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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Minute For Three
Non classifié
724
Piano & claviers
Piano seul
156
Orgue
38
Piano, Voix
30
Piano Facile
11
Piano, Voix et Guitare
8
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
5
1 Piano, 4 mains
3
Accompagnement Piano
2
Orgue, Trompette (duo)
2
Clavecin
2
+ 6 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
3
2 Guitares (duo)
2
Guitare, Quatuor à cordes
2
Ukulele
1
Voix
Chorale SATB
115
Chorale 3 parties
107
Chorale SSAA
14
Chorale TTBB
9
Chorale 2 parties
9
Chorale Unison
7
Voix Soprano, Piano
6
Chorale
6
Chorale SSAATTBB
5
Voix Tenor, Piano
4
Voix Baryton, Piano
2
Chorale SSATTB
1
Chorale SSATB
1
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
402
Saxophone, Clarinette (duo)
225
2 Clarinettes (duo)
173
Clarinette, Violon (duo)
147
2 Flûtes traversières (duo)
139
Clarinette, Trompette (duo)
129
Flûte, Clarinette (duo)
87
2 Hautbois (duo)
79
Clarinette et Alto
76
Hautbois, Basson (duo)
75
Hautbois, Clarinette (duo)
75
Flûte, Saxophone (duo)
74
Flûte, Violon
71
Hautbois, Flûte
68
Flûte, Alto (duo)
63
Flûte, Trompette (duo)
56
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Quatuor de Clarinettes: 4 clarinettes
30
Quatuor de Saxophones: 4 saxophones
28
Clarinette
27
Trio de Flûtes: 3 flûtes
26
Flûte traversière et Piano
26
Clarinette et Piano
25
3 Clarinettes (trio)
23
Saxophone Alto et Piano
19
Flûte à bec Soprano
18
Flûte traversière
18
Hautbois, Piano (duo)
18
Saxophone (partie séparée)
16
Cor Anglais
15
Saxophone Alto
14
Hautbois (partie séparée)
14
Saxophone Tenor et Piano
13
3 Saxophones (trio)
12
Saxophone Tenor
11
Saxophone Soprano et Piano
11
Flûte, Hautbois, Clarinette, Basson
10
Quatuor de Flûtes : 4 flûtes
7
Quintette de Saxophone: 5 saxophones
6
3 Flûtes à bec (trio)
6
Cor anglais, Piano
5
Ensemble de Flûtes
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Violoncelle
3
Ensemble de Clarinettes
3
Flûte à bec Alto
2
Flûte, Hautbois (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette et Basson
2
Clarinette, Trombone (duo)
2
Flûte, Clarinette, Piano (trio)
2
5 Flûtes à bec
2
Ensemble de saxophones
2
Clarinette, Violoncelle (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
2 Clarinettes, Piano
2
Flûte à bec Tenor
2
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
Flute, harpe et violon
1
Flûte, alto et harpe
1
Flûte et Guitare
1
Flûte, Clarinette, Violon (trio)
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette (partie séparée)
1
Hautbois, Basson et Piano
1
Saxophone Baryton, Piano
1
Clarinette, Basson (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Basson
1
Hautbois, violon (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano, Piano
1
+ 70 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
157
2 Trombones (duo)
76
Trompette, Trombone (duo)
74
2 Trompettes (duo)
66
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
64
Trombone et Piano
26
Trompette, Piano
19
Euphonium, Piano (duo)
16
Cor Anglais
15
Trombone
15
Trompette
14
Quatuor de cuivres: 4 trombones
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette (partie séparée)
10
Ensemble de Trombones
10
Tuba et Piano
9
Euphonium
9
3 Trombones (trio)
6
3 Trompettes (trio)
6
2 Cors (duo)
6
Cor et Piano
6
Cor anglais, Piano
5
Trombone basse
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba
3
Quatuor de Cuivres
3
Ensemble de Cors
2
Trio de Cuivres
2
Quatuor de cuivres: 4 cors
2
4 Tubas
2
Trombone basse et Piano
2
3 Euphoniums
2
Cor
2
Ensemble de Trompettes
1
Trombone et orchestre
1
Euphonium, Tuba (duo)
1
3 Tubas (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
+ 35 instrumentations
Retracter
Cordes
Violon, Alto (duo)
80
Violon, Violoncelle (duo)
76
2 Altos (duo)
74
2 Violons (duo)
71
2 Violoncelles (duo)
71
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violon et Piano
36
Violoncelle, Piano
30
Violon
22
Alto, Piano
21
Violoncelle
21
Trio à cordes: 3 violins
15
Harpe
13
Alto seul
13
Trio à Cordes: violon, alto, violoncelle
11
Alto (partie séparée)
4
4 Violoncelles
3
Quatuor à cordes: 4 violons
2
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Contre Basse
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Orgue
1
Alto, Violoncelle (duo)
1
4 Contrebasses
1
Contrebasse, Piano (duo)
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe et Piano
1
Violoncelle , Guitare (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre
56
Orchestre d'harmonie
54
Orchestre à Cordes
37
Ensemble de cuivres
31
Orchestre de chambre
28
Cloches
21
Ensemble de Percussions
8
Ensemble Jazz
3
Vibraphone
1
Orchestre, Violon
1
Piano et Orchestre
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PAS DE PART…
PERCU. ORCH…
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SAXOPHONE
SYNTHE
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
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MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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Crtitères actifs :
A Minute For Three
Partitions à imprimer
5 256 partitions trouvées
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5251
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
#
Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
#
SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
A Minute For Three
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3 Bassons
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INTERMÉDIAIRE
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Laurence Perkins
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A Minute For Three
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C8 Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon - Level 3 - SKU: A0.1305435 By Laurence Perkins. By Dominic McGonigal. 21st Century,Classical,Contemporary. 5 pa...
