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ACCORDEON
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AUTOHARPE
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BATTERIE
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
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PIANO & CLAVIERS
Piano seul
1290
Piano, Voix
707
Piano Facile
400
Piano, Voix et Guitare
340
Instruments en Do
197
Orgue
104
Accompagnement Piano
77
Piano Trio: piano, violon, violoncelle
37
1 Piano, 4 mains
27
Piano Quatuor: piano, violon, alto, violoncelle
21
2 Pianos, 4 mains
19
Accordéon
10
Piano Quatuor: piano, 2 violons, violoncelle
9
Orgue, Trompette (duo)
8
Clavecin
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano (partie séparée)
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Orgue, Piano (duo)
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2 Pianos, 8 mains
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GUITARES
Guitare
176
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117
2 Guitares (duo)
29
Ligne De Mélodie, (Paroles) et Accords
24
Ukulele
23
Mandoline
21
Basse electrique
14
Piano, Guitare (duo)
11
Guitare (partie séparée)
11
4 Guitares (Quatuor)
11
Banjo
11
3 Guitares (trio)
7
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4
Dulcimer
3
Paroles et Accords
3
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3
Basse électrique (partie séparée)
2
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1
2 Ukuleles
1
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VOIX
Chorale SATB
726
Chorale 2 parties
192
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180
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129
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94
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94
Voix Tenor, Piano
52
Voix Soprano, Piano
50
Voix Alto, Piano
45
Voix Baryton, Piano
37
Voix duo, Piano
31
Voix duo
30
Voix haute
11
Voix moyenne, Piano
7
Voix basse, Piano
4
Voix Soprano
3
Chorale SSATTB
2
Chorale SSAATTBB
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Voix Mezzo-Soprano, Piano
2
Voix Tenor
2
Chorale SSATB
1
Voix, Guitare
1
Voix basse
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Chorale
1
Voix seule
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Soli, choeur mixte et accompagnement
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VENTS
2 Saxophones (duo)
322
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
299
Flûte traversière et Piano
248
Quatuor de Saxophones: 4 saxophones
230
Quintette de Saxophone: 5 saxophones
216
Hautbois, Piano (duo)
214
Clarinette et Piano
200
Saxophone Alto et Piano
164
2 Flûtes traversières (duo)
164
2 Clarinettes (duo)
140
Flûte, Hautbois, Clarinette, Basson
127
Saxophone Tenor et Piano
126
Clarinette
118
Flûte traversière
116
Saxophone Soprano et Piano
116
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109
Hautbois (partie séparée)
106
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96
Saxophone (partie séparée)
91
Saxophone Alto
83
Clarinette, Violon (duo)
82
Saxophone, Clarinette (duo)
80
Flûte, Clarinette (duo)
74
Saxophone Baryton, Piano
73
2 Hautbois (duo)
62
Quintette de Flûte : 5 flûtes
57
Clarinette, Trompette (duo)
52
Hautbois, Basson (duo)
51
Quatuor de Flûtes : 4 flûtes
49
Cor anglais, Piano
49
Ensemble de Clarinettes
48
Hautbois, Clarinette (duo)
48
3 Saxophones (trio)
47
Flûte, Violon
45
Saxophone Tenor
41
2 Flûte à bec (duo)
41
Ensemble de Flûtes
40
Clarinette et Alto
38
Flûte, Alto (duo)
37
Quintette de Clarinettes: 5 clarinettes
36
Flûte, Saxophone (duo)
35
Clarinette Basse, Piano
33
Flûte, Trompette (duo)
27
3 Clarinettes (trio)
24
Hautbois, Flûte
24
Flûte à bec Soprano
23
Clarinette, Basson (duo)
21
Flûte, Hautbois (duo)
20
Flûte, Hautbois, Clarinette (trio)
19
Quatuor de Flûtes à bec
19
Flûte à Bec
17
Hautbois, violon (duo)
16
Flûte, Violoncelle
