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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
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334
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134
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84
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15
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8
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Piano Trio: piano, violon, violoncelle
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Piano grosses notes
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13
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8
Basse electrique
3
Piano, Guitare (duo)
3
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Paroles et Accords
1
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66
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28
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23
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9
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7
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3
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2
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1
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1
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Flûte traversière et Piano
95
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68
Clarinette et Piano
23
Quintette de Saxophone: 5 saxophones
23
Saxophone Alto et Piano
19
Cor anglais, Piano
19
Ensemble de saxophones
19
Saxophone Tenor et Piano
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Baryton, Piano
13
Clarinette
13
Ensemble de Clarinettes
11
Clarinette Basse, Piano
10
Saxophone Soprano et Piano
10
Flûte, Hautbois, Clarinette, Basson
4
Ensemble de Flûtes
4
Quintette de Flûte : 5 flûtes
4
2 Flûtes traversières (duo)
4
3 Clarinettes (trio)
3
Flûte traversière
3
Quatuor de Saxophones: 4 saxophones
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Violoncelle
2
Saxophone Alto
2
3 Saxophones (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Guitare (duo)
2
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1
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1
Flûte et Guitare
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Flûte, Basson et Piano
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1
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1
Piccolo, Piano
1
Clarinette, Harpe (duo)
1
Cor anglais et Harpe (duo)
1
Clarinette et Alto
1
Flûte, Violon
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone et Orgue
1
Flûte, Violoncelle
1
2 Clarinettes (duo)
1
2 Hautbois (duo)
1
Hautbois, Harpe
1
Clarinette, Orgue
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Cor et Piano
22
Cor anglais, Piano
19
Euphonium, Piano (duo)
16
Trombone et Piano
16
Ensemble de Trombones
10
Trompette, Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Ensemble de Trompettes
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette
5
Tuba et Piano
2
Tuba
1
3 Trombones (trio)
1
Cor anglais et Harpe (duo)
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
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CORDES
Violon et Piano
142
Quatuor à cordes: 2 violons, alto, violoncelle
54
Alto, Piano
28
Ensemble d'Altos
27
Violoncelle, Piano
26
Violon
15
Trio à Cordes: violon, alto, violoncelle
13
2 Violoncelles (duo)
12
Violon, Violoncelle (duo)
9
Harpe
9
2 Violons (duo)
6
Ensemble de Violons
6
Harpe, Flûte (duo)
4
Violoncelle
4
Trio à cordes: 3 violins
3
Violon, Guitare (duo)
3
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, alto
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
2
Alto seul
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
Violoncelle (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Alto, Guitare (duo)
1
4 Harpes
1
2 Violons, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
639
Orchestre à Cordes
22
Orchestre
13
Orchestre de chambre
9
Ensemble Jazz
6
Timbales
5
Cloches
4
Instrumentation Flexible
1
Fanfare
1
Ensemble de cuivres
1
Jazz combo
1
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AUTRES
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Orchestre à Cordes
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The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgeraldâs Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgeraldâs long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the shipâs hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, Weâre holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Andersonâs radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (Weâre holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethovenâs 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.32 €
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Orchestre à Cordes
#
Geoffrey Peterson
#
The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
#
SheetMusicPlus
A Trio of Camp Songs
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.913442 Composed by American Folk Tunes.…
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String Orchestra - Digital Download SKU: A0.913442 Composed by American Folk Tunes. Arranged by Sue Morris. Children,Country,Folk. Score and parts. 11 pages. Susan M Morris #3056249. Published by Susan M Morris (A0.913442). This is an arrangement of three camp songs that precisely fit together. For beginning String Orchestra, the second violin part doubles the viola part. The melody begins in cello and basses. The second song is added by viola and topped by the third song in the violins. Written in D Major, the violins and violas stay within an octave of notes. The cellos and basses play a low A in addition to notes in the D and A/G string range.
