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TRI ET FILTRES
TRI ET FILTRES
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A short trio for Violin, Viola and Piano
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A short trio for Violin, Viola and Piano
Piano Trio: Violon, Alto, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - Digital Download …
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.945159 Composed by Rupert Kirby. Contemporary,Standards. Score and parts. 6 pages. Rupert Geoffrey Kirby #5710555. Published by Rupert Geoffrey Kirby (A0.945159). A short fun trio in a baroque/classical style. Perfect for a quick encore!
$3.99
3.73 €
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Piano Trio: Violon, Alto, Piano
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Rupert Kirby
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A short trio for Violin, Viola and Piano
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Rupert Geoffrey Kirby
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SheetMusicPlus
Who Wants To Fall In Love? (Ballad Version) for String Trio - CrusaderBeach - Romantic Wedding Music
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.759…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.759527 By CrusaderBeach. By Adrian Webster. Arranged by Tim Crooks. Classical,Contemporary,Holiday,New Age,Wedding. Score and parts. 10 pages. Adrian Webster #5026517. Published by Adrian Webster (A0.759527). String trio sheet music arrangement of the popular CrusaderBeach song 'Who Wants To Fall In Love? (Ballad Version)' from the album 'Wedding Piano Songs'.Based on the original solo piano version, this arrangement (specially commissioned by popular demand and exclusively arranged for string trio by Tim Crooks - one of the UK’s leading music arrangers, orchestrators and conductors of contemporary and classical music), includes a full score and set of individual parts for violin, viola and cello. The violin part can also be played by flute.This original, modern instrumental piece, beautifully arranged for violin (or flute), viola and cello, has a gentle, romantic melody that builds to an epic ending of soaring strings – perfect music for a wedding ceremony or reception. It is also suitable for other social functions, corporate events and recitals. This beautiful love song is a favorite with wedding musicians and brides-to-be.The piece is frequently played as pre-ceremony background music but is also ideal as processional music for the bridal party / bridesmaids’ entrance, or for the bride walking down the aisle. Can also be played as interlude music during the register signing, or as recessional music as the bride and groom exit the service.Sheet music for the solo piano version of this song is also available on this website.All CrusaderBeach music has been composed by Adrian Webster (PRS CAE/IPI: 702739746). If you like the contemporary classical, new age music of Ludovico Einaudi, Yiruma, Yann Tiersen, Alexis Ffrench or Jon Schmidt of the Piano Guys, you'll enjoy playing the beautiful, original piano music of CrusaderBeach.The song sheets are a popular choice with piano players, music teachers, students and wedding musicians. CrusaderBeach songs are available to stream from all major outlets (Apple Music, Amazon, Spotify, Pandora etc.) and are regularly used as background music for short films and wedding ceremonies.To find out more about CrusaderBeach please visit: www.crusaderbeach.com
$10.00
9.36 €
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Trio à Cordes: violon, alto, violoncelle
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CrusaderBeach
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Tim Crooks
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Who Wants To Fall In Love?
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Adrian Webster
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SheetMusicPlus
Violin String Sampler
Violon
Violin Solo - Digital Download SKU: A0.902205 Arranged by Robin Kay Deverich. Conte…
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Violin Solo - Digital Download SKU: A0.902205 Arranged by Robin Kay Deverich. Contemporary. 82 pages. Global Music School String Publications #5355041. Published by Global Music School String Publications (A0.902205). Violin Online String Sampler Violin Sheet Music is a fun and easy way to actively learn, study and play beautiful violin music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Shortened and simplified pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99
4.67 €
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Violon
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Robin Kay Deverich
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Violin String Sampler
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Global Music School String Publications
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SheetMusicPlus
Schumann, R. - Traumerei for Violin, Viola and Cello
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.540…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.540538 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and parts. 4 pages. Linda M Scott #4295837. Published by Linda M Scott (A0.540538). Robert Schumann (1810-1856) was a talented pianist, music critic, and composer. This work, written in 1838, is one of his most well known pieces for piano. He described the inspiration for the Scenes from Childhood†in a letter to his wife as follows: “ I often seemed like a child to you – in short, I felt as if I were in pinafores again†..I wrote thirty quaint little things, about twelve of which I have selected and called Scenes from Childhoodâ€. This charming arrangement for a trio for violin, viola and cello is accessible to intermediate students, amateurs and professionals. The rhythm is a little complex, but the left hand work is all in first position.
