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A New Skip To My Lou
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Vous avez sélectionné:
A New Skip To My Lou
Partitions à imprimer
6 partitions trouvées
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A New Skip To My Lou
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Piano seul
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INTERMÉDIAIRE
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Kathi Kerr
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Melody Music Publishers
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A New Skip To My Lou
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Melody Music Publishers
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.950511 Composed by Kathi Kerr. Arranged by Melody Music Publishers. Classical,Folk. Score. 2 pages. Melody Music Publishe...
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Piano Solo - Level 3 - SKU: A0.950511 Composed by Kathi Kerr. Arranged by Melody Music Publishers. Classical,Folk. Score. 2 pages. Melody Music Publishers #6471817. Published by Melody Music Publishers (A0.950511). Here is a piano solo arrangement of Skip To My Lou which uses variation to improvise on the melody starting in bar 11. This is commonly used in rock and jazz styles where a piano or guitar will improvise on the melody in an ad lib section, usually in the middle of the song.
$2.99
Take Me Back (A New American Folk Song), SATB, piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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learning from our past, we can
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Steve Danielson
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Take Me Back
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Steve Danielson
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1006775 Composed by Steve Danielson. Contemporary,Country,Folk,Traditional. Octavo. 15 pages. Steve Danielson #4...
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Choral Choir (SATB) - Level 4 - SKU: A0.1006775 Composed by Steve Danielson. Contemporary,Country,Folk,Traditional. Octavo. 15 pages. Steve Danielson #4804099. Published by Steve Danielson (A0.1006775). This original folk song written in a style similar to Skip to My Lou and Bile Them Cabbage Down is a look back at our musical past. In a world of disconnectedness, people are looking for ways to connect. This song looks back at a time when people came together to sing and tell stories. By learning from our past, we can learn how to negotiate the future.
$2.00
Take Me Back (A New American Folk Song) - Full Orchestra and Chorus
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learning from our past, we can
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Steve Danielson
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Take Me Back
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Steve Danielson
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SheetMusicPlus
Large Ensemble Choir - Level 4 - SKU: A0.1006774 Composed by Steve Danielson. Contemporary,Folk,Traditional. Score and parts. 49 pages. Steve Danielson ...
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Large Ensemble Choir - Level 4 - SKU: A0.1006774 Composed by Steve Danielson. Contemporary,Folk,Traditional. Score and parts. 49 pages. Steve Danielson #4805033. Published by Steve Danielson (A0.1006774). This original folk song written in a style similar to Skip to My Lou and Bile Them Cabbage Down is a look back at our musical past. In a world of disconnectedness, people are looking for ways to connect. This song looks back at a time when people came together to sing and tell stories. By learning from our past, we can learn how to negotiate the future.
$50.00
Light the Candles of Hanukkah
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Chorale 2 parties
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FACILE
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Aren Newell Williams and Ruth
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Skip to My Lou
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Light the Candles of Hanukkah
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Chorister's Guild - Digital
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SheetMusicPlus
Two-part chorus - early intermediate - SKU: C7.CGE312 Composed by Aren Newell Williams and Ruth Elaine Schram. Holidays. Sing! Octavo. 12 pages. Chorist...
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Two-part chorus - early intermediate - SKU: C7.CGE312 Composed by Aren Newell Williams and Ruth Elaine Schram. Holidays. Sing! Octavo. 12 pages. Chorister's Guild - Digital #CGE312. Published by Chorister's Guild - Digital (C7.CGE312). A rousing, high-energy and accessible 2-minute showstopper based on the American folk song favorites Turkey in the Straw; Skip to My Lou; Hop Up, My Ladies; Old Brass Wagon and Old Dan Tucker that will add a clever contrast to your concert and festival programming. It is especially effective as an opener, closer or encore.
$2.45
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
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