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Vous avez sélectionné:
A Quick Jaunt
Partitions à imprimer
15 partitions trouvées
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1
A Quick Jaunt
Alto Saxophone,Baritone Saxophone,Cornet,Euphonium - Level 3 - Digital Download SKU: A0…
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Alto Saxophone,Baritone Saxophone,Cornet,Euphonium - Level 3 - Digital Download SKU: A0.1113922 Composed by Jeff Henderson. 20th Century,Chamber,Contest,Festival,Jazz. 10 pages. Jeff #715819. Published by Jeff (A0.1113922). A Quick Jaunt for sundry instruments is scored for Bb cornet, alto saxophone, euphonium, and baritone saxophone.
$10.00
8.93 €
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Jeff Henderson
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A Quick Jaunt
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Jeff
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SheetMusicPlus
Cherry Street Jaunt
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.927181 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.927181 Composed by George Willson. Blues,Jazz. Score and parts. 46 pages. George Willson #6359467. Published by George Willson (A0.927181). Written for the T-Town Jazz Band and named for a Tulsa landmark, this is a big band swing tune in F minor blues with solos and exposure aplenty most notably in the third trombone part. The piece follows a chap who is happily walking (or jaunting) down Cherry Street. Three other guys come in and pick up his melody as a unison trio. This moves into a quick verse in the ensemble before the four players each take a solo turn almost like a combo. The party then takes off with the full band before it moves back to the trio wandering off while crowd bids them farewell and the original soloist takes a final turn. The reason there is such a focus on the third trombone is because this piece is dedicated to Dale Turner who was the third trombone player in the T-Town Jazz Band and a founding member of the band. We tried to get him to improv a solo here and there, but he wouldn't do it. We figured if we wrote it into his part, he would play it, and so the next piece I was writing was Cherry Street Jaunt, so the 3rd trombone got a lot of love. Unfortunately, the band had to shut down for a time due to COVID-19, and during that time, Dale passed due to complications from it. As a result, he never saw the part I wrote to trick him into a solo. The MP3 is generated from the composition program, but the video link is a live performance.
$35.00
31.27 €
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Ensemble Jazz
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George Willson
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Cherry Street Jaunt
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George Willson
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SheetMusicPlus
GANGE THE JAUNTY HORN
Instrumental Duet Horn,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.811…
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Instrumental Duet Horn,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.811745 Composed by Kenneth Gange. 20th Century,Instructional,Standards. Score and parts. 7 pages. Piper Publications #5739677. Published by Piper Publications (A0.811745). 7 easy pieces for horn in F and piano. A Jaunty Tune, Folk Song, Slow Dance, Melody, Solemn Parade, Quick Dance & Hymn. The piano part is easy too. These pieces have been regularly set for the early grades of the British examining boards. Currently candidates can play play either Folk Song or Melody for Grade 1 and either A Jaunty Tune or Slow Dance for Grade 2.
$8.50
7.59 €
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Kenneth Gange
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Hymn
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GANGE THE JAUNTY HORN
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Piper Publications
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SheetMusicPlus
The Monk's Turned Topsy-Turvy
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Leve…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)
$25.00
22.33 €
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Ensemble de Clarinettes
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
The Monk's Turned Topsy-Turvy
Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Con…
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Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99
1.78 €
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Gospel Songs: Come and Go with Me to That Land (Downloadable Piano/Choral Score)
Chorale SATB
SATB choir, piano - Moderately Easy - Digital Download SKU: MQ.8154-E Composed by G…
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SATB choir, piano - Moderately Easy - Digital Download SKU: MQ.8154-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #8154-E. Published by E. C. Schirmer Music Company - Digital (MQ.8154-E). English.This new arrangement focuses on several, specific aspects of the lyrics, and of the journey. Envisioning that one is walking to that land, the piano introduction, in a swing rhythm, is marked At a strolling tempo. When the chorus enters, there is a bounce to their step, with the staccato dots coming each time on the word with- Come and go with me to that land...This is a jaunty expedition. One sees one's parents waiting in that land. Loving friends are there as well. A bit of scat singing and finger snapping adds to the energy.A slower middle section, in blues style, affirms that They'll be no slavery in that land. Shackles are thrown to the ground, and freedom breaks forth. This leads to a quick and energetic return to the gospel song, with a final refrain of They'll be singing in that land, voices ringing in that land!This is very American music, in a gospel, blues, and folk style.