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Woodwind Ensemble,Woodwind Trio Bassoon - Level 3 - SKU: A0.1305435 By Laurence Perkins. By Dominic McGonigal. 21st Century,Classical,Contemporary. 5 pages. C8 Music #894867. Published by C8 Music (A0.1305435). Written for Laurence Perkins during the Covid lockdown, this is a cheeky little piece to cheer everyone up. It can also be played as a solo (first bassoon part).Scored for three bassoons. 1'. More at www.dominicmcgonigal.com.
$1.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
#
Salvador Rojo Gamón
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Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Issue 7, Series 2 - The Social Outcast from Strange Myths and Wondrous Images - A Comic Book Chronic
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
#
Issue 7, Series 2 - The Social
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Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886124 Composed by Jason McChristian. Contemporary. Score and parts. 70 pages. Jason Gary McChristian #552907. Publishe...
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Concert Band - Level 4 - SKU: A0.886124 Composed by Jason McChristian. Contemporary. Score and parts. 70 pages. Jason Gary McChristian #552907. Published by Jason Gary McChristian (A0.886124). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The Social Outcast - ...THE FORSAKEN OUTSIDER OFFERS HELP; A GIFT NO ONE CONSIDERED....
$40.00
Der Minuten-Tristan
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Enjott Schneider
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Der Minuten-Tristan
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Schott Music - Digital
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SheetMusicPlus
2 pianos (4 hands) - SKU: S9.Q18573 For two pianos. Composed by Enjott Schneider. This edition: performance score. Downloadable, Performance scor...
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2 pianos (4 hands) - SKU: S9.Q18573 For two pianos. Composed by Enjott Schneider. This edition: performance score. Downloadable, Performance score. Duration 6 minutes. Schott Music - Digital #Q18573. Published by Schott Music - Digital (S9.Q18573). In time for the 200th birthday of Richard Wagner, Enjott Schneider has presented his 'Minuten-Tristan' in a version for two pianos. Originally composed for a dozen pianos, 'Minuten-Tristan' presents the highlights of Wagner's monumental work in a daring tour de force of no more than five minutes, bringing amazing things to light: The Tristan chord shows its true harmonic calling in the tango, while the opening bars lead to a lively ragtime and the tragic Liebestod occurs in bright three-four time. This piece is a witty parodistic tribute, full of humour and affectionate mockery, to the famous composer.This paraphrase on Wagner’s Tristan und Isolde was composed and spectacularly performed for the re-opening of the Prinzregententheater in Munich on 8 November 1996. In a mere 6 minutes, the Wagnerian epic is presented in a colourful bouquet of tango, ragtime and waltz in a humorous but provocative form. Enjott Schneider.
$23.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Issue 10, Series 3 - The Sage from Strange Myths and Wondrous Images - A Comic Book Chronicle for Co
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 10, Series 3 - The Sage
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886128 Composed by Jason McChristian. Contemporary. Score and parts. 61 pages. Jason Gary McChristian #553001. Publishe...
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Concert Band - Level 4 - SKU: A0.886128 Composed by Jason McChristian. Contemporary. Score and parts. 61 pages. Jason Gary McChristian #553001. Published by Jason Gary McChristian (A0.886128). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The Sage - ...A CALL FOR AID ECHOES ACROSS TIME AND SPACE. KNOWING THE STAKES, THE WISE-ONE PREPARES TO TAKE HER PLACE IN THE CHAOS.
