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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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MANDOLINE
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ORGUE
PERCUSSION
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Minor Variation
Non classifié
44
Piano & claviers
Instruments en Do
213
Piano seul
76
Piano Facile
30
Orgue
11
Piano, Voix et Guitare
4
1 Piano, 4 mains
3
2 Pianos, 4 mains
1
+ 2 instrumentations
Retracter
Guitares
Guitare
5
Piano, Guitare (duo)
2
Ukulele
1
Dulcimer
1
4 Guitares (Quatuor)
1
Voix
Chorale 2 parties
3
Chorale SATB
2
Chorale Unison
1
Chorale 3 parties
1
Vents
Flûte traversière et Piano
10
Quatuor de Clarinettes: 4 clarinettes
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Saxophone Soprano et Piano
4
Hautbois, Piano (duo)
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone Tenor et Piano
3
Clarinette et Piano
3
Saxophone Alto et Piano
3
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte et Guitare
2
Flûte, Violon, Piano
1
Quatuor de Flûtes : 4 flûtes
1
2 Clarinettes, Piano
1
Saxophone Alto
1
Flûte, Clarinette, Piano (trio)
1
2 Saxophones (duo)
1
Clarinette, Violon (duo)
1
Clarinette Basse, Piano
1
Flûte, trombone et piano
1
2 Flûtes traversières, Piano
1
Clarinette
1
Hautbois (partie séparée)
1
Ensemble de Flûtes
1
Cor Anglais
1
Saxophone (partie séparée)
1
+ 23 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Euphonium, Piano (duo)
4
Trompette
4
Trompette, Piano
3
Trombone et Piano
3
Cor anglais, Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Violoncelle et Piano
1
Tuba
1
2 Trombones (duo)
1
Cor et Piano
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Cor
1
Quatuor de cuivres: 4 trombones
1
Cor Anglais
1
+ 11 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon
8
Alto, Piano
7
Violon et Piano
5
Violon, Guitare (duo)
4
Violoncelle , Guitare (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Harpe
3
Violoncelle, Piano
3
2 Violoncelles (duo)
2
Violoncelle
2
Alto seul
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
+ 9 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
17
Orchestre
9
Orchestre à Cordes
6
Ensemble de Percussions
2
Orchestre de chambre
2
Marimba
1
Vibraphone
1
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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ORGUE
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A Minor Variation
Partitions à imprimer
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La Folia in D Minor
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Cello,Cembalo,Violin - Level 4 - SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published...
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Cello,Cembalo,Violin - Level 4 - SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00
Heidenröslein: Variations on a Theme by Franz Schubert
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Classique
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroq...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
Grumpy Gooey Goblin Guy (a Halloween variation of Jolly Old St Nicholas for Easy Piano)
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Piano Facile
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DÉBUTANT
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Halloween
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Traditional
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Amanda Dills
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Number of Pages: 1
&bull
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Grumpy Gooey Goblin Guy
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Amanda Dills
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1107190 Composed by Traditional. Arranged by Amanda Dills. Halloween,Instructional,Spiritual,Thriller,Traditional. Score....
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Easy Piano - Level 1 - SKU: A0.1107190 Composed by Traditional. Arranged by Amanda Dills. Halloween,Instructional,Spiritual,Thriller,Traditional. Score. 1 pages. Amanda Dills #709912. Published by Amanda Dills (A0.1107190). This minor-key variation on Jolly Old St Nicholas features lots of accidentals and humorous Halloween lyrics. The right hand stays in D minor position, with the left hand thumb on middle C, resulting in a modified Middle C hand position that’s perfect for beginning players who are starting to branch out and play with accidentals. Arrangement Details: • Number of Pages: 1 • Duration: 30 seconds • Hand Position: modified Middle C Position (RH thumb on D) • Key: D minor • Includes: 1 verse with original lyrics • Features: finger numbers, funny lyrics, accidentals, dynamics, and articluation markings • Great For: sight reading, teaching major and minor, Halloween recitals and lessons, moving out of Middle C hand position, introducing chromatics, beginners, self-taught, group lessons About the Arranger: Amanda Dills is a composer and arranger (and educator and instructional designer) from Oklahoma City. She has a degrees in Music Education and Music Composition, and teaching experience in settings ranging from private violin and piano instruction to K12 Vocal Music to college music theory courses. For more information (including full composition and arrangement catalogue and fun freebies!), visit www.amandasmusicshop.com Looking for other minor key variations or humorous Halloween pieces? Here are some other pieces by this arranger you may like: • Black Bat, Black Bat (Sheet Music Plus | Sheet Music Direct) • The Spooky Scary Spider (Sheet Music Plus | Sheet Music Direct) • Seven Sinister Songs for Easy Piano (Sheet Music Plus | Sheet Music Direct) • Pumpkin Spiced: intermediate arrangement of the Coffee Dance from the Nutcracker (Sheet Music Plus | Sheet Music Direct)
$1.99
The Witch on the Broom (a Halloween variation of Wheels on the Bus for Easy Piano)
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Piano Facile
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DÉBUTANT
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Halloween
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Traditional
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Amanda Dills
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The Witch on the Broom
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Amanda Dills
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1106008 Composed by Traditional. Arranged by Amanda Dills. Halloween,Holiday,Instructional,Spiritual,Standards. Score. 1 ...
