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--INSTRUMENTS--
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A Summer Song Of Play A Children's Song
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--INSTRUMENTS--
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Crtitères actifs :
A Summer Song Of Play A Children's Song
Partitions à imprimer
55 partitions trouvées
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A Summer Song Of Play A Children's Song
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Piano, Voix
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DÉBUTANT
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Enfant
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Darcy Hill
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A Summer Song Of Play A Childr
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Darcy Hill
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.960873 Composed by Darcy Hill. Children. Score. 5 pages. Darcy Hill #1791847. Published by Darcy Hill (A0.960873)....
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Piano,Vocal,Voice - Level 1 - SKU: A0.960873 Composed by Darcy Hill. Children. Score. 5 pages. Darcy Hill #1791847. Published by Darcy Hill (A0.960873). A season for play; Summer! Pull out the stops and run with the wind during this brilliant season of full imagination. This joyous little song celebrates a childhood summer immersed in play. My students love pantomiming every sort of playing during the la la part of this song:) Perhaps the wonder, the exhilaration, the importance of free, creative play should not be reserved for summer alone, but rather deliberately and generously infused through all seasons, all ages, all subject matter. It is in play that we learn to trust our creativity. One Arts Infusion Collaborative seeks to create original music that supports and enhances all curricular content, celebrates holidays, and stirs the creative sparkle in each one's heart.
$2.00
Seasons of Song (6 songs to celebrate the seasons for Unison Choirs)
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Chorale Unison
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DÉBUTANT
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Joanna Mills
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Seasons of Song
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.781401 Composed by Joanna Mills. Broadway,Children,Contemporary,Holiday,Instructional,Musical/Show. Octavo. 52...
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Choral Choir (Unison) - Level 1 - SKU: A0.781401 Composed by Joanna Mills. Broadway,Children,Contemporary,Holiday,Instructional,Musical/Show. Octavo. 52 pages. Joanna Mills Music #6687495. Published by Joanna Mills Music (A0.781401). Celebrate all four seasons with your unison choir with this collection of six original songs by award-winning composer Joanna Mills and save more than 50% by purchasing this collection instead of individually! All pieces are set in accessible keys for young children and feature easy, short, optional echo/harmony parts for added interest and challenge. The piano parts support the melody to assist very young singers, and guitar/ukulele chords are included! Full scores and additional one-page lyric sheets are included for the following songs:Autumn Days (Late Summer/Fall): A dreamy melody accompanies an adaptation of the poems October and November by Helen Hunt Jackson. Butterflyin’ (Spring, Summer) : Inspired by the story of the Boy and the Butterfly, this lovely song tells the tale of a weary caterpillar who perseveres through many struggles, holds onto its dreams, and emerges a beautiful butterfly. First Snow (Late Fall/ Winter): This hauntingly beautiful original song celebrates the magic of winter's first snowfall! The Crocuses (Late Winter/Spring) : Set to a sweet, original melody, Frances Ellen Watkins Harper's poem The Crocuses has been adapted into a lovely song about the first flowers of spring and their love for Mother Earth. The Winding Creek (Late Spring/Summer) : This folk-style song evokes nostalgic summer memories of long hot days spent playing in a country creek. The World is a Rainbow (Spring/Summer/Fall):This fun and upbeat song teaches the colours of the rainbow by listing many red, orange, yellow, green, blue, indigo and violet items found in nature! Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario.
$4.99
Seasons of Song (6 songs to celebrate the seasons for 2-Part Choirs)
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Chorale 2 parties
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DÉBUTANT
#
Joanna Mills
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Seasons of Song
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (2-Part) - Level 1 - SKU: A0.781400 Composed by Joanna Mills. Arranged by Additional PD Lyrics by Helen Hunt Jackson & Frances Ellen Watkin...