$2.85
2.55 €
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Chorale SATB
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Gwyneth W
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Gospel Songs: Come and Go with Me to That Land
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Gospel Songs: Come and Go with Me to That Land (Downloadable Piano/Choral Score)
Chorale 3 parties
SSA choir, Piano - Moderately Easy - Digital Download SKU: MQ.8224-E Composed by Gw…
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SSA choir, Piano - Moderately Easy - Digital Download SKU: MQ.8224-E Composed by Gwyneth W. Walker. 15 pages. E. C. Schirmer Music Company - Digital #8224-E. Published by E. C. Schirmer Music Company - Digital (MQ.8224-E). English.This new arrangement focuses on several, specific aspects of the lyrics, and of the journey. Envisioning that one is walking to that land, the piano introduction, in a swing rhythm, is marked At a strolling tempo. When the chorus enters, there is a bounce to their step, with the staccato dots coming each time on the word with- Come and go with me to that land...This is a jaunty expedition. One sees one's parents waiting in that land. Loving friends are there as well. A bit of scat singing and finger snapping adds to the energy.A slower middle section, in blues style, affirms that They'll be no slavery in that land. Shackles are thrown to the ground, and freedom breaks forth. This leads to a quick and energetic return to the gospel song, with a final refrain of They'll be singing in that land, voices ringing in that land!This is very American music, in a gospel, blues, and folk style.
$2.80
2.5 €
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Chorale 3 parties
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Gwyneth W
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Gospel Songs: Come and Go with Me to That Land
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Talavera
Fanfare
Marching Band - Level 3 - Digital Download SKU: A0.957743 Composed by Stephen Lines…
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Marching Band - Level 3 - Digital Download SKU: A0.957743 Composed by Stephen Lines. Patriotic,World. Score and parts. 60 pages. Stephen Lines #25991. Published by Stephen Lines (A0.957743). The battle of Talavera is a battle honour of numerous British Army Regiments. Some of the thematic material of this quick march has been taken from Sara's Wedding March (written by the composer for his niece's wedding in September 2014). It is a good, jaunty number and a pleasure to march to. It also makes a good concert piece.
$18.50
16.53 €
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Fanfare
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Stephen Lines
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Talavera
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Stephen Lines
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SheetMusicPlus
High Jinks
Horn & strings - Digital Download SKU: IZ.IMW152 Composed by John O'Neill. Score an…
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Horn & strings - Digital Download SKU: IZ.IMW152 Composed by John O'Neill. Score and Parts. 26 pages. Imagine Music - Digital #IMW152. Published by Imagine Music - Digital (IZ.IMW152). 9 x 12 in inches.High Jinks for Horn . . . and Strings was originally written for and dedicated to the 'Other John O'Neill who premiered it with the Carson Valley Sinfonia in 2011. The musical form is that of a rondo-ish, 'theme and variation' with the theme first stated by the Horn alone, then quickly echoed by the string section. This back-and-forth conversation continues throughout the piece with the strings sometimes taking the lead. At the end, the original theme reappears, now in a more jaunty, upbeat transformation.
