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A Locrian Natural 2 Scale
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Vous avez sélectionné:
A Locrian Natural 2 Scale
Partitions à imprimer
22 partitions trouvées
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1
A Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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A Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298366 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298366 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888354. Published by Danny Crocome Music (A0.1298366). This info sheet shows guitarists 4 different ways to play the A Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe A Locrian Natural 2 scale is the sixth mode of the C Melodic Minor scale.The sheet also shows how to play the diatonic chords of the A Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
A# Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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A# Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298370 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298370 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888358. Published by Danny Crocome Music (A0.1298370). This info sheet shows guitarists 4 different ways to play the A# Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe A# Locrian Natural 2 scale is the sixth mode of the C# Melodic Minor scale.The sheet also shows how to play the diatonic chords of the A# Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
F# Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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F# Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298351 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298351 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888340. Published by Danny Crocome Music (A0.1298351). This info sheet shows guitarists 4 different ways to play the F# Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe F# Locrian Natural 2 scale is the sixth mode of the A Melodic Minor scale.The sheet also shows how to play the diatonic chords of the F# Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
C Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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C Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298336 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298336 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888321. Published by Danny Crocome Music (A0.1298336). This info sheet shows guitarists 4 different ways to play the C Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe C Locrian Natural 2 scale is the sixth mode of the Eb Melodic Minor scale.The sheet also shows how to play the diatonic chords of the C Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
C# Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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C# Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298338 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298338 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888323. Published by Danny Crocome Music (A0.1298338). This info sheet shows guitarists 4 different ways to play the C# Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe C# Locrian Natural 2 scale is the sixth mode of the E Melodic Minor scale.The sheet also shows how to play the diatonic chords of the C# Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
D Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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D Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298342 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298342 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888329. Published by Danny Crocome Music (A0.1298342). This info sheet shows guitarists 4 different ways to play the D Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe D Locrian Natural 2 scale is the sixth mode of the F Melodic Minor scale.The sheet also shows how to play the diatonic chords of the D Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
G Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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G Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298353 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298353 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888341. Published by Danny Crocome Music (A0.1298353). This info sheet shows guitarists 4 different ways to play the G Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe G Locrian Natural 2 scale is the sixth mode of the Bb Melodic Minor scale.The sheet also shows how to play the diatonic chords of the G Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Bb Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Bb Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298371 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298371 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888359. Published by Danny Crocome Music (A0.1298371). This info sheet shows guitarists 4 different ways to play the Bb Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Bb Locrian Natural 2 scale is the sixth mode of the Db Melodic Minor scale.The sheet also shows how to play the diatonic chords of the Bb Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
D# Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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D# Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298345 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298345 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888332. Published by Danny Crocome Music (A0.1298345). This info sheet shows guitarists 4 different ways to play the D# Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe D# Locrian Natural 2 scale is the sixth mode of the F# Melodic Minor scale.The sheet also shows how to play the diatonic chords of the D# Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
B Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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B Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298376 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298376 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888364. Published by Danny Crocome Music (A0.1298376). This info sheet shows guitarists 4 different ways to play the B Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe B Locrian Natural 2 scale is the sixth mode of the D Melodic Minor scale.The sheet also shows how to play the diatonic chords of the B Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
G# Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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G# Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298355 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298355 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888343. Published by Danny Crocome Music (A0.1298355). This info sheet shows guitarists 4 different ways to play the G# Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe G# Locrian Natural 2 scale is the sixth mode of the B Melodic Minor scale.The sheet also shows how to play the diatonic chords of the G# Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Db Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Db Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298341 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298341 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888326. Published by Danny Crocome Music (A0.1298341). This info sheet shows guitarists 4 different ways to play the Db Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Db Locrian Natural 2 scale is the sixth mode of the Fb Melodic Minor scale.The sheet also shows how to play the diatonic chords of the Db Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
F Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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F Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298350 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298350 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888337. Published by Danny Crocome Music (A0.1298350). This info sheet shows guitarists 4 different ways to play the F Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe F Locrian Natural 2 scale is the sixth mode of the Ab Melodic Minor scale.The sheet also shows how to play the diatonic chords of the F Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Eb Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Eb Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298346 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298346 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888333. Published by Danny Crocome Music (A0.1298346). This info sheet shows guitarists 4 different ways to play the Eb Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Eb Locrian Natural 2 scale is the sixth mode of the Gb Melodic Minor scale.The sheet also shows how to play the diatonic chords of the Eb Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
E Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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E Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298348 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298348 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888335. Published by Danny Crocome Music (A0.1298348). This info sheet shows guitarists 4 different ways to play the E Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe E Locrian Natural 2 scale is the sixth mode of the G Melodic Minor scale.The sheet also shows how to play the diatonic chords of the E Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Ab Locrian Natural 2 Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Ab Locrian Natural 2 Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1298359 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1298359 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888347. Published by Danny Crocome Music (A0.1298359). This info sheet shows guitarists 4 different ways to play the Ab Locrian Natural 2 Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe Ab Locrian Natural 2 scale is the sixth mode of the Cb Melodic Minor scale.The sheet also shows how to play the diatonic chords of the Ab Locrian Natural 2 Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
Prelude 2 in A Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden...
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Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 19 in A Major Ionian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 19 in A Major Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883006. Published by Brian Golden (A0.1292493). Prelude 19 in A Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Prelude 6 in G Minor Dorian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 7 in Eb Ionian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 7 in Eb Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99
Prelude 22 in B Minor Phrygian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 22 in B Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
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