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A Minima Contemporary New age
Non classifié
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Saxophone Soprano et Piano
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Hautbois, Piano (duo)
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Saxophone Tenor et Piano
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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A Minima Contemporary New age
Partitions à imprimer
97 partitions trouvées
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Organ Minimal, No. 2 in A Minor
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Orgue
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Organ Minimal, No. 2 in A Mino
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James M Stevens Music ASCAP
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SheetMusicPlus
Organ - Level 3 - SKU: A0.573679 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred. Score. ...
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Organ - Level 3 - SKU: A0.573679 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred. Score. 6 pages. James M Stevens Music ASCAP #6138019. Published by James M Stevens Music ASCAP (A0.573679). Written November 27, 2020, this is an original organ composition in a bold and minimalist style in the key of A minor and the 2nd in a set of new organ pieces.
$4.99
A Winter Night
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Piano Facile
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FACILE
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New Age
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Contemporain
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John Pitts
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A Winter Night
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Intensely Pleasant Music
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.890682 Composed by John Pitts. 20th Century,Children,Contemporary,New Age. Score. 15 pages. Intensely Pleasant Music #295...
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Easy Piano - Level 2 - SKU: A0.890682 Composed by John Pitts. 20th Century,Children,Contemporary,New Age. Score. 15 pages. Intensely Pleasant Music #2957941. Published by Intensely Pleasant Music (A0.890682). A Winter Night is a tranquil, relaxing, minimalistic piece for piano players of an intermediate standard (approximately grades 4-5). Easy listening.
$5.99
Organ Minimal, No. 2 in A Minor
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Orgue
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James Michael Stevens
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James Michael Stevens
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Organ Minimal, No. 2 in A Mino
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James M Stevens Music ASCAP
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SheetMusicPlus
Organ - SKU: A0.1062566 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred. Full Performance...
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Organ - SKU: A0.1062566 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred. Full Performance. Duration 146. James M Stevens Music ASCAP #6138013. Published by James M Stevens Music ASCAP (A0.1062566). This is the organ demonstration performance of Stevens' Organ Minimal, No. 2 in A Minor.
$1.99
Best Of Piano Stories, Book - Volume III (Minimalistic New Age Piano Solo PianoPassion)
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Piano seul
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FACILE
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New Age
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Contemporain
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Frederic Bernard
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Best Of Piano Stories, Book -
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Frederic Bernard
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.891143 Composed by Frederic Bernard. 20th Century,Contemporary,New Age. Score. 33 pages. Frederic Bernard #6520307. Publi...
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Piano Solo - Level 2 - SKU: A0.891143 Composed by Frederic Bernard. 20th Century,Contemporary,New Age. Score. 33 pages. Frederic Bernard #6520307. Published by Frederic Bernard (A0.891143). This is the third entry of the popular Best of Piano Stories sheet music book - a highly discounted collection of 12 original piano solo works. With music written in the distinctive signature style of Frederic Bernard (aka PianoPassion). The music was crafted, curated but also engraved carefully, in order to ensure that it will not only sound great, but is easy to sight-read and learn for player at any level.
$26.99
PLATFORM NINE an original stage musical
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Dennis A
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PLATFORM NINE an original stag
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Tyne Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.999345 Composed by Dennis A. Westgate. Contemporary,Graduation,Musical/Show,World. Octavo. 134 pages. Tyne Musi...
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Choral Choir (Mixed) - Level 4 - SKU: A0.999345 Composed by Dennis A. Westgate. Contemporary,Graduation,Musical/Show,World. Octavo. 134 pages. Tyne Music #5866269. Published by Tyne Music (A0.999345). PLATFORM NINE : One of my full length ‘feel good’ family plays in the TYNE ONSTAGE series of original musicals. With Drama, Comedy and Song & Dance routines, they offer a new source of material to any Producer, Director or Teacher in the Performing Arts looking for original stories with great songs, covering a wide range of musical styles. Platform Nine is a 1 set musical and could be performed in any area, indoor or outdoor, with a minimal set-build. This is an ‘all-singing and dancing’ 2 hour+ show requiring very good dancers & singers.Each album title includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/platform-nineP.S. Sorry, but there are no band parts or orchestral scores as the costs involved would have made these musicals too expensive. So the price is reflective of this and leaves each of the numbers open to interpretation by your M.D. or Arranger I’ve uploaded a rough demo clip of * seven of the songs. SONG TITLES 1) Four in the Morning 2) Those Early Morning Blues * 3) Engine Driver * 4) Take a Train * 5) Platform Nine * 6) Start All Over Again * 7) Wanna Bet! 8) The Big Race 9) Sigh me a Sigh10) Why?11) Lonely Words *12) A Woman Is! *13) The Palais de Danse14) The Locomotion Rock15) A Face in the Crowd16) Take a Train (reprise)
$87.00
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Piano Melancolía
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Piano MelancolÃa
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Piano Melancolía
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Carl Jürgen Emert
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.919565 By Piano MelancolÃa. By Carl Jürgen Emert. 20th Century,Contemporary,New Age. Score. 3 pages. Carl Jürgen...
