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TRI ET FILTRES
Tri et filtres :
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Vous avez sélectionné:
A Whole Nation
Partitions à imprimer
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TAPS A Rembrance
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
27.31 €
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Orchestre
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Traditional
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Ken Litton
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TAPS A Rembrance
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Artist of Note, Inc.
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SheetMusicPlus
A Whole New World
Large Ensemble Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.845797
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Large Ensemble Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.845797 Composed by Alan Menken. Arranged by Robert Newth. Broadway,Contemporary,Film/TV,Musical/Show. Score and parts. 33 pages. Robert Newth #6561959. Published by Robert Newth (A0.845797). A Whole New World was written by Tim Rice and Alan Menken for the 1992 Disney film Aladdin. This arrangement is for early intermediate woodwind ensemble with 12 distinct parts, 3 Flutes, 3 Oboes, 3 Bb Clarinets and 3 Bassoons. Each part requires the player to think and play independently and is great for improving ensemble skills.This arrangement was originally written for and performed by the National Youth Orchestra of Scotland's Woodwind Training Ensemble.The PDF download contains a full score and all twelve parts.
$19.99
18.2 €
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Alan Menken
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Robert Newth
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A Whole New World
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Robert Newth
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SheetMusicPlus
(give Me A) Home Among The Gum Trees
Violon, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1174379 By Various. By Robert Alexander Brown and Walter Edward Johnson. Arranged by Brenton Edgecombe. Country,Folk,Standards. Score and parts. 2 pages. Adelaide String Duo #774540. Published by Adelaide String Duo (A0.1174379). Violin and cello duet (duo). A fun and swinging arrangement of a song known to all Australians of a certain age. It was originally written as a comical entry into Australia's National Anthem competition in the 70s, then reached a whole new audience when it was used as the theme song for the popular gardening show Burke's Backyard.
$9.99
9.1 €
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Violon, Violoncelle (duo)
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Various
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Brenton Edgecombe
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(give Me A) Home Among The Gum Trees
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Adelaide String Duo
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SheetMusicPlus
Symphony in A flat Major "Phoenix" - All Parts
Large Ensemble Choir - Digital Download SKU: A0.948805 Composed by An-lun Huang. Co…
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Large Ensemble Choir - Digital Download SKU: A0.948805 Composed by An-lun Huang. Contemporary,World. Score and parts. 515 pages. DoReMi Edition #6080281. Published by DoReMi Edition (A0.948805). SCORE @ Amazon ï¼?https://amzn.to/34qCMdz The Symphonic Concert No.2, is Huangâ??s second serial symphonic work in a large form. ----- The first part, Op.47a, is The Symphonic Overture No. 2, the second part, Op.47b, is the Violin Concerto in B in three movements. They are all published by Amazon. And the third part, Op.47c, is this Symphony in A flat major 'Phoenix' in 5 movements [62 minutes] The first two parts of the Symphonic Concert No.2 were premiered in Beijing by the China Youth Symphony Orchestra in 1997. However, the composing of the third part has been delayed. The reason is the author's Chinese heart: for thousands of years, the word deep disaster has been following this nation, but, however, the Chinese finally rise in the east of the world from the deadly dark. How can the composer present this symphony in the most appropriate form, and bring blessings to the world? Until the idea of Phoenix sigh inspired the author's rolling music. As a result, the structure of the entire symphony is: a total of five movements, the order is: 1.-ESSENCE ç²¾ Andante con molto 2.-SPIRIT æ°? Allegro assai 3.-DIVINITY ç¥? Larghetto 4.-PEACE å?? Vivo 5.-REVIVAL è?¾é£? Allegro assai con brio The fifth movement of this symphony, Revival, is the end of the entire Symphonic Concert No. 2. Its Phoenixâ??s Flame of Fire symbolizes the composer's powerful belief in the whole composition: Defeat death to obtain the eternal life. This point has a distinct manifestation in this final movement: from the beginning of the world turmoil to the evolution of the huge contrast of the brilliant chorus of the Phoenix; from the disaster making the Phoenix smashes into the fire of hell from the high heaven; its shocking description of self-immolation to the sound of the resurrection and the vitality of the folk instruments which simulate the voice of life from afar; and from the brilliant fire of the phoenix soars to the sky with roar of the organ at the end. The themes of all of the previous music are also interrelated. All of the players join the forces to create the powerful music that The Chinese symphony has never been sounded like this before, and it is all about achieving a brilliant future, the critic said in Peopleâ??s Music, the major music magazine in China, 2009.
