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9976
Symphony No. 45 in F# Minor “Farewell” (EASY PIANO) I. Allegro assai (Hob. I:45) [Joseph Haydn]
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1272711 By Franz Joseph Haydn. By F…
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Easy Piano - Level 2 - Digital Download SKU: A0.1272711 By Franz Joseph Haydn. By Franz Joseph Haydn. Arranged by Darek. Classical. Score. 4 pages. Darek #864917. Published by Darek (A0.1272711). Symphony No. 45 in F# Minor âFarewellâ (EASY PIANO) I. Allegro assai (Hob. I:45) [Joseph Haydn]Simplified arrangement for pianists of Symphony No. 45 in F# Minor âFarewellâ I. Allegro assai (Hob. I:45) by Joseph Haydn. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period. Included: Fingering, Dynamics, Articulations and video YouTube tutorial. Discover the beauty of classical music with my collection of easy piano sheet music for beginner pianists. In this offering, I present Symphony No. 45 in F# Minor âFarewellâ I. Allegro assai (Hob. I:45) by Joseph Haydn. Transport yourself to the magnificent era of classical compositions with this timeless masterpiece. My sheet music provides a smooth learning experience with fingering suggestions, articulation guidance, and detailed dynamics markings, empowering learners to bring out the emotional nuances of the music. As a bonus, I include a YouTube tutorial video, enhancing the learning process and giving a comprehensive understanding of the piece's subtleties. Unleash your inner musician and explore the rich world of piano music with this enchanting piece. Whether you're a seasoned player seeking a delightful challenge or a novice just embarking on your musical journey, this easy-level arrangement is perfect for all aspiring pianists. Embrace the charm of Haydn's genius as you master each note, creating a symphony of your own. Keywords: beauty, easy piano sheet music, beginner pianists, Symphony No. 45, F# Minor, Farewell, Joseph Haydn, classical music, transport, fingering, articulation, dynamics, YouTube tutorial, piano, musicians, notes, song.
$5.00
4.68 €
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Piano Facile
#
Franz Joseph Haydn
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Darek
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Symphony No. 45 in F# Minor “Farewell”
#
Darek
#
SheetMusicPlus
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599â644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708â1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:LâOrgelbüchlein (Le Petit LIvre DâOrgue) BWV 599â644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitlâorganiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Friedâ und Freudâ ich fahrâ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuà den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, beweinâ deinâ Sünde groÃ, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daà mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heilâge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heutâ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wendâ, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heilâgen zehn Gebotâ, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adamâs Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich rufâ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich habâ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et lâEnterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
60.78 €
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
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J. S. Bach : Orgelbüchlein
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Musik Fabrik Music Publishing
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SheetMusicPlus
Rimsky-Korsakov "Echo" Op. 45 No 1 Original key DICTION SCORE w IPA & translation
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1409073 By Nikolay Andreyevi…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1409073 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 2 pages. Natalia Melnik #991678. Published by Natalia Melnik (A0.1409073). N.Rimsky-Korsakov Echo / Ekho / ÐÑ Ð¾  Op. 45 No 1 Original keyRange: C#4 - G5Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/n-rimsky-korsakov-echo-op-45-no-1-original-key-full-packYou can watch the free video diction guide at the Russian for Singers YouTube ChannelSlow version https://www.youtube.com/watch?v=xcKc4s2TJWQ&t=38sFast version https://www.youtube.com/watch?v=HN-3dK6NovkPlease SUBSCRIBE to Russian for Singers YouTube Channel for easy to use video diction tutorials.We are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singersâPlease visit our website for more information https://www.russian4singers.com/booking
$8.50
7.95 €
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Piano, Voix
#
Nikolay Andreyevich Rimsky-Korsakov
#
Russian for Singers
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Rimsky-Korsakov "Echo" Op. 45 No 1 Original key DICTION SCORE w IPA & translation
#
Natalia Melnik
#
SheetMusicPlus
Rimsky-Korsakov "Echo" Op. 45 No 1 Lower key DICTION SCORE w IPA & translation
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1409076 By Nikolay Andreyevi…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1409076 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 2 pages. Natalia Melnik #991681. Published by Natalia Melnik (A0.1409076). N.Rimsky-Korsakov Echo / Ekho / ÐÑ Ð¾  Op. 45 No 1 Lower keyRange: C4 - F5Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/n-rimsky-korsakov-echo-op-45-no-1-lower-key-full-packYou can watch the free video diction guide at the Russian for Singers YouTube ChannelSlow version https://www.youtube.com/watch?v=xcKc4s2TJWQ&t=38sFast version https://www.youtube.com/watch?v=HN-3dK6NovkPlease SUBSCRIBE to Russian for Singers YouTube Channel for easy to use video diction tutorials.We are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singersâPlease visit our website for more information https://www.russian4singers.com/booking
