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28
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7
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7
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3
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2
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1
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1
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71
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66
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43
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40
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40
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36
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32
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32
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28
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28
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26
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25
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20
Flûte à Bec
19
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18
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17
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16
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14
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13
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11
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11
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10
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10
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6
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24
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4 Tubas
15
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8
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6
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744
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335
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328
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262
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188
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154
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111
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86
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86
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82
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63
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58
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48
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46
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33
2 Harpes (duo)
31
Trio à cordes: 3 violins
26
Violon (partie séparée)
26
4 Violoncelles
21
Quatuor à cordes: 4 violons
21
Violon, Guitare (duo)
20
Trio à Cordes: 3 violoncelles
19
Alto, Violoncelle (duo)
16
Contrebasse (partie séparée)
15
Violoncelle , Guitare (duo)
14
Trio à cordes: 3 altos
12
Violoncelle, Contrebasse (duo)
10
Quatuor à cordes : 4 altos
10
Ensemble de Violons
9
2 Contrebasses (duo)
8
Ensemble d'Altos
7
Piano Trio: Violon, Alto, Piano
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Harpe et Piano
5
Violon, Orgue
4
Harpe, Voix
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Violoncelle, Basse continue
4
Harpe, Violoncelle (duo)
3
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3
Trio à Cordes: 2 violons, alto
3
3 Harpes
3
4 Contrebasses
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Alto et Basson
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Altos, Piano
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5 Harpes
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Violon, Basson (duo)
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Autoharp
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2 Violons, Piano
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Orchestre d'harmonie
601
Orchestre à Cordes
393
Cloches
374
Orchestre
233
Ensemble Jazz
188
Ensemble de cuivres
182
Orchestre de chambre
94
Ensemble de Percussions
71
Jazz combo
61
Batterie
28
Fanfare
26
Vibraphone
7
Percussion (partie séparée)
7
Marimba
5
Batterie (partie séparée)
4
Piano et Orchestre
3
3 Marimbas
3
Percussion
3
Xylophone
2
Quintette à Vent
2
2 Xylophones
1
Orchestre, Violon
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Marimba, Piano (duo)
1
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AUTRES
Formation musicale - Solfège
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AND CAN IT BE - FLUTE
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9976
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
67.59 €
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Orchestre d'harmonie
#
Gregory Fritze
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Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Musica Nova USA
#
SheetMusicPlus
Americana Fanfares, Vol. 2, Op. 137