$4.99
4.66 €
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Orchestre à Cordes
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American Folk Tunes
#
Sue Morris
#
A Trio of Camp Songs
#
Susan M Morris
#
SheetMusicPlus
CONCERTO IN D MAJOR FOR 2 VIOLINS, LUTE AND BASSO CONTINUO, F.XII NO.15, 3rd Mov., String Orchestra,
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521755 Composed by Antonio Vi…
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String Orchestra - Level 3 - Digital Download SKU: A0.521755 Composed by Antonio Vivaldi. Arranged by Sherry Lewis. Baroque,Concert,Holiday,Wedding. Score and parts. 24 pages. Sherry Lewis Publishing #6426721. Published by Sherry Lewis Publishing (A0.521755). CONCERTO IN D MAJOR FOR 2 VIOLINS, LUTE AND BASSO CONTINUO, F.XII NO.15, 3rd Mov., String Orchestra for 2 violins, viola, cello and string bass chords Score: 8 pages Parts: 10 pages Time: 4'10 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you canât find a title then contact me through www.baysbest.com/smp-arrangeme/ and Iâll give you the link back to Sheet Music Plusâs listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE Iâm always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
6.07 €
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Orchestre à Cordes
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Antonio Vivaldi
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Sherry Lewis
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CONCERTO IN D MAJOR FOR 2 VIOLINS, LUTE AND BASSO CONTINUO, F.XII NO.15, 3rd Mov., String Orchestra,
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Sherry Lewis Publishing
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: ⢠Approximate length: 3:30 minutes ⢠1st Violins: In m. 1, trill a half step from a Dâ to a D⮠⢠2nd Violins: â- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â- At m. 72-75, emphasize the Eâ in the div. ⢠Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: ⢠Visit
$3.99
3.72 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: ⢠Approximate length: 3:30 minutes ⢠1st Violins: In m. 1, trill a half step from a Dâ to a D⮠⢠2nd Violins: â- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â- At m. 72-75, emphasize the Eâ in the div. ⢠Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: ⢠Visit
$3.99
3.72 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: ⢠Approximate length: 3:30 minutes ⢠1st Violins: In m. 1, trill a half step from a Dâ to a D⮠⢠2nd Violins: â- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â- At m. 72-75, emphasize the Eâ in the div. ⢠Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: ⢠Visit.
$3.99
3.72 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: ⢠Approximate length: 3:30 minutes ⢠1st Violins: In m. 1, trill a half step from a Dâ to a D⮠⢠2nd Violins: â- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â- At m. 72-75, emphasize the Eâ in the div. ⢠Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: ⢠Visit
$3.99
3.72 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: ⢠Approximate length: 3:30 minutes ⢠1st Violins: In m. 1, trill a half step from a Dâ to a D⮠⢠2nd Violins: â- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â- At m. 72-75, emphasize the Eâ in the div. ⢠Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: ⢠Visit
$3.99
3.72 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
FLOATING SNOWFLAKES for string orchestra (The First Nowell)
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.837256 Composed by Garth M. W…
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String Orchestra - Level 1 - Digital Download SKU: A0.837256 Composed by Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Christmas,Instructional,Spiritual. Score and parts. 14 pages. Garth M. Williams (Socan) #2885181. Published by Garth M. Williams (Socan) (A0.837256). Floating Snowflakes is a wonderful Christmas arrangement which begins with an original Christmas melody, which is then merged with the Christmas carol The First Nowell. This composition is written for young string players who are beginning to experience the joy of playing in an orchestra. The arrangement includes a third violin part as well as a piano part which can be used for rehearsal or for performance as well. In addition, the Garth Williams has included the Scale of D Major, plus Rhythm and Melodic Patterns. Instructors can use these as great warmups to the piece.
$15.95
14.89 €
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Orchestre à Cordes
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Garth M
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Garth M
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FLOATING SNOWFLAKES for string orchestra
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Garth M. Williams
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SheetMusicPlus
Dona Nobis Pacem for String Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.913470 Composed by Ancient La…
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String Orchestra - Level 1 - Digital Download SKU: A0.913470 Composed by Ancient Latin. Arranged by Sue Morris. Christian,Praise & Worship,Sacred. Score and parts. 8 pages. Susan M Morris #3507113. Published by Susan M Morris (A0.913470). Composed in the key of D Major this ancient song is written with three melodies. Each section has the melody at the same time. Melody begins with viola/third violin. The viola part is doubled in the third violin part. Cello players will need to be able to reach a fourth finger extension. All parts remain within the G, D and A strings except the first violin which ranges up onto the E string. There are two-note slurs and dotted quarter rhythms. .