$8.50
7.95 €
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Piano, Voix
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Nikolay Andreyevich Rimsky-Korsakov
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Russian for Singers
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Rimsky-Korsakov "Echo" Op. 45 No 1 Lower key DICTION SCORE w IPA & translation
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Natalia Melnik
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SheetMusicPlus
Haydn - String Quartet in C major, Hob.III:45 ; Op.50 No.2 · "Prussian Quartet No.2"
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Digital Download SKU: A0.1090937 Composed by Franz …
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String Quartet String Quartet - Digital Download SKU: A0.1090937 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 46 pages. J.G. Cuco Barber #695085. Published by J.G. Cuco Barber (A0.1090937). Work Title String Quartet in C major Alternative Title String Quartet No.45 ; Prussian Quartet No.2 Composer Haydn, Joseph Opus/Catalogue Number Hob.III:45 ; Op.50 No.2 Key C major Movements/Sections 4 movements 1. Vivace (C major) 2. Adagio cantabile (F major) 3. Minuet - Trio (C major) 4. Finale. Vivace assai (C major) Year/Date of Composition 1787 First Publication 1787 in String Quartets, Op.50 (No.2) Dedication Friedrich Wilhelm II, King of Prussia Average Duration 24 minutes Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
21.52 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Franz Joseph Haydn
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J
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Prussian Quartet No
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Haydn - String Quartet in C major, Hob.III:45 ; Op.50 No.2 · "Prussian Quartet No.2"
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J.G. Cuco Barber
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SheetMusicPlus
Haydn - Symphony No.45 in F sharp minor, Hob.I:45 "Farewell"
Orchestre
Full Orchestra - Digital Download SKU: A0.819638 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819638 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 81 pages. J.G. Cuco Barber #5987465. Published by J.G. Cuco Barber (A0.819638). Composer Haydn, JosephOpus/Catalogue Number Hob.I:45Key F-sharp minorMovements/Sections 4 movements:Allegro assai (F-sharp minor, 209 bars)Adagio (A major, 190 bars)Minuet. Allegretto - Trio (F-sharp major, 76 bars)Finale. Presto - Adagio (F-sharp minor, 257 bars)Year/Date of Composition 1772First Publication 1775Average Duration 27 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:Oboe 1Oboe 2BassoonHorn in A/F# 1 original & F transposedHorn in E/A/F# 2 original & F transposedViolin I & IIIViolin II & IVViolaVioloncelloContrabass
$28.00
26.2 €
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Orchestre
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Franz Joseph Haydn
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J
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Haydn - Symphony No.45 in F sharp minor, Hob.I:45 "Farewell"
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J.G. Cuco Barber
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SheetMusicPlus
Wohlfahrt op. 45 studies band I
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1406233 Composed by Franz Wohlfahr…
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Violin Solo - Level 2 - Digital Download SKU: A0.1406233 Composed by Franz Wohlfahrt. Arranged by Ãngel López de Rodas. 19th Century,Chamber,Children,Classical,Instructional. 24 pages. Ãngel López de Rodas #989206. Published by Ãngel López de Rodas (A0.1406233). Band I, 30 first op.45 estudes.
$4.99
4.67 €
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Violon
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Franz Wohlfahrt
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Ãngel López de Rodas
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Wohlfahrt op. 45 studies band I
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Ãngel López de Rodas
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SheetMusicPlus
Capriccio Italien, Op. 45
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1375583
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1375583 Composed by Peter Ilyich Tchaikovsky. Arranged by Dennis Wright (Arranger) & Peet du Toit (Orchestrator). Romantic Period. 58 pages. Peet du Toit #960114. Published by Peet du Toit (A0.1375583). The Capriccio Italien, Op. 45, is a fantasy for orchestra composed between January and May 1880 by Pyotr Ilyich Tchaikovsky. It premiered 18 December, 1880 (New System) in Moscow, conducted by Nikolay Rubinstein.The Capriccio was inspired by a trip Tchaikovsky took to Rome with his brother Modest as respite from the composer's disastrous marriage with Antonina Miliukova. It was in Rome, however, that the observant Tchaikovsky called Raphael a Mozart of painting.While in Rome, he wrote to his friend Nadezhda von Meck:I have already completed the sketches for an Italian fantasia on folk tunes for which I believe a good fortune may be predicted. It will be effective, thanks to the delightful tunes which I have succeeded in assembling partly from anthologies, partly from my own ears in the streets.The composer was able to soak up Italian street music and folk songs which he then incorporated into his Capriccio.This enables some bright primary colors and uncomplicated tunefulness..
