomas W...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.559728 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 16 pages. Lisa L Ochoco #4278373. Published by Lisa L Ochoco (A0.559728). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today. He was probably friends with Thomas Morley, another English composer and organist of the Renaissance period.
$7.00
On the Plains Fairy Trains for String Sextet
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Thomas Weelkes
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Lisa Ochoco
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On the Plains Fairy Trains for
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Lisa L Ochoco
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.559730 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Concert,Renaissance. Score and parts....
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.559730 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Concert,Renaissance. Score and parts. 16 pages. Lisa L Ochoco #4278381. Published by Lisa L Ochoco (A0.559730). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today. He was probably friends with Thomas Morley, another English composer and organist of the Renaissance period.
$7.00
Bull: Fantasia upon a Plainsong for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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John Bull
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James M
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Bull: Fantasia upon a Plainson
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,R...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Out West Collection (6 pieces)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bradley Sowash
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Out West Collection
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Bradley Sowash
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.750057 By Bradley Sowash. By Bradley Sowash. Jazz,Pop. Score. 41 pages. Bradley Sowash #1105. Published by Bradley Sowash...
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Piano Solo - Level 4 - SKU: A0.750057 By Bradley Sowash. By Bradley Sowash. Jazz,Pop. Score. 41 pages. Bradley Sowash #1105. Published by Bradley Sowash (A0.750057). A musical journey through the Great American West that transcends stylistic boundaries. Contents: 1. Gettin' Ready 2. Plains 3. High Country 4. White Water 5. Painted Desert 6. Comin' Home Video: http://youtu.be/lNHFAtJucfM?list=PLS-9O7RWuXdekS9v8l4pqnM7wHvUNXwhM Learn more about Bradley Sowash at http://bradleysowash.com.
$12.95
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Pe...
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Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Viola, 1 Ce
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533939. Published by Regis Bookshar (A0.813835). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Viola and 1 Violoncello, he has made quite a few other arrangements of this selection which ar.
$15.00
"Air" from Orchestral Suite No. 3
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Michael Swedberg
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Terrence Niska
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"Air" from Orchestra
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Niska Music Publishing
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1373238 By Michael Swedberg. By Johann Sebastian Bach. Arranged by Terrence Niska. 21st Century,Baroque,Cla...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1373238 By Michael Swedberg. By Johann Sebastian Bach. Arranged by Terrence Niska. 21st Century,Baroque,Classical,New Age. Score. 8 pages. Niska Music Publishing #957583. Published by Niska Music Publishing (A0.1373238). This has long been one of my favorite pieces by J.S. Bach, so it came as no great surprise that I would come up with my own arrangement of the work. There is an overwhelming sense of peace and tranquility (and a hint of melancholy) to the original movement from his Orchestral Suite No. 3 which explains its popularity over the years. It has become more well-known in August Wilhelmj's arrangement as the Air on the G String, but in writing my own version I went back to the score and to the original key of D major.
$3.99
A Lamb Goes Uncomplaining Forth (Second Station: Jesus Takes Up His Cross) (Downloadable)
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Orgue
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INTERMÉDIAIRE
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David M
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A Lamb Goes Uncomplaining Fort
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium - SKU: MQ.10-365-2E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 3 pages. MorningStar Music Publis...
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Organ - Medium - SKU: MQ.10-365-2E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 3 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-2E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-2E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
Plainte d’amour
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Wilhelm Aletter
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Plainte d’amour
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - intermediate - SKU: S9.Q46291 Mélodie. Composed by Wilhelm Aletter. This edition: Sheet music. Classical. Downloadable. 3 p...
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Violin and piano - intermediate - SKU: S9.Q46291 Mélodie. Composed by Wilhelm Aletter. This edition: Sheet music. Classical. Downloadable. 3 pages. Schott Music - Digital #Q46291. Published by Schott Music - Digital (S9.Q46291). Digital publication of the piece found in the following print music collection: 25 Pieces.
$3.99
String Quartet No. 3 (score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Drake Mabry
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String Quartet No. 3
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Drake Mabry
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.799439 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 38 pages. Drake Mabry #518...
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String Quartet String Quartet - Level 4 - SKU: A0.799439 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 38 pages. Drake Mabry #518879. Published by Drake Mabry (A0.799439). Perhaps the best way to explain this piece is to say that I stole ideas from other pieces of mine and transformed them into this work. Elements of a duo for piano and marimba duo are there as well as sections using material from a solo piano but here broadened out to take advantage of the four voices. And then there is entirely new material. So something borrowed, something new. The duration is 10'30. This is a score from an older computer music program, thus the reduced price.
$9.99
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