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Choral Choir (2-Part) - Level 1 - SKU: A0.781400 Composed by Joanna Mills. Arranged by Additional PD Lyrics by Helen Hunt Jackson & Frances Ellen Watkins Harper. Holiday,Instructional,Standards. Octavo. 76 pages. Joanna Mills Music #6694219. Published by Joanna Mills Music (A0.781400). Celebrate all four seasons with your 2-Part choir with this collection of six original songs by award-winning composer Joanna Mills and save more than 50% by purchasing this collection instead of individually! All pieces are set in accessible keys for young children, have easy-to-learn harmonies, and some feature easy optional counterpoint/descant parts for added interest and challenge. The piano parts support the melody and harmonies to assist very young singers, and guitar/ukulele chords are included! Full scores and additional lyric sheets for each part are included for the following songs:Autumn Days (Late Summer/Fall): A dreamy melody accompanies an adaptation of the poems October and November by Helen Hunt Jackson.Butterflyin’ (Spring, Summer) : Inspired by the story of the Boy and the Butterfly, this lovely song tells the tale of a weary caterpillar who perseveres through many struggles, holds onto its dreams, and emerges a beautiful butterfly.First Snow (Late Fall/ Winter): This hauntingly beautiful original song celebrates the magic of winter's first snowfall!The Crocuses (Late Winter/Spring) : Set to a sweet, original melody, Frances Ellen Watkins Harper's poem The Crocuses has been adapted into a lovely song about the first flowers of spring and their love for Mother Earth.The Winding Creek (Late Spring/Summer) : This folk-style song evokes nostalgic summer memories of long hot days spent playing in a country creek.The World is a Rainbow (Spring/Summer/Fall):This fun and upbeat song teaches the colours of the rainbow by listing many red, orange, yellow, green, blue, indigo and violet items found in nature!Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario.
$4.99
A Whole New World
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Film Walt Disney
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Alan Menken and Tim Rice
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Harry Salotti
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A Whole New World
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Harry Salotti
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SheetMusicPlus
Euphonium,Tuba - Level 3 - SKU: A0.1142465 Composed by Alan Menken and Tim Rice. Arranged by Harry Salotti. Broadway,Chamber,Children,Film/TV,Musical/Sh...
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Euphonium,Tuba - Level 3 - SKU: A0.1142465 Composed by Alan Menken and Tim Rice. Arranged by Harry Salotti. Broadway,Chamber,Children,Film/TV,Musical/Show,Pop. 13 pages. Harry Salotti #742829. Published by Harry Salotti (A0.1142465). A Whole New World is arranged for Tuba/Euphonium Quartet. This song comes from the Disney movie Aladdin. It is in the top 3 Disney songs of all time. The melody is equally divided between the Euphoniums and Tuba 1. Both Tubas take turns with the driving bass line. The range is set comfortably for all players. This arrangement will work well for a children's concert, summer concert or as an encore. Everyone loves this song. You will keep A Whole New World in your performance play list. Take a look at the score and listen to the MP3.
$12.99
Children's Dance (Piano Solo)
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Piano seul
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Contemporain
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Robert Ashford
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Children's Dance
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Robert Ashford
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SheetMusicPlus
Piano Solo - SKU: A0.954415 Composed by Robert Ashford. Contemporary. Score. 4 pages. Robert Ashford #3008875. Published by Robert Ashford (A0.954415). ...
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Piano Solo - SKU: A0.954415 Composed by Robert Ashford. Contemporary. Score. 4 pages. Robert Ashford #3008875. Published by Robert Ashford (A0.954415). From Robert Ashford’s CD, Where Are The Heroes and Heroines? (available on cdbaby.com)Other selections from the CD available on Sheet Music Plus:Beauty of Love (Flute and Piano)Beauty of Love (Violin)Because (String Quartet)Children’s Dance (Piano)Crazy Waltz (Piano)Far and Near Love Song (Violin and Cello)Father Rondo (Piano)Here We Come (Woodwind Sextet)Life Like Water Flowing (Piano)Rise and Fall and Peaceful Rest (Violin, Cello, and Piano)Short and Suite for Violin and CelloSummer’s End (Piano Version)Summer’s End (String Quartet)Where Are the Heroes and Heroines? (Piano)Young and Old Together (Violin and Cello)Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
$4.99
The Ants and the Grasshopper - 03. Winter's on the Wind - Dance accompaniment
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Piano seul
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Betsy Lee Bailey
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The Ants and the Grasshopper -
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Betsy Lee Bailey
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SheetMusicPlus
Piano - SKU: A0.1064875 Composed by Betsy Lee Bailey. Children,Instructional. Accompaniment. Duration 47. Betsy Lee Bailey #1998181. Published by Betsy ...