$500.00
455.29 €
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An-lun Huang
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Symphony in A flat Major "Phoenix" - All Parts
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DoReMi Edition
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SheetMusicPlus
A New Psalm 144
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1091772 By John Botts. By …
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1091772 By John Botts. By John Botts. Arranged by John Botts. Praise & Worship,Sacred,Spiritual. Octavo. 8 pages. John A. Botts #695928. Published by John A. Botts (A0.1091772). The Old Testament Psalm 144 makes a plea for God to send His angels to help the Israelites in their battles with enemies. This anthem calls upon God to send His angels to help us do battle with enemies of Faith which surround us today on all sides. The lyrics remind Christians to put on the whole armor of God as described in Ephesians 6:10-18. This armor is available to us through the Grace of Jesus Christ. The central theme of this work is, God of creation, God of our nation, we call upon your Holy Name.
$2.50
2.28 €
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Chorale SATB
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John Botts
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John Botts
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A New Psalm 144
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John A. Botts
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SheetMusicPlus
A Tonal Lexicon for Flute
Flûte traversière
Flute Solo - Level 4 - Digital Download SKU: A0.837512 Composed by Brett L. Wery. I…
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Flute Solo - Level 4 - Digital Download SKU: A0.837512 Composed by Brett L. Wery. Instructional. Individual part. 96 pages. Sonata Grendel Publishing #6710119. Published by Sonata Grendel Publishing (A0.837512). A Tonal Lexicon for Flute is a complete method for scale and arpeggio training on flute. It contains the basic vocabulary of tonal music and includes: · Chromatic Scales· Diminished Scale· Dominant Seventh Chords· Dorian Scales· Full-Range Major Scales· Full-Range Melodic Minor Scales· Fully-Diminished Seventh Chords· Half-Diminished Seventh Chords· Harmonic Minor Scales· Major Scales· Major Seventh Chords· Major Triads· Melodic Minor Scale in Thirds· Melodic Minor Scales· Minor Seventh Chords· Minor Triads· Mixolydian Scales· Natural Minor Scales· Scales in Thirds· Scales in Trills· Whole Tone Scales Scales and arpeggios are ordered so that they progress logically, one to the other. This order contextualizes the melodic and harmonic structures so that the performer begins to develop a natural sense of how the scales and arpeggios function within a tonal framework. The scales and arpeggios are divided into three large units that include both major and minor keys, easy and difficult keys. The close relationship of each key is emphasized to build automaticity in fingering patterns. Enharmonic keys are represented in both spellings and non-diatonic scales such as whole tone and chromatic scales are spelled as they would be found in each of the fifteen key signatures. The use of octave designation symbols is avoided so that the player is able to acclimate themselves to the many ledger lines sometimes found in flute music. This is an essential book for any serious flute player who wishes to build reading acuity and fluency in any tonal setting.
$25.25
22.99 €
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Flûte traversière
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Brett L
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A Tonal Lexicon for Flute
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Sonata Grendel Publishing
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SheetMusicPlus
Filhos da Revolução dos Cravos / Children of the Carnation Revolution
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1391632 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1391632 Composed by Rudesindo Soutelo. 21st Century,Children,Classical,Contemporary. Score. 14 pages. Publisher by Rudesindo Soutelo #975144. Published by Publisher by Rudesindo Soutelo (A0.1391632). Rudesindo SouteloFilhos da Revolução dos Cravos / Children of the Carnation Revolution (2024) for Piano Duet [ca. 5' 21]ISMN: 979-0-707704-21-9The songs of intervention that filled the revolutionary spirit are perceived by the generations born afterwards as grandfather’s little stories. The children of a revolution are always calm and carefree, but this complacent detachment contains within itself the germs of new tensions that could become the cause and beginning of a new revolution.The original version, for Orff instruments, was written for the Instrumental Group of the Vila Praia de Âncora Primary and Secondary School to celebrate the 50th anniversary of the Carnation Revolution.The generative complex that organises the whole work {6[2, 2, 2], 2, 9[3, 3, 3]} is taken from the number of letters in the words of the title.-oOo-Os cantos de intervenção que preencheram o espÃrito revolucionário são percebidos, pelas gerações que nasceram depóis, como as historinhas do avô. Os filhos duma revolução são sempre calmos e despreocupados, mas essa acomodada distensão encerra em si mesma os germes de novas tensões que podem vir a ser a causa e o princÃpio duma nova revolução.A versão original, para instrumentos Orff, foi escrita para o Grupo Instrumental da Escola Básica e Secundária de Vila Praia de Âncora para assim celebrar o cinquenta aniversário da Revolução dos Cravos.O complexo geratriz que organiza toda a obra {6[2, 2, 2], 2, 9[3, 3, 3]} está tomado do número de letras que contêm as palavras do tÃtulo.
