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A Vision of Rest for SATB Choir
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BOUZOUKI
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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CORNEMUSE
CORNET
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Crtitères actifs :
A Vision of Rest for SATB Choir
Partitions à imprimer
16 partitions trouvées
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1
A Vision of Rest for SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Anthony Bannach
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A Vision of Rest for SATB Choi
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Anthony Bannach Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.995181 Composed by Anthony Bannach. 20th Century,Contemporary,Romantic Period. Octavo. 17 pages. Anthony Bannach...
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Choral Choir (SATB) - Level 4 - SKU: A0.995181 Composed by Anthony Bannach. 20th Century,Contemporary,Romantic Period. Octavo. 17 pages. Anthony Bannach Music #4729217. Published by Anthony Bannach Music (A0.995181). A Vision of Rest is a choral piece with text set from the poem by Alexander Posey. The piece balances a choral style refrain with large amounts of independent lines and melismatic writing, and the sounds or the composition are inspired by choral pieces by composers such as Pavel Chesnikov, John Tavener, and Arvo Pärt. The lyrics heard in the song were slightly modified to fit to the music. The original text is as follows: Some day this quest Shall cease; Some day, For aye, This heart shall rest In peace. Sometimes-ofttimes-I almost feel The calm upon my senses steal, So soft, and all but hear The dead leaves rustle near And sign to be At rest with me. Though I behold The ashen branches tossing to and fro, Somehow I only vaguely know The wind is rude and cold.
$4.00
50 Easy Worship Anthems for SATB Choir - W/Chords (Book 1&2)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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César Madeira
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50 Easy Worship Anthems for SA
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Sheet Music To Play Editions
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1383010 Composed by Various. Arranged by César Madeira. A Cappella,Multicultural,Praise & Worship,Reli...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1383010 Composed by Various. Arranged by César Madeira. A Cappella,Multicultural,Praise & Worship,Religious,Sacred,World. 88 pages. Sheet Music To Play Editions #967438. Published by Sheet Music To Play Editions (A0.1383010). 50 Easy Worship Anthems for SATB Choir. Full Score with Chords. Enjoy it!Song List - Book 1All Creatures of our god and king. All Hail The Power of Jesus’ Name. A mighty fortress is our God. Be Thou My Vision. Christ Is Risen Today. God will take care of you. Great Is Thy Faithfulness. He hideth my soul. His Eye Is On The Sparrow. How Great Thou Art. Lift Every Voice and Sing. March of Three Kings. My jesus I love thee. My Lord, What A Morning! O Come, O come, Emmanuel. O Little Town of Bethlehem. Rock of ages. Softly and Tenderly, Jesus Is Calling. Tell me the story of Jesus. Turn your eyes upon jesus. What a friend we have in jesus. When I survey the wondrous cross. When We All Get to Heaven. Whispering Hope. Wonderful Words of LifeSong List - Book 2Amazing grace. Are you washed in the blood? Christ arose! Christmas bells. Draw me nearer. Glory to his name. God rest ye merry, gentlemen. Hark! the heralt angels sing. Higher ground. How firm a foundation. I need thee every hour. Jesus loves the little children. Joyful, joyful, we adore thee. My faith looks up to thee. O holy night. Open my eyes, that I may see. Pass me not, o gentle savior. Revive us again. Safe in the arms of jesus. Stand up, stand up for jesus. Tell me old, old story. The solid rock. Trusting jesus. We gather together. We three kings of orient areFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Be Thou My Vision Choral Anthem
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Chorale SATB
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INTERMÉDIAIRE
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Slane
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Gene Roberson
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Be Thou My Vision Choral Anthe
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Gene Roberson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.848418 Composed by Slane. Arranged by Gene Roberson. 20th Century,Christian,Sacred,World. Octavo. 8 pages. Gene ...
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Choral Choir (SATB) - Level 3 - SKU: A0.848418 Composed by Slane. Arranged by Gene Roberson. 20th Century,Christian,Sacred,World. Octavo. 8 pages. Gene Roberson #31589. Published by Gene Roberson (A0.848418). One of the beloved Christian hymns from Ireland arranged for SATB Choir by Gene Roberson. Unison verses for Soprano and Alto (or soloist) and also for Tenor and Bass. Interesting harmonies as well as great modulations for a three verse build up. A must for your choral library.