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Piano - SKU: A0.1064875 Composed by Betsy Lee Bailey. Children,Instructional. Accompaniment. Duration 47. Betsy Lee Bailey #1998181. Published by Betsy Lee Bailey (A0.1064875). The Ants and the Grasshopper is a retelling in of the Aesop fable in Script and Songs by Betsy Lee Bailey. This 15-minute classroom production is perfect for K-3rd graders. (Flexible Cast of 8+ and optional chorus) It is easy to stage with simple scenery, costumes and props. The show offers practical and sound advice. Songs include The Ants’ Working Song, Summer Loafin’, and Pay Now and Play Later. The Script packet, Score packet and Mp3 Accompaniment and Guide Vocal Tracks are available separately for at SMP. Hard copy octavo sized Scripts and Show Tracks CDs are available directly from the publisher at BaileyKidsMusicals.com.
$2.99
Cool Watermelon Day - a fun Australian Christmas song for two part choir and piano
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Chorale 2 parties
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FACILE
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Kim Kirkman and Patricia Roche
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and Groove the time away
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Cool Watermelon Day - a fun Au
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Kim Kirkman
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.779698 Composed by Kim Kirkman and Patricia Roche. Children,Christmas,Contemporary,Pop. Octavo. 7 pages. Kim K...
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Choral Choir (2-Part) - Level 2 - SKU: A0.779698 Composed by Kim Kirkman and Patricia Roche. Children,Christmas,Contemporary,Pop. Octavo. 7 pages. Kim Kirkman #6794709. Published by Kim Kirkman (A0.779698). A fun Christmas song in a boogie-woogie style. East two part choir work. Set quite low in the voice.It includes lots of Aussie references.LyricsThe December sun is beating, wow, it’s really heating, The kids are coming out to play: Red cheeks are glowing, the hot wind’s a-blowing, it’s a Cool Watermelon Day.  Pick through the seafood mountain, lickin’ a chocolate fountain, Or nibble on a mixed nut tray; Sounds like a neat, Aussie Christmas treat on a Cool Watermelon Day. We’re having lots of fun, here in the pool, - cool! And splashing at Uncle Ray. We’ll party through the night, tour the Christmas lights; and Groove the time away.  And then we’ll pack away the wicket, No more backyard cricket. At the end of a summer day. Let’s join a Christmas zoom in an air-conditioned room on a Cool Watermelon Day.
$1.99
The Ants and the Grasshopper - Expanded Director's Script
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Betsy Lee Bailey
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The Ants and the Grasshopper -
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Betsy Lee Bailey
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SheetMusicPlus
Small Ensemble - Level 1 - SKU: A0.746085 Composed by Betsy Lee Bailey. Children,Instructional. Score and parts. 15 pages. Betsy Lee Bailey #6519783. Pu...
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Small Ensemble - Level 1 - SKU: A0.746085 Composed by Betsy Lee Bailey. Children,Instructional. Score and parts. 15 pages. Betsy Lee Bailey #6519783. Published by Betsy Lee Bailey (A0.746085). The Ants and the Grasshopper EXPANDED Director's SCRIPT (15 pages) is a retelling of the Aesop fable in Script and Songs by Betsy Lee Bailey. This 15-minute classroom production is perfect for K-3rd graders. (Flexible Cast of 5 boys and 9 girls and optional chorus)  It is easy to stage with simple scenery, costumes, and props. The show offers practical and sound advice. Songs include The Ants’ Working Song, Summer Loafin’, and Pay Now and Play Later. The Production Kit (15 pages) contains the reproducible booklet Script as well as Song Sheets, coloring page Invitation, and Performance License. The Score packet (17 pages) and Mp3 Accompaniment Tracks are available for purchase separately at SheetMusicPlus.  Listen to Guide Vocal Tracks and get other helps at BaileyKidsMusicals.com
$29.99
SUMMER: Movement 2 ~ Adagio (from "The Four Seasons" by Vivaldi)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Sharon Wilson
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Sharon Wilson
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SUMMER: Movement 2 ~ Adagio
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1380429 By Sharon Wilson. By Antonio Vivaldi. Arranged by Sharon Wilson. Baroque,Children,Classical,Instructional,Multicu...