$35.00
31.27 €
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John O'Neill
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High Jinks
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Imagine Music - Digital
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SheetMusicPlus
Boogie & Blues 9 Intermediate Piano Solos
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1490896 Composed by Yvonne Johnson.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1490896 Composed by Yvonne Johnson. Blues,Instructional. Score. 25 pages. Yvonne Johnson #1067680. Published by Yvonne Johnson (A0.1490896). A collection of Grade 3 & 4 pieces covering a variety of rhythms commonly encountered in the Boogie & Blues genre.Saturday Night BoogieAn upbeat, fun to play Grade 3 piano boogie with swing (jazz) eighths over a walking bass. This boogie needs to be played in a relaxed manner with good rhythm and accents in the syncopated bars.Rocking The BluesThis upbeat Grade 3 blues piece has an eighth note (quaver) LH walking bass pattern, with some staccato articulations in the RH. Eighth notes (quavers) should be played straight. Jitterbug BoogieThis lively Grade 3 boogie was inspired by the swing dancers of the early 20th C. LH provides a driving walking bass while the RH plays syncopated rhythms and piano stabs.Train Ride BoogieThis Grade 3 boogie has a familiar, popular chugging train style LH. The RH playsblues scale patterns and syncopated rhythms. Eighth notes (quavers) should be swung.Boogie 1-4-5A lively Grade 3 boogie rock focusing on Primary Triads in root position. This piece requires well coordinated hands, a neat staccato touch and quick chord changes. Eighth notes (quavers) are best played straight.Boogie TrainA lively, fun to play Grade 4 piano boogie with a typical LH boogie bass. The LH bass is a common but difficult pattern requiring flexibility. Students should be able to span octaves comfortably before playing this piece.1st Inversion BoogieAn upbeat Grade 3 piano boogie in the key of C Major. RH focuses on 1st inversion triads and is played over a steady walking bass. Attention to articulations and accents is needed to convey the jaunty character of this piece.Chameleon BoogieInspired by the chameleons' unusual rocking movements when walking, this fairly lively Grade 3 boogie blues is based on a typical I IV V progression. Standard fingering for chromatic scales has been used for the turns. Eighth notes (quavers) should be lightly swung.Jingle Bell BoogieA lively, fun to play Grade 4 boogie arrangement of this popular Christmas carol. LH plays a fairly easy walking bass in the verse, before breaking into a well known boogie pattern for the chorus. LH needs to be relaxed, have flexibility and the ability to span the broken octaves comfortably.
$9.95
8.89 €
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Piano seul
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Yvonne Johnson
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Boogie & Blues 9 Intermediate Piano Solos
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Yvonne Johnson
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SheetMusicPlus
Piano Studies Bk 1- 6 Early Intermediate Solos
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1493264 Composed by Yvonne Johnson.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1493264 Composed by Yvonne Johnson. Instructional. Score. 16 pages. Yvonne Johnson #1069916. Published by Yvonne Johnson (A0.1493264). A collection of pieces mostly focusing on staccato technique.Happy Tappin'A jaunty Level 3 study written to help students develop an easy chromatic technique. The RH plays short chromatic passages over an ostinato bass.Jumping For JoyA lively Grade 2 study in LH crossing RH. This piece requires agility, a neat staccato touch and legato pedal technique in the A Minor section. The 2nd finger is a better option for students getting their hands tangled in the last 4 bars.Trick or Treatin'A lively Level 3 study in toccata technique. Written with minimal movement out of position for either hand to help students focus on neat hand co-ordination. In the key of C Minor.First TangoA lively piano piece written to help students co-ordinate the Habanera rhythm. The 2 bar intro establishes the rhythmic pattern, which stays in a 5 finger position throughout the chord changes. There are sustained notes and rests in some LH bars to help students when the RH develops into broken chord and eighth note patterns. Toccatina FrolicThis very lively Grade 3 study in G Minor focuses on toccata technique. Quick position changes are made easier with both hands playing staccato throughout. This piece should be played in a buoyant, playful manner.The Barn Dance RagA lively Grade 2, square-dance inspired rag using easy hand positions and primary triads. RH plays in a C Major 5 finger position throughout. The LH 'down-up' articulations use C, G and F Major chords. This piece should be played in a happy, buoyant manner.