$1.99
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
Old Father Christmas for Unison Choir with Chords for Guitar/Ukulele/Etc. (opt. minus track availabl
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Chorale SATB
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Noël
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M
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3&
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Old Father Christmas for Uniso
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Vocal Works
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.742005 Composed by M. Ryan Taylor. 20th Century,Children,Christmas,Contemporary. Octavo. 2 pages. Vocal Works #3594403. Pu...
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Choral Choir (SATB) - SKU: A0.742005 Composed by M. Ryan Taylor. 20th Century,Children,Christmas,Contemporary. Octavo. 2 pages. Vocal Works #3594403. Published by Vocal Works (A0.742005). A fun celebration of Old Father Christmas in multiple mixed meters. Note: If using the optional minus track (available on this site), there are 5 introductory measures of rest in 9/8 before the choral part begins. These are most easily counted 1&a 2& 3& 4& (with the subdivisions the way they are divided)).
$1.99
Jazz Hodie (On This Day Earth Shall Ring)
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Chorale SATB
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INTERMÉDIAIRE
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PERSONENT HODIE from the Piae
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Ken Litton
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Jazz Hodie
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496732 Composed by PERSONENT HODIE from the Piae Cantones, 1583. Arranged by Ken Litton. 20th Centu...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496732 Composed by PERSONENT HODIE from the Piae Cantones, 1583. Arranged by Ken Litton. 20th Century,Advent,Christian,Christmas,Sacred. 19 pages. Artist of Note, Inc. #1073248. Published by Artist of Note, Inc. (A0.1496732). Jazz Hodie (On this Day Earth Shall Ring)PERSONENT HODIE arr. Ken Litton (ASCAP) Those who have the good fortunate to hear Gustav Holst’s arrangement of PERSONENT HODIE as a choral processional with its engaging melody, measured gait and echoed text have never forgotten the magical moment—and were never really ready for it to end. Hailing from the The Oxford Book of Carols this German plainsong melody—from the Piae Cantones, 1583—has made its way into strong choral and worship traditions at Advent/Christmas.Of all the current texts and arrangements available, this version honors Holst’s unison accompanied setting in an unexpected subtle jazz styling, with the hope of bringing additional range to its established place in advent literature (both in terms of style and in appeal to a variety of age groups). And, On This Day Earth Shall Ring, translated by Jane M. Joseph (text in the public domain) gives it just the traditional touch needed for Jazz Hodie (On this Day).This SATB setting of the tune offers accompaniment designed for piano or organ, optional acoustic/string bass and an optional part for a single player involving three of the percussionist section best friends in the : the suspended cymbal, mallets (vibraphone, marimba or bells or bell lyre), and a small triangle. It should be noted that an electronic piano/synthesizer voice could substitute well for the mallets and the use of handbells is also viable. Perfect for Lessons & Carols presentations!The unison singing and bell-tone echoes of the first stanza/refrain soon give way to smooth, contrasting jazz harmony. The choral ranges are very much within the reach of the average choir and the voicings vary from unison to three and four parts, followed by a return to the character of the opening. The piece builds toward a close with a choral ascent in the final bars and a bass line reminiscent of the first verse, but with an extra jazz twist. But, it can easily be restarted for processional use by simply dropping back into the C minor introduction’s bass line. Note: the String Bass/Electric Bass part is included!Also available in a Hymn Sheet Version that includes everything needed for a small ensembe and/or the worshiping congregation.All this from the places you go for the best in downloadable resources:Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$2.99
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secul...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
Do You Hear How Many You Are?
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindri...
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Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.
$2.25
Sedebit Dominus
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Stephanie Martin
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Sedebit Dominus
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Biretta Books
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.879629 Composed by Stephanie Martin. Christian,Contemporary,Sacred. Octavo. 8 pages. Biretta Books #3518055. Pub...
