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Vous avez sélectionné:
A Knight's Tale: Score
Partitions à imprimer
38 partitions trouvées
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A Knight's Tale: Score
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PR-0002894 Score. Composed by Car…
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Concert Band - Digital Download SKU: AX.00-PR-0002894 Score. Composed by Carl Strommen. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0002894. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002894). UPC: 038081382616.Images of a procession of the Knights of the Roundtable are brought to mind with the opening fanfare of A Knight's Tale. As the piece progresses, the story of chivalry, battle, camaraderie, and the essence of knighthood unfold.Concert/Contest.
$7.00
6.34 €
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Orchestre d'harmonie
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Carl Strommen
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A Knight's Tale: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Knight's Tale ~ by Naina Jinga
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1010791 Composed by NAINA JINGA. Ch…
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Piano Solo - Level 3 - Digital Download SKU: A0.1010791 Composed by NAINA JINGA. Children,Concert,Contemporary,Standards. Score. 5 pages. Naina Jinga #6644335. Published by Naina Jinga (A0.1010791). A Knight's Tale composed in 2017 by Naina Jinga is a contemplative musical story dedicated to all those young fingers who enjoy reading about Knights and Princesses.
$4.99
4.52 €
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Piano seul
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NAINA JINGA
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A Knight's Tale ~ by Naina Jinga
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Naina Jinga
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SheetMusicPlus
Carl Strommen: A Knight's Tale - concert band (full score)
Orchestre d'harmonie
Instantly printable sheet music by Carl Strommen for concert band (full score) of EASY ski…
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Instantly printable sheet music by Carl Strommen for concert band (full score) of EASY skill level. / instructional,children
$11.99
10.86 €
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Orchestre d'harmonie
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Carl Strommen
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Virtualsheetmusic
The Frog Prince - Children's Musical SCORE
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1477546 By Betsy Lee …
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1477546 By Betsy Lee Bailey. By Betsy Lee Bailey. Arranged by Betsy Lee Bailey. Broadway,Children,Comedy,Historic,Musical/Show,Renaissance. Score. 74 pages. Betsy Lee Bailey #1054941. Published by Betsy Lee Bailey (A0.1477546). The Frog Prince children's musical is a version for young actors of the famous Grimm's fairy tale retold in script and songs by Betsy Lee Bailey. The setting is northern France during the Renaissance. The Monarchs of two neighboring kingdoms are having problems with their children. The self-centered young Princess and the headstrong little Prince want things their own ways without considering how it affects their families. Kings and Queens, Heralds, Knights, Lords and Ladies, a Prince, Princesses, a Frog, and even a Dragon fill this show with many opportunities for your cast to shine. Some of the magic is done using hand puppets, stick ponies, coconut clip-clops, and ancient instruments. This show includes parts for many princesses not just one, NO LOVE STORY, and fun comedic parts for a lot of knights. The over-arching moral value is KEEPING PROMISES. Enjoyed by audiences of any ages. With 5 original songs, several dances, and incidental pieces, this score is accessible for young actors. Accompaniment MP3's are available on SMP and SMD. See BaileyKidsMusicals.com for details.For young actors ages 5-12.Running Time: approximately 30-45 minutes.