$3.99
3.72 €
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Orchestre à Cordes
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Ancient Latin
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Sue Morris
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Dona Nobis Pacem for String Orchestra
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Susan M Morris
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SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Moz…
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String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Mozart (1756 â 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, âDurnitzâ for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
55.95 €
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Orchestre à Cordes
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W
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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jmsgu3
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano and String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1399365 Composed by Modest Pe…
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String Orchestra - Level 4 - Digital Download SKU: A0.1399365 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Standards. 252 pages. Jmsgu3 #982648. Published by jmsgu3 (A0.1399365). Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Pictures at an Exhibition (Ð?аÑ?Ñ?инки Ñ Ð²Ñ?ÑÑ?авки) by Modest PetroviÄ Musorgskij, 1874(Ð?одеÑÑ? Ð?еÑ?Ñ?овиÑ? Ð?Ñ?ÑоÑ?гÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð?Ð¶ÐµÐ¹Ð¼Ñ Ð?. Ð?аÑ?Ñ?и)Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Ð?алеÑ? невÑ?лÑ?пивÑ?иÑ?ÑÑ Ð¿Ñ?енÑ?ов  Scherzino 6. Samuel Goldenberg und Schmuÿle  Ð?вÑ?ей в меÑ?овой Ñ?апке. CандомиÑ? Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÃ?. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Ð?аÑ?ижÑкие каÑ?акомбÑ? Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Ð?збÑ?Ñ?ка Ð?абÑ?-Яги на кÑ?Ñ?Ñ?иÑ? ожкаÑ?. ЧаÑÑ? в Ñ?Ñ?ÑÑком ÑÑ?иле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Ð?Ñ?оекÑ? гоÑ?одÑкиÑ? воÑ?оÑ? в Ð?иеве. Ð?лавнÑ?й Ñ?аÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza
$72.95
68.09 €
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Orchestre à Cordes
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Pictures at an Exhibition for Piano and String Orchestra
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jmsgu3
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SheetMusicPlus
Captain Cat
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.913440 Composed by Sue Morris…
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String Orchestra - Level 1 - Digital Download SKU: A0.913440 Composed by Sue Morris. Children,Contemporary,Pop. Score and parts. 10 pages. Susan M Morris #3056255. Published by Susan M Morris (A0.913440). A Teeny Tiny song for beginning orchestra. This cute little song was adored by my beginning orchestras. Piano accompaniment backs this tiny tune. For the most basic beginner it only utilizes four notes in the key of D Major. Composed for my cat Jammy Baby while she tip-toed across the keyboard and keyp me from playing!
$3.99
3.72 €
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Orchestre à Cordes
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Sue Morris
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Captain Cat
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Susan M Morris
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SheetMusicPlus
Glendy Burke
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.913454 Composed by Stephen Fo…
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String Orchestra - Level 1 - Digital Download SKU: A0.913454 Composed by Stephen Foster. Arranged by Sue Morris. Folk,Romantic Period. Score and parts. 10 pages. Susan M Morris #3056319. Published by Susan M Morris (A0.913454). Arranged for beginning to intermediate string orchestra composed in the key of D. Everyone gets a share of the melody. Students should be able to play on all four strings and play dotted quarter note rhythms.
$4.99
4.66 €
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Orchestre à Cordes
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Stephen Foster
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Sue Morris
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Glendy Burke
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Susan M Morris
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SheetMusicPlus
The Rains Of Castamere
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.964282 Composed by George R.R…
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String Orchestra - Level 3 - Digital Download SKU: A0.964282 Composed by George R.R. Martin and Ramin Djawadi. Arranged by Ian M. Demory. Contemporary. Score and parts. 13 pages. D.N.S. Productions #5805759. Published by D.N.S. Productions (A0.964282). Also known as A Lannister Always Pays His Debts from the soundtrack for Season 3, this piece is well known as the melody heard during the ill-fated Red Wedding in Game of Thrones. Highly melodic and flowing, this is one that will not only feature your cello section, but will also show the musicality of your orchestra!
$12.99
12.12 €
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Orchestre à Cordes
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George R
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Ian M
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The Rains Of Castamere
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D.N.S. Productions
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SheetMusicPlus
Beethoven: Bagatelle Op. 33 No.6 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1209126 Composed by Ludwig va…
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String Orchestra - Level 2 - Digital Download SKU: A0.1209126 Composed by Ludwig van Beethoven (1770 â 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 16 pages. Jmsgu3 #807240. Published by jmsgu3 (A0.1209126). 6. Allegretto quasi andante.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period. Â The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 6 of Beethoven's Op. 33 is a short Allegretto that is characterized by its playful and light-hearted nature. The piece is in the key of D major and is written in a binary form, consisting of two sections that are repeated. The first section is in a brisk andante tempo and features a playful melody that is accompanied by a simple, yet effective, harmonic progression. The second section is more subdued and features a more lyrical melody that is accompanied by a more complex harmonic progression. The piece is notable for its use of syncopation, which adds to its playful character. Overall, Bagatelle No. 6 is a charming and delightful piece that showcases Beethoven's skill as a composer of small-scale works.
