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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Second Time
Sheetmusicplus
Non classifié
865
Piano & claviers
Piano seul
449
Piano Facile
139
Accompagnement Piano
61
Piano, Voix
61
1 Piano, 4 mains
51
Piano, Voix et Guitare
40
Piano Trio: piano, violon, violoncelle
35
Instruments en Do
33
Orgue
31
2 Pianos, 4 mains
20
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 11 instrumentations
Retracter
Guitares
Guitare
69
Guitare notes et tablatures
37
2 Guitares (duo)
16
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
6
Guitare (partie séparée)
6
Mandoline
5
4 Guitares (Quatuor)
4
Mandoline, Guitare (duo)
4
Paroles et Accords
4
3 Guitares (trio)
2
2 Ukuleles
1
Dulcimer
1
Basse electrique
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
186
Chorale 2 parties
71
Chorale 3 parties
41
Chorale Unison
25
Chorale SSAA
25
Chorale TTBB
18
Voix duo, Piano
15
Voix Soprano, Piano
10
Voix duo
5
Chorale
2
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix basse, Piano
2
Voix Tenor, Piano
2
Voix haute
1
Voix Soprano, Orchestre
1
Chorale SSAATTBB
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
69
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
66
Quatuor de Saxophones: 4 saxophones
50
Quatuor de Clarinettes: 4 clarinettes
43
Flûte traversière et Piano
42
2 Flûtes traversières (duo)
42
Flûte, Hautbois, Clarinette, Basson
40
Quintette de Saxophone: 5 saxophones
37
2 Clarinettes (duo)
35
Hautbois, Piano (duo)
34
Saxophone Alto et Piano
26
Clarinette et Piano
26
Clarinette
24
Saxophone, Clarinette (duo)
24
Flûte traversière
20
3 Saxophones (trio)
18
Flûte, Clarinette (duo)
17
2 Hautbois (duo)
15
Quintette de Clarinettes: 5 clarinettes
14
Hautbois, Clarinette (duo)
13
Clarinette, Violon (duo)
12
Saxophone (partie séparée)
12
Saxophone Tenor et Piano
12
Hautbois, Flûte
11
Quatuor de Flûtes : 4 flûtes
11
Hautbois (partie séparée)
10
Trio de Flûtes: 3 flûtes
10
Clarinette, Trompette (duo)
10
Ensemble de Clarinettes
10
Ensemble de Flûtes
9
Hautbois, Basson (duo)
9
Quintette de Flûte : 5 flûtes
8
Clarinette et Alto
8
Flûte et Guitare
8
Saxophone Alto
8
Cor anglais, Piano
7
Saxophone Soprano et Piano
7
Flûte, Violon, Piano
7
2 Flûte à bec (duo)
7
Flûte, Trompette (duo)
7
Flûte, Violon
7
Flûte, Saxophone (duo)
6
Quatuor de Flûtes à bec
6
Saxophone Baryton, Piano
6
Flûte, Clarinette et Basson
5
Clarinette, Basson (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Clarinettes (trio)
5
Saxophone Tenor
5
3 Flûtes à bec (trio)
5
Ensemble de saxophones
5
Clarinette Basse, Piano
4
Flûte, Hautbois (duo)
4
Flûte à bec Alto
4
Flûte, Alto (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
Hautbois, Guitare (duo)
3
Flûte à Bec, Piano
3
Flute (partie séparée)
3
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Basson
2
2 Clarinettes, Piano
2
Flûte, Basson et Piano
2
Flûte, Violoncelle
1
Ensemble de Hautbois
1
Flûte à bec Soprano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violoncelle
1
Cor Anglais
1
Ensemble De Flûte à bec
1
Flûte, Violon et Violoncelle
1
Flûte à bec Tenor
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Hautbois, Harpe
1
Saxophone
1
5 Flûtes à bec
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
27
2 Trompettes (duo)
22
Trombone et Piano
22
Trompette, Trombone (duo)
19
2 Trombones (duo)
17
Trompette, Piano
16
Trompette, Saxophone (duo)
14
Quatuor de Cuivres
12
Trombone (partie séparée)
11
Cor
10
2 Cors (duo)
9
Trompette (partie séparée)
9
Cor et Piano
8
Ensemble de Trombones
8
Cor anglais, Piano
7
Trombone
7
Tuba
7
Euphonium, Piano (duo)
7
Ensemble de Trompettes
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
3
Trio de Cuivres
3
4 Tubas
3
Tuba et Piano
3
Ensemble de Cors
3
2 Tubas (duo)
2
Euphonium
2
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
2
Cor (partie séparée)
1
Cor Anglais
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Tuba et Orgue
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
Trombone, Cor (duo)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
274
Violon, Violoncelle (duo)
180
Trio à Cordes: violon, alto, violoncelle
159
Violon
149
Violon et Piano
68
Violoncelle, Piano
39
Alto, Piano
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
2 Violons (duo)
29
Violon, Alto (duo)
24
Violoncelle
23
2 Violoncelles (duo)
22
2 Altos (duo)
20
Harpe
18
Alto seul
12
Alto, Violoncelle (duo)
10
Contre Basse
9
Trio à Cordes: 2 violons, violoncelle
8
Alto (partie séparée)
6
Violon (partie séparée)
5