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Choral Choir (SATB) - Level 4 - SKU: A0.879629 Composed by Stephanie Martin. Christian,Contemporary,Sacred. Octavo. 8 pages. Biretta Books #3518055. Published by Biretta Books (A0.879629). TRANSLATIONSedebit Dominus Rex is the Communion Antiphon for the Feast of Christ the King. The text is from Ps 28:10b, 11b: Sedebit Dominus Rex in aeternum: Dominus benedicet populo suo in pace. The Lord will sit on his royal throne for ever; the Lord will bless his people in peace.A NOTE FROM THE COMPOSERWhen Fr. Scott Haynes, SJC, sent me the words and original chant material for ‘Sedebit Dominus Rex’ it immediately conjured a vision of a medieval King seated on a throne, grave and powerful. But the figure surprisingly descends to His people and blesses them with peace.Having worked with St. John Cantius’ Saint Cecilia choir on ‘Missa Chicagoenis’ in June 2017, I know these splendid voices have a wide dramatic range, so I wrote expressive music for them, and for Corrado Cavalli, I wanted an interesting organ part with lots of colour.The original Gregorian chant melody presents a pentatonic gesture, so I used that idea, and, combined with some medieval cadences, some Duruflé-inspired counterpoint, and a sprinkling of Wagnerian harmony, I painted the musical picture with an ecstatic, twenty-first- century ending.
$3.25
There is no Rose
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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verse five, some harmony is fo
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Tim Attride
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There is no Rose
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Tim Attride
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.851304 Composed by Tim Attride. Christmas. Octavo. 2 pages. Tim Attride #3589141. Published by Tim Attride (A0.8...
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Choral Choir (SATB) - Level 3 - SKU: A0.851304 Composed by Tim Attride. Christmas. Octavo. 2 pages. Tim Attride #3589141. Published by Tim Attride (A0.851304). Starting with bars of 11 beats might raise a few eyebrows. However, this short setting of anonymous C15th words (as with many of my pieces) is intended to support the text, rather than be a nice tune with words shoehorned in. What turns out to be a flowing opening line for the Sopranos (/ solo) leads into a simple refrain. Altos join for the second verse, still in unison, with a slightly elaborated 2-part refrain including duplets against 3/4. So on with the Tenors added in verse three and the Basses in verse four. By verse five, some harmony is forthcoming, as is a brief division for the Sops. Although the nominal key rests in C minor and the refrains so far have resolved on a G major chord, the final chorus ends on a triumphant 8-part C major chord.A definite showpiece for an (at least) reasonably competent choir.
$1.99
AUNQUE ES DE NOCHE
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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EAM
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AUNQUE ES DE NOCHE
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Eduardo A. Malachevsky
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1284578 By EAM. By Eduardo Andrés Malachevsky. 21st Century,A Cappella,Christian,Classical,Spir...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1284578 By EAM. By Eduardo Andrés Malachevsky. 21st Century,A Cappella,Christian,Classical,Spiritual. 30 pages. Eduardo A. Malachevsky #875753. Published by Eduardo A. Malachevsky (A0.1284578). AUNQUE ES DE NOCHE (Although it is night)Lyrics taken from the «Dark Night of the Soul» by St John of the CrossFirst Price awarded score at the «Concurso Internacional de Composición Coral de Cámara de Pamplona», SPAIN 2010 Voicing: SSAATTBB & SSATB Soloists  |  Durata Circa: 9 min  |  Language: Spanish  |  Lyrics: St. John of the Cross  |  Score's pages: 23|  Score's meassures: 155 Score Preview & info  | YouTube's Composer Channel St. John of the Cross wrote the poem when he was in jail in the Toledo prison (1578). Immerse in the dark and arid night, the torment and the anguish of the dungeon, he contemplates and reflects on that mystery so precious for himself: The mystery of the Holy Trinity. One and multiple at the same time, the image of ‘water’ (that flows and runs…) is the best that comes to his mind in this meditation in which the highest and more abstract perspectives of the faith becomes so close and takes flesh, so to speak, in the touching simplicity of this primary element, element of the life itself.The Vocal Ensemble is divided in two: a SSAATTBB Choir Ensemble of 8 voices (or more) and a SSATB Soloist Ensemble . Although this division, the whole ensemble works as a unity; consequently the soloists should be stand up mixed with the rest of the voices.