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Piano Solo - Level 3 - SKU: A0.919565 By Piano MelancolÃa. By Carl Jürgen Emert. 20th Century,Contemporary,New Age. Score. 3 pages. Carl Jürgen Emert #3470800. Published by Carl Jürgen Emert (A0.919565). By Carl Jürgen Emert. New Age, Modern. Piano Solo. Published by Nanemusic. 2017 Item Number: Nanemusic 001-17 ISBN-13: 978-3000570575  The music of Piano MelancolÃa which has been released on three successful solo albums stands for relaxed, lyrical piano pieces, in which influences of minimal music and jazz are interwoven with elements of classical and romantic music. Melodies for well-being and dreams.
$1.99
Palisades by Piano Melancolía
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Piano MelancolÃa
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Palisades by Piano Melancol&ia
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Carl Jürgen Emert
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SheetMusicPlus
Small Ensemble Piano Solo - Level 3 - SKU: A0.919566 By Piano MelancolÃa. By Carl Jürgen Emert. 20th Century,Contemporary,New Age. Score. 4 pages....
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Small Ensemble Piano Solo - Level 3 - SKU: A0.919566 By Piano MelancolÃa. By Carl Jürgen Emert. 20th Century,Contemporary,New Age. Score. 4 pages. Carl Jürgen Emert #3470802. Published by Carl Jürgen Emert (A0.919566). By Carl Jürgen Emert. New Age. Post Romantic. Piano Solo. 4 Pages. Published by Nanemusic 2017. Item Number: Nanemusic 001-17 ISBN-13: 978-3000570575The music of Piano Melancolia which has been released on three successful solo albums stands for relaxed, lyrical piano pieces, in which minimal music and jazz are interwoven with elements of classical and romantic music. Melodies for well-being and dreams.Â
$2.99
There's a Wideness in God's Mercy (SB)
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Chorale 2 parties
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DÉBUTANT
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Christian contemporain
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Musique Sacrée
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Curtis Hanson
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There's a Wideness in God's Me
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Curtis Hanson
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SheetMusicPlus
Choral Choir (2-Part) - Level 1 - SKU: A0.1111202 Composed by Curtis Hanson. Contemporary,Sacred. Octavo. 5 pages. Curtis Hanson #713482. Published by C...
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Choral Choir (2-Part) - Level 1 - SKU: A0.1111202 Composed by Curtis Hanson. Contemporary,Sacred. Octavo. 5 pages. Curtis Hanson #713482. Published by Curtis Hanson (A0.1111202). In this post-pandemic era, demand for octavos for smaller choirs is on the rise. Here is a new melody and harmonic interpretation of the familiar text by Frederick Faber. The choral writing is not difficult though it has some chromatic alteration in the 3rd line of each verse with the harmony also somewhat different each time. The relaxed piano accompaniment is generally very supportive of the singers so the piece should be accessible for most choirs. It is also available for expanded choral voicing, solo voice, and as a simplified 4-part chorale hymn tune. This would be a welcome addition to the library with minimal voices. It would also work as a duet.
$2.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Ripples - Early Intermediate Piano Solo
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Piano seul
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FACILE
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Christina Fordham
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Ripples - Early Intermediate P
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Christina Fordham Vera
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.870547 Composed by Christina Fordham. Contemporary,New Age,Standards. Score. 5 pages. Christina Fordham Vera #6237779. Pu...
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Easy Piano - Level 2 - SKU: A0.870547 Composed by Christina Fordham. Contemporary,New Age,Standards. Score. 5 pages. Christina Fordham Vera #6237779. Published by Christina Fordham Vera (A0.870547). This original composition was written for a special student at the time of her high school graduation. People enter our lives, and exit. Our interactions, no matter how seemingly insignificant or fleeting, change each other. We are blessed to know those whose magnetic personalities bring a smile to our face long after they have moved on. Ripples uses a combination of a melodic theme and a minimalistic fast-pasted middle section that makes quick sixteenth note patterns accessible to the growing musician's fingers. I hope you will enjoy this fun and moving piece as much as my students have. Genre: New Age/ModernPerformance time: about 3.5 minutesKey Signature: D MinorLength: 5 pagesLevel: Early Intermediate .