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Easy Piano - Level 1 - SKU: A0.1106008 Composed by Traditional. Arranged by Amanda Dills. Halloween,Holiday,Instructional,Spiritual,Standards. Score. 1 pages. Amanda Dills #709156. Published by Amanda Dills (A0.1106008). This minor-key variation on Wheels on the Bus features lots of accidentals and humorous Halloween lyrics.  The song changes between middle C and regular C positions (with one tiny chromatic passage in the right hand), making it perfect for beginning players who are starting to change hand positions.. Arrangement Details: • Number of Pages: 1 • Duration: approx 1 min • Hand Position: middle C and regular C • Key: C minor • Includes: 2 verses with original lyrics • Features: finger numbers, funny lyrics, accidentals, and articulation markings • Great For: sight reading, teaching major and minor, Halloween recitals and lessons, moving out of a single hand position, introducing chromatics, beginners, self-taught, group lessons About the Arranger: Amanda Dills is a composer and arranger (and educator and instructional designer) from Oklahoma City.  She has a degrees in Music Education and Music Composition, and teaching experience in settings ranging from private violin and piano instruction to K12 Vocal Music to college music theory courses.  For more information (including full composition and arrangement catalogue and fun freebies!), visit www.amandasmusicshop.com Looking for other minor key variations or humorous Halloween pieces? Here are some other pieces by this arranger you may like: • Black Bat, Black Bat (Sheet Music Plus | Sheet Music Direct) • The Spooky Scary Spider (Sheet Music Plus | Sheet Music Direct) • Seven Sinister Songs for Easy Piano (Sheet Music Plus | Sheet Music Direct) • Pumpkin Spiced: intermediate arrangement of the Coffee Dance from the Nutcracker (Sheet Music Plus | Sheet Music Direct)
$1.99
Ode to Sadness (a minor key variation of Ode to Joy)
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Piano Facile
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Amanda Dills
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Number of Pages: 1
&bull
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Ode to Sadness
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Amanda Dills
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1105617 Composed by Ludwig van Beethoven. Arranged by Amanda Dills. Classical,Contest,Festival,Folk,Holiday,Instructional...
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Easy Piano - Level 1 - SKU: A0.1105617 Composed by Ludwig van Beethoven. Arranged by Amanda Dills. Classical,Contest,Festival,Folk,Holiday,Instructional. Score. 1 pages. Amanda Dills #708834. Published by Amanda Dills (A0.1105617). This minor-key version of Ode to Joy features a mysterious ostinato in the right hand and a haunting left-hand melody. The entire piece is in A minor position, making it perfect for beginning players. Arrangement Details: • Number of Pages: 1 • Duration: approx 1 min • Hand Position: A Minor position • Key: A mior • Includes: 1 repetition of the main theme • Features: finger numbers, dynamics, legato markings • Great For: sight reading, teaching major and minor, Halloween recitals and lessons, beginners, self-taught, group lessons About the Arranger: Amanda Dills is a composer and arranger (and educator and instructional designer) from Oklahoma City. She has a degrees in Music Education and Music Composition, and teaching experience in settings ranging from private violin and piano instruction to K12 Vocal Music to college music theory courses. For more information (including full composition and arrangement catalogue and fun freebies!), visit www.amandasmusicshop.com Looking for other minor key variations or Beethoven arrangements? Here are some other pieces by this arranger you may like: • Für Elise (Sheet Music Plus | Sheet Music Direct) • Seven Sinister Songs for Easy Piano (Sheet Music Plus | Sheet Music Direct)
$1.99
THE THIRD MELODY (Variation)
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Vibraphone
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FACILE
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@bardellemusic
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THE THIRD MELODY
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Francesco Bardelle
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SheetMusicPlus
Vibraphone Solo - Level 2 - SKU: A0.1295820 By @bardellemusic. By Francesco Bardelle. Children,Instructional. Individual part. 1 pages. Francesco Bardel...