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Piano Solo - Level 3 - SKU: A0.1380429 By Sharon Wilson. By Antonio Vivaldi. Arranged by Sharon Wilson. Baroque,Children,Classical,Instructional,Multicultural,World. Score. 6 pages. Sharon Wilson #965204. Published by Sharon Wilson (A0.1380429). Gently flowing with occasional thunder interruptions, this classic selection from Vivaldi's famous concerto The Four Seasons has been arranged as an intermediate piano solo. Deviations from the original have been introduced to make the piece consistently playable by the intermediate pianist. While maintaining characteristics of the original work, subtle variations add a contemporary interpretation making it the perfect addition to the classical repertoire for the intermediate pianist.This song is one of the 12 arrangements in the collection The Four Seasons by Vivaldi ~ Complete Collection (12 Condensed and Simplified Piano Solos).Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$4.99
SUMMER: Movement 1 ~ Allegro Non Molto (from "The Four Seasons" by Vivaldi)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Sharon Wilson
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Sharon Wilson
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SUMMER: Movement 1 ~ Allegro N
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1380432 By Sharon Wilson. By Antonio Vivaldi. Arranged by Sharon Wilson. Baroque,Children,Classical,Contest,Festival,Inst...
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Piano Solo - Level 3 - SKU: A0.1380432 By Sharon Wilson. By Antonio Vivaldi. Arranged by Sharon Wilson. Baroque,Children,Classical,Contest,Festival,Instructional. Score. 7 pages. Sharon Wilson #965207. Published by Sharon Wilson (A0.1380432). Moody and varied, this sometimes spirited, sometimes contemplative selection from Vivaldi's famous concerto The Four Seasons has been arranged as an intermediate piano solo. Deviations from the original have been introduced to make the piece consistently playable by the intermediate pianist. While maintaining characteristics of the original work, subtle variations add a contemporary interpretation making it the perfect addition to the classical repertoire for the intermediate pianist.This song is one of the 12 arrangements in the collection The Four Seasons by Vivaldi ~ Complete Collection (12 Condensed and Simplified Piano Solos).Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$4.99
Hänsel und Gretel
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Voix duo, Piano
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INTERMÉDIAIRE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel vers...
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2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
Day Time Impressions
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Piano seul
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INTERMÉDIAIRE
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href=https://youtu
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Sarah Baker
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Day Time Impressions
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Forsyth Brothers Ltd
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. P...
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Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThere’s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposer’s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front!  It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.
$9.99
God Is So Good
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Piano seul
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FACILE
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Sharon Wilson
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Sharon Wilson
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God Is So Good
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1039243 By Sharon Wilson. By Anonymous, Folk Song, and Traditional. Arranged by Sharon Wilson. Children,Christian,Folk,Mu...