$40.00
Issue 6, Series 2 - Trickster from Strange Myths and Wondrous Images - A Comic Book Chronicle for Co
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 6, Series 2 - Trickster
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886122 Composed by Jason McChristian. Contemporary. Score and parts. 137 pages. Jason Gary McChristian #552441. Publish...
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Concert Band - Level 4 - SKU: A0.886122 Composed by Jason McChristian. Contemporary. Score and parts. 137 pages. Jason Gary McChristian #552441. Published by Jason Gary McChristian (A0.886122). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Trickster - ...A NEW TERROR IS ABOUT. TREACHERY AND SEDUCTION ARE ITS SPORT....
$40.00
Prologue from Strange Myths and Wondrous Images - A Comic Book Chronicle for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Prologue from Strange Myths an
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886116 Composed by Jason McChristian. Contemporary. Score and parts. 48 pages. Jason Gary McChristian #550927. Publishe...
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Concert Band - Level 4 - SKU: A0.886116 Composed by Jason McChristian. Contemporary. Score and parts. 48 pages. Jason Gary McChristian #550927. Published by Jason Gary McChristian (A0.886116). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Prologue - TURNING ITS GAZE EARTHWARDS, A GREAT ENTITY WATCHES FROM THE FARTHEST REACHES OF TIME AND SPACE....
$40.00
Issue 3, Series 1 - Henchmen from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 3, Series 1 - Henchmen f
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886120 Composed by Jason McChristian. Contemporary. Score and parts. 124 pages. Jason Gary McChristian #550943. Publish...
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Concert Band - Level 4 - SKU: A0.886120 Composed by Jason McChristian. Contemporary. Score and parts. 124 pages. Jason Gary McChristian #550943. Published by Jason Gary McChristian (A0.886120). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Henchmen - ...FOUR BRUTES WREAK HAVOC ON THE INNOCENT. THEY CONJURE TERROR AS THEY MOVE THROUGH THE STREETS WITH OMIINOUS GLEE....
$40.00
Issue 9, Series 3 - Dark God from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 9, Series 3 - Dark God f
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886126 Composed by Jason McChristian. Contemporary. Score and parts. 47 pages. Jason Gary McChristian #552999. Publishe...
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Concert Band - Level 4 - SKU: A0.886126 Composed by Jason McChristian. Contemporary. Score and parts. 47 pages. Jason Gary McChristian #552999. Published by Jason Gary McChristian (A0.886126). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Dark God - ...THE WORST DREAD APPROACHES THE CITY....
$40.00
Issue 1, Series 1 - The City from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 1, Series 1 - The City f
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886118 Composed by Jason McChristian. Contemporary. Score and parts. 108 pages. Jason Gary McChristian #550933. Publish...
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Concert Band - Level 4 - SKU: A0.886118 Composed by Jason McChristian. Contemporary. Score and parts. 108 pages. Jason Gary McChristian #550933. Published by Jason Gary McChristian (A0.886118). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The City - ...AMONG THE DENSE CITYSCAPE, AN UNFAMILIAR PRESENCE WEAVES THROUGH THE CROWD AND THE NOISE....
$40.00
Issue 5, Series 2 - Promises from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 5, Series 2 - Promises f
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886123 Composed by Jason McChristian. Contemporary. Score and parts. 55 pages. Jason Gary McChristian #552421. Publishe...
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Concert Band - Level 4 - SKU: A0.886123 Composed by Jason McChristian. Contemporary. Score and parts. 55 pages. Jason Gary McChristian #552421. Published by Jason Gary McChristian (A0.886123). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Promises - ...STRENGTH IS SUMMONED AND PROMISES ARE MADE....
$40.00
Pachelbel's Canon in D, for Flute Trio and optional Bass
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Trio de Flûtes: 3 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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David McKeown
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Pachelbel's Canon in D, for Fl
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David McKeown
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 4 - SKU: A0.587471 Composed by Johann Pachelbel. Arranged by David McKeown. Baroque,Concert,Contemporary,S...
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Woodwind Ensemble,Woodwind Trio Flute - Level 4 - SKU: A0.587471 Composed by Johann Pachelbel. Arranged by David McKeown. Baroque,Concert,Contemporary,Standards,Wedding. 23 pages. David McKeown #3243685. Published by David McKeown (A0.587471). Next to nothing is known about the origins of Johann Pachelbel’s Canon in D. The earliest manuscript dates from the nineteenth century and the piece only emerged from obscurity through radio play in the 1970s. Now one of the best-loved and ubiquitous classical pieces, the Canon’s repeating chord sequence has inspired countless pop tunes from the Streets of London, to I Should be so Lucky and Don’t Look Back in Anger. This version is arranged and transposed to a suitable key as a Trio for three Flutes. An optional part 4 is included which can be played on any bass instrument to add texture and harmonic context. The original note values have been doubled to make the rhythms easier to read. The linked youtube performance is the Clarinet version of this arrangement. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances, and being a Canon, all but the bass part play the melody. Duet versions of this piece can also be found by browsing from the link below. The overall performance time is around four and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with stamina, concentration and rhythmic consistency. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
Issue 4, Series 1 - A Hero's Anthem from Strange Myths and Wondrous Images - A Comic Book Chronicle
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 4, Series 1 - A Hero's A
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886121 Composed by Jason McChristian. Contemporary. Score and parts. 49 pages. Jason Gary McChristian #552335. Publishe...