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Vibraphone Solo - Level 2 - SKU: A0.1295820 By @bardellemusic. By Francesco Bardelle. Children,Instructional. Individual part. 1 pages. Francesco Bardelle #886152. Published by Francesco Bardelle (A0.1295820). This is a little variation on my last song Third Melody: a didactic Vibraphone Solo piece written in order to develop left hand mobility, dampening pedal control and also the ability to read 2 lines/voices interchange. In this variation I add a little incursion to A minor in the final section chords and also a tonicization from C Major to F Major in the last few bars. You can (and must !) play this piece with only 2 mallets-sticks.
$3.99
Caprice No. 24 a minor / Caprice Nr. 24 a-Moll Swing version
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Nicolo Paganini
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Caprice No. 24 a minor / Capri
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Uwe Roessler
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SheetMusicPlus
Piano Quintet Cello,Double Bass,Piano,Violin - Level 5 - SKU: A0.1225529 Composed by Nicolo Paganini. Arranged by Uwe Rössler Roessler Rassler. Baroq...
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Piano Quintet Cello,Double Bass,Piano,Violin - Level 5 - SKU: A0.1225529 Composed by Nicolo Paganini. Arranged by Uwe Rössler Roessler Rassler. Baroque,Classical,Jazz,Multicultural,Standards,World. 23 pages. Uwe Roessler #821602. Published by Uwe Roessler (A0.1225529). This is a driving Swing version / Gipsy Swing version of Paganini´s famous Caprice 24. Starts with the original theme + first variation in violin. Swing rhythm is then established, followed with the theme being played by the cello. Violin takes over for a swinging chorus (written out). Chorus (with optional repeats ad lib) gives room for improvisations by others. A semi-baroque Fugato is then introduced. After the Fugato the theme is repeated by violin1 including a highly virtuoso variation.Voices for violin1, violin2, and cello are written out. Piano and bass have chord symbols for their individual voicings - except when their voices play a consistent part of the arrangement.Comes with full score and all individual parts. Professional sheet material!
$20.00
Happy Birthday (Minor Key) for Easy-Intermediate Piano / Beginner Piano / Sight Reading (March)
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Piano Facile
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FACILE
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Mildred Hill and Patty Hill
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Ylan Chu
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Happy Birthday
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Ylan Chu
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1193506 Composed by Mildred Hill and Patty Hill. Arranged by Ylan Chu. Children,Classical,Holiday,Instructional,Standards...
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Easy Piano - Level 2 - SKU: A0.1193506 Composed by Mildred Hill and Patty Hill. Arranged by Ylan Chu. Children,Classical,Holiday,Instructional,Standards. Score. 1 pages. Ylan Chu #792974. Published by Ylan Chu (A0.1193506). If my students have a lesson/class on their birthday (or the week of), I ask them to sight read a birthday variation. I have run out of easier variations, so I thought I might as well write a few new ones myself since this tune is now in public domain. Aiming to post one variation a month. If you decide to play and post it somewhere, please tag me (@ClassicalSqueak)!For more information about the arranger, Dr. Ylan Chu, please visit her website: www.ylanchu.com.More resource links can be found here: www.ylanchu.com/resources.Socials / Links: YouTube: https://youtube.com/@ClassicalSqueak Bandcamp: https://ylanchu.bandcamp.com/ Lessons (online): https://www.ylanchu.com/teaching For more sheet music or to leave a tip, please visit: https://ko-fi.com/classicalsqueak/shop Video index: https://www.ylanchu.com/videoindex
$1.99
Prelude 2 in A Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden...
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Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Variation X, for two violins and piano
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Violon et Piano
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DÉBUTANT
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Christopher A
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Variation X, for two violins a
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.909565 Arranged by Christopher A. Sforza. Children,Contemporary,Folk,Hallowee...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.909565 Arranged by Christopher A. Sforza. Children,Contemporary,Folk,Halloween,Standards. Score and parts. 7 pages. Christopher A. Sforza #3663507. Published by Christopher A. Sforza (A0.909565). Twinkle, Twinkle, Little Star is used by many beginners due to its simplicity and familiarity. This arrangement keeps the melody unaltered in the first violin while heavily re-harmonizing and re-stylizing the second violin and piano parts. This departure from traditionalism creates an arrangement that is mysterious and unexpected. It is perfect for Halloween or any other occasion where you may want to add a little spook into your playing. The arrangement allows the performers to play three different ways; as a solo with piano, two violins and piano, or as a violin duet without piano.Included is a set of piano scores and duet parts in both a minor and d minor as well as fingering suggestions.