$5.00
4.55 €
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1 Piano, 4 mains
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Rudesindo Soutelo
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Filhos da Revolução dos Cravos / Children of the Carnation Revolution
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
32.78 €
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Orchestre
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Montenegrin folk song
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Keith Terrett
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Montenegrin National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
National Anthem of ROC Taiwan (for orchestra): San Min Chu I
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1094610 Composed by Chéng M…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1094610 Composed by Chéng Mà oyún (1900-1957). Arranged by Colin Kirkpatrick. Multicultural,Patriotic,World. Score and parts. 32 pages. Colin Kirkpatrick Publications #698673. Published by Colin Kirkpatrick Publications (A0.1094610). This anthem should not be confused with the National Anthem of the People’s Republic of China, known as March of the Volunteers which is the anthem of mainland China including its special administrative regions of Hong Kong and Macau. The Taiwanese anthem is currently banned from performance on mainland China and strongly discouraged from being performed in Hong Kong and Macau. Ironically, the national anthem of ROC Taiwan was first used as the anthem for the whole of China when the country was controlled by the Kuomintang. However, in 1949 the Kuomintang government was ousted and relocated to the island of Taiwan to continue government using the same symbols of state that they employed in mainland China. The anthem is informally known as San Min Chu I or San Min Zhu Yi (“Three Principles of the Peopleâ€). As well as the full score (19 staves), the publication includes separate parts for flutes (unison), piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons, 4 horns in F, 3 trumpets in B flat, 3 trombones, tuba, violin 1, violin 2, violin 3 (same as viola part), viola, cello, double bass, timpani and percussion (3 players). The score and the parts are presented in a single PDF file.
$21.95
19.99 €
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Orchestre
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Chéng Mà oyún
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Colin Kirkpatrick
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National Anthem of ROC Taiwan
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Colin Kirkpatrick Publications
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SheetMusicPlus
''Risen from Ruins'' - "Auferstanden aus Ruinen"
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eis…
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Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eisler. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Traditional,World. 10 pages. Keith Terrett #758783. Published by Keith Terrett (A0.1158495). The former East German National Anthem arranged for Brass Quintet. In 1949, the Soviet occupation zone of Allied-occupied Germany became a socialist state under the name of the German Democratic Republic (GDR). For the nascent state's national anthem, the poet Johannes Becher, who later became the East German Minister of Culture, wrote the lyrics. Two musicians, Ottmar Gerster and Hanns Eisler, proposed music to Becher's lyrics, and Eisler's version was selected. History Written in 1949, the East German national anthem reflects the early stages of German separation, in which continuing progress towards reunification of the occupation zones was seen by most Germans as appropriate and natural. Consequently, Becher's lyrics develop several connotations of unity and combine them with fatherland (einig Vaterland), meaning Germany as a whole. However, this concept soon would not conform to an increasingly icy Cold War context, especially after the Berlin Wall had been erected in 1961 by the East German government.[1] In September 1973, East and West Germany were admitted to the United Nations simultaneously, following talks between the two governments that conferred a degree of mutual recognition. The term Germany was later removed from the East German constitution, and only the national anthem's tune was played on official occasions. No new lyrics were ever written to replace Becher's, which continued to be used unofficially, especially after die Wende in late 1989: once it became clear that the countries were actually moving towards reunification, East German television Deutscher Fernsehfunk reinstated the work and signed off every night with a joyous symphonic rendition of the vocal arrangement, with accompanying picturesque footage of East Germany's main tourist attractions. Auferstanden aus Ruinen ceased to be a national anthem when the German Democratic Republic dissolved and its states joined the Federal Republic of Germany as a result of German reunification in 1990. Deutschlandlied, composed in 1841, became the national anthem of a united Germany again. East German Premier Lothar de Maizière had proposed that Becher's lyrics be added to the united German national anthem, but this was rejected by his West German counterpart, chancellor Helmut Kohl. At the end of its last broadcast on 2 October 1990, the East German international radio broadcaster Radio Berlin International signed off with a vocal version of the East German national anthem. In November 1995, Auferstanden aus Ruinen was played again when German President Roman Herzog visited Brazil. This was the first event at which the anthem had been played since the German reunification.