4 Violoncelles
4
Ensemble de Violons
3
Contrebasse (partie séparée)
3
Quatuor à cordes : 4 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
2 Violons, Piano
1
Violon, Violoncelle, Clarinette
1
Violon, Guitare (duo)
1
Violoncelle, Basse continue
1
2 Harpes (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Altos, Piano
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
174
Orchestre à Cordes
163
Orchestre
74
Ensemble de cuivres
70
Cloches
43
Ensemble Jazz
36
Orchestre de chambre
33
Fanfare
20
Jazz combo
15
Ensemble de Percussions
12
Batterie
4
Batterie (partie séparée)
3
Piano et Orchestre
1
Percussion
1
Marimba
1
Orchestre, Violon
1
+ 11 instrumentations
Retracter
Autres
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
A Second Time
SheetMusicPlus
Partitions à imprimer
5 659 partitions trouvées
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Not A Second Time
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
#
The Beatles
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Gareth Treseder
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Not A Second Time
#
Gareth Treseder
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1378323 By The Beatles. By John Lennon and Paul McCartney. Arranged by Gareth Treseder. 20th Century,A Ca...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1378323 By The Beatles. By John Lennon and Paul McCartney. Arranged by Gareth Treseder. 20th Century,A Cappella,Barbershop,Pop,Rock. 11 pages. Gareth Treseder #962946. Published by Gareth Treseder (A0.1378323). This TTBB arrangement of Not A Second Time, attributed to John Lennon and Paul McCartney, shares the melody amongst the voices within the harmonically rich setting suitable for a barbershop quartet or lower voices.
$2.50
A Second Time (Hebrews 9.27-28 WEB)
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Piano, Voix
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FACILE
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Musique Sacrée
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Chris Monteiro
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A Second Time
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Christopher M. Monteiro
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.950767 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score. 2 pages. Christopher M. Monteiro #337...
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Piano,Vocal,Voice - Level 2 - SKU: A0.950767 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score. 2 pages. Christopher M. Monteiro #3378835. Published by Christopher M. Monteiro (A0.950767). Inasmuch as it is appointed for men to die once, and after this, judgment, so Christ also, having been offered once to bear the sins of many, will appear a second time, without sin, to those who are eagerly waiting for him for salvation. This canon in D♠Major for Piano and Voice has been fashioned to help you internalize God’s Word. The range of the melody is from D♠above Middle C to the 2nd D♠above Middle C. For electronic keyboard, a right-hand cello and left-hand double bass setting is recommended.
$2.99
A Swingin' Safari
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Ensemble de Percussions
#
Contemporain
#
Billy Vaughn
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JohnBeale
#
A Swingin' Safari
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John Beale
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #644...
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Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
Z 88.1 for Flute, Harp, Percussion a Voce
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Celebrity Chamber Players
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Z 88.1 for Flute, Harp, Percus
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Father Ambrose Press
#
SheetMusicPlus
Small Ensemble Flute,Harp,Percussion,Vibraphone - Level 5 - Interactive Download SKU: A0.688062 By Celebrity Chamber Players. By Marshall Thomas. This ed...
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Small Ensemble Flute,Harp,Percussion,Vibraphone - Level 5 - Interactive Download SKU: A0.688062 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical,Film/TV. Score and parts. Duration 82. Father Ambrose Press #2JMT10bJ57zzliEQg6Lexf. Published by Father Ambrose Press (A0.688062). Key: C major.A brief, declamatory confection, composed a second time, upon re-consideration of the forces involved, for small chamber ensemble...
