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A Drift in Time and Space
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Vous avez sélectionné:
A Drift in Time and Space
Partitions à imprimer
8 partitions trouvées
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1
A Drift in Time and Space
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Eric Bingham-Kumpf
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A Drift in Time and Space
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Eric Bingham-Kumpf
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.702679 Composed by Eric Bingham-Kumpf. Contemporary. Score and parts. 74 pages. Eric Bingham-Kumpf #237873. Published b...
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Concert Band - Level 3 - SKU: A0.702679 Composed by Eric Bingham-Kumpf. Contemporary. Score and parts. 74 pages. Eric Bingham-Kumpf #237873. Published by Eric Bingham-Kumpf (A0.702679).
$50.00
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Gagarin (Beyond Blue Sky)
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Chorale 2 parties
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INTERMÉDIAIRE
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Contemporain
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Glyn Lehmann
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Gagarin
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.510157 Composed by Glyn Lehmann. 20th Century. Octavo. 8 pages. Glyn Lehmann #3507407. Published by Glyn Lehmann (...
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Choral Choir (SA) - Level 3 - SKU: A0.510157 Composed by Glyn Lehmann. 20th Century. Octavo. 8 pages. Glyn Lehmann #3507407. Published by Glyn Lehmann (A0.510157). The opening song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. Words by Phil Cummings, music by Glyn Lehmann. Other songs are Space Race (To Every Question), The Children of the World (July 1969) and Apollo 11 (Homecoming).In 1961 Russian cosmonaut Yuri Gagarin was the first human to enter space and orbit the Earth. The song ebbs and flows as the story of Gagarin's life unfolds; from humble beginnings to his historic journey into space. More information at songlibrary.net/Space-Racehttps://youtu.be/kV-xs9P9LiwMore SPACE RACE song-cycle songs on SheetMusicPlus1. Gagarin https://www.sheetmusicplus.com/title/gagarin-beyond-blue-sky-digital-sheet-music/20728438?ac=12. Space Race https://www.sheetmusicplus.com/title/space-race-to-every-question-digital-sheet-music/20728434?ac=13. The Children of the World https://www.sheetmusicplus.com/title/the-children-of-the-world-july-1969-digital-sheet-music/2072843.....4. Apollo 11 (Homecoming) https://www.sheetmusicplus.com/title/apollo-11-homecoming-digital-sheet-music/20728440?ac=1Gagarin (Beyond Blue Sky) words by Phil Cummings, music by Glyn LehmannBack in April nineteen sixty oneYuri Gagarin was the chosen oneTo climb through a cold silver doorAnd go where no one had gone beforeA farmer’s son, a humble man Childhood memories of dirt on his handsStanding and gazing at the starry skiesWorlds of wonder there behind his eyesThe first to fly beyond air The first to fly beyond blueTo drift in endless dark spaceThat surrounds me and youThe first to take a breathWhere none can ever breathe To live a dream, a powerful dreamAnd make a world believe… in endless possibilitiesAround the world humanity stoodAll waiting, wondering if he couldSurvive the flames of wild fireAs the rattling rocket roared higher and higherVostok soared beyond atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityChorusGagarin returned to EarthTo the water, the air, the dirt To a world that began to dreamTo work, to imagine, to schemeTo ponder, to study, to striveFor the conquest beyond blue skyVostok soared beyond the atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityIn vast darkness blacker than the nightA fragile planet bathed in lightThe land, the rivers and the seaEarth spins … precariouslyLyrics © 2018 Phil Cummings
$2.50
Gagarin (Beyond Blue Sky)
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Glyn Lehmann
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Gagarin
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.510169 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). Contemporary. Octavo. 14 pages. Glyn Lehmann #3...