$7.99
7.28 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Haans Eisler
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Keith Terrett
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''Risen from Ruins'' - "Auferstanden aus Ruinen"
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Keith Terrett
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SheetMusicPlus
AA 965
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1136747 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1136747 Composed by William Brenner. Christmas,Classical,Historic,Patriotic. Score and Parts. 117 pages. William Brenner #736746. Published by William Brenner (A0.1136747). AA965 by William Brenner -- Concert Band -- Grade 4 //Includes Score and parts On the 20th of December 1995, American Airlines flight 965 departed from Miami, Florida in the direction of Cali, Colombia. A regular flight for crew members and passengers, most of them returning to Colombia to spend the holidays with their loved ones. Little did they know that that flight was facing one of the worst outcomes in aviation history. This piece is dedicated to the 151 passengers and 8 crew members who died in the crash, their families and the four survivors: Gonzalo Dussan Monroy, his daughter Michelle, Mercedes Ramirez and Mauricio Reyes. It is also dedicated to all Colombian families, whose Christmases are now haunted by this tragedy that happened on their land and shocked the whole nation. ---------------------------------------------------------------------------------------------------------- Credits: Alix Lessard - First page artwork instagram: https://www.instagram.com/will_musics/ contact: willmusics.contactme@gmail.com or through instagram DMs.
$40.00
36.42 €
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Orchestre d'harmonie
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William Brenner
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AA 965
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William Brenner
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SheetMusicPlus
Seven Pieces in Twentieth-Century Styles
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
4.55 €
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Piano seul
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James Siddons
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Seven Pieces in Twentieth-Century Styles
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James Siddons Music and Writings
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SheetMusicPlus
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès N…
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Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.
$7.95
7.24 €
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Piano seul
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Marie-Agnès Nataf
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Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Filhos da Revolução dos Cravos / Children of the Carnation Revolution (Orff Inst.)
Orff instruments Orff instruments - Level 3 - Digital Download SKU: A0.1423143 Comp…
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Orff instruments Orff instruments - Level 3 - Digital Download SKU: A0.1423143 Composed by Rudesindo Soutelo. Arranged by Orff Instruments (Score + Parts). 21st Century,Children,Classical,Contemporary. 48 pages. Publisher by Rudesindo Soutelo #1004474. Published by Publisher by Rudesindo Soutelo (A0.1423143). Rudesindo SouteloFilhos da Revolução dos Cravos / Children of the Carnation Revolution (2024) for Orff Instruments [ca. 5' 21]Première: 24-IV-2024. Auditório Ramos Pereira, Vila Praia de Âncora (Portugal). Int.: Clube Instrumental da EBS do Vale do Âncora. Prof. Manuela Moura. ISWC: T-324.609.051-3ISMN: 979-0-707704-20-2Info: https://soutelo.euSample pages / Páginas de amostra: https://www.researchgate.net/publication/379996834The songs of intervention that filled the revolutionary spirit are perceived by the generations born afterwards as grandfather’s little stories. The children of a revolution are always calm and carefree, but this complacent detachment contains within itself the germs of new tensions that could become the cause and beginning of a new revolution.The piece was composed for the Instrumental Club of the Vale do Âncora Primary and Secondary School to celebrate the 50th anniversary of the Carnation Revolution. There is a version for piano 4 hands. The generative complex that organises the whole work {6[2, 2, 2], 2, 9[3, 3, 3]} is taken from the number of letters in the words of the title.-oOo-Os cantos de intervenção que preencheram o espírito revolucionário são percebidos, pelas gerações que nasceram depois, como as historinhas do avô. Os filhos duma revolução são sempre calmos e despreocupados, mas essa acomodada distensão encerra em si mesma os germes de novas tensões que podem vir a ser a causa e o princípio duma nova revolução.A obra foi escrita para o Clube Instrumental da Escola Básica e Secundária do Vale do Âncora para assim celebrar o cinquenta aniversário da Revolução dos Cravos. Há uma versão para Piano a 4 mãos. O complexo geratriz que organiza toda a obra {6[2, 2, 2], 2, 9[3, 3, 3]} está tomado do número de letras que contêm as palavras do título.