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Piano Solo - Level 2 - SKU: A0.1039243 By Sharon Wilson. By Anonymous, Folk Song, and Traditional. Arranged by Sharon Wilson. Children,Christian,Folk,Multicultural,Traditional,World. Score. 4 pages. Sharon Wilson #644188. Published by Sharon Wilson (A0.1039243). Here is an intermediate piano solo arrangement of the classic praise chorus God Is So Good. The song begins in the traditional style with the melody in the right hand. For the second verse, the left hand plays the melody. The song concludes with a key change from C major to D major for the final verse. This nostalgic praise song will bring a heart-warming smile to the listeners' faces making it a treasured addition to the church pianist's sacred repertoire.This arrangement is one of the 16 songs in the collection Worship Choruses (A Collection of 16 Praise Songs Arranged as Intermediate Piano Solos).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover image by Pixabay.comKeywords: worship service, children's music, children's ministries, campfire songs, campfire music, summer camp, VBS, vacation Bible school, traditional African folk song
$4.99
Love Story
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Piano, Voix et Guitare
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DÉBUTANT
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Pop musique
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Taylor Swift
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Britney A
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Love Story
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Britney Wendel
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.891158 By Taylor Swift. By Taylor Swift. Arranged by Britney A. Wendel. Pop. Score. 8 pages. Britney Wendel...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.891158 By Taylor Swift. By Taylor Swift. Arranged by Britney A. Wendel. Pop. Score. 8 pages. Britney Wendel #3511043. Published by Britney Wendel (A0.891158). Piano students of all sorts feel empowered once they learn how to play from lead sheets. A whole new world of music--the one they listen to in their spare time--becomes accessible to them. Lead sheets keep students at the instrument over the summer. It can be difficult to find lead sheets for songs children, pre-teens, and teens know and love. Love Story has proven to be one of those well-loved songs across my studio and my students are enjoying the lead sheet I have put together. I give them a lesson first on playing chord progressions and from lead sheets. I'd be more than happy to share this pdf with you for free if you email wendelbritney@gmail.com. It is a useful accompaniment for the resource you are about to download.**THERE ARE TWO COPIES of Love Story in your purchase. One is in the original key of D Major (final chorus E Major), allowing students comfortable with those key signatures to play along with Taylor Swift's recording. The second is in C Major (final chorus D Major) - less intimidating for those new to chord charts and lead sheets.
$4.99
Where Are The Heroes and Heroines? (Piano Solo)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Robert Ashford
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Where Are The Heroes and Heroi
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Robert Ashford
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.954420 Composed by Robert Ashford. Contemporary. Score. 1 pages. Robert Ashford #3008887. Published by Robert Ashford (A0...
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Piano Solo - Level 3 - SKU: A0.954420 Composed by Robert Ashford. Contemporary. Score. 1 pages. Robert Ashford #3008887. Published by Robert Ashford (A0.954420). From Robert Ashford’s CD, Where Are The Heroes and Heroines? (available on cdbaby.com)Other selections from the CD available on Sheet Music Plus:Beauty of Love (Flute and Piano)Beauty of Love (Violin)Because (String Quartet)Children’s Dance (Piano)Crazy Waltz (Piano)Far and Near Love Song (Violin and Cello)Father Rondo (Piano)Here We Come (Woodwind Sextet)Life Like Water Flowing (Piano)Rise and Fall and Peaceful Rest (Violin, Cello, and Piano)Short and Suite for Violin and CelloSummer’s End (Piano Version)Summer’s End (String Quartet)Where Are the Heroes and Heroines? (Piano)Young and Old Together (Violin and Cello)Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
$4.99
Crazy Waltz (Piano Solo)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Robert Ashford
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Crazy Waltz
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Robert Ashford
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.954423 Composed by Robert Ashford. Contemporary. Score. 2 pages. Robert Ashford #3008899. Published by Robert Ashford (A0...
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Piano Solo - Level 3 - SKU: A0.954423 Composed by Robert Ashford. Contemporary. Score. 2 pages. Robert Ashford #3008899. Published by Robert Ashford (A0.954423). From Robert Ashford’s CD, Where Are The Heroes and Heroines? (available on cdbaby.com)Other selections from the CD available on Sheet Music Plus:Beauty of Love (Flute and Piano)Beauty of Love (Violin)Because (String Quartet)Children’s Dance (Piano)Crazy Waltz (Piano)Far and Near Love Song (Violin and Cello)Father Rondo (Piano)Here We Come (Woodwind Sextet)Life Like Water Flowing (Piano)Rise and Fall and Peaceful Rest (Violin, Cello, and Piano)Short and Suite for Violin and CelloSummer’s End (Piano Version)Summer’s End (String Quartet)Where Are the Heroes and Heroines? (Piano)Young and Old Together (Violin and Cello)Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
$4.99
Life Like Water Flowing (Piano solo)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Robert Ashford
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Life Like Water Flowing
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Robert Ashford
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.954416 Composed by Robert Ashford. Contemporary. Score. 4 pages. Robert Ashford #3008859. Published by Robert Ashford (A0...
