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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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Partitions à imprimer
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126
Lost in the Woods - elementary 1 piano 4 hands - complete set
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1 Piano, 4 mains
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DÉBUTANT
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Methodes
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Nick Raspa
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Lost in the Woods - elementary
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NJR Music
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.754473 Composed by Nick Raspa. Instructional. Score. 16 pages. NJR Music #4996829. Published by NJR Music...
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1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.754473 Composed by Nick Raspa. Instructional. Score. 16 pages. NJR Music #4996829. Published by NJR Music (A0.754473). Lost in the Woods is an elementary level piece for 1 piano 4 hands. The key is a minor and both players remain in 1 hand position throughout (with some extension of the Left Hand pinky to G# as needed).The secundo beings with the melody and the Primo has supporting accompaniment. Â The melody then shifts to the Primo and the supporting accompaniment shifts to the Secundo. Â The Primo continues the melody for the contrasting section before the piece returns to conclude with the original melody.The note values range from 8th to dotted half, dynamics from pp to mp and there is some staccato as well as two different types of repeats - the standard double line with dots and a D. C. al fine. Â The total performance time is about 2 1/4 minutes. Â Listen to the entire arrangement on YouTube. Â ASCAP
$4.99
Ballet Music from FAUST: 4. Dance of Cleopatra (8/5 x 11)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Charles Gounod
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Shinji Kasama
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Ballet Music from FAUST: 4. Da
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Kasama Music Corporation
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1278038 Composed by Charles Gounod (1818–1893). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and...
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Concert Band - Level 4 - SKU: A0.1278038 Composed by Charles Gounod (1818–1893). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 51 pages. Kasama Music Corporation #869440. Published by Kasama Music Corporation (A0.1278038). [This Publication is in letter size (8/5 x 11). A4 size is also available.]Ballet Music from FAUST: 4. Dance of Cleopatra by Charles Gounod, Transcribed for small concert bandThe complete instrumentation is best for this transcription; however, it can be performed with as few as 12 players. This transcription is also suitable for a medium sized, or even large band for outdoor performance.This publication is for concert band with full score (pp. 1–11), piccolo–percussion (pp. 13–35), and transposed parts (pp. 36–51).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$4.00
4 Graphic Études and a Chorale
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Orgue
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INTERMÉDIAIRE
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Contemporain
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Igor Korneitchouk
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4 Graphic Études and a
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Studio at the Post
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1124417 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score. 11 pages. Studio at the Post #723405. Published by St...
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Organ - Level 3 - SKU: A0.1124417 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score. 11 pages. Studio at the Post #723405. Published by Studio at the Post (A0.1124417). Duration: 8 - 16 minutes, 8 pp. Description: The graphic nature of this set of short pieces is designed to elicit cooperative creativity from the performer. With the exception of the last piece — the Chorale — the unorthodox notation is negotiable and open to alteration in consideration of the performer’s inclination and the instrument’s possibilities. The performer may take a highly faithful approach to realizing the score, or consider the Études as models for improvisation. Études II and IV, for example, ask the performer to continue to improvise in like manner, yet map out a clear design for the music. The degree of freedom is considerably more constrained as regards the final Chorale. The pitches, rhythm, length, form are much more specific in this case, although the performer does have great latitude (within suggested guidelines) in choosing registration. The music is generally scored on only two staves. Nonetheless, three manuals are requested for the realization of the Chorale. Pedal keyboard is recommended but not essential. The Pedal is particularly useful in realizing Études I and IV. Wedges and/or weights are necessary for Études III, and may be a useful substitute for the Pedal in Études I and IV. NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
$2.01
A Farewell - Song for Voice, Piano, and Violoncello Obbligato
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Samuel Rogers
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Michele Galvagno (* 1987)
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A Farewell - Song for Voice, P
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1407765 By Samuel Rogers (1763—1855). By Carlo Alfredo Piatti (1822—1901). Arranged by Michele Galva...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1407765 By Samuel Rogers (1763—1855). By Carlo Alfredo Piatti (1822—1901). Arranged by Michele Galvagno (* 1987). 19th Century,Classical,Romantic Period. Score. 28 pages. Artistic Score Engraving di Galvagno Michele #990389. Published by Artistic Score Engraving di Galvagno Michele (A0.1407765). Here comes the second episode of our publishing journey through Carlo Alfredo Piatti’s (1822—1901) production for voice and piano involving the cello. It is called A Farewell, and it is based on the poem of the same name by British poet Samuel Rogers (1763—1855).This edition includes a thorough research on the poem and a complete analysis of the piece, alongside thorough Critical Notes marking the differences between this version and the one without cello that Piatti realised later (published as ASE 0061). The original text of the poem, marked with the few edits Piatti made, is included in the preface.The full score is accompanied by a cello and voice part (ASE 0056) or by the voice part alone (ASE 0061). Score: IV + 16pp (ASE 0056); IV + 12pp (ASE 0061)Cello part (ASE 0056 only): 4 ppVoice part: 4 pp.