14
Trio de Flûtes: 3 flûtes
14
Clarinette, Violoncelle (duo)
14
Hautbois
14
Hautbois, Violoncelle
13
Saxophone Soprano
12
Clarinette, Trombone (duo)
12
Flûte, Basson et Piano
12
Flûte, Violon, Piano
11
Hautbois, Clarinette, Basson (trio d'anches)
10
Clarinette (partie séparée)
10
5 Flûtes à bec
9
Saxophone Baryton
9
Flûte irlandaise
9
2 Clarinettes, Piano
9
Flûte à bec Alto
8
Flûte, Clarinette, Piano (trio)
7
2 Flûtes traversières, Piano
7
Flûte et Guitare
7
Flûte, Clarinette, Cor, Basson (Quartet)
6
Flûte, Hautbois, Piano (trio)
6
Flûte, Trombone (duo)
6
Flute (partie séparée)
6
3 Flûtes à bec (trio)
6
Flûte à bec Soprano, Piano
6
Clarinette, Guitare (duo)
5
Flûte à bec Alto, Piano
4
Flûte, Alto et Piano
4
Flûte, Hautbois, Basson
4
Piccolo, Piano
4
Saxophone
4
Flûte, trombone et piano
4
Clarinette, Violoncelle, Piano (trio)
4
Flute, harpe et violon
4
Saxophone et Harpe
4
Ocarina
4
Hautbois, Harpe
3
Flûte, Violon et Violoncelle
3
Flûte à bec Tenor
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois et alto (duo)
3
Cor Anglais
2
Flûte, Clarinette et Basson
2
Hautbois, Violon, Piano
2
Clarinette, trompette et piano
2
Hautbois, Guitare (duo)
2
Clarinette, Contrebasse (duo)
2
Harmonica
2
Flûte, Harpe et Violoncelle
2
Clarinette, Tuba
2
2 Cors Anglais Et Pianoforte
2
2 Saxophones, Piano
2
Flûte à bec Alto, Basse continue
1
Saxophone et Orgue
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte et Trio à cordes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Tuba (duo)
1
Hautbois, Trompette (duo)
1
Piccolo
1
Clarinette Basse
1
Cornemuse
1
Flûte, Violon, Guitare
1
Ensemble de Hautbois
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle, Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cor anglais et Harpe (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, trombone (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
311
Quatuor de Cuivres : 2 trompettes, trombone, tuba
187
Trombone et Piano
179
Trompette
137
Trompette, Piano
137
Cor et Piano
134
Ensemble de Trompettes
94
Cor
93
Trombone
88
Quatuor de Cuivres: 2 trompettes, Cor, trombone
87
Tuba et Piano
77
2 Trombones (duo)
76
Tuba
76
2 Trompettes (duo)
73
Quatuor de cuivres: 4 trombones
69
Ensemble de Trombones
66
Euphonium, Piano (duo)
65
Trompette, Saxophone (duo)
61
Cor anglais, Piano
49
Trompette, Trombone (duo)
48
Trombone (partie séparée)
39
Trompette (partie séparée)
35
Quatuor de Cuivres
30
2 Cors (duo)
27
Trompette, Cor (duo)
17
2 Tubas (duo)
13
Quatuor de cuivres: 4 trompettes
13
Cor (partie séparée)
12
2 Euphoniums (duo)
11
Quatuor de cuivres: 4 cors
10
Ensemble de Cors
10
Trio de Cuivres
7
4 Tubas
7
Tuba (partie séparée)
7
3 Trombones (trio)
6
2 Euphoniums et 2 Tubas
6
Cor, Violoncelle (duo)
5
Trombone basse et Piano
4
Trompette, Violoncelle (duo)
4
Trombone, Tuba (duo)
3
3 Tubas (trio)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Cors (trio)
3
Trompette, Tuba (duo)
3
Tuba et Orgue
3
Trompette, Basson (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, Violoncelle et Piano
3
Cor Anglais
2
Trombone, Orgue
2
Trombone, Cor (duo)
2
3 Trompettes (trio)
2
2 Cors Anglais Et Pianoforte
2
Cor et Basson (duo)
2
Cor et Harpe
2
Ensemble de Tubas
1
3 Euphoniums
1
Trompette, violon (duo)
1
Trompette, Trombone, Piano
1
Trombone, Violon (duo)
1
Trombone basse
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Cor, Violoncelle et Piano
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Trompette, Euphonium (duo)
1
Euphonium
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
585
Violon et Piano
287
Violon, Violoncelle (duo)
222
Violoncelle, Piano
208
Violon
206
Alto, Piano
201
Violoncelle
169
Trio à Cordes: violon, alto, violoncelle
148
2 Violons (duo)
117
Harpe
100
Violon, Alto (duo)
89
Alto seul
88
2 Violoncelles (duo)
83
Quintette à cordes: 2 violons, alto, violoncelle, basse
75
2 Altos (duo)
74
Trio à Cordes: 2 violons, violoncelle
