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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
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HAUTBOIS
LIVRES
LUTH
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MARIMBA
OCARINA
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Breathing Place
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
A Breathing Place
SheetMusicPlus
Partitions à imprimer
32 partitions trouvées
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26
A Breathing Place (3-Piece Digital Pack)
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Pack Instrumental pour Chorale
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A Breathing Place
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.423820 This edition: scorch. Christian,Spiritual. Choral Instrumental Pak. 2 pages. Duration 260. Hal Leonard - Digital #299759. Published by Ha...
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SKU: HX.423820 This edition: scorch. Christian,Spiritual. Choral Instrumental Pak. 2 pages. Duration 260. Hal Leonard - Digital #299759. Published by Hal Leonard - Digital (HX.423820).
Digital Pack includes
:
A Breathing Place - Full Score
A Breathing Place - Violin
A Breathing Place - Cello
$15.00
Abide With Me A Cappella TTBB
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Chorale TTBB
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INTERMÉDIAIRE
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Musique Sacrée
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W
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Edited by Andrew Emmet
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Abide With Me A Cappella TTBB
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.719220 Composed by W. H. Monk (1823 - 1889). Arranged by Edited by Andrew Emmet. A Cappella,Christian,Pra...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.719220 Composed by W. H. Monk (1823 - 1889). Arranged by Edited by Andrew Emmet. A Cappella,Christian,Praise & Worship,Sacred,Spiritual. 13 pages. Andrew J Emmet #6425017. Published by Andrew J Emmet (A0.719220). TTBB A Cappella.Bass 2 goes down to F with low E optional.Tenor 1 goes up to A.Five pages, one page for each verse, showing breathing places.Includes parts files. Two pages per part.
$4.00
The Emergence (Breathing Structures #1)
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Piano seul
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INTERMÉDIAIRE
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Nicholas Yandell
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The Emergence
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Nicholas Yandell Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1343120 Composed by Nicholas Yandell. 20th Century,21st Century,Classical,Contemporary,Sacred. Score. 7 pages. Nicholas Y...
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Piano Solo - Level 3 - SKU: A0.1343120 Composed by Nicholas Yandell. 20th Century,21st Century,Classical,Contemporary,Sacred. Score. 7 pages. Nicholas Yandell Music #928399. Published by Nicholas Yandell Music (A0.1343120). Premiered July 15, 2023 at the Cascadia Composers In Good Hands student piano concert at Portland State University, in Portland, Oregon, USA.Composed in 2023.Level: Intermediate level; great for a high school student recital, but could be a very managable piece for a college student as well. Composition notes: The first of a trio of pieces called Breathing Structures, this piece was written for and premiered/performed by Andrew Bren as part of the Cascadia Composers' In Good Hands program (where composers write custom works student performers). This is a expressive, post-minimalist influenced composition, with flexible tempos and dynamics. Great for students who are interested in late 20th-century/early 21st-century classical music influenced by Philip Glass, John Adams, Michael Torke, and Ludovico Einaudi. The following poem serves as the program note for this work: The Emergence Stepping out that place of hidingAn infernal state of comfortWith smothering holds of safetyShielding from rays of lucidity. Stumbling forwardOne step pastThe formerly towering limit.A rush of adrenalineAn urge of retreatBut staying firmly plantedWith bristling folliclesAnd quickened breathing.Transformation is jarringShedding skin is tiringYet soon will exhilarateReleasing onwardLeaving old pathsAs distant dreamsPainted by the hazeOf the oncoming gleam.Performing Rights Organization: ASCAPComposer's website: https://www.nicholasyandell.com.
$5.99
The Sense of a Place Will Remain
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Chorale SATB
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Contemporain
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
A Breathing Place - Violin
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Pack Instrumental pour Chorale
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A Breathing Place - Violin
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.423819 This edition: scorch. Christian,Spiritual. Choral Instrumental Pak. 2 pages. Duration 260. Hal Leonard - Digital #299759. Published by Ha...
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SKU: HX.423819 This edition: scorch. Christian,Spiritual. Choral Instrumental Pak. 2 pages. Duration 260. Hal Leonard - Digital #299759. Published by Hal Leonard - Digital (HX.423819).
$7.00
A Breathing Place - Full Score
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Pack Instrumental pour Chorale
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A Breathing Place - Full Score
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.423818 This edition: scorch. Christian,Spiritual. Choral Instrumental Pak. 11 pages. Duration 260. Hal Leonard - Digital #299759. Publi...