$25.00
23.4 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Peter Ilyich Tchaikovsky
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Capriccio Italien, Op. 45
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Peet du Toit
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SheetMusicPlus
Mendelssohn: Sonata Op. 45 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.551779 Composed by Felix Bartholdy…
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Piano,Viola - Level 3 - Digital Download SKU: A0.551779 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 132 pages. Jmsgu3 #5714999. Published by jmsgu3 (A0.551779). Mendelssohn Sonata Op. 45 in three movements.Score: 76 pages, Duration ca. 26:301. Allegro vivace2. Andante3. Allegro assaiOriginally scored for cello & piano.
$32.95
30.83 €
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Alto, Piano
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Felix Bartholdy Mendelssohn
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James Guthrie, ASCAP
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piano.
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Mendelssohn: Sonata Op. 45 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Sonata Op. 45 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.551781 Composed by Felix Bartholdy…
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Flute,Piano - Level 3 - Digital Download SKU: A0.551781 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 131 pages. Jmsgu3 #5715185. Published by jmsgu3 (A0.551781). Mendelssohn Sonata Op. 45 in three movements.Score: 76 pages, Duration ca. 26:301. Allegro vivace2. Andante3. Allegro assaiOriginally scored for cello & piano.
$32.95
30.83 €
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Flûte traversière et Piano
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Felix Bartholdy Mendelssohn
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James Guthrie, ASCAP
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piano.
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Mendelssohn: Sonata Op. 45 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Sonata Op. 45 for Clarinet & Piano
Clarinette
Clarinet,Piano - Level 3 - Digital Download SKU: A0.551783 Composed by Felix Bartho…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.551783 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 132 pages. Jmsgu3 #5718855. Published by jmsgu3 (A0.551783). Mendelssohn Sonata Op. 45 in three movements.Score: 76 pages, Duration ca. 26:301. Allegro vivace2. Andante3. Allegro assaiOriginally scored for cello & piano.
$32.95
30.83 €
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Clarinette
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Felix Bartholdy Mendelssohn
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James Guthrie, ASCAP
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piano.
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Mendelssohn: Sonata Op. 45 for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Sonata Op. 45 for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.551793 Composed by Felix Bartho…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.551793 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 135 pages. Jmsgu3 #5721055. Published by jmsgu3 (A0.551793). Mendelssohn Sonata Op. 45 in three movements.Score: 76 pages, Duration ca. 26:301. Allegro vivace2. Andante3. Allegro assaiOriginally scored for cello & piano.
$32.95
30.83 €
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Trombone et Piano
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Felix Bartholdy Mendelssohn
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James Guthrie, ASCAP
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piano.
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Mendelssohn: Sonata Op. 45 for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Sonata Op. 45 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.551791 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.551791 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 135 pages. Jmsgu3 #5721003. Published by jmsgu3 (A0.551791). Mendelssohn Sonata Op. 45 in three movements.Score: 76 pages, Duration ca. 26:301. Allegro vivace2. Andante3. Allegro assaiOriginally scored for cello & piano.
$32.95
30.83 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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James Guthrie, ASCAP
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piano.
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Mendelssohn: Sonata Op. 45 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Chopin- Prelude in C sharp minor Op. 45
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.895491 Composed by Frederic Chopin.…
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Piano Solo - Level 3 - Digital Download SKU: A0.895491 Composed by Frederic Chopin. Arranged by Harry Sebastian. Romantic Period. Score. 5 pages. Harry Sebastian #6665585. Published by Harry Sebastian (A0.895491). Chopin- Prelude in C sharp minor Op. 45.
$3.99
3.73 €
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Piano seul
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Frederic Chopin
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Harry Sebastian
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Chopin- Prelude in C sharp minor Op. 45
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Harry Sebastian
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SheetMusicPlus
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beeth…
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732â1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafkaâs sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. Itâs possible that the composer didnât have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
27.14 €
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Piano seul
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven
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Upstream Music
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SheetMusicPlus
Chopin- Prelude in C sharp minor, Op. 45
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.895457 Composed by Frederic Chopin.…
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Piano Solo - Level 3 - Digital Download SKU: A0.895457 Composed by Frederic Chopin. Arranged by Harry Sebastian. Romantic Period. Score. 5 pages. Harry Sebastian #6428467. Published by Harry Sebastian (A0.895457). Chopin- Prelude in C sharp minor, Op. 45.