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Piano Solo - Level 3 - SKU: A0.954416 Composed by Robert Ashford. Contemporary. Score. 4 pages. Robert Ashford #3008859. Published by Robert Ashford (A0.954416). From Robert Ashford’s CD, Where Are The Heroes and Heroines? (available on cdbaby.com)Other selections from the CD available on Sheet Music Plus:Beauty of Love (Flute and Piano)Beauty of Love (Violin)Because (String Quartet)Children’s Dance (Piano)Crazy Waltz (Piano)Far and Near Love Song (Violin and Cello)Father Rondo (Piano)Here We Come (Woodwind Sextet)Life Like Water Flowing (Piano)Rise and Fall and Peaceful Rest (Violin, Cello, and Piano)Short and Suite for Violin and CelloSummer’s End (Piano Version)Summer’s End (String Quartet)Where Are the Heroes and Heroines? (Piano)Young and Old Together (Violin and Cello)Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com  
$4.99
Father Rondo (Piano Solo)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Robert Ashford
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Father Rondo
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Robert Ashford
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.954418 Composed by Robert Ashford. Contemporary. Score. 3 pages. Robert Ashford #3008881. Published by Robert Ashford (A0...
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Piano Solo - Level 3 - SKU: A0.954418 Composed by Robert Ashford. Contemporary. Score. 3 pages. Robert Ashford #3008881. Published by Robert Ashford (A0.954418). From Robert Ashford’s CD, Where Are The Heroes and Heroines? (available on cdbaby.com)Other selections from the CD available on Sheet Music Plus:Beauty of Love (Flute and Piano)Beauty of Love (Violin)Because (String Quartet)Children’s Dance (Piano)Crazy Waltz (Piano)Far and Near Love Song (Violin and Cello)Father Rondo (Piano)Here We Come (Woodwind Sextet)Life Like Water Flowing (Piano)Rise and Fall and Peaceful Rest (Violin, Cello, and Piano)Short and Suite for Violin and CelloSummer’s End (Piano Version)Summer’s End (String Quartet)Where Are the Heroes and Heroines? (Piano)Young and Old Together (Violin and Cello)Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
$4.99
Here We Come (Woodwind Sextet)
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Contemporain
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Robert Ashford
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Here We Come
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Robert Ashford
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Horn,Oboe - SKU: A0.954414 Composed by Robert Ashford. Contemporary. Score and parts. 12 pages. Robert Ashford #3008865....
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Small Ensemble Bassoon,Clarinet,Horn,Oboe - SKU: A0.954414 Composed by Robert Ashford. Contemporary. Score and parts. 12 pages. Robert Ashford #3008865. Published by Robert Ashford (A0.954414). From Robert Ashford’s CD, Where Are The Heroes and Heroines? (available on cdbaby.com)Other selections from the CD available on Sheet Music Plus:Beauty of Love (Flute and Piano)Beauty of Love (Violin)Because (String Quartet)Children’s Dance (Piano)Crazy Waltz (Piano)Far and Near Love Song (Violin and Cello)Father Rondo (Piano)Here We Come (Woodwind Sextet)Life Like Water Flowing (Piano)Rise and Fall and Peaceful Rest (Violin, Cello, and Piano)Short and Suite for Violin and CelloSummer’s End (Piano Version)Summer’s End (String Quartet)Where Are the Heroes and Heroines? (Piano)Young and Old Together (Violin and Cello)Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
$9.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Sofia
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Flûte à bec Soprano
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FACILE
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Alexander Zuckowski, Alvaro Ta
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Michael Habrom
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Sofia
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Michael Habrom
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SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.1074494 Composed by Alexander Zuckowski, Alvaro Tauchert Soler, Jakke Erixson, Nadir Khayat, and Simo...