$18.00
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Lesl...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
One Second to the Future - Guitar Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
Cat & Mouse Rag - Ragtime - Piano Duet For 4 Hands
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Olly Wedgwood
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Mouse Rag
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Cat & Mouse Rag - Ragtime
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OllysPianoSheets
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.961564 Composed by Olly Wedgwood. Concert,Ragtime,Standards. Score and parts. 5 pages. Oll...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.961564 Composed by Olly Wedgwood. Concert,Ragtime,Standards. Score and parts. 5 pages. OllysPianoSheets #5712083. Published by OllysPianoSheets (A0.961564). Cat & Mouse Rag is a playful ragtime duet for primo players at about the Grade 3 standard. With classic ragtime syncopation in the primo part against a 'stride' style in the secondo, this duet is sure to be a popular addition to any recital programme.For the introduction, the primo (perhaps the mouse?) starts things off with a bright opening statement that is answered by the secondo player (the cat?), and then the chase begins!During the opening theme, the primo has an opportunity to tease the cat with a cheeky staccato 'interjection'. Just before this high note is an acciaccatura grace note, which should be played as quickly as possible beforehand.The middle section then modulates to G minor for a variation on the theme, after which a rallentando culminates to a brief pause in the game. There is a break (a caesura) after the pause, so try to leave a good couple of seconds of suspense before launching back into the original theme a tempo.Keep and eye out for staccato and tenuto notes, which will help to communicate the playful feel of the piece.The duet ends with a call-and-response between the primo and secondo, then a crescendo to the ending hits - with a cheeky acciaccatura grace note from the mouse, of course :).
$4.95
One Moment In Time
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Whitney Houston
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Tom Rundle-Wood
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One Moment In Time
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Tom Rundle-Wood
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SheetMusicPlus
Small Ensemble Bass Voice,Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.985238 By Whitney Houston. By Albert Hammond and John Bettis. Arrange...
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Small Ensemble Bass Voice,Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.985238 By Whitney Houston. By Albert Hammond and John Bettis. Arranged by Tom Rundle-Wood. Contemporary,Pop. Score and parts. 28 pages. Tom Rundle-Wood #5354783. Published by Tom Rundle-Wood (A0.985238). One Moment in Time A classic timeless track that will get everybody in the audience channelling their inner Whitney!A great piece to show case the middle of the ensemble with the melody in the second violins for a change, allowing your firsts to show off their ensemble skills. With split first and second violin parts and 2 viola and 2 cello parts with bass and piano - would need to played by a 10 piece ensemble as a minimum - but obviously we're all friends here, so more the merrier!!Enjoy!
$14.99
A Dream Is A Wish Your Heart Makes
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Chorale 3 parties
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FACILE
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Film Walt Disney
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Linda Ronstadt
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Stewart J Wallace
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A Dream Is A Wish Your Heart M
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Stewart J Wallace
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SheetMusicPlus
Choral Choir (3-Part) - Level 2 - SKU: A0.1217996 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Stewart J Wallace. Bro...
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Choral Choir (3-Part) - Level 2 - SKU: A0.1217996 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Stewart J Wallace. Broadway,Film/TV,Musical/Show,Romantic Period,Standards. Octavo. 16 pages. Stewart J Wallace #814519. Published by Stewart J Wallace (A0.1217996). The melody of this song written for the Disney film Cinderella (1950) was inspired by Liszt's Transcendental Study No. 9. It's a wistful, tender melody which matches the sentiment of the words, and in the film Cinderalla encourages her animal friends to never stop dreaming or believing in a brighter future. Other Disney songs also echo this sentiment, such as When You Wish Upon A Star from Pinnochio, which was released a decade earlier. This arrangement is in 3-parts with a simple piano accompaniment. It should be sung smoothly and with sustain, and the men can enjoy taking the tune the second time through. The ending should be dramatic and bold. There are two layout versions - one with the piano accompaniment, and the other with just the vocal parts.