$5.99
5.61 €
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Trio à Cordes: violon, alto, violoncelle
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R
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Linda M
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Schumann, R. - Traumerei for Violin, Viola and Cello
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Linda M Scott
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SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 Mvt.II Adagio - mixed woodwind trio
Violon et Piano
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,E-Flat Clarinet,English Horn,Flute,O…
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,E-Flat Clarinet,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.1089580 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 11 pages. RayThompsonMusic #693788. Published by RayThompsonMusic (A0.1089580). The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. This is The 2nd mvt of the Wind Trio Op.87 I have transcribed the original parts, but have added further instruments so that it can be performed by other combinations. Parts included are: Wind Trio 1.oboe 1/clarinet in Bb 1 2.oboe 2 /clarinet in Bb 2 3.cor anglais/alto clarinet 3a. bassoon/bass clarinet (lower octave than cor a) Flutes could also play the oboe parts.
$14.95
13.99 €
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Violon et Piano
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Major Op.87 Mvt.II Adagio - mixed woodwind trio
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RayThompsonMusic
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SheetMusicPlus
Violin Compositions
Piano Trio: Violon, Alto, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 4 - Digital Download …
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.945463 Composed by John Stepan Zamecnik. Arranged by William Dick, Kiyoshi Tamagawa. 20th Century,Concert,Romantic Period,Standards. Score and parts. 94 pages. Mastery for Strings Press #5946377. Published by Mastery for Strings Press (A0.945463). John Stepan Zamecnik (1872-1953) enjoyed a substantial career as a silent film music composer, culminating in his scoring the motion picture Wings in 1927, which won the first Academy Award for Best Picture. He was also an accomplished violinist. These twelve short pieces for violin and piano originally appeared in 1922 as Violin Compositions in the First Position, Vol. 1, published by the Sam Fox Publishing Company. Created for teaching purposes, they are much more than études or exercises-they are melodic miniatures that capture various moods, rhythms and styles with as much charm as Zamecnik’s best film music. They provide fresh and engaging concert repertoire for emerging string players, both as solos and string ensemble pieces. It is with these purposes in mind that the current edition including an optional second string part has been created. List of compositions:ZingaraA Quaint StorySwing SongMay FlowersAt EventidePolish DanceA Russian LullabyYester DreamsHabaneraThe Spinning SongMarch of the HeroesTheme and Variations
$19.95
18.67 €
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Piano Trio: Violon, Alto, Piano
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John Stepan Zamecnik
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Violin Compositions
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Mastery for Strings Press
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SheetMusicPlus
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.575407 Composed…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.575407 Composed by Frederic Chopin. Arranged by Sherry Lewis. Classical,Romantic Period,Wedding. 18 pages. Sherry Lewis Publishing #184753. Published by Sherry Lewis Publishing (A0.575407). Chopin Piano Concerto No. 1, Romanza, 1st section, 4 min. STRING TRIO Intermediate Level for 2 violins and cello or violin, viola and cello Score: yes Parts: 7 pages Time: 4:05 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$7.99
7.48 €
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Trio à Cordes: violon, alto, violoncelle
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Frederic Chopin
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Sherry Lewis
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Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Trio
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Sherry Lewis Publishing
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SheetMusicPlus
3 Pairs of Pieces for String Trio - Mozart, Brahms, Reger
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.824083 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.824083 Composed by Johannes Brahms, Max Reger, and Wolfgang Amadeus Mozart. Arranged by Tim TK Murray. Classical,Concert,Romantic Period,Standards. Score and parts. 28 pages. TK (Tim) Murray #5360933. Published by TK (Tim) Murray (A0.824083). 3 Pairs of Pieces for String Trio (Violin, Viola & Cello) consists of 2 short pieces by Mozart, 2 by Brahms and 2 by Reger.Mozart's beautiful Andantino K355 is paired with his brilliant 'Eine Kleine Gigue' K574. Brahm's famous lullaby waltz Op 39 No14 is followed by a livelier Waltz in G min from the same set. Thirdly, Reger's gentle Improvisation Op18 No1 is followed by a lively Scherzo-like Gigue. All satisfying and fun to play for your own pleasure but good for audiences in a concert too. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$8.95
8.38 €
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Trio à Cordes: violon, alto, violoncelle
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Johannes Brahms, Max Reger, and Wolfgang Amadeus Mozart
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Tim TK Murray