$10.00
9.11 €
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Rudesindo Soutelo
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Filhos da Revolução dos Cravos / Children of the Carnation Revolution
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Messa da Requiem
Soprano, mezzo-soprano, tenor, bass, choir and orchestra - Digital Download SKU: S9.Q21…
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Soprano, mezzo-soprano, tenor, bass, choir and orchestra - Digital Download SKU: S9.Q21403 Composed by Giuseppe Fortunino Francesco Verdi. This edition: study score. Ernst Eulenburg - Industrial fair - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 85' 0. Ernst Eulenburg & Co. GmbH - Digital #Q21403. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21403). Latin.'A man, a great artist who left his mark on a whole epoch, has died' wrote Verdi in 1868, referring to Rossini whom he had greatly admired. To honour the deceased, Verdi wanted to compose a mass together with the most renowned Italian composers of his time. But the composition initiated by him was never presented to the audience, not least because of wounded vanities. Only the death of the Italian national poet Alessandro Manzoni prompted Verdi to make the mass torso into a complete requiem which was to conquer the whole of Europe with its marvellous temperament and lyrical verve after the resounding success of the world premiere.
$23.99
21.84 €
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Giuseppe Fortunino Francesco Verdi
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Messa da Requiem
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
European Anthem (Ode to Joy) for Brass Quintet & (opt. Snare drum)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Level 3 - Digital Download SKU: A0.746484 Composed by Ludvig van Beethoven. Arrange…
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Level 3 - Digital Download SKU: A0.746484 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period,World. 11 pages. Keith Terrett #1955507. Published by Keith Terrett (A0.746484). The regional anthem of the EU arranged for Brass Quintet. The melody used to symbolize the EU comes from the Ninth Symphony composed in 1823 by Ludwig Van Beethoven, when he set music to the Ode to Joy, Friedrich von Schiller's lyrical verse from 1785. The anthem symbolises not only the European Union but also Europe in a wider sense. The poem Ode to Joy expresses Schiller's idealistic vision of the human race becoming brothers - a vision Beethoven shared. In 1972, the Council of Europe adopted Beethoven's Ode to Joy theme as its anthem. In 1985, it was adopted by EU leaders as the official anthem of the European Union. There are no words to the anthem; it consists of music only. In the universal language of music, this anthem expresses the European ideals of freedom, peace and solidarity. The European anthem is not intended to replace the national anthems of the EU countries but rather to celebrate the values they share. The anthem is played at official ceremonies involving the European Union and generally at all sorts of events with a European character. Ode to Joy (German original title: An die Freude) is the anthem of the European Union and the Council of Europe; both of which refer to it as the European Anthem due to the Council's intention that, as a semi-modern composition with a mythological flair, it does represent Europe as a whole, rather than any organisation. It is based on the final movement of Beethoven's 9th Symphony composed in 1823, and is played on official occasions by both organisations. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99
8.19 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ludvig van Beethoven
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Keith Terrett
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it consists of music only
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European Anthem
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Keith Terrett