$12.00
Prelude to Parsifal
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Wagner
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Rod Whittle
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Prelude to Parsifal
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899130 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Musi...
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Solo Guitar - Level 4 - SKU: A0.899130 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #3141147. Published by Maggie Creek Music (A0.899130). Solo classical guitar transcription 4 pp.
$7.00
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
"Maggie Lauder"
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Piano seul
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attrib
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Ed
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This piece recollects
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"Maggie Lauder"
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©Z.M. Barnes & Rising Lark Music
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Piano - SKU: A0.924285 Composed by attrib. Robert Bremner (c.1713 - 1789). Arranged by Ed., by Z.M. Barn...
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - SKU: A0.924285 Composed by attrib. Robert Bremner (c.1713 - 1789). Arranged by Ed., by Z.M. Barnes, and with new variations. 20th Century,Baroque,Celtic,Concert. Score and parts. 9 pages. ©Z.M. Barnes & Rising Lark Music #4731873. Published by ©Z.M. Barnes & Rising Lark Music (A0.924285). Capture your audience with a musical surprise. This piece recollects musical life in the American colonies and pictures harpsichord playing at Mount Vernon. Maggie Lauder is a catchy, lively Scottish tune, with a humorous set of verses about Maggie's dancing to the piping of a famous Scot bagpiper.It was a very popular tune for singing or dancing in the American colonies. In fact, the tune took on a new name, Cornwallis Burgoynd, with new words to poke fun at the defeated British general Cornwallis after his troops surrendered to end the American Revolution. As a harpsichord piece, with variations, it was published by Scots musician Robert Bremner. The family of George Washington at Mount Vernon owned this music, which was probably played by his granddaughter Nelly Custis. New variations have been added. An interesting addition to any harpsichord program, esp. on patriotic occasions. 4 pp. About 4 min. .
$4.99
Four Folk Songs
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Guitare
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Bella Bartok
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Rod Whittle
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Four Folk Songs
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899139 Composed by Bella Bartok. Arranged by Rod Whittle. Folk. Individual part. 4 pages. Maggie Creek Music #4349077. P...
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Solo Guitar - Level 3 - SKU: A0.899139 Composed by Bella Bartok. Arranged by Rod Whittle. Folk. Individual part. 4 pages. Maggie Creek Music #4349077. Published by Maggie Creek Music (A0.899139). for solo classical guitar 4 pp (7 min.)BELA BARTOK Welcome to the enchanting world of Bartok’s folk music. These pieces have been transcribed from arrangements for flute and guitar. Bela Bartok, considered one of the 20th century’s most important composers, was born in Hungary in 1881. A prodigy, he was a professor at the Budapest Music Academy by the age of 26. His interest in traditional music led him to make many journeys (with his colleague Zolta Kodaly) through Hungary, Romania and Slovakia collecting songs and dances, the styles of which were synthesised into compositions of his own. He emigrated to the USA in 1940 where he died five years later of leukaemia. The pieces are deceptively simple, and it would be a mistake to take their natural forms, clear melodies, tonal harmonies and strong rhythms as an invitation to play inattentively. Quite the contrary. They stand any amount of playing, but only when the composing is heeded, the dynamics observed, and modulations anticipated.
$5.00
Menuet antique
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Maurice Ravel
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Rod Whittle
#
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Menuet antique
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899153 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #6...
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Solo Guitar - Level 3 - SKU: A0.899153 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #6019493. Published by Maggie Creek Music (A0.899153). Menuet antique for solo classical guitar 4 ppMaurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music shows a fondness for the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. The charming Menuet antique was written for piano in 1895 and orchestrated by Ravel in 1929. This guitar arrangement is of moderate difficulty but I think well worth learning. The music is very expressive, and I have varied tempo and dynamics to enhance that, starting in slow triple time. To my ear the the second part concludes the piece well, so the arrangement does not return to the first ('minuet') part.
$5.00
Piece en Forme de Habenera
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Maurice Ravel
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Rod Whittle
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#
Piece en Forme de Habenera
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899152 Composed by Maurice Ravel. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #5...