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Concert Band - Level 4 - SKU: A0.886121 Composed by Jason McChristian. Contemporary. Score and parts. 49 pages. Jason Gary McChristian #552335. Published by Jason Gary McChristian (A0.886121). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. A Hero's Anthem - ...FROM THE DESTRUCTION A CRY IS HEARD, FROM THE CROWD A HERO EMERGES....
$40.00
Issue 2, Series 1 - Secret Identity from Strange Myths and Wondrous Images - A Comic Book Chronicle
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 2, Series 1 - Secret Ide
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886119 Composed by Jason McChristian. Contemporary. Score and parts. 67 pages. Jason Gary McChristian #550939. Publishe...
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Concert Band - Level 4 - SKU: A0.886119 Composed by Jason McChristian. Contemporary. Score and parts. 67 pages. Jason Gary McChristian #550939. Published by Jason Gary McChristian (A0.886119). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Secret Identity - ...CONCEALED IN THE CROWD, A STRANGER FEELS AN UNUSUAL RESONANCE SURGING FROM WITHIN....
$40.00
Issue 8, Series 2 - Inner Struggle from Strange Myths and Wondrous Images - A Comic Book Chronicle f
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Issue 8, Series 2 - Inner Stru
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886125 Composed by Jason McChristian. Contemporary. Score and parts. 89 pages. Jason Gary McChristian #552923. Publishe...
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Concert Band - Level 4 - SKU: A0.886125 Composed by Jason McChristian. Contemporary. Score and parts. 89 pages. Jason Gary McChristian #552923. Published by Jason Gary McChristian (A0.886125). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Inner Struggle - ...WITH LIVES IN THE BALANCE AND HEROES AND VILLAINS IN THE FRAY, WILL GOOD ENDURE?....
$40.00
Silver Wedding, Klezmer Tune for Clarinet and Violin Duet
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Clarinette, Violon (duo)
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INTERMÉDIAIRE
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune f
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - SKU: A0.589307 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World....
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - SKU: A0.589307 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022219. Published by David McKeown (A0.589307). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Violin. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Silver Wedding, Klezmer Tune for Flute and Violin Duet
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Flûte, Violon
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INTERMÉDIAIRE
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune f
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - SKU: A0.589316 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Sc...
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - SKU: A0.589316 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022241. Published by David McKeown (A0.589316). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Violin. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Silver Wedding, Klezmer Tune for Clarinet and Viola Duet
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Clarinette et Alto
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INTERMÉDIAIRE
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune f
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.590496 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. ...
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.590496 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022217. Published by David McKeown (A0.590496). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Viola. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Silver Wedding, Klezmer Tune for Flute and Viola Duet
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune f
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - SKU: A0.589314 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Sco...
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - SKU: A0.589314 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022237. Published by David McKeown (A0.589314). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Viola. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Silver Wedding, Klezmer Tune for Clarinet and Trumpet Duet
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Clarinette, Trompette (duo)
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INTERMÉDIAIRE
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune f
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - SKU: A0.589306 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World...
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - SKU: A0.589306 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022213. Published by David McKeown (A0.589306). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Trumpet. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Silver Wedding, Klezmer Tune for Flute and Trumpet Duet
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Flûte, Trompette (duo)
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INTERMÉDIAIRE
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Klezmer
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune f
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - SKU: A0.589313 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. S...
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - SKU: A0.589313 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022233. Published by David McKeown (A0.589313). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Trumpet. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Silver Wedding, Klezmer Tune for Clarinet and Bass Clarinet Duet
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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Klezmer
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune f
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David McKeown
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SheetMusicPlus
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 3 - SKU: A0.589302 Composed by Traditional. Arranged by David McKeown. Jewish,Multicultural,We...
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Instrumental Duet Bass Clarinet,Instrumental Duet - Level 3 - SKU: A0.589302 Composed by Traditional. Arranged by David McKeown. Jewish,Multicultural,Wedding,World. Score and parts. 5 pages. David McKeown #6022207. Published by David McKeown (A0.589302). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Bass Clarinet. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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A Minute For Three