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.com/ #1066354. Published by https://gildedmusicpress.com/ (A0.1489490). Three of these seven short pieces are worthy to open any brass quintet concert or recital. Two fanfares are too short for a concert feature but work extremely well in a ceremony or celebratory setting. The last two short pieces aptly serve contrasting special purposes, as explained below.“Fort Pierre Fanfare” is about 40 seconds in duration, and was composed to open the feature concert at the South Dakota Bandmasters Association convention in 2022. Offutt Brass, from the US Air Force Heartland of America Band, was invited to perform that concert. Before the final piece of the concert, when gifts were exchanged between the sponsor and performers, beautiful presentation copies of the sheet music were presented to the sponsor. In performance, staging directions on the music can be extremely effective or cringy, depending on how they are conveyed. If there is any inkling that there may be a cringe factor, ignore them, and play the fanfare already on stage.“Enduring Freedom Fanfare” is nearly a minute of music. It was composed as a gift for the outgoing Commander of the US Air Force Heritage of America Band, Major Rafael Toro-Quiñones. His leadership was strong and inspiring, and he held a place of high esteem among many of the fine military musicians that he led. The Change of Command ceremony was toward the end of the Covid-19 shut-downs, so the work was not performed at the ceremony. Chief Remley, from the command’s satellite location in Nebraska, hand-delivered some finely printed presentation copies to Major Toro-Quiñones.“Noble Eagle Fanfare” is slightly over a minute in length, and, like “Enduring Freedom Fanfare,” was composed as a gift for another outgoing Commander of the US Air Force Heritage of America Band, Captain David Neil Regner.“Pilgrims’ Fanfare” was composed on what many Americans acknowledge as “Pioneer Day,” 24 July 2023. Not only honoring the thousands of pioneers that settled the western United States, but also the pilgrims that voyaged across the ocean to settle in the new continent. It is about 15 seconds in duration and is effective for any occasion in need of a magnificent fanfare.“Flightline Fanfare,” as its title implies, was composed for the ribbon cutting ceremony of the dedication of the newly renovated flightline at Offutt Air Force Base in Nebraska. Unfortunately, the ceremony itself was altered last-minute, and the 15-second fanfare was not used. However, like “Pilgrims’ Fanfare,” it is very handy for any event demanding a splash of pomp.“American Interlude” is a soft 75-second underscore for an MC’s moving speech or dedication. It was originally composed as a smooth segue between two moving patriotic pieces of different keys in a concert setting, but can be used in any similar appropriate situation.“Troop 184” is dedicated to my childhood BSA Scoutmaster, Gerry Nielson, who molded me in significant ways into the man I am decades later. It is functional music, akin to a fight song, and can be easily marched to. Words may be crafted as a customized hiking ditty, or it can be featured before or after ceremonies as prelude or processional music. The duration can also be customized, as there is a written optional repeat, lengthening the tune from 45 seconds to a minute and a half.
$24.95
22.48 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Americana Fanfares, Vol. 2, Op. 137
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https://gildedmusicpress.com/
#
SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.31 €
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Saxophone Alto et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Suite in D Minor for Two Mandolins
Mandoline
Mandolin - Digital Download SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Cla…
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Mandolin - Digital Download SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Classical,Folk,World. Score. 16 pages. Gordon Jackson #6498403. Published by Gordon Jackson (A0.1017685). Suite in D MinorThe Baroque period in music lasted from approximately the end of the sixteenth century to about the middle of the eighteenth, culminating most famously in the works of Bach and Handel. The suite was a short collection of stylised dance tunes, sometimes (but not here) preceded by a prelude. The suite typically comprised the dances allemande, courante, sarabande, and gigue, to which others may be added. I have added a bourrée and a minuet. Although this is arranged for two mandolins, other instruments can of course be used. I have added a line of mandolin tablature for those who don’t read standard notation. (Actually, I don’t read tablature myself – I used my favourite notation program, Harmony Assistant, to write the score, and it very kindly created the tablature for me!)As a performer of mostly traditional folk tunes, I am driven first by melody, then rhythm, and only then by harmony. For each of these pieces, the melody came first, keeping to the strict rhythmic imperatives of each dance form. Only then were counterpoints added. In this score, the only dance to be repeated is the minuet. Here, the first time through is played on a single mandolin, with rather a lot of double stopping. On the second time through the first mandolin sticks to the basic melody, while the second mandolin plays a counterpoint. Some may recognise the opening bar of the bourrée; it was inspired by a tune by Turlough Ó Carolan (1670-1738) entitled The Princess Royal. The rest, however, is mine!
$6.99
6.3 €
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Mandoline
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Gordon Jackson
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Suite in D Minor for Two Mandolins
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Gordon Jackson
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SheetMusicPlus
And Can It Be
Cloches
Handbell - Level 1 - Digital Download SKU: A0.728326 Composed by Thomas Campbell. A…
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Handbell - Level 1 - Digital Download SKU: A0.728326 Composed by Thomas Campbell. Arranged by James Gilbert. Sacred. Score. 2 pages. James Gilbert Music #16001. Published by James Gilbert Music (A0.728326). For Handchime Choir (24 chimes, C4-C7. C5=Middle C) One-verse arrangement of this hymn tune. Written in a chordal structure for use by beginning groups or as a quick learn for more experienced groups. Also good for accompanying hymns. Hymn tune: SAGINA.