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3 Pairs of Pieces for String Trio - Mozart, Brahms, Reger
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TK
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SheetMusicPlus
Four Songs by Felix and Fanny Mendelssohn
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1403057 Composed by Felix Mendelssohn (1809-1847), Fanny Mendelssohn Hensel (1805-1847). Arranged by Stephen Levintow. 19th Century,Romantic Period. 29 pages. Cypress Publishing #986241. Published by Cypress Publishing (A0.1403057). The Lieder for voice and piano by Felix Mendelssohn, while of high quality, have mostly been overshadowed by those of his contemporary and friend Robert Schumann. But his Lieder ohne Worte (Songs Without Words) for piano solo with no vocal text, were and remain immensely popular, and had a great influence on his fellow composers, creating a genre of short poetic pieces for piano accessible to skilled amateurs and students as well as professionals.This set of four arrangements for string quartet begins with the best known and most loved of his vocal songs, Auf Flügeln des Gesanges (On Wings of Song), a setting of a poem by Heinrich Heine. Following are two Songs Without Words, a fine untitled one in G Major, and the famous Frühlingslied (Spring Song).In between them is a piece by his older sister, Fanny Mendelssohn Hensel, an accomplished composer with a catalog of over 450 works, some of which were originally published under Felix’s name. Like Felix, she wrote Lieder both with a sung text, and with no words, which she called Lieder für das Pianoforte. This little jewel is one of the latter, from her Opus 8. She gave it the title Lied (Lenau), a reference to the poet Nikolaus Lenau (1802-1850). But with neither sung text nor poem title indicated, it is a little mysterious. A gentle sinuous melody leads to some bold modulations before returning, not in the expected tonic key but on the dominant. Only in the last few bars does it resolve to the home key. The arrangement transposes the original D-Flat Major to D Major, which lies better for strings. CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$8.00
7.49 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Felix Mendelssohn
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Stephen Levintow
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Four Songs by Felix and Fanny Mendelssohn
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Cypress Publishing
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SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 Mvt.III Menuetto and Trio - double reed trio (Ob.,C.A.,Bsn.)
Violon et Piano
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.109415…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.1094155 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 7 pages. RayThompsonMusic #698261. Published by RayThompsonMusic (A0.1094155). Originally written for 2 oboes and cor anglais, I have added additional double reed parts: Parts are 1. Oboe 1 2. Oboe2/Cor anglais 3.Cor Anglais/Bassoon Score shows oboe/cor and bassoon Mp3 is oboe/cor and bassoon. The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. . In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. . This is the 3rd Mvt. (Menuetto and Trio).
$14.95
13.99 €
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Violon et Piano
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Major Op.87 Mvt.III Menuetto and Trio - double reed trio
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RayThompsonMusic
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SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 (Complete) - double reed trio (Ob.,C.A.,Bsn.)
Violon et Piano
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.110028…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.1100280 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 47 pages. RayThompsonMusic #704156. Published by RayThompsonMusic (A0.1100280). Originally written for 2 oboes and cor anglais, I have added additional double reed parts: Parts are: 1. Oboe 1 2. Oboe 2/Cor anglais 3.Cor Anglais/Bassoon Score shows oboe/C.A. and bassoon Mp3 is oboe/C.A. and bassoon. Mp3 is the Finale and is Ob, CA and Bsn The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. .In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1.
$19.95
18.67 €
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Violon et Piano
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Major Op.87
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RayThompsonMusic
#
SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 Mvt.IV Finale - double reed trio (Ob.,C.A.,Bsn.)
Violon et Piano
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.109865…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.1098656 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 19 pages. RayThompsonMusic #702522. Published by RayThompsonMusic (A0.1098656). Originally written for 2 oboes and cor anglais, I have added additional double reed parts: Parts are: 1. Oboe 1 2. Oboe2/Cor anglais 3.Cor Anglais/Bassoon Score shows oboe/C.A. and bassoon Mp3 is oboe/C.A. and bassoon. The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. . In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. This is the 4th Mvt. Finale (Presto).
$9.95
9.31 €
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Violon et Piano
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Major Op.87 Mvt.IV Finale - double reed trio
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RayThompsonMusic
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SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 Mvt.I Allegro - double reed trio (Ob.,C.A.,Bsn.)