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Solo Guitar - Level 3 - SKU: A0.899152 Composed by Maurice Ravel. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #5957569. Published by Maggie Creek Music (A0.899152). Arranged for solo classical guitar 4 pp intermediate difficulty Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music shows a fondness for the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Piece en Forme de Habenera is from the 'Rapsodie espagnole', written for orchestra in 1907. Habenera is a Cuban dance that came to Spain in the mid-19th century and named after Havana (Habana).
$5.00
Tremolo from the Regondi Nocturne (Op.19)
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Guitare
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Classique
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Giulio Regondi
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Rod Whittle
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4 pp
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Tremolo from the Regondi Noctu
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081...
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Solo Guitar - SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
Excerpt from Lulu Suite
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Guitare
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Contemporain
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Alban Berg
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Rod Whittle
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Publi...
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Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
JOYFUL, JOYFUL, WE ADORE THEE - easy piano
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Piano Facile
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FACILE
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Anthony Giamanco
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JOYFUL, JOYFUL, WE ADORE THEE
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Whole Tone Press
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.774102 Arranged by Anthony Giamanco. Christian,Concert,Sacred,World. Score. 4 pages. Whole Tone Press #6689893. Published...
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Easy Piano - Level 2 - SKU: A0.774102 Arranged by Anthony Giamanco. Christian,Concert,Sacred,World. Score. 4 pages. Whole Tone Press #6689893. Published by Whole Tone Press (A0.774102). This fun, creative arrangement for easy piano solo makes a wonderful recital piece for the early intermediate pianist, and an attractive sight-reading piece for the more experienced player. Appropriate for both church and recital. 4 pp.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$2.50
AMAZING GRACE - easy piano
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Piano Facile
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DÉBUTANT
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Anthony Giamanco
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AMAZING GRACE - easy piano
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Whole Tone Press
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.774101 Arranged by Anthony Giamanco. Christian,Concert,Folk,Sacred. Score. 4 pages. Whole Tone Press #6689871. Published ...
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Easy Piano - Level 1 - SKU: A0.774101 Arranged by Anthony Giamanco. Christian,Concert,Folk,Sacred. Score. 4 pages. Whole Tone Press #6689871. Published by Whole Tone Press (A0.774101). A charming and creative easy piano arrangement of this beloved hymn. Excellent recital material for the late elementary student, and a nice, short sight-readable piece for the more experienced pianist. Appropriate for worship and recital. 4 pp.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$2.50
JESUS, OUR DIVINE COMPANION - easy piano
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Piano seul
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FACILE
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Anthony Giamanco
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JESUS, OUR DIVINE COMPANION -
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Whole Tone Press
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.774099 Arranged by Anthony Giamanco. Christian,Concert,Folk,Sacred. Score. 4 pages. Whole Tone Press #6689833. Published ...
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Piano Solo - Level 2 - SKU: A0.774099 Arranged by Anthony Giamanco. Christian,Concert,Folk,Sacred. Score. 4 pages. Whole Tone Press #6689833. Published by Whole Tone Press (A0.774099). This beautiful American hymn tune from 1830, PLEADING SAVIOR, is given a fresh arrangement for piano. Attractive recital music for late elementary students as well as good sight-reading material for more experienced pianists. For church and recital. 4 pp.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$2.50
Übers Meer - German maritime Song - men's choir (as performed by Die Blowboys)
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Chorale TTBB
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FACILE
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Die Blowboys
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Martin Schröder
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Übers Meer - German marit
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Martin Schröder
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1421858 By Die Blowboys. By Rio Reiser. Arranged by Martin Schröder. Folk,Pop,Singer/Songwriter. ...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1421858 By Die Blowboys. By Rio Reiser. Arranged by Martin Schröder. Folk,Pop,Singer/Songwriter. 6 pages. Martin Schröder #1003206. Published by Martin Schröder (A0.1421858). The popular maritime song Übers Meer by German singer/songwriter Rio Reiser arranged for men's choir or folk band. Chords provided. 4 pp.
$2.50
Hector The Hero - For Piano Solo (From Celtic Piano Ballads)
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Piano seul
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INTERMÉDIAIRE
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James Scott Skinner
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Martin Schröder
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Hector The Hero - For Piano So
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Martin Schröder
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.752500 Composed by James Scott Skinner. Arranged by Martin Schröder. 20th Century,Celtic,Contemporary,Folk,World. Scor...
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Piano Solo - Level 3 - SKU: A0.752500 Composed by James Scott Skinner. Arranged by Martin Schröder. 20th Century,Celtic,Contemporary,Folk,World. Score. 5 pages. Martin Schröder #4832087. Published by Martin Schröder (A0.752500). Hector The Hero is a beautiful arrangement for piano solo of the popular and beloved tune by Scottish fiddler James Scott Skinner. The beginning is in the style of a pipe lament. The piece is very good for practicing broken chords and ornamentation. 4 pp.
