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6 Waltzes for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
6 Waltzes for String Quartet
SheetMusicPlus
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6 Waltzes for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Bob Good, Tilly Lockwood
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6 Waltzes for String Quartet
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Surrey Dance Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.951240 Composed by Bob Good, Tilly Lockwood. Concert,Standards,Wedding. Score and parts. 60 pages. Sur...
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String Quartet String Quartet - Level 3 - SKU: A0.951240 Composed by Bob Good, Tilly Lockwood. Concert,Standards,Wedding. Score and parts. 60 pages. Surrey Dance Music #6471781. Published by Surrey Dance Music (A0.951240). A collection of six Waltzes arranged for String Quartet.
$21.95
SQ15 ... Hommage à DSCH (2021) for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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SQ15 ... Hommage à DSCH
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe ...
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String Quartet String Quartet - Level 4 - SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme. Bach actually came up with the idea. In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural. Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C. Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony. The cello plays a pedal D … for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati. I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement. Incidentally, the publisher forgot to add an alto clef for the viola part … The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin. It has nothing to do with DSCH’s music, except for the title. The fourth movement is Intermezzo. Both this title and the previous Nocturne are from his SQ15. But the motivic idea is actually something I stole from his SQ4, third movement. In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter. I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4. It doesn’t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement. I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCH’s SQ2, third movement, which is titled Valse. The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz. That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that just repeating the same notes. His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCH’s SQ15. The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad. The music that follows has nothing to do with DSCH. Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.
$9.99
Bethena - a Concert Waltz
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Stephen W
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Bethena - a Concert Waltz
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BurchMusic
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1356229 Composed by Scott Joplin (1868-1917). Arranged by Stephen W. Burch (ASCAP)....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1356229 Composed by Scott Joplin (1868-1917). Arranged by Stephen W. Burch (ASCAP). Chamber,Ragtime. 23 pages. BurchMusic #940901. Published by BurchMusic (A0.1356229). Scott Joplin (1868-1917) is known to have composed over 80 pieces for piano, only 5 of which are waltzes. It is thought by some scholars that Bethena was composed as a memorial to his wife “Freddie†who tragically died just 10 weeks after their wedding. This arrangement for String Quartet features melody lines in all four instruments. The Youtube video and mp3 recording take all the repeats, making it longer (6:04) than most of Joplin’s other pieces. My quartet usually takes no repeats (all 2nd endings) which makes the length about two minutes shorter.
$5.00
Bethena
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Scot Joplin
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Kevin Riley
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Bethena
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Kevin Riley
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1510458 Composed by Scot Joplin. Arranged by Kevin Riley. 20th Century,Jazz. 21 pages. Kevin Riley #10...
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String Quartet String Quartet - Level 4 - SKU: A0.1510458 Composed by Scot Joplin. Arranged by Kevin Riley. 20th Century,Jazz. 21 pages. Kevin Riley #1085653. Published by Kevin Riley (A0.1510458). Bethena, A Concert Waltz (copyright registered March 6, 1905) is a composition by Scott Joplin. It was the first Joplin work since his wife Freddie's death on September 10, 1904, of pneumonia, ten weeks after their wedding. At the time the composer had significant financial problems; the work did not sell successfully at the time of publication and was soon neglected and forgotten. It was rediscovered as a result of the Joplin revival in the 1970s and has received acclaim from Joplin's biographers and other critics. The piece combines two different styles of music, the classical waltz and the rag, and has been seen as demonstrating Joplin's excellence as a classical composer. The work has been described as an enchantingly beautiful piece that is among the greatest of Ragtime Waltzes, a masterpiece, and Joplin's finest waltz.
$30.00
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6 Waltzes for String Quartet