73
Contrebasse, Piano (duo)
52
Contre Basse
52
Alto (partie séparée)
42
Violon (partie séparée)
24
Alto, Violoncelle (duo)
23
2 Harpes (duo)
22
4 Violoncelles
21
Piano Trio: Violon, Alto, Piano
20
Ensemble de Violons
20
Ensemble d'Altos
17
Contrebasse (partie séparée)
15
Trio à Cordes: 3 violoncelles
15
2 Contrebasses (duo)
13
Quatuor à cordes: 4 violons
12
Trio à cordes: 3 violins
11
Violon, Basson (duo)
10
Alto et Basson
8
Quatuor à cordes : 4 altos
8
Violoncelle , Guitare (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Violoncelle, Contrebasse (duo)
6
Harpe, Voix
6
Trio à cordes: 3 altos
6
Harpe, Flûte (duo)
5
Violoncelle (partie séparée)
5
Violon, Guitare (duo)
5
Harpe, Violon (duo)
5
Harpe, Trombone (duo)
4
Violon, Clarinette, Piano (trio)
4
Harpe, Violoncelle (duo)
2
2 Violons, Piano
2
Harpe, Violon, Violoncelle
2
Flûte, Contrebasse (duo)
2
Alto et Harpe
2
Trio à Cordes: 2 violons, alto
2
Ensemble de Violoncelles
1
Violon, Tuba (duo)
1
Harpe et Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
437
Orchestre à Cordes
235
Orchestre
230
Ensemble Jazz
101
Ensemble de cuivres
91
Orchestre de chambre
87
Cloches
51
Batterie (partie séparée)
16
Fanfare
15
Ensemble de Percussions
15
Jazz combo
13
Batterie
7
Percussion (partie séparée)
7
Marimba
5
Vibraphone
4
Quintette de Cuivres: autres combinaisons
3
Xylophone, Piano
3
Ensemble d'École
3
Bongos
1
Piano et Orchestre
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
6
Vous avez sélectionné:
A Man's A Man For A' That
Partitions à imprimer
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9976
A Man's a Man for A' That (two treble instruments)
Large Ensemble Alto Recorder,Flute,Oboe,Soprano Recorder,Tenor Recorder,Violin - Level 1 -…
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Large Ensemble Alto Recorder,Flute,Oboe,Soprano Recorder,Tenor Recorder,Violin - Level 1 - Digital Download SKU: A0.993644 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Classical,Folk,World. Score and parts. 3 pages. Frank Nordberg #4283705. Published by Frank Nordberg (A0.993644). For two treble instruments (flute, oboe, violin, mandolin etc.)A duet arrangement of Robert Burns' ode to the freedom of man that has become the unofficial national anthem in Scotland and is also known elsewhere in the world.Alternative titles include:Is There For Honest PovertyFor a' That and a' Thatand in Germany:Trotz alledem und alledemLevel: technically easy, musically fairly easyKey: D (Two sharps - c and f)Tone range:Part 1: a'-aPart 2: e'-f#The mp3 file is a converted midi file. The music will sound even better when you play it on a real guitar. :-)https://nordbergpublishing.blogspot.com
$1.99
1.78 €
#
Traditional
#
Frank Nordberg
#
A Man's a Man for A' That
#
Frank Nordberg
#
SheetMusicPlus
Plateau of Dances with a Scottish Flavour
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Compos…
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
7.1 €
#
Alexandra Lehmann
#
Plateau of Dances with a Scottish Flavour
#
Forton Music - Digital
#
SheetMusicPlus
A Man's a Man for A' That (flatpicking solo guitar - with and without tablature)
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.993647 Composed by Traditional. Arrange…
(+)
Guitar - Level 2 - Digital Download SKU: A0.993647 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Folk,World. Guitar Tab. 4 pages. Frank Nordberg #4283713. Published by Frank Nordberg (A0.993647). An easy solo guitar arrangement of Robert Burns' ode to the freedom of man that has become the unofficial national anthem in Scotland and is also known elsewhere in the world.This arrangement is specially made for flatpicking. It can be played classical/fingerpicking style too but there are two other arrangements available that are more suitable for that.Alternative titles include:Is There For Honest PovertyFor a' That and a' Thatand in Germany:Trotz alledem und alledemLevel: Fairly easy.The mp3 file is a converted midi file. The music will sound even better when you play it on a real guitar. :-)https://nordbergpublishing.blogspot.com