$3.99
Whenever You See A Pretty Girl - For Piano Solo (From Celtic Piano Ballads)
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Piano seul
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FACILE
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Traditional
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Martin Schröder
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Whenever You See A Pretty Girl
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Martin Schröder
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.752495 Composed by Traditional. Arranged by Martin Schröder. 20th Century,Celtic,Folk,World. Score. 5 pages. Martin Sc...
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Piano Solo - Level 2 - SKU: A0.752495 Composed by Traditional. Arranged by Martin Schröder. 20th Century,Celtic,Folk,World. Score. 5 pages. Martin Schröder #4634521. Published by Martin Schröder (A0.752495). Traditional Scottish Gaelic Tune arranged for Piano Solo by Martin Schröder. From the Collection Celtic Piano Ballads. 4 pp. Celtic / Folk / Scottish / Irish
$3.99
Variations on a Waltz by Schubert
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Piano seul
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AVANCÉ
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Igor Korneitchouk
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Variations on a Waltz by Schub
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Studio at the Post
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1287774 Composed by Igor Korneitchouk. 20th Century,Classical,Contemporary,Romantic Period. Score. 5 pages. Studio at the...
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Piano Solo - Level 5 - SKU: A0.1287774 Composed by Igor Korneitchouk. 20th Century,Classical,Contemporary,Romantic Period. Score. 5 pages. Studio at the Post #878858. Published by Studio at the Post (A0.1287774). Duration: 7 - 8 minutes, 4 pp. Description: A set of three variations on a well-known waltz from Schubert's many waltzes dragged through the Messiaenic chromaticism of the 20th century.
$2.01
The Brass Player: Fantasy on Ich bin ein Musikant
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,W...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
He Is Born - a Christmas carol for beginning handbells, early intermediate flute, and piano
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Noël
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18th century French carol and
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Published by C
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He Is Born - a Christmas carol
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C.E. Walz. Christmas,Sacred. 9 pages. C.E. Walz #4793795.
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SheetMusicPlus
Flute,Handbell,Piano - Level 1 - SKU: A0.767667 Composed by 18th century French carol and anonymous. Arranged by Published by C.E. Walz. Christmas,Sacre...
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Flute,Handbell,Piano - Level 1 - SKU: A0.767667 Composed by 18th century French carol and anonymous. Arranged by Published by C.E. Walz. Christmas,Sacred. 9 pages. C.E. Walz #4793795. Published by C.E. Walz (A0.767667). He Is Born is a beautiful French carol and a perfect piece for beginning handbells or handchimes. The key to a successful handbell / handchime experience is to create a song that involves only chords and a consistent beat pattern for the bells. The early intermediate flute takes the melody in this piece, and the piano fills in with the accompaniment. Listen to the recording and you'll be surprised that your handbell group can play something that appears much more complex than it is! The typical 4/4 rhythm of this carol is replaced with a lilting and smooth 3/4 waltz style. Key of F, no key changes, 5 pp. of piano (with flute and bell scores reduced), 2 pp. of flute part, and 2 pp. of handbell/handchime part. A total of 9 pages. PERMISSION GRANTED TO MAKE COPIES OF ALL PARTS AS NEEDED. Maestro gives He Is Born a 'ringing' endorsement!
