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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
5:45.
Non classifié
257
Piano & claviers
Piano seul
129
Piano, Voix
30
Orgue
12
Piano (partie séparée)
9
Piano Facile
9
Piano Trio: piano, violon, violoncelle
4
Piano, Voix et Guitare
4
1 Piano, 4 mains
4
Accompagnement Piano
3
Instruments en Do
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
11
Guitare
9
Guitare (partie séparée)
6
Piano, Guitare (duo)
2
Basse électrique (partie séparée)
1
Ukulele Baryton
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
72
Chorale 3 parties
29
Chorale 2 parties
8
Chorale TTBB
5
Chorale SSAA
2
Voix Soprano, Piano
2
Voix Baryton, Piano
1
Chorale
1
Chorale SSATB
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
Pack Instrumental pour Chorale
1
+ 7 instrumentations
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30
Clarinette (partie séparée)
28
Quintette de Saxophone: 5 saxophones
20
2 Saxophones (duo)
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Flute (partie séparée)
13
2 Flûtes traversières (duo)
12
Flûte, Hautbois, Clarinette, Basson
12
Quatuor de Saxophones: 4 saxophones
12
Clarinette et Piano
12
2 Clarinettes (duo)
11
Saxophone Tenor et Piano
10
Saxophone Alto et Piano
10
Ensemble de saxophones
9
2 Hautbois (duo)
9
Quatuor de Clarinettes: 4 clarinettes
9
Flûte traversière
9
Hautbois (partie séparée)
8
Flûte traversière et Piano
8
Quintette de Clarinettes: 5 clarinettes
8
Hautbois, Piano (duo)
8
Ensemble de Flûtes
7
Clarinette
7
Ensemble de Clarinettes
7
Quintette de Flûte : 5 flûtes
4
Clarinette Basse, Piano
4
5 Flûtes à bec
3
Saxophone Soprano et Piano
3
Trio de Flûtes: 3 flûtes
2
Clarinette Basse
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Baryton, Piano
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Violon (duo)
2
Hautbois
2
3 Saxophones (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone Tenor
1
Piccolo
1
2 Clarinettes, Piano
1
Ensemble à vent
1
Flûte et Guitare
1
Clarinette et Alto
1
Flûte, Alto et Piano
1
Saxophone Alto
1
Cor anglais, Piano
1
2 Flûte à bec (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Guitare
1
+ 44 instrumentations
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Cuivres
Trombone (partie séparée)
32
Trompette (partie séparée)
25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Cor (partie séparée)
16
Tuba (partie séparée)
13
Trombone et Piano
11
Euphonium, Piano (duo)
8
2 Cors (duo)
7
Trompette, Piano
6
Trompette
6
Cor et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
2 Trombones (duo)
4
Tuba et Piano
4
Ensemble de Trombones
3
Euphonium
3
2 Euphoniums (duo)
3
2 Trompettes (duo)
3
Quatuor de cuivres: 4 trompettes
2
Quatuor de Cuivres
2
2 Tubas (duo)
2
2 Cors Anglais Et Pianoforte
2
Ensemble de Cors
1
Tuba
1
Trombone basse
1
Ensemble de Tubas
1
3 Trompettes (trio)
1
Cor anglais, Piano
1
Ensemble de Trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Contrebasse (partie séparée)
16
Violon et Piano
15
Violoncelle, Piano
14
Violon
12
Alto, Piano
9
2 Violons (duo)
9
Trio à Cordes: violon, alto, violoncelle
8
Violon (partie séparée)
8
2 Violoncelles (duo)
8
Violon, Violoncelle (duo)
7
Alto seul
5
2 Altos (duo)
5
Alto (partie séparée)
4
Harpe
3
2 Contrebasses (duo)
2
Contre Basse
2
Ensemble d'Altos
2
Alto, Violoncelle (duo)
2
Violoncelle
2
Violoncelle, Orgue
1
Violon, Alto (duo)
1
Violoncelle (partie séparée)
1
Contrebasse, Piano (duo)
1
Violon, Guitare (duo)
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
174
Orchestre
61
Orchestre à Cordes
38
Ensemble Jazz
32
Percussion (partie séparée)
26
Ensemble de cuivres
15
Percussion
9
Cloches
9
Orchestre de chambre
5
Batterie (partie séparée)
4
Batterie
4
Jazz combo
3
Fanfare
3
Timbales (partie séparée)
3
Timbales
2
Quatuor à Vent : 4 instruments à vents
1
Ensemble de Percussions
1
Marimba
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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5:45.