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SheetMusicPlus
Supercollider
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1013056 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. Airplane Ears Music #5802093. Published by Airplane Ears Music (A0.1013056). Super Collider (2010, 18 minutes) Kronos Quartet and electronic gamelanComposed for Kronos Quartet & Gamelan Elektrika. Premiered at Lincoln Center Out of Doors Festival, August 13, 2010 by Kronos Quartet and Gamelan Elektrika: Evan Ziporyn, kendang; Sean Mannion, kempli; Balaji Mani, ceng-ceng; Laurel Pardue & Sachi Sato, pemade; Katie Puckett & Sam Schmetterer, kantilan; Mark Buckles, Ramon Castillo, Elizabeth Johansen, Julie Strand, reong; Beth Mullins & Po-Chun Wang, pokokGamelan Elektrika is an electronic virtual gamelan designed and developed by Alex Rigopulos (founder and CEO of Harmonix Music, inventors of video games Guitar Hero and Rock Band). The piece is inspired by the Large Hadron Collider at CERN - the largest machine ever built, that's purpose is to change science forever, recreating the beginning of the universe in a tube and proving (or disproving) the theories of particle physics of the last half-century.Particle physics is the unbelievable in pursuit of the unimaginable. To pinpoint the smallest fragments of the universe you have to build the biggest machine in the world. To recreate the first millionths of a second of creation you have to focus energy on an awesome scale. - The GuardianSuper Collider will explore two obverse sound worlds and traditions, the vast culture of the string quartet juxtaposed with the ancient performance methods of a gamelan, unleashed through the unlimited sonic universe of electronics. In our own test-tube experiment, this musical moment of collision will hopefully achieve similarly unparalleled results.What does particle physics have to do with music and art? String theory, which the CERN facility hopes to verify or disprove, presumes that matter itself is the manifestation of resonant vibrations, that the world itself is a universal harmony. This post-modern notion - which Kronos embodies with every performance - itself resonates with the ancient Hindu notion of om, the absolute manifest, which is the basis of Indonesian gamelan. We will bring these two ideas of resonance together by combining Kronos with a gamelan - even a virtual one.The behavior of subatomic particles is probabilistic, group-oriented: the motion of any one particle is unpredictable and unknowable: it's what the group does that counts. This could also be a description of the Balinese gamelan, where individual virtuosity is subsumed to interlocking patterns, composite melodies, the sound of the whole. This is also the spirit of Kronos.When Robert Moog developed his synthesizer in the 1960s, he modeled its functionality on the piano and on western music in general - a single person, sitting at a keyboard. This is one reason why it was popularized by Wendy Carlos' Swtiched On Bach. Gamelan Elek Trika takes a similar approach to the very distinctive musical practices of Indonesia. Like the great gamelans of Bali and Java, Gamelan Elek Trika works as a single unit, played by a complete ensemble. The instruments are played like a gamelan - metallophones, drums, and gongs, playing interlocking patterns - but all are channeled through a central 'brain', a single processing unit which controls their sound, tuning, and timbre. The composer can thus alter the sonic environment globally, not just for one instrument at a time but for the complete ensemble.Super Collider is made possible by generous support from Alex Rigopulos and Sachi Sato, MIT, and the MIT Media Lab. Gamelan Elektrika instruments produced by Alex Rigopulos; sensors, electronics, and interface design by Andrew Boch, Matt Boch, and Laurel Pardue; technical assembly by Stéphanie Bouchard; frame design and assembly by Quentin Kelly.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic.