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Choral - SKU: HX.423818 This edition: scorch. Christian,Spiritual. Choral Instrumental Pak. 11 pages. Duration 260. Hal Leonard - Digital #299759. Published by Hal Leonard - Digital (HX.423818).
$7.00
A Breathing Place - Cello
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Pack Instrumental pour Chorale
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A Breathing Place - Cello
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.423820 This edition: scorch. Christian,Spiritual. Choral Instrumental Pak. 2 pages. Duration 260. Hal Leonard - Digital #299759. Published by Ha...
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SKU: HX.423820 This edition: scorch. Christian,Spiritual. Choral Instrumental Pak. 2 pages. Duration 260. Hal Leonard - Digital #299759. Published by Hal Leonard - Digital (HX.423820).
$7.00
A Breathing Place
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Chorale SATB
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A Breathing Place
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Hal Leonard - Digital
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SheetMusicPlus
(SATB) - SKU: HX.427810 Concert. Choral. 15 pages. Duration 260. Published by Hal Leonard - Digital (HX.427810). ...
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(SATB) - SKU: HX.427810 Concert. Choral. 15 pages. Duration 260. Published by Hal Leonard - Digital (HX.427810).
$2.25
A Breathing Place
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Musique Sacrée
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Heather Sorenson
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A Breathing Place
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.425142 Composed by Heather Sorenson. Sacred. Choral. Duration 264. Published by Hal Leonard - Digital (HX.425142).
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(Full Performance) - SKU: HX.425142 Composed by Heather Sorenson. Sacred. Choral. Duration 264. Published by Hal Leonard - Digital (HX.425142).
$1.99
A Breathing Place
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Musique Sacrée
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Heather Sorenson
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A Breathing Place
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Hal Leonard - Digital
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SheetMusicPlus
(Accompaniment Only) - SKU: HX.425143 Composed by Heather Sorenson. Sacred. Choral. Duration 264. Published by Hal Leonard - Digital (HX.425143).
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(Accompaniment Only) - SKU: HX.425143 Composed by Heather Sorenson. Sacred. Choral. Duration 264. Published by Hal Leonard - Digital (HX.425143).
$14.99
A Distant Manger Fantasy - Harnessing the enchanting melody of 'Away in a Manger'.
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Orchestre d'harmonie
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INTERMÉDIAIRE
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James Symington
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James Symington
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A Distant Manger Fantasy - Har
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James Edward Ernest Symington
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1410136 Composed by James Symington. Arranged by James Symington. Christmas,Holiday,Jazz,Praise & Worship,Religious. 72...
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Concert Band - Level 3 - SKU: A0.1410136 Composed by James Symington. Arranged by James Symington. Christmas,Holiday,Jazz,Praise & Worship,Religious. 72 pages. James Edward Ernest Symington #992593. Published by James Edward Ernest Symington (A0.1410136). 🎺 Explore a fresh interpretation of a beloved Christmas carol with A Distant Manger Fantasy, a stunning composition for solo trumpet and symphonic wind band. 🎄Derived from the timeless carol Away in a Manger, this modern adaptation breathes new life into the traditional melody, infusing it with intricate arrangements and dynamic instrumentation. The result? A captivating musical journey that retains the charm of the original while offering a contemporary twist that resonates with audiences today.In this innovative rendition, the solo trumpet takes center stage, supported by the rich harmonies and vibrant colors of the symphonic wind band. Together, they weave a tapestry of sound that transports listeners to a place of holiday enchantment and wonder.But what sets A Distant Manger Fantasy apart is its thoughtful modifications to the public domain work. While honoring the essence of the original carol, this composition introduces fresh harmonies, rhythmic variations, and expanded instrumental parts, breathing new life into a beloved classic.With additional parts available for tenor horns and Eb Bass, this composition offers flexibility and versatility, making it an ideal choice for wind ensembles and concert bands seeking a unique addition to their repertoire.Experience the magic of Christmas in a whole new way with A Distant Manger Fantasy. Contact us today to explore licensing options and bring this modern masterpiece to your ensemble's next performance. 🌟🎶.
$49.99
MOZART: SONATA IN Bb for flute & piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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W
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Pat Spence
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MOZART: SONATA IN Bb for flute
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Piper Publications
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1134023 Composed by W. A. Mozart (1766 - 1791). Arranged by Pat Spence. Chamber,Classical,Instructional. Score and part....