Partitions à imprimer
1 730 partitions trouvées
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1726
Concerto grosso, Op.3, no.7 (arrangement for 5 recorders)
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5 Flûtes à bec
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Classique
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Antonio Vivaldi
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Gil Garty
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Concerto grosso, Op.3, no.7
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Gil Garty
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SheetMusicPlus
Recorder - SKU: A0.756580 Composed by Antonio Vivaldi. Arranged by Gil Garty. Baroque. Recorder Ensemble. 45 pages. Gil Garty #4596447. Published by Gil...
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Recorder - SKU: A0.756580 Composed by Antonio Vivaldi. Arranged by Gil Garty. Baroque. Recorder Ensemble. 45 pages. Gil Garty #4596447. Published by Gil Garty (A0.756580). Originally for string orchestra and continuo. Arranged for 5 recorders (SSAAB).
$15.00
5 (in 4) (Score)
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Contemporain
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Kristin Stahlecker Heckman
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5
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Kristin Stahlecker Heckman
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SheetMusicPlus
Small Ensemble Accordion,Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.723207 Composed by Kristin Stahlecker Heckman. Contemporary. Score and parts...
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Small Ensemble Accordion,Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.723207 Composed by Kristin Stahlecker Heckman. Contemporary. Score and parts. 16 pages. Kristin Stahlecker Heckman #3419259. Published by Kristin Stahlecker Heckman (A0.723207). Concerto for accordion and strings. 5 premiered in Nashville, TN with Nexus Chamber Orchestra in October 2011. String parts include a substantial amount of pizzicato. Approx. 5:45Intermediate/advanced. .
$6.99
Quantz Flute Concerto in D, QV 5:45
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Johann Joachim Quantz
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Lewis Andrews
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Quantz Flute Concerto in D, QV
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Hilltop Music Publications
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SheetMusicPlus
Small Ensemble Basso Continuo,Flute,Harpsichord,Piano Accompaniment - Level 4 - SKU: A0.795456 Composed by Johann Joachim Quantz. Arranged by Lewis Andr...
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Small Ensemble Basso Continuo,Flute,Harpsichord,Piano Accompaniment - Level 4 - SKU: A0.795456 Composed by Johann Joachim Quantz. Arranged by Lewis Andrews. Baroque,Concert. Score and parts. 54 pages. Hilltop Music Publications #4327143. Published by Hilltop Music Publications (A0.795456). Transcribed from the manuscript in the Schank II collection RISM 212002518.
$10.00
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach : Orgelbüchlei
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
Franz Wohlfahrt : 60 études pour violon, Opus 45 - N° 5 Moderato
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Violon
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FACILE
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Classique
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Methodes Etudes
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Franz Wohlfahrt
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60 études pour violon, Opus 4
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Tomplay
Telechargez la partition Violon 60 etudes pour violon, Opus 45 - N° 5 Moderato de Wohlfahrt. Partition pour Violon avec piano d‘accompagnement -- Classiqu...
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Telechargez la partition Violon 60 etudes pour violon, Opus 45 - N° 5 Moderato de Wohlfahrt. Partition pour Violon avec piano d‘accompagnement -- Classique
1.99€
Franz Wohlfahrt : 60 études pour violon, Opus 45 - N° 5 Moderato (Transcrit pour alto)
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Alto seul
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FACILE
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Classique
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Methodes Etudes
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Franz Wohlfahrt
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60 études pour violon, Opus 4
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Tomplay
Telechargez la partition Alto 60 etudes pour violon, Opus 45 - N° 5 Moderato (Transcrit pour alto) de Wohlfahrt. Partition pour Alto avec piano d‘accompag...
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Telechargez la partition Alto 60 etudes pour violon, Opus 45 - N° 5 Moderato (Transcrit pour alto) de Wohlfahrt. Partition pour Alto avec piano d‘accompagnement -- Classique
1.99€
A 45 for 3 Harps, Glockenspiel, Upright Bass
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Celebrity Chamber Players
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A 45 for 3 Harps, Glockenspiel
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Father Ambrose Press
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SheetMusicPlus
Double Bass,Harmonica,Percussion - Level 5 - Interactive Download SKU: A0.1486245 By Celebrity Chamber Players. By Dr. Marshall Thomas. This edition: Int...