$1.99
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Red Rag, a jazz piece for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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David McKeown
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Red Rag, a jazz piece for Stri
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David McKeown
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1161513 Composed by David McKeown. Contemporary,Instructional,Jazz,Ragtime. Score and...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1161513 Composed by David McKeown. Contemporary,Instructional,Jazz,Ragtime. Score and parts. 9 pages. David McKeown #761868. Published by David McKeown (A0.1161513). Red Rag is a fun and original piece written in a Ragtime style by David McKeown for String trio. The pdf file contains the score, separate parts for Violin, Viola and Cello, and also alternative parts for a second Violin and Viola. There are chord symbols on the score for additional accompaniment on piano, bass or guitar. Red Rag is suitable for players at an intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a playing-time of around two minutes, Red Rag is a perfect upbeat addition to any performance program, formal or informal. Click on the YouTube link to see and hear the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
I've Gotta Get A Message To You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
A Day, A Life
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David Oosse
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A Day, A Life
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David Oosse
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SheetMusicPlus
Marimba,Vibraphone - Level 3 - Interactive Download SKU: A0.1370954 Composed by David Oosse. This edition: Interactive Download. Classical,Contest. 27 pa...
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Marimba,Vibraphone - Level 3 - Interactive Download SKU: A0.1370954 Composed by David Oosse. This edition: Interactive Download. Classical,Contest. 27 pages. Duration 240. David Oosse #3MpBogApEJXo2CjHcFlSBt. Published by David Oosse (A0.1370954). Key: F major.A Day, A Life is a percussion quartet commissioned by Shawnee Mission High School, KS. This piece has three larger sections, marked by fermatas in between, with each representing its own idea about life, but the composition as a whole has its own story. The first section is to represent they joy of a new life, and is to remind us that an abundance new life enters this world every day. The second reminds us that life comes not without dark times, confusion, disagreement, and struggle, sometimes within a life, sometimes within a day. However, these can be resolved, overcome, and when we do, we are free to enjoy the joys.
$8.99
The Second Time Around from HIGH TIME
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Instruments en Do
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Contemporain
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James Van Heusen and Sammy Cah
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Mark W
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The Second Time Around from HI
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808218 Composed by James Van Heusen and Sammy Cahn. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake Book. 4 pages. M...
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C Instrument - SKU: A0.808218 Composed by James Van Heusen and Sammy Cahn. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #3523855. Published by Mark Wayne Music, LLC (A0.808218). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99
It's A Sin
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Pet Shop Boys
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John Ivor Holland
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It's A Sin
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John Ivor Holland
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1487167 By Pet Shop Boys. By Chris Lowe and Neil Tennant. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Rock. Brass Band. 56 pages. John Ivor Holland #1064138. Published by John Ivor Holland (A0.1487167). It's A Sin is taken from Pet Shop Boys' second studio album, 'Actually', released in June 1987 as the lead single. It became their second number-one in the UK, spending three weeks at the top. Additionally, the single topped the charts in Austria, Denmark, Finland, Germany, Ireland, Norway, Portugal, Spain, Sweden and Switzerland, reaching number nine on the US Billboard Hot 100. In the song, Tennant describes some impressions he took from his time at a Catholic high school in Newcastle upon Tyne. He ended up feeling that everything he had done or was going to do was a sin. Directed by Derek Jarman, the It's A Sin video marked the director's first of several collaborations with the band; it extended the lyrical themes of the song by showing Tennant under arrest by an inquisition with Lowe as his jailer and Ron Moody ('Fagin' in the musical, 'Oliver!') in the role of his judge, interspersed with brief clips of personifications of the seven deadly sins. This arrangement for brass band opens with the fanfare used in the orchestral Overture to the Pet Shop Boys' 'Performance' tour, segueing into the song and featuring, in the middle, a half-time feel, riffing off Tennant's own suggestion that It's A Sin, at its heart, is a heavy metal record. Your players and audience are sure to love this stone-cold pop classic and have fun with the 'thunder' sound effects to ramp up the dramatic effect!
$49.99
The Second Time Around
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Chorale TTBB
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INTERMÉDIAIRE
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Barbra Streisand
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Benjamin Maloney
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The Second Time Around
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Ben Maloney
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SheetMusicPlus
TTBB Chorus,Voice - Level 3 - SKU: A0.1477910 By Barbra Streisand. By James Van Heusen and Sammy Cahn. Arranged by Benjamin Maloney. A Cappella,Barbersh...