Violon et Piano
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.109340…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.1093405 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 30 pages. RayThompsonMusic #697484. Published by RayThompsonMusic (A0.1093405). Originally written for 2 oboes and cor anglais, I have added additional double reed parts: Parts are 1. Oboe 1 2. Oboe2/Cor anglais 3.Cor Anglais/Bassoon Score shows oboe/cor and bassoon Mp3 is oboe/cor and bassoon. The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings.In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. .This is the 1st Mvt. (Allegro)The complete work is available on this site Complete score and parts.
$9.95
9.31 €
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Violon et Piano
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Major Op.87 Mvt.I Allegro - double reed trio
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RayThompsonMusic
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.45 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Canzona (for String Trio)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.773…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.773749 Composed by Anthony Giamanco. Concert,Contemporary,Standards,Wedding. Score and parts. 7 pages. Whole Tone Press #4796549. Published by Whole Tone Press (A0.773749). Canzona, an original work for String Trio (violin, viola, cello), is a short, moderately easy and very melodic song without words. Playable by a good high school ensemble, it will also delight more accomplished players. With it's lovely melodic contour and captivating harmonies, this work will also delight audiences! Ideal for concert, recital or solo and ensemble. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, and on YouTube. Contact info: tony@shalomlife.org.
$4.50
4.21 €
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Trio à Cordes: violon, alto, violoncelle
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Anthony Giamanco
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Canzona
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Whole Tone Press
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SheetMusicPlus
Sparrowhawk Tango. (Flute, Cello and Piano Arrangement)
Flûte, Violoncelle, Piano (trio)
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 3 - Digital Download
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1300131 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 13 pages. Geraldine (Denny) Green at Oakmountmusic #889873. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300131). ALL PURCHASES COME WITH SCORE AND PARTSDuration 3 minutes.This short piece was inspired by my many sightings and observations of sparrowhawks in their behaviour,  hunting techniques and how they fly and soar. They appear to “Tango†with their prey. For me the Tango is a passionately agressive dance with no negotiation. If you are a small creature caught by a sparrowhawk there is also no negotiation!There are now 7 different arrangements of this piece available;No.1 – School arrangement; for violins 1, 2 and 3, cello 1 and 2.No.2 – Standard Arrangement; for violins 1 and 2, viola, cello and double bassNo.3 – Youth OrchestraThe instrumentation for the youth orchestra arrangement is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bass Clarinet in Bflat (to low C), 1 Bassoon, 1 Eflat Alto Saxophone.Trumpets 1&2 in Bflat2 Pedal Timpani, Side Drum, Bongos – 1 set, 1 Conga, 1 Suspended Cymbal (played with soft stick throughout), Maracas, Tambourine, Triangle.Violins 1,2 & 3, Cello 1 & 2No.4 – Flute, violin and pianoNo.5 – Flute, cello and pianoNo.6 – Flute, clarinet (Bflat), violin and pianoNo.7 – Flute, clarinet (Bflat) and pianoNo.8 – Piano Solo.
$20.00
18.72 €
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Flûte, Violoncelle, Piano (trio)
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Geraldine Green
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Geraldine Green
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Sparrowhawk Tango.
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Geraldine
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SheetMusicPlus
TCHAIKOVSKY March of the Wooden Soldiers (Album for the Young) for 3 violins
Trio à cordes: 3 violins
String Trio Violin - Level 2 - Digital Download SKU: A0.963621 Composed by Peter Il…
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String Trio Violin - Level 2 - Digital Download SKU: A0.963621 Composed by Peter Ilyich Tchaikovsky. Arranged by Ian Butterworth. Romantic Period,Wedding. 2 pages. Ian Butterworth #4967509. Published by Ian Butterworth (A0.963621). A short piece from Album for the Young for piano Op.39 No.5 which is suitable for solo violins or violin group. The performers play from the score so that they can easily switch to another part. This arrangement is also available for two violins and viola. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$4.99
4.67 €
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Trio à cordes: 3 violins
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Peter Ilyich Tchaikovsky
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Ian Butterworth
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TCHAIKOVSKY March of the Wooden Soldiers
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Ian Butterworth
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SheetMusicPlus
Two Bartók Selections - Béla Bartók (String Trio)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.908…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.908403 Composed by Bela Bartok. Arranged by John M. Licari. 20th Century,Instructional,Standards. Score and parts. 7 pages. Music Preparation Services #5025917. Published by Music Preparation Services (A0.908403). Two Bartók Selections - Béla BartókArranged by John M. Licari for String TrioMusic Preparation Services www.musicprepservices.com Béla Bartók was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology. This arrangement contains two short selections (No. 18 & No. 21) from his beginning piano book First Term At The Piano. This arrangement is for string trio.