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Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.1074494 Composed by Alexander Zuckowski, Alvaro Tauchert Soler, Jakke Erixson, Nadir Khayat, and Simon Triebel. Arranged by Michael Habrom. Children,Film/TV,Holiday,Jazz,Pop. Individual part. 2 pages. Michael Habrom #678785. Published by Michael Habrom (A0.1074494). Summer Song by Alvaro Soler for Descant (Soprano) Recorder. Notice: This Arrangement is in A minor instead of Original Key B minor. So it's better to play! With the addition of the chords, an experienced pianist, guitarist (teacher) can accompany the player. Have fun!
$4.99
Io Si
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Piano, Voix et Guitare
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FACILE
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Contemporain
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Diane Eve Warren, Laura Pausin
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Musikeo
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Io Si
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Musikeo
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.845464 Composed by Diane Eve Warren, Laura Pausini, and Niccolo Agliardi. Arranged by Musikeo. Contemporary...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.845464 Composed by Diane Eve Warren, Laura Pausini, and Niccolo Agliardi. Arranged by Musikeo. Contemporary. Score. 3 pages. Musikeo #6371721. Published by Musikeo (A0.845464). Io sì (Seen) is a song written by Diane Warren, Laura Pausini and Niccolò Agliardi, and recorded by Pausini for the soundtrack of the 2020 film The Life Ahead. The song was produced by Greg Wells and released as a digital single on 23 October 2020. Io sì (Seen) won the awards for Song of the Year at the Capri Hollywood International Film Festival, Best International Song at the CinEuphoria Awards, Master in Music Award at the Los Angeles Italia Film Festival, Outstanding Song – Feature Film at the 11th Hollywood Music in Media Awards, Best Original Song at the 25th Satellite Awards and the award with the same name at the 78th Golden Globe Awards (the first non-English song to win the award and Pausini the first Italian singer ever to win the prize).It also received nominations for Best Original Song at the 93rd Academy Awards, making it the first song sung entirely in Italian to be nominated, and Best Original Song both at the 66th David di Donatello Awards and at the 19th Gold Derby Awards.Io sì (Seen) is a power ballad. Diane Warren wrote the original version of the song, with English-language lyrics, specifically for the film The Life Ahead, and involved Pausini in the project during the summer of 2020. After watching the film, Pausini accepted to perform the song, identifying herself in its message about diversity and against prejudice, racism, also talks about the hard life of orphaned or poor children, people struggling to have or adopt children, to people who are invisible and need to be seen and especially to the difficult situation that the world lives in these times.[8] Pausini translated the song in Italian with her frequent collaborator Niccolò Agliardi. Despite being used to compose instinctively, Pausini and Agliardi worked on the lyrics adaptation for 25 days, since she wanted to be sure to respect the film's meaning.The song was produced, mixed, with most instruments played by Greg Wells, and recorded in Romagna in Pausini's home studio built in her parents' house. The film only features the Italian-language version of the song, but it was also recorded by Pausini in English, Spanish, French and Portuguese.The piano arrangement we came up with here has the lead melody on the right hand and a simple but beautiful accompaniment on the left hand. Guitar Chord Symbols and Fretboards are also provided . Enjoy this beautiful song!
$6.99
The Wedding March - Flute and Piano (Individual Parts)
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Flûte traversière et Piano
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FACILE
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Classique
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Felix Bartholdy Mendelssohn
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César Madeira
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The Wedding March - Flute and
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 2 - SKU: A0.1222474 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Children,Classical,R...
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Piano,Soprano Flute - Level 2 - SKU: A0.1222474 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Children,Classical,Romantic Period,Wedding. Score and part. 4 pages. Sheet Music To Play Editions #818739. Published by Sheet Music To Play Editions (A0.1222474). The Wedding March by Felix Mendelssohn. Arrangement for Flute and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream (incluyed The Wedding March), the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol Hark! The Herald Angels Sing is also his. Mendelssohn's Songs Without Words are his most famous solo piano compositions.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
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A Summer Song Of Play A Children's Song