$49.99
45.28 €
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Piano, Voix et Guitare
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Betsy Lee Bailey
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Betsy Lee Bailey
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The Frog Prince - Children's Musical SCORE
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Betsy Lee Bailey
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SheetMusicPlus
Script for "The Kingdom of Light" Fairy Tale Suite
Small Ensemble - Digital Download SKU: A0.961683 Composed by Kim S. Bean. Children,…
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Small Ensemble - Digital Download SKU: A0.961683 Composed by Kim S. Bean. Children,Contemporary,Sacred. Score and parts. 3 pages. Kim S. Bean #6038099. Published by Kim S. Bean (A0.961683). Script for the Kingdom of Light This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashore, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. Churches can use this for religious purposes as this can be allegorical in nature.Using both this script and the 8 individual pieces listed below, a music teacher or theater director or church can put on a wonderful production for all. Both fun, full of important values and can possibly be used as an allegorical expression of faith.The scores available in this suite are: The Kingdom of Light, Joyful News! Leaving, The Dark Knight, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99
4.52 €
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Kim S
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Script for "The Kingdom of Light" Fairy Tale Suite
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Kim S. Bean
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SheetMusicPlus
The Dark Knight
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.961678 Composed by Kim S. Bean. Chi…
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Piano Solo - Level 3 - Digital Download SKU: A0.961678 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038063. Published by Kim S. Bean (A0.961678). The Dark Knight, 2 pages, is an intermediate piece in the key of G minor, is the fourth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, The Dark Knight, is in 4/4 time, with broken diminished chords. Students will develop the skill to play chords with a clean sound, curved fingers as well as creating a mood of suspense. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99
4.52 €
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Piano seul
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Kim S
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The Dark Knight
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Kim S. Bean
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SheetMusicPlus
Carl Strommen: A Knight's Tale (COMPLETE) - concert band
Orchestre d'harmonie
Instantly printable sheet music by Carl Strommen for concert band of EASY skill level. / i…
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Instantly printable sheet music by Carl Strommen for concert band of EASY skill level. / instructional,children
$59.99
54.33 €
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Orchestre d'harmonie
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Carl Strommen
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Virtualsheetmusic
Carter Burwell: St. Vitus' Dance (from 'A Knight's Tale') - piano solo
Piano seul
Instantly printable sheet music by Carter Burwell for piano solo of MEDIUM skill level. / …
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Instantly printable sheet music by Carter Burwell for piano solo of MEDIUM skill level. / film/tv,movies
$5.97
5.41 €
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Piano seul
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Carter Burwell
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Virtualsheetmusic
Ah, Putrefaction
Piano seul
Piano - Digital Download SKU: AX.00-PS-0015808 Composed by Hans Zimmer. Pop/Rock. 2…
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Piano - Digital Download SKU: AX.00-PS-0015808 Composed by Hans Zimmer. Pop/Rock. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0015808. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015808). ISBN 9781470615277. UPC: 038081483016.Hans Zimmer's film scores are bold and unmistakable. Over the course of his prolific career, he has provided music for some of the world's most beloved films, including Disney's The Lion King and Christopher Nolan's The Dark Knight. This collection features faithful arrangements of some of the best known titles by this brilliant composer. Titles: 160 BPM (Angels and Demons) * Ah, Putrefaction (Sherlock Holmes) * All of Them! (King Arthur) * The Burning Bush (The Prince of Egypt) * Can You Hear Your Heart? (Winter's Tale) * Cheldorado (The Road to Eldorado) * Chevaliers de Sangreal (The Da Vinci Code) * Corynorhinus (Batman Begins) * The Dark Knight Overture (The Dark Knight) * Days of Thunder (Main Title) (Days of Thunder) * Discombobulate (Sherlock Holmes) * Doomsday Is Family Time (The Simpsons Movie) * Dream Is Collapsing (Inception) * Drink Up Me Hearties (Pirates of the Caribbean: At World's End) * Driving Miss Daisy (Driving Miss Daisy) * Homeland (Main Title) (Spirit: Stallion of the Cimarron) * Honor Him (Gladiator) * In the Beginning (The Bible) * It's So Overt It's Covert (Sherlock Holmes: A Game of Shadows) * Krypton's Last (Man of Steel) * Life Goes On (A League of Their Own) * Maestro (The Holiday) * The Nativity (The Bible) * Now We Are Free (Gladiator) * Roll Tide (Crimson Tide) * Tennessee (Pearl Harbor) * This Is Clark Kent (Man of Steel) * This Land (The Lion King) * What Are You Going to Do When You Are Not Saving the World (Man of Steel).
$3.99
3.61 €
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Piano seul
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Hans Zimmer
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Ah, Putrefaction
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Dichterliebe
Cor et Piano
French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert S…
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French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
49.81 €
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Cor et Piano
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
Waiting
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.961679 Composed by Kim S. Bean. Chi…
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Piano Solo - Level 3 - Digital Download SKU: A0.961679 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038065. Published by Kim S. Bean (A0.961679). Waiting, 2 pages, is an intermediate piece in the key of D minor, is the fifth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Waiting, is in 6/8 time, opens with the tolling of a bell in a clock tower. Students will learn to make an audience wait , creating suspense. The music begins a frantic staccato motif that requires the student to cross their hands quickly. The piece ends in the key of F major as a hope filled surprise. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, The Dark Knight, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99
4.52 €
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Piano seul
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Kim S
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Waiting
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Kim S. Bean
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SheetMusicPlus
Leaving
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.961677 Composed by Kim S. Bean. Chi…
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Piano Solo - Level 3 - Digital Download SKU: A0.961677 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 1 pages. Kim S. Bean #6038061. Published by Kim S. Bean (A0.961677). Leaving, 1 page, is an intermediate piece in the key of D minor, is the third piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Leaving, is in 4/4 time,is filled with dramatically rolled chords.this is a sorrowful piece that gives students a chance to explore more expressive interpretation. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! The Dark Knight, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99
4.52 €
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Piano seul
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Kim S
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Leaving
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Kim S. Bean
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SheetMusicPlus
Everlasting Promise
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.961681 Composed by Kim S. Bean. Chi…
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Piano Solo - Level 3 - Digital Download SKU: A0.961681 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 3 pages. Kim S. Bean #6038071. Published by Kim S. Bean (A0.961681). Everlasting Promise, 3 pages, is an intermediate piece in the key of C, is the seventh piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Everlasting Promise, is in 4/4 time, opens with a wedding processional using common tone chords. The second and third sections depict the saying of wedding vows followed by great joy as the Prince and Princess are wed. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, The Dark Knight, Waiting, His Journey and Return and Glorious Celebration.