$3.99
3.73 €
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Trio à Cordes: violon, alto, violoncelle
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Bela Bartok
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John M
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No
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Two Bartók Selections - Béla Bartók
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Music Preparation Services
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SheetMusicPlus
Beethoven: Wind Trio in C Op.87 (Complete) arranged - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1137006 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 62 pages. RayThompsonMusic #737001. Published by RayThompsonMusic (A0.1137006). Arranged wind quintetNatural Horn in C basso/ Alt Hn in FMp3 of 1st mvt The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna.Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings.. In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. i have arranged the complete trio for standard wind quintet, and have created a new natural horn part, retaining the classical sound. It plays well as a wind quintet
$24.95
23.35 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Op.87
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RayThompsonMusic
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SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 Mvt.III Menuetto and Trio - woodwind quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1091565 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 6 pages. RayThompsonMusic #695743. Published by RayThompsonMusic (A0.1091565). The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. This is my arrangement of Mvt. III Menuetto and Trio arranged standard WIND QUARTET: - flute, oboe, clarinet and bassoon.
$9.95
9.31 €
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Flûte, Hautbois, Clarinette, Basson
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Major Op.87 Mvt.III Menuetto and Trio - woodwind quartet
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RayThompsonMusic
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SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 Mvt.IV Finale - woodwind quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1088943 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 13 pages. RayThompsonMusic #693152. Published by RayThompsonMusic (A0.1088943). The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. I have arranged this trio for standard wind quartet.- flute, oboe, Bb clarinet and bassoon This is my arrangement of the 4th mvt., the.Finale.
$9.95
9.31 €
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Flûte, Hautbois, Clarinette, Basson
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Major Op.87 Mvt.IV Finale - woodwind quartet
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RayThompsonMusic
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SheetMusicPlus
Beethoven: Wind Trio in C major Op.87 Mvt.I Allegro - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1114000 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 25 pages. RayThompsonMusic #715903. Published by RayThompsonMusic (A0.1114000). Arranged standard wind quintet New Horn in C basso created. (Alt Horn in F provided) The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. I have now arranged all the movements for wind quintet.
$9.95
9.31 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C major Op.87 Mvt.I Allegro - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 (Complete) - woodwind quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1093084 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 43 pages. RayThompsonMusic #697168. Published by RayThompsonMusic (A0.1093084). Arranged standard wind quartet: flute, oboe, clarinet and bassoon. Mp3 is the first mvt. The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1.
$24.95
23.35 €
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Flûte, Hautbois, Clarinette, Basson
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Major Op.87
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RayThompsonMusic
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SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 Mvt.I Allegro - woodwind quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1091395 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 18 pages. RayThompsonMusic #695573. Published by RayThompsonMusic (A0.1091395). The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. . In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. . This is the 1st Mvt. (Allegro)) arranged standard WIND QUARTET: - flute, oboe, clarinet and bassoon.
$14.99
14.03 €
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Flûte, Hautbois, Clarinette, Basson
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Wind Trio in C Major Op.87 Mvt.I Allegro - woodwind quartet
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RayThompsonMusic
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SheetMusicPlus
Beethoven: Wind Trio in C Major Op.87 Mvt.II Adagio - woodwind quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1089792 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 8 pages. RayThompsonMusic #694005. Published by RayThompsonMusic (A0.1089792). The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. . In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. . This is the 2nd mvt (Adagio) arranged standard WIND QUARTET: - flute, oboe, clarinet and bassoon.
$9.95
9.31 €
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Flûte, Hautbois, Clarinette, Basson
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Ludwig van Beethoven
#
Ray Thompson
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Beethoven: Wind Trio in C Major Op.87 Mvt.II Adagio - woodwind quartet
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RayThompsonMusic
#
SheetMusicPlus
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