$4.99
Things Go Better
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Ensemble Jazz
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AVANCÉ
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William Backer
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Jan Berry
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Things Go Better
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Fiji Printing
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1493951 Composed by William Backer. Arranged by Jan Berry. 20th Century,Pop,Rock. 51 pages. Fiji Printin...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1493951 Composed by William Backer. Arranged by Jan Berry. 20th Century,Pop,Rock. 51 pages. Fiji Printing #1070562. Published by Fiji Printing (A0.1493951). Jan Berry's original music score, used by Wrecking Crew studio musicians to record the original track. Recorded and released in the spring of 1965 as part of the Coca-Cola Company's summer advertising blitz.Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man’s Curve: The Rock ‘n’ Roll Life of Jan Berry (McFarland 2021) and The Jan & Dan Record (McFarland 2016).Full Music Scores and Individual Charts included for the three arrangements listed below:(1) Jazz Ensemble Arrangement (2024): WOODWINDS: Alto Sax; Tenor Sax 1-3; Baritone Sax. BRASS: Trumpet 1-4; Trombone 1-2. RHYTHM: Guitar 1; Guitar 2 (Danelectro 6-String Bass); Bass; Drums; Piano. PDF pp. 5-28. Note: This is the arrangement heard in the sound font audio preview (MuseScore). It features the original 1965 horn arrangement with the 1965 vocal parts played instrumentally. All parts are authentic to Jan Berry's original arrangements. (2) Studio Backing Track Arrangement (1965): WOODWINDS: Tenor Sax. BRASS: Trumpet 1-2; Trombone. RHYTHM: Guitar 1; Guitar 2 (Danelectro 6-String Bass); Bass; Drums; Piano. PDF pp. 29-42. (3) Studio Vocal Arrangement (1965): VOCALS: Lead; Falsetto; Alto; Tenor; Bass. PDF pp. 43-50. Publication includes: (1) Illustrated cover page; (2) Introductory text providing context for the music; (3) Full music scores; (4) Individual charts for each part in the music scores; and (5) Illustrations, including images from Jan Berry’s music archive.17 distinct chords.51 Pages.Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
$49.99
Carmen Suite No. 1 (8/5 x 11)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Georges Bizet
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Shinji Kasama
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Carmen Suite No. 1
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Kasama Music Corporation
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1207822 Composed by Georges Bizet (1838–1875). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and ...
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Concert Band - Level 4 - SKU: A0.1207822 Composed by Georges Bizet (1838–1875). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 315 pages. Kasama Music Corporation #805944. Published by Kasama Music Corporation (A0.1207822). [This Publication is in letter size (8/5 x 11). A4 size is also available.]Carmen Suite No. 1  1.  Prélude (Prelude to Act I)  1a. Aragonaise (Prelude to Act IV)  2.  Intermezzo (Prelude to Act III)  3.  Séguedille (Act 1)  4.  Les dragons d’Alcala (Prelude to Act II)  5.  Les Toréadors (Introduction to Act I)Carmen Suite No. 1, from the famous opera by Georges Bizet (1838–1875), consists of the preludes to each act, except (#3) Séguedille, which is a vocal piece. In this transcription (#3) Séguedille and (#5) Les Toréadors are transposed up a half step from the original keys, while the others remain in the original.This publication is for concert band with full score (pp. 1–45), piccolo–harp (pp. 47–228), and transposed parts (pp. 229–315).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$20.00
Carmen Suite No. 1 (A4)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Georges Bizet
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Shinji Kasama
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Carmen Suite No. 1
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Kasama Music Corporation
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1207826 Composed by Georges Bizet (1838–1875). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and ...
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Concert Band - Level 4 - SKU: A0.1207826 Composed by Georges Bizet (1838–1875). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 315 pages. Kasama Music Corporation #805948. Published by Kasama Music Corporation (A0.1207826). [This Publication is in A4 size. Letter size (8/5 x 11) is also available.]Carmen Suite No. 1 (8/5 x 11) (A4)  1.  Prélude (Prelude to Act I)  1a. Aragonaise (Prelude to Act IV)  2.  Intermezzo (Prelude to Act III)  3.  Séguedille (Act 1)  4.  Les dragons d’Alcala (Prelude to Act II)  5.  Les Toréadors (Introduction to Act I)Carmen Suite No. 1, from the famous opera by Georges Bizet (1838–1875), consists of the preludes to each act, except (#3) Séguedille, which is a vocal piece. In this transcription (#3) Séguedille and (#5) Les Toréadors are transposed up a half step from the original keys, while the others remain in the original.This publication is for concert band with full score (pp. 1–45), piccolo–harp (pp. 47–228), and transposed parts (pp. 229–315).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$20.00
L’Arlésienne Suite No. 1 (8/5 x 11)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Georges Bizet
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Shinji Kasama
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L’Arlésienne Suit
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Kasama Music Corporation
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1273955 Composed by Georges Bizet (1838–1875). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and ...
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Concert Band - Level 4 - SKU: A0.1273955 Composed by Georges Bizet (1838–1875). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 264 pages. Kasama Music Corporation #866086. Published by Kasama Music Corporation (A0.1273955). [This Publication is in letter size (8/5 x 11). A4 size is also available.]L’Arlésienne Suite No. 1 Prélude Menuet Adagietto Carillon The incidental music to L’Arlésienne, a play by Alphonse Daudet, was composed by Georges Bizet (1838-1875), and it premièred in 1872. The composer chose four orchestral pieces from the score and arranged a concert suite, known today as the 1st suite. In this transcription, (#4) Carillon is transposed down a half step from the original key. This publication is for concert band with full score (pp. 1–47), piccolo–harp (pp. 49–202), and transposed parts (pp. 203–264). A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$25.00
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