$4.30
O Sleep, Why Dost Thou Leave Me? (Semele)
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Scott S
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O Sleep, Why Dost Thou Leave M
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1260597 Composed by George Frideric Handel. Arranged by Scott S. Stewart. A Cappella,Baroque,Classical,Opera. Oc...
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Choral Choir (SATB) - Level 3 - SKU: A0.1260597 Composed by George Frideric Handel. Arranged by Scott S. Stewart. A Cappella,Baroque,Classical,Opera. Octavo. 4 pages. Scott S. Stewart #853790. Published by Scott S. Stewart (A0.1260597). “O Sleep, Why Dost Thou Leave Me?â€, from Georg Friedrich Händel’s oratorio/opera Semele (1743), is sung by the lovely, yet vain and ambitious princess, Semele of Thebes.  She awakens and regrets that the dream she was having has ended, and calls upon Sleep to return and restore her peaceful vision. (This aria is often suggested listening to those suffering from insomnia.)  This arrangement is for 4-part SATB ensemble to be performed a cappella.  It’s purpose is twofold: to serve as an introduction to Händel and English Baroque music, while at the same time teaching young sopranos a performable aria for their solo repertoire. Performance time: 2:15+-.
$2.99
Jazz Hodie (On this Day Earth Shall Ring)
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Piae Cantones, 1583
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Ken Litton
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Jazz Hodie
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Artist of Note, Inc.
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SheetMusicPlus
Bass Guitar,Double Bass,Mallet Percussion,Piano,Triangle - SKU: A0.1496826 Composed by Piae Cantones, 1583. Arranged by Ken Litton. 20th Century,Advent,...
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Bass Guitar,Double Bass,Mallet Percussion,Piano,Triangle - SKU: A0.1496826 Composed by Piae Cantones, 1583. Arranged by Ken Litton. 20th Century,Advent,Christian,Christmas,Sacred. Accompaniment. Duration 173. Artist of Note, Inc. #1073310. Published by Artist of Note, Inc. (A0.1496826). Jazz Hodie (On this Day)PERSONENT HODIE arr. Ken Litton (ASCAP)Demo & Accompaniment track .mp3 Those who have the good fortunate to hear Gustav Holst’s arrangement of PERSONENT HODIE as a choral processional with its engaging melody, measured gait and echoed text have never forgotten the magical moment—and were never really ready for it to end. Hailing from the The Oxford Book of Carols this German plainsong melody—from the Piae Cantones, 1583—has made its way into strong choral and worship traditions at Advent/Christmas.Of all the current texts and arrangements available, this version honors Holst’s unison accompanied setting in an unexpected subtle jazz styling, with the hope of bringing additional range to its established place in advent literature (both in terms of style and in appeal to a variety of age groups). And, On This Day Earth Shall Ring, translated by Jane M. Joseph (text in the public domain) gives it just the traditional touch needed for Jazz Hodie (On this Day).This SATB setting of the tune offers accompaniment designed for piano or organ, optional acoustic/string bass and an optional part for a single player involving three of the percussionist section best friends in the : the suspended cymbal, mallets (vibraphone, marimba or bells or bell lyre), and a small triangle. It should be noted that an electronic piano/synthesizer voice could substitute well for the mallets and the use of handbells is also viable. Perfect for Lessons & Carols presentations!The unison singing and bell-tone echoes of the first stanza/refrain soon give way to smooth, contrasting jazz harmony. The choral ranges are very much within the reach of the average choir and the voicings vary from unison to three and four parts, followed by a return to the character of the opening. The piece builds toward a close with a choral ascent in the final bars and a bass line reminiscent of the first verse, but with an extra jazz twist. But, it can easily be restarted for processional use by simply dropping back into the C minor introduction’s bass line. The String Bass/Electric Bass part is included in both the pdf score download and on the Demo & Accompaniment mp3 download.Also available in a hymn sheet version that includes everything needed for UNISON Choir and the worshiping congregation.All this from the places you go for the best in downloadable resources: Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$4.99
Jazz Hodie ( On This Day) UNISON Hymn Page
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Gustav Holst
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Ken Litton
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Jazz Hodie
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,Unison Chorus - Level 2 - SKU: A0.1509436 Composed by Gustav Holst. Arranged by Ken Litton. 20th Century,Advent,Christmas,Jazz,Relig...