$3.99
3.73 €
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Piano seul
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Frederic Chopin
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Harry Sebastian
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Chopin- Prelude in C sharp minor, Op. 45
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Harry Sebastian
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SheetMusicPlus
The Blue Bells of Scotland. Variations From Brinley Richards' Album, No. 45
Piano seul
Piano - Digital Download SKU: LV.445 Composed by Brinley Richards. Children, Girls,…
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Piano - Digital Download SKU: LV.445 Composed by Brinley Richards. Children, Girls, Gardens, Baskets, Flowers. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.445). The Blue Bells of Scotland. Variations From Brinley Richards' Album, No. 45. Brinley Richards. Published [n.d.] by W.A. Evans & Bro., Publishers in New York. Composition of theme and variation with piano instrumentation. Subject headings for this piece include Children, Girls, Gardens, Baskets, Flowers. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.61 €
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Piano seul
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Brinley Richards
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The Blue Bells of Scotland. Variations From Brinley Richards' Album, No. 45
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Psalm 45:1
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294836 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294836 By Cheryl Prazak. By Lyric: Cheryl Prazak and Traditional English Melody. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 6 pages. Cheryl Prazak #885162. Published by Cheryl Prazak (A0.1294836). âCast your bread upon the watersâ - Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release âHearts Aflame.âWorking with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, KentuckyPsalm 45:1I want to write sweet love poems with words that honor You.May leanings of each heartbeat be faithful and be true.I want to write love songs telling what You mean to me.And then ten thousand angels could sing my poems for Thee.You wake me from my slumber, your Spirit beckons me.You give me all the true words to stir my heart to Thee.âAnd if I havenât the voice to sing, let others sing for me.âJust let me write the lovely poems with words that honor Thee.May poems that I offer You be precious in your sight.May your redemptionâs story shine through each line I write.And if I havenât the voice to sing, let others sing for me.Just let me write the lovely poems with words that honor Thee.God wants the world to know Him and songs may draw us near.Let me be one who writes words that send his message clear.The strains that stir my waiting soul, I dedicate to Thee.Just let me write the lovely poems with gifts Youâve given me.
$4.99
4.67 €
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Piano, Voix
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Cheryl Prazak
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Jon Burr
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Psalm 45:1
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Cheryl Prazak
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SheetMusicPlus
Wohlfahrt: Sixty Studies, Op. 45, Volume I (Nos. 1-30)
String Instruments - Digital Download SKU: AX.00-PC-0009619 Sixty Studies, Op. 4…
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String Instruments - Digital Download SKU: AX.00-PC-0009619 Sixty Studies, Op. 45, Volume I (Nos. 1-30). Composed by Franz Wohlfahrt. Classical. Part. 24 pages. Alfred Music - Digital Sheet Music #00-PC-0009619. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0009619). ISBN 9780769257532. UPC: 029156115895.(Nos. 1-30).
$8.95
8.38 €
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Franz Wohlfahrt
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Wohlfahrt: Sixty Studies, Op. 45, Volume I
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâs songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â1606), and 18 poems of Moritz Hartmann (1821â1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâs melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524â1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâs only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â1872), a good friend of Gouvyâs. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises dâAdolphe Larmande).
$3.00
2.81 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâs songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â1606), and 18 poems of Moritz Hartmann (1821â1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâs melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524â1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâs only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â1872), a good friend of Gouvyâs. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises dâAdolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâs songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â1606), and 18 poems of Moritz Hartmann (1821â1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâs melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524â1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâs only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â1872), a good friend of Gouvyâs. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises dâAdolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâs songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â1606), and 18 poems of Moritz Hartmann (1821â1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâs melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524â1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâs only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â1872), a good friend of Gouvyâs. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises dâAdolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâs songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â1606), and 18 poems of Moritz Hartmann (1821â1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâs melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524â1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâs only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â1872), a good friend of Gouvyâs. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises dâAdolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâs songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â1606), and 18 poems of Moritz Hartmann (1821â1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâs melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524â1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâs only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â1872), a good friend of Gouvyâs. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises dâAdolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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