The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.

A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.

Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.

Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.

Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.

For better insight into the performance of this music: express the emotion indicated by the lyrics:

The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me

The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).

O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.

O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).

Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.

'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).

But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)


For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications

DanJones is a professional guitarist and author.

He worksand teaches between Scotland and France.

Shotgunisa hugely popular song by the singer/songwriter George Ezra. It was released inthe UK in 2018 and was certified as a quadruple platinum seller.

Thisarrangement is designed for teachers and music groups where there is a mixedlevel of experience amongst the players. The key and arrangement support pentatonic shapes recommended by many teachers in early-years learning. Higher positions are also introduced in an accessible way.

All parts are provided in bothnotes and TAB

All ofthe parts are suitable for early ? intermediate players.

Thetechnical ability required for each part is outlined below.

Guitar 1 ? has much of the melodic interest and some higher-positionplaying

Guitar 2 ? also has melodic interest but mainly in lowerareas

Guitar 3 ? a more-simple part for less-experienced players

Guitar 4 ? is an adaptation of the bass line. This part alsohas chord symbols for those who may wish to strum an improvised accompaniment

Fretboard diagrams are supplied using shapes which are easierfor players to switch between.

Tosee and hear Dan?s wide range of arrangements for solo guitar, guitar duet andensembles please visit: www.danjonesguitarist.com

To readof Dan?s life as a musician and family man in rural France, please visit:www.danjonesauthor.com

A film and full recording of this arrangement will be uploaded before the end of February 2020

El Cóndor Pasa is a piece from a zarzuela (a form of Spanish light operetta) by Daniel Alomía Robles. The Peruvian wrote the work in 1913. The work has since been recorded thousands of times, most notably by Paul Simon and Art Garfunkel who provided it with new lyrics and a subtitle (If I Could).

This arrangement is designed for teachers and music groups where there is a mixed level of experience amongst the players. The arrangement is adaptable and flexible as certain parts can be omitted as the ensemble sees fit.

The following is included with this download:

All parts are provided in both notes and TAB

Guitar 1 ? has much of the melodic interest and some high-position playing

Guitar 1 (alternative) ? brings some of the higher position playing down an octave

Guitar 2 ? also has melodic interest

Guitar 3 ? a more-simple part for less-experienced players

Guitar 4 ? arpeggio chords ? this part also has chord symbols for those who may wish to strum an improvised accompaniment

Bass ? this is an optional part written in bass clef (and bass TAB).

To see and hear Dan?s wide range of arrangements for solo guitar, guitar duet and ensembles available for immediate download on sheetmusicplus, please visit: www.danjonesguitarist.com

To read of Dan?s life as a musician and family man in rural France, please visit: www.danjonesauthor.com