$4.99
4.52 €
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Piano seul
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Kim S
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Everlasting Promise
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Kim S. Bean
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SheetMusicPlus
Joyful News!
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.961676 Composed by Kim S. Bean. Chi…
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Piano Solo - Level 3 - Digital Download SKU: A0.961676 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038059. Published by Kim S. Bean (A0.961676). Joyful News! 2 pages, is an intermediate piece in the key of D, is the second piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.This solo, Joyful News!, is in 4/4 time, an interesting bass line with staccato touch, dotted rhythms, 16th notes and a catchy melody. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Leaving, The Dark Knight, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99
4.52 €
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Piano seul
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Kim S
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Joyful News!
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Kim S. Bean
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SheetMusicPlus
The Kingdom of Light
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.961674 Composed by Kim S. Bean. Chi…
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Piano Solo - Level 3 - Digital Download SKU: A0.961674 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 3 pages. Kim S. Bean #6038053. Published by Kim S. Bean (A0.961674). The Kingdom of Light, 3 pages, is an intermediate piece in the key of G, is the first piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, The Kingdom of Light, is in 12/8 time, has rolled chords, octave playing, legato fingering outside of a 5 finger position, wide dynamic changes, octave position changes, staccatos and accents. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,Joyful News! Leaving, The Dark Knight, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99
4.52 €
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Piano seul
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Kim S
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The Kingdom of Light
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Kim S. Bean
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SheetMusicPlus
Glorious Celebration
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.961682 Composed by Kim S. Bean. Chi…
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Piano Solo - Level 3 - Digital Download SKU: A0.961682 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 3 pages. Kim S. Bean #6038075. Published by Kim S. Bean (A0.961682). Glorious Celebration, 3 pages, is an intermediate piece in the key of D, is the eighth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Glorious Celebration, is in 4/4 time, is an exultant reprisal with some changes, of the village dance from Joyful News! Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light, The Kingdom of Light, Joyful News! Leaving, The Dark Knight, Waiting, His Journey and Return and Everlasting Promise.
$4.99
4.52 €
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Piano seul
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Kim S
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Glorious Celebration
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Kim S. Bean
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SheetMusicPlus
His Journey and Return
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.961680 Composed by Kim S. Bean. Chi…
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Piano Solo - Level 3 - Digital Download SKU: A0.961680 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 4 pages. Kim S. Bean #6038069. Published by Kim S. Bean (A0.961680). His Journey and Return, 4 pages, is an intermediate piece in the key of F, is the sixth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, His Journey and Return, is in 4/4 time, gallops triumphantly into this suite to dispel evil once and for all. Staccatos, tenutos and accents abound. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, The Dark Knight, Waiting, Everlasting Promise and Glorious Celebration.
$4.99
4.52 €
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Piano seul
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Kim S
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His Journey and Return
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Kim S. Bean
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SheetMusicPlus
Sullivan: The Lost Chord for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthu…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.41 €
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Cor et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seym…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.41 €
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Violoncelle, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Cello & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir A…
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E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.41 €
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Clarinette
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Sir Arthur Seymour Sullivan
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James M
#
dynamic control
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Sullivan: The Lost Chord for Alto Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir A…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.41 €
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Clarinette et Piano
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Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur …
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.41 €
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Euphonium, Piano (duo)
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Sir Arthur Seymour Sullivan
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James M
#
dynamic control
#
Sullivan: The Lost Chord for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.41 €
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Clarinette Basse, Piano
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Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur S…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.41 €
#
Trombone et Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Trombone & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Ar…
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B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.41 €
#
Trompette
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Trumpet & Piano
#
jmsgu3
#
SheetMusicPlus
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