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A Star Is Born: Timpani
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Vous avez sélectionné:
A Star Is Born: Timpani
Partitions à imprimer
11 partitions trouvées
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Highlights from A Star Is Born (28-Piece Digital Pack)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Michael Brown
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Highlights from A Star Is Born
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Hal Leonard - Digital
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SheetMusicPlus
Level 3 - SKU: HX.428706 Arranged by Michael Brown. This edition: scorch. Film/TV. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leo...
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Level 3 - SKU: HX.428706 Arranged by Michael Brown. This edition: scorch. Film/TV. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.428706).
Digital Pack includes
:
Highlights from A Star Is Born - Conductor Score (Full Score)
Highlights from A Star Is Born - Flute
Highlights from A Star Is Born - Oboe
Highlights from A Star Is Born - Bb Clarinet 1
Highlights from A Star Is Born - Bassoon
Highlights from A Star Is Born - Bb Clarinet 3
Highlights from A Star Is Born - Bb Clarinet 2
Highlights from A Star Is Born - Bb Bass Clarinet
Highlights from A Star Is Born - Eb Alto Clarinet
Highlights from A Star Is Born - Eb Alto Saxophone 1
Highlights from A Star Is Born - Eb Alto Saxophone 2
Highlights from A Star Is Born - Bb Tenor Saxophone
Highlights from A Star Is Born - Bb Trumpet 2
Highlights from A Star Is Born - Bb Trumpet 1
Highlights from A Star Is Born - Eb Baritone Saxophone
Highlights from A Star Is Born - Bb Trumpet 3
Highlights from A Star Is Born - F Horn 1
Highlights from A Star Is Born - F Horn 2
Highlights from A Star Is Born - Trombone 1
Highlights from A Star Is Born - Trombone 2
Highlights from A Star Is Born - Baritone B.C.
Highlights from A Star Is Born - Tuba
Highlights from A Star Is Born - Percussion 1
Highlights from A Star Is Born - Baritone T.C.
Highlights from A Star Is Born - String Bass
Highlights from A Star Is Born - Percussion 2
Highlights from A Star Is Born - Timpani
Highlights from A Star Is Born - Mallet Percussion
$75.00
Shallow (from A Star Is Born) (arr. Paul Murtha) (25-Piece Digital Pack)
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Orchestre d'harmonie
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FACILE
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Pop musique
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Film/TV
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Lady Gaga and Lady Gaga and Br
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Shallow
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Hal Leonard - Digital
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SheetMusicPlus
Level 2 - SKU: HX.426553 By Lady Gaga and Lady Gaga and Bradley Cooper. This edition: scorch. Film/TV,Pop. 1 pages. Duration 1320. Hal Leonard - Digital...
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Level 2 - SKU: HX.426553 By Lady Gaga and Lady Gaga and Bradley Cooper. This edition: scorch. Film/TV,Pop. 1 pages. Duration 1320. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.426553).
Digital Pack includes
:
Shallow (from A Star Is Born) (arr. Paul Murtha) - Flute
Shallow (from A Star Is Born) (arr. Paul Murtha) - Conductor Score (Full Score)
Shallow (from A Star Is Born) (arr. Paul Murtha) - Bassoon
Shallow (from A Star Is Born) (arr. Paul Murtha) - Bb Clarinet 3
Shallow (from A Star Is Born) (arr. Paul Murtha) - Oboe
Shallow (from A Star Is Born) (arr. Paul Murtha) - Bb Clarinet 1
Shallow (from A Star Is Born) (arr. Paul Murtha) - Bb Bass Clarinet
Shallow (from A Star Is Born) (arr. Paul Murtha) - Bb Clarinet 2
Shallow (from A Star Is Born) (arr. Paul Murtha) - Eb Alto Clarinet
Shallow (from A Star Is Born) (arr. Paul Murtha) - Eb Baritone Saxophone
Shallow (from A Star Is Born) (arr. Paul Murtha) - Eb Alto Saxophone 2
Shallow (from A Star Is Born) (arr. Paul Murtha) - Eb Alto Saxophone 1
Shallow (from A Star Is Born) (arr. Paul Murtha) - Bb Tenor Saxophone
Shallow (from A Star Is Born) (arr. Paul Murtha) - Bb Trumpet 1
Shallow (from A Star Is Born) (arr. Paul Murtha) - F Horn
Shallow (from A Star Is Born) (arr. Paul Murtha) - Bb Trumpet 2
Shallow (from A Star Is Born) (arr. Paul Murtha) - Baritone B.C.
Shallow (from A Star Is Born) (arr. Paul Murtha) - Tuba
Shallow (from A Star Is Born) (arr. Paul Murtha) - Trombone
Shallow (from A Star Is Born) (arr. Paul Murtha) - Baritone T.C.
Shallow (from A Star Is Born) (arr. Paul Murtha) - Bass
Shallow (from A Star Is Born) (arr. Paul Murtha) - Percussion 1
Shallow (from A Star Is Born) (arr. Paul Murtha) - Percussion 2
Shallow (from A Star Is Born) (arr. Paul Murtha) - Mallet Percussion
Shallow (from A Star Is Born) (arr. Paul Murtha) - Timpani
$55.00
A Star Is Born: Timpani
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Orchestre d'harmonie
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A Star Is Born: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017951_TMP Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017951_TMP. Published by Alfred Music - Digi...
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Concert Band - SKU: AX.00-PC-0017951_TMP Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017951_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017951_TMP). UPC: 038081547855.
$3.00
I'll Never Love Again (from A Star Is Born): Timpani
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Orchestre d'harmonie
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I'll Never Love Again
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017945_TMP Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017945_TMP. Published by Alfred Music - Digi...
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Concert Band - SKU: AX.00-PC-0017945_TMP Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017945_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017945_TMP). UPC: 038081547831.
$3.00
Highlights from A Star Is Born - Timpani
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Michael Brown
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Highlights from A Star Is Born
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Hal Leonard - Digital
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SheetMusicPlus
Level 3 - SKU: HX.428707 Arranged by Michael Brown. This edition: scorch. Film/TV. 1 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leo...
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Level 3 - SKU: HX.428707 Arranged by Michael Brown. This edition: scorch. Film/TV. 1 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.428707).
$6.00
Shallow (from A Star Is Born) (arr. Paul Murtha) - Timpani
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Orchestre d'harmonie
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FACILE
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Film/TV
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Lady Gaga and Lady Gaga & Brad
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Shallow
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Hal Leonard - Digital
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SheetMusicPlus
Level 2 - SKU: HX.426553 By Lady Gaga and Lady Gaga & Bradley Cooper. This edition: scorch. Film/TV,Pop. 1 pages. Duration 1320. Hal Leonard - Digital #...
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Level 2 - SKU: HX.426553 By Lady Gaga and Lady Gaga & Bradley Cooper. This edition: scorch. Film/TV,Pop. 1 pages. Duration 1320. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.426553).
$6.00
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
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A Star Is Born: Timpani
