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A Tree Once Stood - Full Score
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Vous avez sélectionné:
A Tree Once Stood - Full Score
Partitions à imprimer
8 partitions trouvées
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Joseph M. Martin: A Tree Once Stood (COMPLETE) - orchestra/band
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Joseph M. Martin
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Virtualsheetmusic
Instantly printable sheet music by Joseph M. Martin for orchestra/band of MEDIUM skill level. / sacred
Instantly printable sheet music by Joseph M. Martin for orchestra/band of MEDIUM skill level. / sacred
$79.99
Joseph M. Martin: A Tree Once Stood - choir (SATB: soprano, alto, tenor, bass)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Joseph M. Martin
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Virtualsheetmusic
Instantly printable sheet music by Joseph M. Martin for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / sacred
Instantly printable sheet music by Joseph M. Martin for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / sacred
$6.08
The Miller's Waltz
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Dan Jones
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The Miller's Waltz
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DanJonesGuitarist
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.851196 Composed by Dan Jones. 20th Century,Contemporary,New Age. Score. 5 pages. DanJonesGuitarist #6478271. Published by...
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Piano Solo - Level 4 - SKU: A0.851196 Composed by Dan Jones. 20th Century,Contemporary,New Age. Score. 5 pages. DanJonesGuitarist #6478271. Published by DanJonesGuitarist (A0.851196). The Miller’s Waltz Dan Jones At the time of composing, I was living in Perthshire, Scotland. Near to our family home is an abandoned water mill called Dron Mill. All that remains today is the shell of a building, spaces where wheels and axles once stood, and a babbling burn which has been reclaimed by nature. In centuries past, this would have been a place of activity and prosperity. I imagined a miller living in this idyllic corner, concealed by the hillside. Maybe he and his wife danced in the garden. The Miller’s Waltz reflects the indescribable magic which some places possess. A poet in the 19th century also felt this magic when he/she wrote anonymously: At the fit o’ Balmanno, a whin-covered hill, Nestlin’ mang trees, there you’ll find the auld mill; If wi’ peace and contentment your mind you wad fill, Gae up to Dron Mill by the Ochils. I hope you enjoy playing ‘The Miller’s Waltz’. (For Kirsty) Dan Jones ©www.danjonesguitarist.com2021
$7.95
I Sit Here On The Barren Hill
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Piano, Voix
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FACILE
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by...
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Piano,Vocal,Voice - Level 2 - SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99
SEVEN FAMOUS PIECES
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Piano seul
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INTERMÉDIAIRE
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Various
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Michael Ward
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SEVEN FAMOUS PIECES
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BGMA Publications
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.984314 Composed by Various. Arranged by Michael Ward. Baroque,Classical,Concert,Musical/Show. Score. 12 pages. BGMA Publi...
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Piano Solo - Level 3 - SKU: A0.984314 Composed by Various. Arranged by Michael Ward. Baroque,Classical,Concert,Musical/Show. Score. 12 pages. BGMA Publications #3674899. Published by BGMA Publications (A0.984314). Seven arrangements of 7 famous pieces that are ideal for intermediate beginners of all ages!Great concert pieces!Can be played as a complete Suite or as individual pieces: BACH: 'Jesu Joy of Man's Desiring' - Chorale theme; BEETHOVEN: Bagatelle 'Fur Elise' - Main theme; SCHUBERT: 'Wiegenlied' - Main theme; LARIONOV: 'Kalinka' - Main theme, TRAD: 'In a Field Stood a Birch Tree'; SCHONBERG: 'Castle in a Cloud' (Les Miserables) - Main theme; THEODORAKIS: 'Zorba the Greek' - Main theme. Lots of possibilities for musical development: covers Neo-Baroque Styles to Minimalism.Addresses many technical and musical issues.
$8.95
Morning Mist
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Piano seul
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INTERMÉDIAIRE
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Katherine Brookes
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Morning Mist
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Katherine Brookes
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.999079 Composed by Katherine Brookes. Concert,Contemporary,Standards,Wedding. Score. 2 pages. Katherine Brookes #6070525....
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Piano Solo - Level 3 - SKU: A0.999079 Composed by Katherine Brookes. Concert,Contemporary,Standards,Wedding. Score. 2 pages. Katherine Brookes #6070525. Published by Katherine Brookes (A0.999079). 'It was an Autumn morning in 2020 and I stood by my back door, watching as the leaves fell from the trees. I had just read the John Keats poem To Autumn to my daughter. The opening line is Seasons of mists and mellow fruitfulness and that inspired me to write this little piano piece. As I stood there the opening motif just appeared in my head. There is something quite beautiful about the changing seasons.'Katherine Brookes is a Guinness World Record holding flute player. To contact Katherine please email katherine@katherinebrookes.com and for more information about her please visit her website www.katherinebrookes.com
$3.50
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
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Saxophone et Orgue
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AVANCÉ
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Contemporain
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Judith Cloud
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What Would Nina Simone Say? Fo
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Judith Cloud
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages...
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
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