$1.99
1.79 €
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Cloches
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Thomas Campbell
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James Gilbert
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And Can It Be
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James Gilbert Music
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SheetMusicPlus
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.52 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
And Can It Be for 2 or 3 Octave Bells (7 ringers)
Cloches
Handbell - Digital Download SKU: A0.924631 Composed by Thomas Campbell 1825. Arrang…
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Handbell - Digital Download SKU: A0.924631 Composed by Thomas Campbell 1825. Arranged by Robert C. Walshe (rcwalshe@gmail.com). Sacred. Score. 2 pages. Robert C Walshe #5800793. Published by Robert C Walshe (A0.924631). An exciting arrangement of And Can It Be with varied accompaniments and plenty of notes to keep your smaller handbell choir engaged. Two octave handbell set required and three optional bells from a 3 octave set.
$2.00
1.8 €
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Cloches
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Thomas Campbell 1825
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Robert C
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And Can It Be for 2 or 3 Octave Bells
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Robert C Walshe
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SheetMusicPlus
Set Free to go Home - grade 3 concert band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 52 pages. Musica Nova USA #6075605. Published by Musica Nova USA (A0.917409). Set Free to go Home was composed in the fall of 2019. It was commissioned by Dr. Kristen Tjornehoj, Conductor of the University of Wisconsin at River Falls Symphony Band in remembrance of Kaye Bird, who passed away in 2016 as a resident of River Falls and a member of the community for several years. Kaye Bird was also a resident of Indiana, PA for 37 years and was a well respected teacher in the public schools there. Set Free to go Home was premiered by the Indiana University of Pennsylvania Symphony Band at Fisher Auditorium on February 6, 2020, conducted by Dr. Jason Worzbyt. It is agrade 3 band piece with a duration of five minutes. It is published by Musica Nova USA and availableon sheetmusicplus.com and jwpepper.com.Performance Notes: Set Free to go Home was composed with flexible instrumentation in mind.There are several instruments listed in the score that would enhance the piece (such as harp, oboes,double bass, ect.) but are not necessary to convey a successful performance. For example, if there are not five percussionists available, the piece may be played by less performers with the use of a drumkit, with one person playing two or more parts. This composition can sound very good whether thereare fifteen players or a band with one hundred players.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, includingFirst Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winnerin Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International MusicCompetition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers andmany others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria,and others. His compositions include works published by several publishers in the United States, SouthAmerica and Europe and have been performed extensively throughout the world.He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer atmany colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$40.00
36.05 €
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Orchestre d'harmonie
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Gregory Fritze
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Set Free to go Home - grade 3 concert band
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Musica Nova USA
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SheetMusicPlus
And Can It Be? (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455801 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Religious,Sacred. Score. 15 pages. Sharon Wilson #1034900. Published by Sharon Wilson (A0.1455801). This arrangement of the familiar hymn tune SAGINA by Thomas Campbell is written as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and cheerful throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever an upbeat musical interlude is desired. The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
5.4 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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And Can It Be?
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Sharon Wilson
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SheetMusicPlus
And Can It Be
Cloches
Handbells handbell choir (3-5 octaves) - Level 2 - Digital Download SKU: H1.2663DP …
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Handbells handbell choir (3-5 octaves) - Level 2 - Digital Download SKU: H1.2663DP Composed by Thomas Campbell/SAGINA. Arranged by Bill Ingram. General Worship, Worship. Handbell score. 8 pages. Hope Publishing - Digital #2663DP. Published by Hope Publishing - Digital (H1.2663DP). By Thomas Campbell.Stately hymn by Thomas Campbell This stately hymn expresses the joy and confidence we have in the atoning death of Christ on the cross. With few bell changes and no hard rhythms, this Level 2 arrangement will come together quickly. Steady tempos bring out the melody, especially the low melody in measures 36-43.