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TTBB Chorus,Voice - Level 3 - SKU: A0.1477910 By Barbra Streisand. By James Van Heusen and Sammy Cahn. Arranged by Benjamin Maloney. A Cappella,Barbershop. Barbershop Quartet. 5 pages. Ben Maloney #1055292. Published by Ben Maloney (A0.1477910). Barbershop arrangement (in TTBB or SATB voicing) of the song 'The Second Time Around' by Sammy Cahn and James Van Heusen (with intro by Jimmy Dorsey). Arrangement by Benjamin Maloney (originally for the quartet 'Base').Type: BalladContestable: YesLearning tracks available from Ciaran Wilson.
$12.99
Second Time Around (Lyrical Solo)
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Piano seul
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INTERMÉDIAIRE
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Jennifer Eklund
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Second Time Around
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Jennifer Eklund
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1414364 Composed by Jennifer Eklund. Contemporary,New Age. Score. 7 pages. Jennifer Eklund #996166. Published by Jennifer...
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Piano Solo - Level 3 - SKU: A0.1414364 Composed by Jennifer Eklund. Contemporary,New Age. Score. 7 pages. Jennifer Eklund #996166. Published by Jennifer Eklund (A0.1414364). Second Time Around is a lyrical, intermediate level piano solo for pianists of all ages. Music composed by Jennifer Eklund and part of the Dreamweaver songbook.
$3.99
The Second Time Around
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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James Van Heusen and Sammy Cah
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John Fries
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The Second Time Around
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500177 Composed by James Van Heusen and Sammy Cahn. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / F...
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C Instrument - Level 4 - SKU: A0.500177 Composed by James Van Heusen and Sammy Cahn. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113359. Published by John Fries (A0.500177). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The song The Second Time Around was written by Sammy Cahn and Jimmy Van Heusen and was first released by Bing Crosby with Pete King and His Orchestra in 1960. It was covered by Sheila Guthrie, Mieko Hirota, Union of Sound, Emmet Cohen and other artists.
$3.99
The Second Time Around
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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101 Strings
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John Fries
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The Second Time Around
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1196752 By 101 Strings. By James Van Heusen and Sammy Cahn. Arranged by John Fries. 20th Century,Jazz,Stand...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1196752 By 101 Strings. By James Van Heusen and Sammy Cahn. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #795914. Published by John Fries (A0.1196752). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The song The Second Time Around was written by Sammy Cahn and Jimmy Van Heusen and was first released by Bing Crosby with Pete King and His Orchestra in 1960. It was covered by Sheila Guthrie, Mieko Hirota, Union of Sound, Emmet Cohen and other artists.
$4.99
Russian Air with Twenty Variations for Cello Solo with a Second Cello, Op. 32
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2 Violoncelles (duo)
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AVANCÉ
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Johann Justus Friedrich Dotzau
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Michele Galvagno
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Russian Air with Twenty Variat
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Cello Duet Cello - Level 5 - SKU: A0.1156756 Composed by Johann Justus Friedrich Dotzauer. Arranged by Michele Galvagno. 19th Century,Chamber,Instructio...
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Cello Duet Cello - Level 5 - SKU: A0.1156756 Composed by Johann Justus Friedrich Dotzauer. Arranged by Michele Galvagno. 19th Century,Chamber,Instructional,Romantic Period,Traditional. Score. 44 pages. Artistic Score Engraving di Galvagno Michele #757087. Published by Artistic Score Engraving di Galvagno Michele (A0.1156756). The Russian Air with Twenty Variations for Cello Solo, accompanied by a Second Cello, Op. 32, by J. J. F. Dotzauer (1783—1860), was composed and published around 1815. It is one of the many set of variations written upon the theme “Їхав козак за Дунай†(“The Cossack rode beyond the Danubeâ€) during the second decade of the XIX century, others including those by Beethoven and Hummel. Despite the title, the theme is of Ukrainian origin but, at the time of its diffusion in Europe, under a German disguise, the region that is now Ukraine was part of the Russian Empire. The language of the text makes its origin unmistakable today. After a fascinating slow Introduction, the theme comes and is followed by twenty variations, most of which requiring great virtuosity. This is a concert piece, lasting anywhere between 14 and 24 minutes according to whether repeats will be played or not. An outstanding variety of techniques is employed, making this a true challenge for even the most gifted players. This edition is based on the oldest surviving source, the first edition by Friedrich Hofmeister. It corrects the most glaring mistakes, and adds notes where ambiguity arises. This edition is dedicated to Yuriy Leonovich.