$2.25
VARIATION 25 (from the GOLDBERG VARIATIONS)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Stanley M
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VARIATION 25
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.924813 Composed by Johann Sebastian Bach. Arranged by Stanley M. Hoffman. Baroque. Score and parts. 18 pages. Stan...
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Chamber Orchestra - Level 4 - SKU: A0.924813 Composed by Johann Sebastian Bach. Arranged by Stanley M. Hoffman. Baroque. Score and parts. 18 pages. Stanleymhoffman.com #3911845. Published by stanleymhoffman.com (A0.924813). This arrangement of VARIATION 25 from J. S. Bach's GOLDBERG VARIATIONS is transposed to the key of A minor to make it playable by the solo violin, and more easily playable by all performers. Duration: 12:00 with repeats.
$10.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Sonata #5 in B-flat minor
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Piano seul
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AVANCÉ
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Contemporain
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James Domine
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Sonata #5 in B-flat minor
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976507 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 31 pages. Earth Music, Ltd. #2081747. Publishe...
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Piano Solo - Level 5 - SKU: A0.976507 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 31 pages. Earth Music, Ltd. #2081747. Published by Earth Music, Ltd. (A0.976507). This sonata is a solo transcription of the first movement of Domine’s Piano Concerto #1 in B-flat minor. The sonata begins with a slow introduction that juxtaposes two opposite harmonic realms represented by the interval of a diminished fifth. As the opening sequence drifts aimlessly through a cloud of amorphous sonorities, the principal theme is suddenly and aggressively thrust center stage by an angry theme marked Agitato. This theme wends its torturous way to the contrastingly quiet subordinate theme. An episode of melancholic discourse ensues, creating an air of confidential intimacy. The exposition ends with an elided dominant cadence which is left unresolved and that leads directly to the development section. Chord clusters built on hexachords provide a serialized variation on the principal theme. This tripartite antiphonal sequence works toward a culmination as the theme is expanded in rhythmic layers, finally reaching a cacophonic explosion. A retransition based on the slow introduction leads to the recapitulation, this time with alternating variations on the principal theme. After the lyrical restatement of the subordinate theme, the coda confronts us with a starkly bleak musical atmosphere that concludes with a fiery flourish. This transcription was made at the request of piano pedagogue Joanna Ezrin for Vera Weber, who has played it to great acclaim in numerous competitions and recitals.
$8.95
Theme and Variation
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1 Piano, 4 mains
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DÉBUTANT
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Classique
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Franz Schubert
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Chris Hsu
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Theme and Variation
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Chris Hsu
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.506074 Composed by Franz Schubert. Arranged by Chris Hsu. Classical. Score. 3 pages. Chris Hsu #117673. P...
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1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.506074 Composed by Franz Schubert. Arranged by Chris Hsu. Classical. Score. 3 pages. Chris Hsu #117673. Published by Chris Hsu (A0.506074). This is a piano duet based on Schubert's 2nd movement of his Piano Sonata No. 4 in A Minor arranged for beginner piano students.
$5.00
Paganini : 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation
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Violon
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FACILE
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Classique
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Paganini
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24 Caprices, Opus 1
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Tomplay
Telechargez la partition Violon 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation de Paganini. Partition pour Violon avec piano d&...
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Telechargez la partition Violon 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation de Paganini. Partition pour Violon avec piano d‘accompagnement -- Classique
2.99€
Paganini : 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto)
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Violon
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AVANCÉ
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Classique
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Paganini
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24 Caprices, Opus 1
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Tomplay
Telechargez la partition Violon 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) de Paganini. Partition pour Violo...
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Telechargez la partition Violon 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) de Paganini. Partition pour Violon seul -- Classique
3.99€
Paganini : 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau intermédiaire)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Paganini
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24 Caprices, Opus 1
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Tomplay
Telechargez la partition Piano 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau intermediaire) de Paganini...
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Telechargez la partition Piano 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau intermediaire) de Paganini. Partition pour Piano seul -- Classique
5.99€
Paganini : 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau difficile)
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Piano seul
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AVANCÉ
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Classique
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Paganini
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24 Caprices, Opus 1
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Tomplay
Telechargez la partition Piano 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau difficile) de Paganini. Pa...
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Telechargez la partition Piano 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau difficile) de Paganini. Partition pour Piano seul -- Classique
5.99€
Paganini : 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau facile/intermédiaire)
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Piano seul
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FACILE
#
Classique
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Paganini
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24 Caprices, Opus 1
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Tomplay
Telechargez la partition Piano 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau facile/intermediaire) de P...