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Choral Choir (SATB) - Level 3 - SKU: A0.510169 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). Contemporary. Octavo. 14 pages. Glyn Lehmann #3542449. Published by Glyn Lehmann (A0.510169). The opening song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. Words by Phil Cummings, music by Glyn Lehmann. Other songs are Space Race (To Every Question), The Children of the World (July 1969) and Apollo 11 (Homecoming).In 1961 Russian cosmonaut Yuri Gagarin was the first human to enter space and orbit the Earth. The song ebbs and flows as the story of Gagarin's life unfolds; from humble beginnings to his historic journey into space. More information at songlibrary.net/Space-Racehttps://youtu.be/kV-xs9P9LiwGagarin (Beyond Blue Sky) words by Phil Cummings, music by Glyn LehmannBack in April nineteen sixty oneYuri Gagarin was the chosen oneTo climb through a cold silver doorAnd go where no one had gone beforeA farmer’s son, a humble man Childhood memories of dirt on his handsStanding and gazing at the starry skiesWorlds of wonder there behind his eyesThe first to fly beyond air The first to fly beyond blueTo drift in endless dark spaceThat surrounds me and youThe first to take a breathWhere none can ever breathe To live a dream, a powerful dreamAnd make a world believe… in endless possibilitiesAround the world humanity stoodAll waiting, wondering if he couldSurvive the flames of wild fireAs the rattling rocket roared higher and higherVostok soared beyond atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityChorusGagarin returned to EarthTo the water, the air, the dirt To a world that began to dreamTo work, to imagine, to schemeTo ponder, to study, to striveFor the conquest beyond blue skyVostok soared beyond the atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityIn vast darkness blacker than the nightA fragile planet bathed in lightThe land, the rivers and the seaEarth spins … precariouslyLyrics © 2018 Phil Cummings
$2.50
Für Fagott, Violoncell und Pianoforte
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Violoncelle, Piano
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AVANCÉ
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Benjamin Schweitzer
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Für Fagott, Violoncell un
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Schott Music - Digital
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SheetMusicPlus
Bassoon, cello and piano - difficult - SKU: S9.Q6353 Composed by Benjamin Schweitzer. This edition: performance score. Downloadable, performance score. ...
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Bassoon, cello and piano - difficult - SKU: S9.Q6353 Composed by Benjamin Schweitzer. This edition: performance score. Downloadable, performance score. Duration 13 minutes. Schott Music - Digital #Q6353. Published by Schott Music - Digital (S9.Q6353). Nausea (lat., seasickness, disgust) – Nenia (greek/lat., folksong, elegy, magical song): Two similar sounding terms, which offer, based on their ambiguity, lots of space to musical connotations. These subtitles of the two movements refer to a background idea of the piece – to bring musical gestures of anger on the one, mourning and desperation on the other hand together as close as possible. In both cases there are drudgingly dragged blocks of sound, circulating crumbles of motives, melodic fragments sometimes even reduced to single notes…. Nevertheless, in the end we can still hear an expanded relict of a drifty chant. Benjamin Schweitzer.
$33.99
Horn Sonata - No. 1 - 2nd Movement - Adagio
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata - No. 1 - 2nd Move
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767340 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3512413. Publi...
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French Horn Solo - Level 5 - SKU: A0.767340 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3512413. Published by Lyons Music Services (A0.767340). This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to created a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Piu mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter un til the ending at ppp.
$8.00
Horn Sonata No. 2 (Complete)
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Cor
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AVANCÉ
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Contemporain
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Moon Tune
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2 Euphoniums (duo)
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INTERMÉDIAIRE/AVANCÉ
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Shaun Acker
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Moon Tune
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Shaun Acker
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SheetMusicPlus
Euphonium,Instrumental Duet - Level 4 - SKU: A0.976080 Composed by Shaun Acker. Blues,Contemporary,Jazz. 13 pages. Shaun Acker #2026957. Published by Sh...
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Euphonium,Instrumental Duet - Level 4 - SKU: A0.976080 Composed by Shaun Acker. Blues,Contemporary,Jazz. 13 pages. Shaun Acker #2026957. Published by Shaun Acker (A0.976080). Get swept to the moon with this beautiful ballad for Alto Saxophone, Euphonium and Baritone Saxophone. Opening with a gorgeous baritone solo, Moon Tune changes phase throughout in it's accompanying parts; playing with space and rhythm and texture to create a cosmic sound world. Its melancholic thematic material conjures ideas of early cinema and you'll find yourself drifting to times gone by and times that havent happened yet. A poetic number to create some breathing room in your repertoire.
$2.00
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A Drift in Time and Space