$7.95
7.1 €
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Piano seul
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Yvonne Johnson
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Piano Studies Bk 1- 6 Early Intermediate Solos
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Yvonne Johnson
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SheetMusicPlus
The Ballad Of Gilligan's Isle
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.948758 Composed by George Wyle,…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.948758 Composed by George Wyle, Sherwood Schwartz, and Sherwood Schwartzf. Arranged by Warren J. Wernick. Contemporary. Score and parts. 10 pages. Warren J Wernick #5709951. Published by Warren J Wernick (A0.948758). Gilligan's Island is an American sitcom created and produced by Sherwood Schwartz.The series followed the comic adventures of seven castaways as they attempted to survive on an island on which they had been shipwrecked. Most episodes revolve around the dissimilar castaways' conflicts and their unsuccessful attempts, for whose failure Gilligan was frequently responsible, to escape their plight. Sherwood Schwartz not only created and produced Gilligan’s Island but he wrote the famous ear-worm theme song as well. One can argue that the demonstrative and jaunty theme song now precedes the show itself in terms of popularity. It is the theme song that lays out the premise of the show perfectly: Five passengers set sail from Hawaii aboard the S.S. Minnow, crewed by the quick-tempered Skipper Jonas Grumby and enthusiastic screw-up Gilligan. When a storm shipwrecks them on a deserted island, what was supposed to be a three-hour tour turns into a three-year limbo, the passengers forever on the verge of escape but never quite succeeding. For those who remember, this little novelty cannot fail to please performers and audiences alike.
$14.99
13.39 €
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Ensemble de cuivres
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George Wyle, Sherwood Schwartz, and Sherwood Schwartzf
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Warren J
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The Ballad Of Gilligan's Isle
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Warren J Wernick
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SheetMusicPlus
I Saw Three Ships - String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1310427 Composed by Tradition…
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String Orchestra - Level 4 - Digital Download SKU: A0.1310427 Composed by Traditional. Arranged by Stephen Smith. Christmas,Classical,Folk,Holiday,Traditional. 20 pages. Stephen Smith #899488. Published by Stephen Smith (A0.1310427). A fun and effective arrangement of the jaunty Christmas carol, in the form of a unison theme, ten brisk variations, and a showy finale, written for an advanced-intermediate string orchestra. This piece can be taught and rehearsed quickly and efficiently by taking advantage of built-in repetitions of material from one variation to another. The download consists of a full score, a handy conductor’s guide to the shared and repeated material just alluded to, master copies of the parts (vln 1, vln 2, vla, vcl, cb), and permission to duplicate everything as required for the use of your ensemble.
$40.00
35.73 €
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Orchestre à Cordes
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Traditional
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Stephen Smith
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I Saw Three Ships - String Orchestra
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Stephen Smith
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SheetMusicPlus
It we're weak enough to tarry (from Iolanthe)
Flûte, Clarinette et Basson
Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Catriona Melville-M…
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Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Catriona Melville-Mason. Romantic Period, Opera, Repertoire, Recital. Set of Parts. 13 pages. Published by C Melville-Mason
A song from Gilbert & Sullivan's operetta Iolanthe, arranged for semi-flexible woodwind combination of two flutes plus either B-flat clarinet or bassoon. This jaunty tune could be a fun recital piece or just a nice addition to general repertoire.<br> <br> W S Gilbert and Arthur Sullivan were major figures in musicaltheatre of the Victorian era, collaborating on a series of extremely popularcomic operettas, which lampooned some of the fashions and conventions of thetime.<br> <br> This duet from the second act of Iolanthe involves Strephon, the half-fairy, half-mortal son of thetitular character, and Phyllis, the lady whom he loves. The two have just become reconciled after arift and recognise that they should marry quickly, before they lose theirattraction for one another, or one of them falls for someone else.
$4.50
4.02 €
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Flûte, Clarinette et Basson
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Sir Arthur Seymour Sullivan
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Catriona Melville-Mason
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It we're weak enough to tarry
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C Melville-Mason
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SheetMusicPlus
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