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Telechargez la partition Piano 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau facile/intermediaire) de Paganini. Partition pour Piano seul -- Classique
5.99€
Paganini : 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau facile)
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Piano seul
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FACILE
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Classique
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Paganini
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24 Caprices, Opus 1
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Tomplay
Telechargez la partition Piano 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau facile) de Paganini. Parti...
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Telechargez la partition Piano 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau facile) de Paganini. Partition pour Piano seul -- Classique
5.99€
Paganini : 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau très facile)
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Piano seul
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DÉBUTANT
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Classique
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Paganini
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24 Caprices, Opus 1
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Tomplay
Telechargez la partition Piano 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau très facile) de Pag...
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Telechargez la partition Piano 24 Caprices, Opus 1 - N° 24 Caprice en la mineur: Thème et variation (Quasi Presto) (niveau très facile) de Paganini. Partition pour Piano seul -- Classique
5.99€
Fur Elise (Bagatelle In A Minor), Woo 59
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Ukulele
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DÉBUTANT
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Ludwig van Beethoven
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Kee Kai
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Fur Elise
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KeeKai
#
SheetMusicPlus
Ukulele - Level 1 - SKU: A0.1460474 Composed by Ludwig van Beethoven. Arranged by Kee Kai. 19th Century,Children,Classical. Score. 3 pages. KeeKai #1039...
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Ukulele - Level 1 - SKU: A0.1460474 Composed by Ludwig van Beethoven. Arranged by Kee Kai. 19th Century,Children,Classical. Score. 3 pages. KeeKai #1039398. Published by KeeKai (A0.1460474). Simple ukulele tune for new learners yet with three easy variation.
$5.00
Tullyhogue Fort / If I was a Tinker - Score Only
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Alan Wagstaff
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Alan Wagstaff
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Tullyhogue Fort / If I was a T
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Alan Wagstaff
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SheetMusicPlus
Level 4 - SKU: A0.1392403 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Singer/Songwriter,Traditional. 10 pages. Alan...
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Level 4 - SKU: A0.1392403 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Singer/Songwriter,Traditional. 10 pages. Alan Wagstaff #975923. Published by Alan Wagstaff (A0.1392403). Tullyhogue Fort / If I was a Tailor - is a new, Irish style jig arranged for whistle, banjo, flute, fiddle, accordion, and bass.It is first played in a minor mode and then in a major mode. (Aeolian and Ionian)The song is a variation of the 2nd tune.Form: (AA BB) X2  (CC DD) X2  (EF) X5Here are the song lyrics:If I was a tinker you’d  not want for kettles. IfI was a jeweller, the  truth to be told, I’dgive you fine trinkets of rare precious metals, andmake you a ring out of African Gold. ButChorusI’m just a rambler who sings for his supper. Ijog County Antrim – astride this old nag.All that I own is my  saddle and crupper, awhistle, a drum and this old carpet bag.If I was a miller you’d not want for flour. If I was a tailor I’d sew you fine clothes.If I was a gardener I’d build you a bower,and bring you each morning a single red rose. ChorusI’m just a…Can you imagine the hedgerows beside us,travelling the byways with you on the mare,with only the thought of the next inn to guide us,where folks want a tune and have coppers to spare?ChorusI’m just a… If you can imagine the open road calling,the feel of the breeze underneath a clear sky;the stars bright at night and the gentle rain falling,then jog along too, bid your old life goodbye.ChorusI’m just a….
$6.00
A. Vivaldi: Cello Concerto in B Minor, RV424 [Arranged for 2 cellos]
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Clara Obsidian
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A. Vivaldi: Cello Concerto in
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Clara Obsidian
#
SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.871412 Composed by Antonio Vivaldi. Arranged by Clara Obsidian. Baroque,Concert,Graduation,Standards. Score. 31 pag...
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Cello Duet Cello - Level 4 - SKU: A0.871412 Composed by Antonio Vivaldi. Arranged by Clara Obsidian. Baroque,Concert,Graduation,Standards. Score. 31 pages. Clara Obsidian #6327357. Published by Clara Obsidian (A0.871412). Vivaldi's Concerto for Cello in B minor (Si minore), RV424I: Allegro non moltoII: Largo*III: Allegro*Largo comes in 2 variation (Solo and Tutti) and [Duet]See Preview for more information----------------------Arranged for 2 CellosCello 1: Cello Melody / TuttiCello 2: Adapted Violin Melody / TuttiFull Score and Parts-----------------------------
$7.99
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A Minor Variation