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Flute,Piano - Level 4 - SKU: A0.1134023 Composed by W. A. Mozart (1766 - 1791). Arranged by Pat Spence. Chamber,Classical,Instructional. Score and part. 52 pages. Piper Publications #734138. Published by Piper Publications (A0.1134023). The Sonata in Bb has been arranged from the violin sonata for flute and piano. As far as possible the original has been retained. Changes of register to accommodate the range of the flute have, in some instances, required a change of octave in the piano part. Both parts have been paged to accommodate practical page turns. No attempt has been made to indicate specific breathing places because the music so clearly indicates where a breath should be avoided. An excellent tip from my teacher, Geoffrey Gilbert, was to top up the air supply little and often so that there is plenty for a passage where a breath is not desirable. This Sonata is rewarding to play on the flute. It makes my pianist friend so much happier than playing piano reductions of the Mozart concertos.
$20.00
Prophitiae Sibyllarum
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Chorale SATB
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INTERMÉDIAIRE
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Orlande De Lassus
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Jasper Swank
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Prophitiae Sibyllarum
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Jasper Swank
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1264673 Composed by Orlande De Lassus. Arranged by Jasper Swank. A Cappella,Historic,Religious,Renaissance. Octa...
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Choral Choir (SATB) - Level 3 - SKU: A0.1264673 Composed by Orlande De Lassus. Arranged by Jasper Swank. A Cappella,Historic,Religious,Renaissance. Octavo. 28 pages. Jasper Swank #857504. Published by Jasper Swank (A0.1264673). About the composer Orlando Lasso, Orlande de Lassus, Orlando di Lasso or Orlandus Lassus was born in Bergen (Dutch) or Mons (French) in Henegouwen, Belgium – which was a place in the Habsburg Netherlands at the time – in 1532, and was highly regarded as the best composer of his time. Temopraries appointed him titles like ‘ruler of music’ and ‘master of motets’. The roman-catholic composer was also one of the most productive composers of all times. Among his works are 53 masses for four to eight voices, and 1250 works for two to twelve voices in the form of motets, requiems, madrigals, chansons and songs for choir. Later in life, he wrote German drinking songs, as well as Dutch songs. From the latter category, none have been preserved. One of his drinking songs ‘Un jour vis un foulon qui fouloit’ was translated to English by William Shakespeare, after which it was used in his theatre play ‘Henry IV part 2’. About this work Prophetiae Sibyllarum is a motet in Latin for four voices. Posthumously published in 1600, it sets 12 prophecies attributed to the Sibyls (priestesses of Apollo later adopted by Christians) with a prologue.The movements are catalogued in order under separate opus numbers LV 1048 to 1060. About this edition This edition was notated from the composer’s manuscript (published around 1600), Das Chorwerk (Wolfenbüttel, 1937) and an anonymous reading score. The note values were halved for easier sightreading by modern singers. Recordings by De Labyrintho were studied for interpretation. On the base of these recordings, small checkmarks are added at places where collective breathing moments are suggested. These are not part of the manuscript.Great care has been put in the correct notation of the original work, as well as in solving apparent inconsistencies in the source materials. However, this edition was made purely to acommodate singers to study the melodic lines and should not be used for historic purposes.
$3.09
Moving Between for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Haydn Reeder
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Moving Between for string quar
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Haydn Reeder
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.953836 Composed by Haydn Reeder. Concert,Contemporary. Score and parts. 14 pages. Haydn Reeder #457598...
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String Quartet String Quartet - Level 5 - SKU: A0.953836 Composed by Haydn Reeder. Concert,Contemporary. Score and parts. 14 pages. Haydn Reeder #4575989. Published by Haydn Reeder (A0.953836). This string quartet movement is the first of three which can be played separately or as a set. The others are titled Breathing and Drama, also available here. Moving Between requires a modicum of theatrical movement / gestures by the players. Composed in 2010, Moving Between has its origins in the abstract thinking which characterized some of my earlier pieces such as Diasynthèse for piano or Chromatalea for small ensemble. A fuller title may have been Moving Between Extremes, as it deals with the contrast between monody (unaccompanied melody) and the simultaneous sounding of different pitches (harmony). Transforming one of these extreme types of texture into the other is achieved in a number of ways. There are areas where such a transformation is taking place; however, quite often a texture arrived at remains the same for some time. The piece has the potential to evolve further along its own free-wheeling path.
$7.50
Sinfonia 7, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
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Ensemble de cuivres
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AVANCÉ
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J
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Rudy Volkmann
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Sinfonia 7, J. S. Bach, adapte
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Rudy Volkmann
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.1005661 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkma...