$4.99
Hypnagogic Drifting for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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W
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Hypnagogic Drifting for String
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Diamond S Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1050904 Composed by W. Brent Sawyer. 20th Century,Contemporary,New Age. Score and p...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1050904 Composed by W. Brent Sawyer. 20th Century,Contemporary,New Age. Score and parts. 27 pages. Diamond S Music #655252. Published by Diamond S Music (A0.1050904). Hypnagogic Drifting for String Quartet by W. Brent Sawyer. Hypnagogic is the experience of the transitional state from wakefulness to sleep: the hypnagogic state of consciousness, during the onset of sleep. I want to write in a minimalistic style which I haven't explored before. After the sweeping virtuosity arpeggios in the intro the music is very minimalistic in nature (a la Phillip Glass). Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940.
$9.99
Best Of Piano Stories, Book - Three in One - Special Edition
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Frederic Bernard
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Best Of Piano Stories, Book -
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Frederic Bernard
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SheetMusicPlus
Composed by Frederic Bernard. 21st Century, Contemporary Classical, Minimalism, Neo- Classical, New Age. 104 pages. Published by Frederic Bernard...
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Composed by Frederic Bernard. 21st Century, Contemporary Classical, Minimalism, Neo- Classical, New Age. 104 pages. Published by Frederic Bernard
A collection of all three sheet music books: Best Of Piano Stories Vol. I, Best Of Piano Stories Vol. II and Best Of Piano Stories Vol. III, in a highly-discounted price.
For more info about Frederic's endeavours, check out his official page: https://fredericbernardmusic.com/
Here's a table of all songs included:
1. Underwater Wonderscapes (aka. Swarm of Fish)
2. Peculiar World
3. Loneliness
4. Enchantment
5. Requiem
6. Inspire Me
7. Sorrow
8. The Sad Snow-Queen
9. Waterdrops (aka. Falling Snowflakes)
10. Blue Clouds
11. Butterfly
12. Waltz of Sorrow
13. Constant Motion
14. Sea of Roses
15. Maiden's Elegy
16. Thunder and Rain
17. Postcards
18. Dark Days
19. Harp-playing Mermaid
20. Eternal Flow
21. Evening Melodies
22. Rain
23. Starlight Nights
24. Final Lament
25. A Bird's First Flight
26. Most Beautiful Memories
27. Minimalistic Piano Moment
28. Farewell
29. Her
30. Innocence
31. Threnody for a Lost Space Astronaut
32. Just two Clouds Apart
33. Forgotten Times
34. Fireflies
35. Suffering
36. Unwritten Romance
$39.00
Big Drum
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568....
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Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
Awaiting the Calmness
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Shoshana Michel
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Awaiting the Calmness
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Shoshana Michel
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1121821 By Shoshana Michel. By Shoshana Michel. Contemporary,New Age. Score. 5 pages. Shoshana Michel #723014. Published ...
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Piano Solo - Level 3 - SKU: A0.1121821 By Shoshana Michel. By Shoshana Michel. Contemporary,New Age. Score. 5 pages. Shoshana Michel #723014. Published by Shoshana Michel (A0.1121821). This is a note-for-note sheet music transcription of Awaiting the Calmness by Shoshana Michel from her album, Mélange. It is a calm, minimalistic piano solo that could be used as a learning piece, for repertoire or a recital. Level: 5 - Intermediate Key Signature: C minor (3 flats) Length: 5 pages.
$5.99
Mystic Space - Ambient Piano
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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James Michael Stevens
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James Michael Stevens
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Mystic Space - Ambient Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.573205 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age. Score. 4 ...
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Piano Solo - Level 3 - SKU: A0.573205 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age. Score. 4 pages. James M Stevens Music ASCAP #5011245. Published by James M Stevens Music ASCAP (A0.573205). Written December 22, 2019, this is a minimalistic piano composition written in a reflective and mystical style with some light ambient orchestration. The key is somewhat ambivalent and model with a mixture between D minor (aeolian), A phrygian, and B flat lydian. Wrote it just for a change of pace before I work on some commissions. Hope you enjoy this deep space meditative piece! 
$3.99
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A Minima Contemporary New age