$35.00
31.87 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Christine Southworth
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Gamelan Elektrika
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Supercollider
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Airplane Ears Music
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SheetMusicPlus
NoteStackers Complete Digital Edition
Large Ensemble all instruments - Level 1 - Digital Download SKU: A0.844221 Composed…
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Large Ensemble all instruments - Level 1 - Digital Download SKU: A0.844221 Composed by Zachary Seckman. Instructional. Score and parts; game. 174 pages. ZS Music Publishing #6692569. Published by ZS Music Publishing (A0.844221). You need your students to learn their Music Alphabet, and fast, and it needs to be interactive...and you need to integrate technology...whew, that's a lot! You've found a great product that rolls the Music Alphabet into a printable, interactive, and digital product all in one! NoteStackers Digital Edition is a new game from ZS Music Publishing where students have to quickly think of how the alphabet moves back and forth.Primer Level is the Music Alphabet.Level 1 Is Bass F to Treble G (Middle C Position).Level 2 is Middle C to Treble C.Level 3 is Middle C to Bass C.Level 4 is Treble C to High C.Level 5 is Bass C to Low C.Level 6 is Low C to High C.Set up is simple: Just print and play! There are two types of pages in the PDF document: Ink-friendly with a white background, and full-color backgrounds for online lesson use. If you plan to print pages out, lamination is suggested for the longevity of the pages, or you can print multiple pages on a sheet for exit tickets, worksheets, and more! The full-color background pages are great for projecting on whiteboards, online lessons, and other digital uses! This product is reproducible, so you can make as many copies as you wish.Playing the game is as simple as set up! Each page has a note in the middle, and students must think of the note that comes before and after the given note. Then, the correct note is written into the grey boxes on the left and right sides, along with the note name. You can play this in a private lesson setting, or as a whole class! Since this is a flashcard-type game, you can play this for as long as needed, say for a bell-ringer, or for those last five minutes of the class.Bonus Gameplay: For a twist on the game, you can have students practice intervals and think of 3rds, 4ths, 5ths, etc instead of 2nds or steps as the game is set up for. This would be a great way for students to learn and practice the circle of 5ths and circle of 4ths.Be on the lookout for the companion card-game, and future levels of NoteStackers, coming soon!
$45.99
41.88 €
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Zachary Seckman
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game
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NoteStackers Complete Digital Edition
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ZS Music Publishing
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SheetMusicPlus
NoteStackers Primer Level Digital Edition
Large Ensemble all instruments - Level 1 - Digital Download SKU: A0.844222 Composed…
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Large Ensemble all instruments - Level 1 - Digital Download SKU: A0.844222 Composed by ZS Music Publishing. Children,Instructional. Score and parts; game. 16 pages. ZS Music Publishing #6692547. Published by ZS Music Publishing (A0.844222). You need your students to learn their Music Alphabet, and fast, and it needs to be interactive...and you need to integrate technology...whew, that's a lot! You've found a great product that rolls the Music Alphabet into a printable, interactive, and digital product all in one!NoteStackers Digital Edition is a new game from ZS Music Publishing where students have to quickly think of how the alphabet moves back and forth. NoteStackers Primer uses only alphabet letters, so they won't need to know notes on the staff just yet!Set up is simple: Just print and play! There are two types of pages in the PDF document: Ink-friendly with a white background, and full-color backgrounds for online lesson use. If you plan to print pages out, lamination is suggested for the longevity of the pages, or you can print multiple pages on a sheet for exit tickets, worksheets, and more! The full-color background pages are great for projecting on whiteboards, online lessons, and other digital uses! This product is reproducible, so you can make as many copies as you wish.Playing the game is as simple as set up! Each page has a letter in the middle, and students must think of the letter that comes before and after the given letter. Then, the correct answer is written into the grey boxes on the left and right sides. You can play this in a private lesson setting, or as a whole class! Since this is a flashcard-type game, you can play this for as long as needed, say for a bell-ringer, or for those last five minutes of the class.Be on the lookout for the companion card-game, and future levels of NoteStackers, coming soon!
$7.99
7.28 €
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ZS Music Publishing
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game
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NoteStackers Primer Level Digital Edition
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ZS Music Publishing
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SheetMusicPlus
Six Sonatas for Violin & Basso
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Digital Download SKU: A0.1488233 Composed by Leopo…
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Cello,Instrumental Duet,Violin - Digital Download SKU: A0.1488233 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 83 pages. Artaria Editions #1065120. Published by Artaria Editions (A0.1488233). A near contemporary and rival of Haydn, Leopold Hofmann was held in the highest regard in his native Vienna where he served as Kapellmeister at St Stephen's Cathedral, a position to which Mozart might have succeeded had he lived. Hofmann was a prolific composer of instrumental music and he wrote a good deal of chamber music although much of it has been lost. Hofmann also composed a substantial body of chamber music for strings and among the most interesting of these works are the Six Sonatas for Violin & Basso. The sonatas are as a whole more technically difficult than any of the composer's other chamber works with violin. In some respects, particularly in their extensive use of double-stopping and two-part textures in the violin part, they are more technically demanding than his violin concertos. There is no attempt, however, to involve the basso in the presentation of thematic material and in this respect the sonatas are quite unlike Hofmann's one extant Duo for Violin and Violoncello (Badley II.D2) in which the two parts are treated equally. In view of their technical difficulty and limited dissemination it is difficult to understand Hofmann's motivation for composing the sonatas. Their exploration of multiple-voicing, particularly in first and second movements, and the use of a Minuet with variations for five of the finales – all of which follow a similar pattern of technical exploitation – suggests that the sonatas may have been composed by Hofmann in the first instance as teaching pieces.