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Brass Ensemble - Level 5 - SKU: A0.1005661 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6367055. Published by Rudy Volkmann (A0.1005661). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein. This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece. Notes in parenthesis suggest breathing spots (in place of the notes, if necessary). This is a great recital piece or concert opener.
$3.00
20,000
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Saxophone Alto
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AVANCÉ
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Contemporain
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Sy Brandon
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20,000
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Sy Brandon
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815...
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Alto Saxophone Solo - Level 5 - SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
$4.99
La Bourrée
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Michael Praetorius
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Alberto Mandarini
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La Bourrée
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Alm@music
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1491035 Composed by Michael Praetorius. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Ins...
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Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1491035 Composed by Michael Praetorius. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Instructional,Renaissance. 18 pages. Alm@music #1067793. Published by Alm@music (A0.1491035). Brass Ensemble: 3 Trumpets and 2 Trombones - Grade 2.This is also a transcription and a small adaptation of the original score.I chose “La Bourrée” by Michael Praetorius mainly for educational purposes thanks to the not excessive difficulty, but perfect for students with an intermediate level of preparation. Furthermore, the skillful writing of Praetorius and the beauty of this short composition of his, make the piece absolutely suitable to be included in any concert program.Starting from the 4 canonical parts, I focused above all on the redistribution of the voices bringing them to 5 and intervening on the reorganization of the refrains. Always with the utmost respect for the original score, I simply imagined two opposing choirs that alternate, responding to each other and becoming protagonists from time to time, thus replacing the mere repetition of the refrains.The themes, in turn and to the extent possible, were distributed across all the voices using, in some cases, even simple doubling.As in the adaptation of Contrapunctus I by J. S. Bach, ( https://www.sheetmusicplus.com/en/product/contrapunctus-i-from-the-art-of-the-fugue-bwv-1080-22828292.html ) the choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the formation for which I made the transcription.Finally, on a didactic level, this piece was fundamental to consolidate a formation at the first experiences and allowed me to deepen the salient aspects of ensemble music such as listening, musical breathing and interplay in its broadest sense.To the individual parts, as usual, I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, to decide whether to replace it or double it directly.The total duration is about 2 minutes and 20 seconds and the midi audio should be useful to get an idea of the arrangement and to be able to study the individual parts.Good Music!am.
$4.99
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Johann Sebastian Bach
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Alberto Mandarini
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Contrapunctus I - From The Art
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Alm@music
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SheetMusicPlus
Level 3 - SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. ...
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Level 3 - SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
$4.99
Si Je Peut T'Aimer
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Colby A
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Si Je Peut T'Aimer
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Colby Aguilar
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1028776 Composed by Colby A. Aguilar. 20th Century. 58 pages. Colby Aguilar #3927015. Published by Colby ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1028776 Composed by Colby A. Aguilar. 20th Century. 58 pages. Colby Aguilar #3927015. Published by Colby Aguilar (A0.1028776). Si Je Peut T'Aimer details the emotion of love through various seasons from the fruits of Spring to the requiems of Winter, and the roller-coaster rides throughout. Near the end, desperation starts to show, but as acceptance starts to settle in, the music slows and ends with a cadence signifying that it's time to move on.It can be performed by anyone who'd like to use, I have no set audience in mind. It can be performed by schools if they so wish and can be used to show the various displays of emotion that music can display using different methods of composition. However, I would refrain from any sorts of religious service as this is best served as entertainment. In regards to the choir, stagger breathing is highly recommended for the difficult parts, or whenever feels necessary- which could be after ever dotted half note/ measure, or after every phrase. The dynamics are left to the director or the people who shall perform it. This leaves it to be personalised for each group, and unique to each one's own story; I just gave the template. To note: one can replace the choir with another 2 cellos and 2 violins, if desired. It is also important to note that when playing, the choir is the accompaniment to the piano and strings, and serves to reinforce the story that is being told, not explicitly telling the story itself. .
$5.99
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Y...
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Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
Bubbles, Floating Bubbles (piano solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Juan MarÃa Solare
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Bubbles, Floating Bubbles
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1134936 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pag...