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Choral Choir,Choral,Unison Chorus - Level 2 - SKU: A0.1509436 Composed by Gustav Holst. Arranged by Ken Litton. 20th Century,Advent,Christmas,Jazz,Religious. 3 pages. Artist of Note, Inc. #1084674. Published by Artist of Note, Inc. (A0.1509436). Jazz Hodie (On this Day)PERSONENT HODIE arr. Ken Litton (ASCAP)Sheet Music Plus Sheet Music Direct Also available: Those who have the good fortunate to hear Gustav Holst’s arrangement of PERSONENT HODIE as a choral processional with its engaging melody, measured gait and echoed text have never forgotten the magical moment and were never really ready for it to end. Hailing from The Oxford Book of Carols this German plainsong melody—from the Piae Cantones, 1583—has made its way into strong choral and worship traditions at Advent/Christmas.Of all the current texts and arrangements available, this version honors Holst’s unison accompanied setting in an unexpected, subtle jazz styling with the hope of bringing additional range to its established place in advent literature (both in terms of style and in appeal to a variety of age groups).And, On This Day Earth Shall Ring, translated by Jane M. Joseph (text in the public domain) gives it just the balancing traditional touch needed..This UNISON setting offers accompaniment designed for piano or organ with option for a string bass played finger style in the jazz tradition. And, it can easily be restarted for processional use by dropping back into the C minor introduction’s bracketed bass line.Also available in an SATB version that offers accompaniment designed for piano or organ, optional acoustic/string bass and an optional part for a single player involving three of the percussionist section best friends: suspended cymbal, mallets (vibraphone, marimba or bells or bell lyre), and a small triangle. But, an electronic piano/synthesizer voice could substitute well for the mallets and the use of handbells is also viable.Note: This hymn plate version has everything needed for the worshiping congregation!All this from the places you go for the best in downloadable resources as well as via Hal Leonard InStore™ retailers.Be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$2.99
Lovefool
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Chorale SATB
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INTERMÉDIAIRE
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The Cardigans
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Scott S
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Lovefool
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1446507 By The Cardigans. By Nina Persson and Peter Svensson. Arranged by Scott S. Stewart. 20th Cen...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1446507 By The Cardigans. By Nina Persson and Peter Svensson. Arranged by Scott S. Stewart. 20th Century,Latin,Pop,Standards. 13 pages. Scott S. Stewart #1026323. Published by Scott S. Stewart (A0.1446507). “Lovefool” was written by the Swedish rock band the Cardigans for their 3rd album ‘First Band on the Moon’ (1996). Persson says of her lyrics: it’s “quite a sad love song; the meaning of it quite pathetic, really.” She had envisioned it more in the style of a bossa nova, yet it evolved in the studio to a “moderate rock” tempo. This arrangement restores her original concept with a Latin bossa nova feel, and is scored for a 4-part SATB ensemble with piano accompaniment. Performance time: 3:45+-.
$2.99
Follow Me (Contemporary Choral Anthem)
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Chorale SATB
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INTERMÉDIAIRE
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Ian McGregor Smith
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Follow Me
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Ivisionmusic
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1007224 Composed by Ian McGregor Smith. Christian,Christmas,Sacred,Spiritual. Octavo. 18 pages. Ivisionmusic #35...
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Choral Choir (SATB) - Level 3 - SKU: A0.1007224 Composed by Ian McGregor Smith. Christian,Christmas,Sacred,Spiritual. Octavo. 18 pages. Ivisionmusic #3559285. Published by Ivisionmusic (A0.1007224). This contemporary Christmas choral anthem by Ian McGregor Smith is a perfect Christmas choral anthem for your church choir. It will capture the interest of the singer and listen right away with a catchy melody and rhythmic accompaniment. It ends with a chordal interplay between voices that will surely thrill. (For downloadable accompaniment or practice audio tracks please visit www.ivisionmusic.com).
$1.99
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A Vision of Rest for SATB Choir