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Double Bass,Harmonica,Percussion - Level 5 - Interactive Download SKU: A0.1486245 By Celebrity Chamber Players. By Dr. Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. 10 pages. Duration 45. Father Ambrose Press #5uS557x65n2eGZYMLEHKp0. Published by Father Ambrose Press (A0.1486245). Key: C major.A 45 for 3 Harps, Glockenspiel, Upright Bass...
$17.00
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 5: Si vous m&rsquo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Chopin- Prelude in C sharp minor Op. 45
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Piano seul
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Harry Sebastian
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Chopin- Prelude in C sharp min
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Harry Sebastian
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.895491 Composed by Frederic Chopin. Arranged by Harry Sebastian. Romantic Period. Score. 5 pages. Harry Sebastian #666558...
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Piano Solo - Level 3 - SKU: A0.895491 Composed by Frederic Chopin. Arranged by Harry Sebastian. Romantic Period. Score. 5 pages. Harry Sebastian #6665585. Published by Harry Sebastian (A0.895491). Chopin- Prelude in C sharp minor Op. 45.
$3.99
Chopin- Prelude in C sharp minor, Op. 45
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Piano seul
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Harry Sebastian
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Chopin- Prelude in C sharp min
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Harry Sebastian
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.895457 Composed by Frederic Chopin. Arranged by Harry Sebastian. Romantic Period. Score. 5 pages. Harry Sebastian #642846...
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Piano Solo - Level 3 - SKU: A0.895457 Composed by Frederic Chopin. Arranged by Harry Sebastian. Romantic Period. Score. 5 pages. Harry Sebastian #6428467. Published by Harry Sebastian (A0.895457). Chopin- Prelude in C sharp minor, Op. 45.
$3.99
The Blue Bells of Scotland. Variations From Brinley Richards' Album, No. 45
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Piano seul
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Brinley Richards
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The Blue Bells of Scotland. Va
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.445 Composed by Brinley Richards. Children, Girls, Gardens, Baskets, Flowers. Lester S. Levy Collection. 5 pages. Published by Johns Hop...
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Piano - SKU: LV.445 Composed by Brinley Richards. Children, Girls, Gardens, Baskets, Flowers. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.445). The Blue Bells of Scotland. Variations From Brinley Richards' Album, No. 45. Brinley Richards. Published [n.d.] by W.A. Evans & Bro., Publishers in New York. Composition of theme and variation with piano instrumentation. Subject headings for this piece include Children, Girls, Gardens, Baskets, Flowers. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 4: Prière a
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 7: À Diane from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 7: À Diane
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-07E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 13: Des beaux yeux de ma Diane from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 13: Des beaux yeux
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-13E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-13E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 8: Mon bel et doux tourment from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 8: Mon bel et doux
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-08E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-08E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Confection 45
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Celebrity Chamber Players
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Confection 45
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Father Ambrose Press
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SheetMusicPlus
Harmonica,Percussion,Vibraphone - Level 5 - Interactive Download SKU: A0.1337276 By Celebrity Chamber Players. By Dr. Marshall Thomas. This edition: Inte...
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Harmonica,Percussion,Vibraphone - Level 5 - Interactive Download SKU: A0.1337276 By Celebrity Chamber Players. By Dr. Marshall Thomas. This edition: Interactive Download. Children,Classical,Film/TV. 6 pages. Duration 26. Father Ambrose Press #3VkdmrYDGLeQNw7LKBsWkc. Published by Father Ambrose Press (A0.1337276). Key: F major.Confection 45, composed for harp, glockenspiel, and vibraphone...
$16.00
Czerny's 110 Easy and Progressive Exercises Opus 453 Ex. 45-66 KlavarScore notation (A4)
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Piano seul
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FACILE
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Carl Czerny
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KlavarScore
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Czerny's 110 Easy and Progress
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KlavarScore
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.988443 Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Instructional,Romantic Period. Score. 32 pages. Klav...