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Piano Solo - Level 4 - SKU: A0.1134936 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pages. Juan Maria Solare #652301. Published by Juan Maria Solare (A0.1134936). Juan MarÃa Solare: Bubbles, Floating Bubbles - a polyrhythmic etude Concert etude composed in Bremen (2-3 July) and Worpswede (5 July 2010). Duration: 4:30 (if the repetition -from bar 28 to the end- is being played; if not, 3 minutes). Bublles, Floating Bubbles - by Juan MarÃa Solare Bubbles, Floating Bubbles on Youtube: Bubbles, Floating Bubbles on Spotify: This composition is a concert etude, since it can be performed at a recital (and not only used to practice). The degree of virtuosity is relatively low, but nevertheless not suitable for absolute beginners. Technically, the main characteristic of this piece is the polyrhythm 2 against 3: the melody subdivides the quarter in 2, and the accompaniment plays triplets. In this sense, an answer to Carl Czerny's polyrhythmic studie in E major. Please use abundant pedal when playing this piece. The idea is to generate a cloud of sound, not a machinal pattern. The sound character of this piece should be closer to Debussy than to Scarlatti. The initial indication scorrevole (fleeting) should orientate the character and the sound quality, the touch. Fermatas and caesuras should add time to the bar, like breathing in. In bar 8 (end) the silence is only in he left hand: the note of the right hand shouldn't be interrupted. This is actually clear if one read the rhythms carefully, but my experience tells me that it is prudent to underline this particular point. In bar 16 (and similar places), left hand: it is the central melody what should be in foreground, not the bass. Imagine that the melody is played by a cello or viola, and the bass by a double bass (or better: a bassoon). Try to achieve a different timbre and to separate therefore both layers. The title refers to this poem: Sum venti ingenium breve Flos sum, scilicet, aeris …… Sum blandum, petulans, vagum, Pulchrum, purpureum, et decens, Comptum, floridulum, et recens. Richard Crashaw -Jacobean English poet- (1613-1649), Bulla (Bubble) I am the brief nature of the wind To be sure, I am the flower of air ...... I am charming, wanton, inconstant, Beautiful, gleaming, and noble, Ornate, somewhat blooming, and fresh.
$3.00
Loop the Loop
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Violon
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AVANCÉ
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Jazz
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Mike Strand, ASCAP <
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Mike Strand
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Loop the Loop
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Michael M. Strand
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.970720 Composed by Mike Strand. Concert,Jazz. 3 pages. Michael M. Strand #4830627. Published by Michael M. Strand (A0.97...
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Violin Solo - Level 5 - SKU: A0.970720 Composed by Mike Strand. Concert,Jazz. 3 pages. Michael M. Strand #4830627. Published by Michael M. Strand (A0.970720). By Mike Strand, ASCAP This is a lead sheet for a jazz combo or ensemble, a good basis for a variety of arrangements, improvisations, or contrafacts. The audio sample is my melody from Finale PrintMusic, combined with an iReal Pro swing accompaniment. I’ve designated the melody for solo violin, an instrument that I would like to see and hear more often in jazz ensembles. You will hear a violin carry the melody in the audio sample. Playing the solo on violin solves a possible difficulty in performance. Problem: This piece may be too challenging for many wind instrument players (brass, woodwind). Solution: This piece is well suited to a non-wind instrument player! Violin springs to mind. Violin is especially appropriate here: This tune has lots of notes; similar to a solo violin partita prelude or up-tempo dance movement by J. S. Bach. A wind instrument player told me that finding spots for taking a breath was a challenge. This is not to discourage wind players from experimenting with the piece, adjusting it in places if necessary. A wind player may include more breathing spots for relief in his or her improvisation! Note for composers: I adapted this piece from the 5th (swing) movement of my Partita II, for solo violin, also for sale on this site.
$3.00
Harmony Music No.1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99
Fun and Games with the Alto Recorder
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Flûte à bec Alto
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DÉBUTANT
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Enfant
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Methodes
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Fun and Games with the Alto Re
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Schott Music - Digital
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SheetMusicPlus
Treble recorder - very easy to easy - SKU: S9.Q586406 Tutor Book 1. Fun and games with the recorder. Downloadable, Textbook. Schott Music - Digit...
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Treble recorder - very easy to easy - SKU: S9.Q586406 Tutor Book 1. Fun and games with the recorder. Downloadable, Textbook. Schott Music - Digital #Q586406. Published by Schott Music - Digital (S9.Q586406). English.A comprehensive recorder method ranging from the beginnerâ??s first notes and progressing in carefully managed small steps to advanced playing on the alto. Particular value is placed on musical awareness; expressive playing is presented on an equal basis with breathing, finger and tonguing techniques. Singing and playing from memory are essential to musical development and play a major role throughout the series. Since the first volumes of Fun and Games with the Recorder for soprano recorder are intended for use with children from about six years of age, this method for alto recorder is therefore aimed at children of around 10 - 12 years. This series addresses the child directly and provides carefully planned and precisely formulated exercises.
$16.99
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