$62.00
56.46 €
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Violon, Violoncelle (duo)
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Leopold Hofmann
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Allan Badley
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Basso
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Six Sonatas for Violin & Basso
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Artaria Editions
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SheetMusicPlus
MTSU Alma Mater (SSAATTBB)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.966784 Composed by Charles…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.966784 Composed by Charles Douglas Williams. Arranged by W. Spencer Germany. Graduation. Octavo. 8 pages. W. Spencer Germany #4896095. Published by W. Spencer Germany (A0.966784). The SSAATTBB arrangement of the MTSU Alma Mater is a culmination of two works, an SSAA and a TTBB arrangement of the piece. Both pieces are written to be self-sustaining and can be performed alone. They are written, however, to be performed together as this SSAATTBB to take on a whole new life. It is dense with harmony and a flowing line that extenuates the original melody.
$1.99
1.81 €
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Chorale SATB
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Charles Douglas Williams
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W
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MTSU Alma Mater
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W. Spencer Germany
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SheetMusicPlus
Gonatt, evigheten!
Voice and accompaniment ad lib. - Digital Download SKU: BJ.1056 24 sÃ¥nger i f…
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Voice and accompaniment ad lib. - Digital Download SKU: BJ.1056 24 sånger i fickformat. Composed by Stefan Forssén. Octavo. 49 pages. Bo Ejeby Forlag - Digital #1056. Published by Bo Ejeby Forlag - Digital (BJ.1056). 8.27 x 11.7 inches.Good night, eternity! 24 pocket-sized songs in Swedish concerning life, death, love and eternity, the sea and the rainbow. To be sung alone, with friends, in canon, with a piano or perhaps a whole jazz ensemble.Contents: Balladen om bladen Bygg en bro En kort visa Evigheten Evinnerligen Gonatt Gront gras Ja ja Jobba pa Livet det gar vidare Livet e en gata Nationalhymn N. N. Nu ar den ljuva tid Nagon gang ska vi do / Nu fods ett barn Och kanske ar det natt Regnbagen Sakta jag rullar Sotaren Sov gott Svamp Till havs Vattenkanon Vintermanen.
$5.90
5.37 €
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Stefan Forssén
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Gonatt, evigheten!
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Suite espagnole
Piano seul
Piano - advanced - Digital Download SKU: S9.Q14664 Composed by Isaac Albeniz. This …
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Piano - advanced - Digital Download SKU: S9.Q14664 Composed by Isaac Albeniz. This edition: Sheet music. Piano - spain. Schott Piano Classics. Downloadable. Op. 47. Schott Music - Digital #Q14664. Published by Schott Music - Digital (S9.Q14664). Isaac Albéniz's first Suite espagnole, op. 47, composed in 1886 (a second suite was to follow in 1889), belongs, as the title suggests, to that part of his work coloured by folk-music and nationalistic elements. With its eight dance movements the work refers musically to Spanish towns and landscapes. The individual pieces differ considerably as far as the technical demands made on the performer are concerned. Taken as a whole they represent the composer’s characteristically recognizable preference for large sonorous chords, for guitar-like tremolo sounds and for rhythmic and harmonic effects taken from folk-music.
$12.99
11.83 €
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Piano seul
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Isaac Albeniz
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Suite espagnole
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Schott Music - Digital
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SheetMusicPlus
A Whole Nation
Piano, Voix
By Kirk Franklin. For piano, voice, and guitar (chords only). Christian; Gospel; Pop; R &a…
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By Kirk Franklin. For piano, voice, and guitar (chords only). Christian; Gospel; Pop; R & B. PV. 9 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.54 €
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Piano, Voix
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Kirk Franklin
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Gospel
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A Whole Nation
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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