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Piano Solo - Level 2 - SKU: A0.988443 Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Instructional,Romantic Period. Score. 32 pages. KlavarScore #6698337. Published by KlavarScore (A0.988443). Book 3, containing the exercises 45-66 from Carl Czerny's 110 Easy and Progressive Exercices as an addition to the free Klavarscore Beyer Piano Course (See www.klavarscore.org). This book is in the Letter/A4 format, suitable for printing.In this book you will find QR codes for free download of the audio files, as an example of how these pieces could be played. Perhaps not only for exercising, but also because it is such nice music to play and hear.....Books 1, 2 and 4, each also containing 22 exercises are also available.Book 5, also containing 22 exercises will be coming soon.The Video example shown on this site is exercise No.62, the audio example is exercise No.52.Carl Czerny (1791-1857) was an Austrian composer, teacher, and pianist of Czech origin whose vast musical production amounted to over a thousand works. His books of studies for the piano are still widely used in piano teaching. He was one of Beethoven's numerous pupils, Franz Liszt was his most famous pupil.Source: Wikipedia.
$1.99
Scarlatti-Sonata in D-Major L.265 K.45(piano)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Alessandro Scarlatti
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MPS
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Scarlatti-Sonata in D-Major L.
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Classic Piano sheetz
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.651594 Composed by Alessandro Scarlatti. Arranged by MPS. Classical. Score. 5 pages. Classic Piano sheetz #6214911. Publi...
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Piano Solo - Level 3 - SKU: A0.651594 Composed by Alessandro Scarlatti. Arranged by MPS. Classical. Score. 5 pages. Classic Piano sheetz #6214911. Published by Classic Piano sheetz (A0.651594). Scarlatti - Keyboard Sonata in D-Major L.265 K.45(piano solo).
$4.99
Scarlatti-Sonata in A-Major L.45 K.62(piano)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Alessandro Scarlatti
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MPS
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Scarlatti-Sonata in A-Major L.
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Classic Piano sheetz
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.651387 Composed by Alessandro Scarlatti. Arranged by MPS. Classical. Score. 5 pages. Classic Piano sheetz #6214419. Publi...
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Piano Solo - Level 3 - SKU: A0.651387 Composed by Alessandro Scarlatti. Arranged by MPS. Classical. Score. 5 pages. Classic Piano sheetz #6214419. Published by Classic Piano sheetz (A0.651387). Scarlatti - Keyboard Sonata in A-Major L.45 K.62(piano solo).
$4.99
String Quartet in B flat major, Op. 10, No. 5 (score and parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Franz Anton Hoffmeister
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Artaria Editions
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String Quartet in B flat major
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Artaria Editions
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1092783 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score a...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1092783 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 45 pages. Artaria Editions #696890. Published by Artaria Editions (A0.1092783). For string quartet Artaria Editions AE275 Edited by Allan Badley 45 pages This is a scholarly edition of a public domain work. The present edition is based on a copy of Torricella's print preserved in the library of the Gesellschaft der Musikfreunde, Steyr (M.S.30380). Torricella's print is a little slipshod in places, particularly in the placement of articulation marks and dynamics. Where these are confusing the editor has standardized the markings in the interests of clarity. Applied markings are indicated by the use of dotted slurs and brackets where appropriate. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
$53.00
Heller : 25 Études mélodiques - No. 5 Song of May (Allegretto comodo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Methodes Etudes
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Methodes
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Heller
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25 Études mélodiques
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Tomplay
Telechargez la partition Piano 25 Études melodiques - No. 5 Song of May (Allegretto comodo) de Heller. Partition pour Piano seul -- Classique,Exercices (...
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Telechargez la partition Piano 25 Études melodiques - No. 5 Song of May (Allegretto comodo) de Heller. Partition pour Piano seul -- Classique,Exercices (ameliorez votr
3.99€
Capriccio Italien - Opus 45
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Ensemble de Clarinettes
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AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Gary Bricault
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Capriccio Italien - Opus 45
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Gary Bricault
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SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.1294110 Composed by Peter Ilyich T...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.1294110 Composed by Peter Ilyich Tchaikovsky. Arranged by Gary Bricault. Romantic Period. 205 pages. Gary Bricault #884533. Published by Gary Bricault (A0.1294110). Arrangement as Clarinet Choir (Eb Sop 5 Bb 1 BH 3 Bs Cl Ca Cb + Timp + Perc. ). Performance time 14'40.Both Eb Alto Clarinet and Basset Horn parts included.
$19.99
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