$1.99
1.78 €
#
Guitare notes et tablatures
#
Traditional
#
Frank Nordberg
#
A Man's a Man for A' That
#
Frank Nordberg
#
SheetMusicPlus
A Man's a Man for A' That (easy guitar - with and without tablature)
Guitare notes et tablatures
Guitar - Digital Download SKU: A0.993645 Composed by Traditional. Arranged by Frank…
(+)
Guitar - Digital Download SKU: A0.993645 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Classical,Folk,World. Guitar Tab. 4 pages. Frank Nordberg #4283707. Published by Frank Nordberg (A0.993645). An easy solo guitar arrangement of Robert Burns' ode to the freedom of man that has become the unofficial national anthem in Scotland and is also known elsewhere in the world.Two other solo guitar arrangements of the tune are also available, one slightly more difficult (with dropped D tuning) and one specially for flatpicking guitar.Alternative titles include:Is There For Honest PovertyFor a' That and a' Thatand in Germany:Trotz alledem und alledemLevel: technically easy, musically fairly easyThe tune goes up to the a on the first string.The mp3 file is a converted midi file. The music will sound even better when you play it on a real guitar. :-)https://nordbergpublishing.blogspot.com
$1.99
1.78 €
#
Guitare notes et tablatures
#
Traditional
#
Frank Nordberg
#
A Man's a Man for A' That
#
Frank Nordberg
#
SheetMusicPlus
A Man's a Man for A' That (solo guitar - with and without tablature)
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.993646 Composed by Traditional. Arrange…
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Guitar - Level 2 - Digital Download SKU: A0.993646 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Classical,Folk,World. Guitar Tab. 4 pages. Frank Nordberg #4283709. Published by Frank Nordberg (A0.993646). An easy solo guitar arrangement of Robert Burns' ode to the freedom of man that has become the unofficial national anthem in Scotland and is also known elsewhere in the world.Two other solo guitar arrangements of the tune are also available, one easier setting and one specially for flatpicking guitar.Alternative titles include:Is There For Honest PovertyFor a' That and a' Thatand in Germany:Trotz alledem und alledemLevel: technically easy, musically fairly easy. Requires dropped D tuning (6th string tuned down to D)The mp3 file is a converted midi file. The music will sound even better when you play it on a real guitar. :-)https://nordbergpublishing.blogspot.com
$1.99
1.78 €
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Guitare notes et tablatures
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Traditional
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Frank Nordberg
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A Man's a Man for A' That
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Frank Nordberg
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SheetMusicPlus
A Man's A Man For A' That
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.820262 Composed by Tradition…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.820262 Composed by Traditional Scottish. Arranged by Alan A Craig. Celtic,Concert,Folk,Patriotic. Score. 12 pages. Earnside Music #6671133. Published by Earnside Music (A0.820262). Robert Burns’ iconic song has become a rallying cry for justice and equality through the centuries. In this arrangement the world-famous Scottish folk melody is set for medium voice with a stirring concert piano accompaniment that complements the various moods of the text and builds to a rousing climax in the final chorus. Ideal for performance by classical musicians or students for concerts, recitals or Scottish-themed events.