$42.95
40.09 €
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Orchestre à Cordes
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No.6 for String Orchestra
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jmsgu3
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SheetMusicPlus
RHOSYMEDRE - Original Hymn and Variations - String Orchestra, Intermediate Level for 2 violins, viol
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521896 Composed by J.D. Edwar…
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String Orchestra - Level 3 - Digital Download SKU: A0.521896 Composed by J.D. Edwards. Arranged by Sherry Lewis. Christian,Gospel,Praise & Worship,Sacred,Wedding. Score and parts. 16 pages. Sherry Lewis Publishing #6570173. Published by Sherry Lewis Publishing (A0.521896). RHOSYMEDRE - Original Hymn and Variations This is created from original theme written approx. 1840 and two variations by the arranger. String Orchestra, Intermediate Level for 2 violins, viola, cello, string bass Score: Yes Parts: 5 pages Time: 2'35 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you canât find a title then contact me through www.baysbest.com/smp-arrangeme/ and Iâll give you the link back to Sheet Music Plusâs listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE Iâm always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$9.00
8.4 €
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Orchestre à Cordes
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J
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Sherry Lewis
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RHOSYMEDRE - Original Hymn and Variations - String Orchestra, Intermediate Level for 2 violins, viol
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Sherry Lewis Publishing
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SheetMusicPlus
Sweelinck: Fantasia Chromatica for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1294900 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1294900 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 21 pages. Jmsgu3 #885220. Published by jmsgu3 (A0.1294900). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Fantasia Chromatica is based on a descending chromatic tetrachord from D to A. The theme is later developed in various ways, including canons, augmentation, diminution, and double augmentation. The piece forms an essential link between the Renaissance and the Baroque.
$32.95
30.75 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Fantasia Chromatica for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Sweelinck: Fantasia Chromatica for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1294908 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1294908 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 37 pages. Jmsgu3 #885222. Published by jmsgu3 (A0.1294908). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Fantasia Chromatica is based on a descending chromatic tetrachord from D to A. The theme is later developed in various ways, including canons, augmentation, diminution, and double augmentation. The piece forms an essential link between the Renaissance and the Baroque.
$38.95
36.35 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Fantasia Chromatica for String Orchestra
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jmsgu3
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SheetMusicPlus
Coronation March (Db) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1087401 Composed by Peter Ily…
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String Orchestra - Level 4 - Digital Download SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691621. Published by Regis Bookshar (A0.1087401). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Orchestra - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Orchestra, with parts for 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass. In addition to this arrangement of Tchaikovsky's Coronation March for a String Orchestra, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
24.27 €
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Orchestre à Cordes
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
Sechs Bagatellen, op.126
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1111957 Composed by Ludwig va…
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String Orchestra - Level 4 - Digital Download SKU: A0.1111957 Composed by Ludwig van Beethoven. Arranged by Peter Le Tissier. Chamber,Classical,Instructional. Score and Parts. 52 pages. Peter Le Tissier #714134. Published by Peter Le Tissier (A0.1111957). Before tackling the final Piano Sonata I thought I'd take a little break from the 'serious' orchestrations and present this interpretation of Beethoven's charming set of Bagatelles, op. 126. Postdating (as far as I'm aware) the 9th Symphony, and certainly all the major piano works, these Bagatelles stand apart from the earlier sets, elevated beyond their status in spite of Beethoven's own 'kleinigkeiten' demonym for them. In particular, the final movement is in this version an extraordinary expansion on the previous 5, quoting as it does the infinity of the finale of the Op. 111 Piano sonata.
$15.00
14 €
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Orchestre à Cordes
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Ludwig van Beethoven
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Peter Le Tissier
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Sechs Bagatellen, op.126
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Peter Le Tissier
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SheetMusicPlus
Marching Right Along
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.908673 Composed by Mark D Hettle. 20th …
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String Orchestra - Digital Download SKU: A0.908673 Composed by Mark D Hettle. 20th Century. Score and parts. 16 pages. Goomba Publishing Company (GPC) #4794737. Published by Goomba Publishing Company (GPC) (A0.908673). Marching Right Along is a concert march for an intermediate string orchestra.For ease of playing for younger orchestras, I wrote all parts in first position only. Please note all tempo changes at letters L and M. I hope you and your orchestra enjoy rehearsing and performing my composition. Thank you!
$15.00
14 €
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Orchestre à Cordes
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Mark D Hettle
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Marching Right Along
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Goomba Publishing Company
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SheetMusicPlus
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