$22.50
Time For Livin'
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Association
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Larry Wright
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Time For Livin'
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Larry Wright
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1372326 By The Association. By Donald Addrisi and Richard Addrisi. Arranged by Larry Wright. A Cappella,B...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1372326 By The Association. By Donald Addrisi and Richard Addrisi. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. Larry Wright #956623. Published by Larry Wright (A0.1372326). A MEN'S 4-part high, a cappella, energy barbershop arrangement of this great tune recorded by the 60's Britsh rock group called The Association. It's a fun, but challenging piece.Check out the audio demos (FREE i minute sample... as well as $2 full-length demo.IMPORTANT NOTE: By FIRST purchasing the combo of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price,.... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay SMP (or the publisher who controls the song licensing) the song per-copy fees for your second COMBO.NOTE: if the SMP per-copy price is anything more than $1.99, DON'T PAY IT!!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum 10-copy purchase to combat cheating. Sorry quartets!Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the EXCELLENT part-predominant vocal learning trax.
$1.99
By The Time I Get To Phoenix
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Chorale SSAA
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INTERMÉDIAIRE
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Glen Campbell
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Larry Wright
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sung by many others
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By The Time I Get To Phoenix
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Larry Wright
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.853701 By Glen Campbell. By Jimmy Webb. Arranged by Larry Wright. A Cappella,Barbershop. 3 pages. Larry W...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.853701 By Glen Campbell. By Jimmy Webb. Arranged by Larry Wright. A Cappella,Barbershop. 3 pages. Larry Wright #4412159. Published by Larry Wright (A0.853701). A WOMEN'S 4-part, a cappella, solo feature (for Lead or Bari) barbershop arrangement of the wonderful Jimmy Webb story song (ballad) recorded and made a popular hit by Glenn Campbell; sung by many others; not contestable. IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you'll also get to select a second Arrmt/Trax COMBO of your choice from my website store and get it FREE!!!! Of course, you'll still need to pay the per-copy fees to the publisher who controls the song licensing of your second song selection. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT part-predominant vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
Away In A Manger (for string quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Noël
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Traditional Christmas Song
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Bernardo Pereira
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Away In A Manger
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Bernardo Pereira
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1110413 Composed by Traditional Christmas Song. Arranged by Bernardo Pereira. Child...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1110413 Composed by Traditional Christmas Song. Arranged by Bernardo Pereira. Children,Christmas,Holiday,Standards,Traditional. 7 pages. Bernardo Pereira #712737. Published by Bernardo Pereira (A0.1110413). This arrangement is an easy-intermediate level score for string quartet of the traditional Christmas song “Away In A Mangerâ€. The song is a standard for children and family play during this festive holiday. The arrangement features the melody in the first violin. The second violin and viola play notes that fill the harmony and the cello plays a bass line. In the second time, the second violin and viola play slight variations in the accompaniment. Each phrase also features contrasts in dynamics, alternating between mezzo-forte and piano. Individual parts are attached to the end of the file.
$3.99
Time To Say Goodbye
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Andrea Bocelli & Sarah Brightm
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Time To Say Goodbye
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1394205 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Luci...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1394205 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by C Strommen, U Bye & A Fernie, orchestrated by Peet du Toit. Classical,Pop. 11 pages. Peet du Toit #977678. Published by Peet du Toit (A0.1394205). Con te partirò (With You I Shall Depart) is an Italian song written by Francesco Sartori (music) and Lucio Quarantotto (lyrics). It was first performed by Andrea Bocelli at the 1995 Sanremo Music Festival and recorded on his album of the same year, Bocelli. The single was first released as an A-side single with Vivere in 1995, topping the charts, first in France, where it became one of the best-selling singles of all-time, and then in Belgium, breaking the all-time record sales there.A second version of the song, sung partly in English, released in 1996 as Time to Say Goodbye, paired Bocelli with British soprano Sarah Brightman, and achieved even greater success, topping charts all across Europe, including Germany, where it became the biggest-selling single in history. Brightman and Bocelli produced a version with Brightman singing in German and Bocelli in Italian, with this version being available on the CD Time to Say Goodbye. That version alone has now sold more than 12 million copies worldwide, making it one of the best-selling singles of all time.I hope this cover thereof for a Brass Quintet is pleasing to the players and their audience.
$22.00
A Child’s Garden of Jazz for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Wolking, Henryenry
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A Child’s Garden of Jazz
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cher...
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Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
$27.50
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A Second Time