$2.25
2.01 €
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Piano, Voix
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Traditional Scottish
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Alan A Craig
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A Man's A Man For A' That
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Earnside Music
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SheetMusicPlus
A man's a man for a' that
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1477440 By Alex Tinlin. By Alex Tinlin. Arranged by Alex Tinlin. Chamber,Classical,Folk,Patriotic,Traditional. 6 pages. Alex Tinlin #1054844. Published by Alex Tinlin (A0.1477440). My arrangement for String Quartet of the traditional Scottish air 'A man's a man for a' that', with words by Robert Burns.
$4.99
4.46 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Alex Tinlin
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Alex Tinlin
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A man's a man for a' that
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Alex Tinlin
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SheetMusicPlus
A Man's a Man for A' That (Is There for Honest Poverty)
Chorale SATB
Composed by Robert Burns. Arranged by Matthew Spinner. A Cappella, Celtic, Folk, Irish…
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Composed by Robert Burns. Arranged by Matthew Spinner. A Cappella, Celtic, Folk, Irish, Multicultural, Patriotic, World. Octavo. 8 pages. Matthew Spinner #5983401. Published by Matthew Spinner
$1.99
1.78 €
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Chorale SATB
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Robert Burns
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Matthew Spinner
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A Man's a Man for A' That
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Matthew Spinner
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SheetMusicPlus
A Man's A Man For a' That
Small Ensemble Accordion,Acoustic Guitar,Fiddle,Medium Voice,Piccolo - Digital Download
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Small Ensemble Accordion,Acoustic Guitar,Fiddle,Medium Voice,Piccolo - Digital Download SKU: A0.495579 Composed by Robbie Burns. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Score and parts. 4 pages. Published by Alan Wagstaff (A0.495579). This is a traditional Scottish folk song with lyrics by Robbie Burns. The arrangement is for a folk band: voice, whistle, accordion, and fiddle.
$2.00
1.79 €
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Robbie Burns
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Alan Wagstaff
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A Man's A Man For a' That
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Alan Wagstaff
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
26.76 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Ensemble de Tubas
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
11.6 €
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Ensemble de Tubas
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Quintet
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Music for all Occasions
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SheetMusicPlus
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
$14.50
12.95 €
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Trio à Cordes: violon, alto, violoncelle
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Anon
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Shigeo Ida & Peet du Toit
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Romance
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Peet du Toit
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SheetMusicPlus
A Man's A Man For A' That
Accordéon
Composed by Traditional. Arranged by Julia Gordon. World, Folk, European, Celtic. 1 pag…
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Composed by Traditional. Arranged by Julia Gordon. World, Folk, European, Celtic. 1 pages. Published by Julia Gordon
$3.25
2.9 €
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Accordéon
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Traditional
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Julia Gordon
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A Man's A Man For A' That
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Julia Gordon
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
29.44 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
A Guide to Non-Jazz Improvisation: Mandolin Edition
Mandoline
Composed by Dick Weissman. Country. Acoustic Music. E- book and online audio. 128 pag…
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Composed by Dick Weissman. Country. Acoustic Music. E- book and online audio. 128 pages. Mel Bay Publications - Digital Sheet Music #20829BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652421.<br> <br> The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including;* Blues* Country* American folk * Latin-American* World music including South American, Eastern European and Asian * Odd meters (playing in a variety of time signatures)* New Age* Classical * Folk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz. Includes access to online audio.
$19.99
17.86 €
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Mandoline
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Dick Weissman
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A Guide to Non-Jazz Improvisation: Mandolin Edition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Fightin' 55th (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
22.29 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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The Fightin' 55th
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https://gildedmusicpress.com/
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.29 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549582 Composed by Edvar…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509567. Published by jmsgu3 (A0.549582). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
22.29 €
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Clarinette
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549578 Composed by Edvard…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509393. Published by jmsgu3 (A0.549578). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.29 €
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Saxophone Alto et Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549574 Composed by Edvard Grieg. Ar…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509355. Published by jmsgu3 (A0.549574). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.29 €
#
Hautbois, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549575 Composed by Edvar…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549575 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509361. Published by jmsgu3 (A0.549575). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.29 €
#
Clarinette et Piano
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Edvard Grieg
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James M
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552857 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552857 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511309. Published by jmsgu3 (A0.552857). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.29 €
#
Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
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