$6.25
5.63 €
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Cloches
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Thomas Campbell
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Thomas Campbell/SAGINA
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Bill Ingram
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And Can It Be
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Hope Publishing - Digital
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SheetMusicPlus
AND CAN IT BE? with Overhead PDF Text
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.931663 Composed by Charles Wesley -…
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Piano Solo - Level 4 - Digital Download SKU: A0.931663 Composed by Charles Wesley - words and Thomas Campbell - music. Arranged by Wanda J. Cooley. Baroque,Christian,Easter,Sacred. Score. 9 pages. Wanda J. COOLEY #6257989. Published by Wanda J. COOLEY (A0.931663). Crisp staccatos and detailed phrasings make this a delight to play. Five-finger patterns fit the hand with ease as the piece slowly gains momentum until it crests into a grandiose climax reminding us that the Savior died 'for me'! This concise, contrapuntal Prelude of fiery energy in Baroque Style is 1:30 minutes in length. Also included is the Overhead PDF PowerPoint Text which sequences the words to the piano.AND CAN IT BE? is also available at SMP within IN THE CROSS, a pianist's kit for presenting the Gospel thru 10 hymn arrangements sequenced with Overhead PowerPoint Texts. Included are program and organizational aids, narratives, and promotional graphics so that the pianist's only responsibility is playing the music!
$4.99
4.5 €
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Piano seul
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Charles Wesley - words and Thomas Campbell - music
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Wanda J
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AND CAN IT BE? with Overhead PDF Text
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Wanda J. COOLEY
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.41 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.41 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
And Can It Be with Love Divine
Cloches
Handbell, Percussion, 5- Octaves, 4-Octaves, 3-Octaves - Digital Download Arranged b…
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Handbell, Percussion, 5- Octaves, 4-Octaves, 3-Octaves - Digital Download Arranged by Cynthia Dobrinski. General Worship, Sacred. Handbell score. 11 pages. Hope Publishing - Digital #2227DP. Published by Hope Publishing - Digital
$6.50
5.86 €
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Cloches
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Cynthia Dobrinski
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And Can It Be with Love Divine
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Hope Publishing - Digital
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SheetMusicPlus
Caprice No. 4 for Mandolin (mandolin solo)
Mandoline
Mandolin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary C…
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Mandolin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Folk, Americana. Solo Part. 9 pages. Published by Mark O'Connor Musik International
Caprice No. 4 for Mandolin (mandolin solo) MO158<br> <br> Mandolin Solo<br> <br> Music by Mark O’Connor<br> <br> 5 pages - 3:00 minutes in length<br> <br> <br> <br> From the Thirty-Year Retrospective album notes; “I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... ”Pickin’ in the Wind,” the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands.”<br> <br>
$7.50
6.76 €
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Mandoline
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Mark O'Connor
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Caprice No. 4 for Mandolin
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Mark O'Connor Musik International
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SheetMusicPlus
Oh Shenandoah (for alto saxophone and piano)
Saxophone Alto et Piano
Composed by Traditional. Arranged by Colin Kirkpatrick. Folk, Fourth of July, Annive…
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Composed by Traditional. Arranged by Colin Kirkpatrick. Folk, Fourth of July, Anniversary, Wedding, Americana. Set of Parts. 9 pages. Published by Colin Kirkpatrick Publications
This beautiful song is one of the most popular American folk songs, evoking images of the river life of yesteryear. It is sure to be a popular addition to your saxophone recital, or it would make an excellent encore piece. The top note is D (written) above the treble staff and the duration is 03:55.<br> <br> As with most folk songs, there are many different versions of Shenandoah, and it’s impossible to determine the song’s exact provenance with any degree of certainty. It probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: an individual of commanding presence who lived for over a hundred years. <br> <br> Sailors heading down the Mississippi picked up the song and made it a capstan shanty, which they sang while hauling in the anchor. By the mid-1800s versions of the song were heard almost everywhere the clipper ships ventured. Shenandoah was one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Add this lovely American song to your repertoire today!
$6.99
6.3 €
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Saxophone Alto et Piano
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Be Our Guest
Guitare notes et tablatures
Guitar - Level 4 - Digital Download SKU: A0.1369893 Composed by Alan Menken and How…
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Guitar - Level 4 - Digital Download SKU: A0.1369893 Composed by Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Children,Classical,Film/TV,Jazz,Musical/Show. Guitar Tab. 7 pages. Geofonica Artistworks #954263. Published by Geofonica Artistworks (A0.1369893). This is the solo arrangement of Be Our Guest created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate-to-advanced solo arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This arrangement is in standard notation with TAB. It is also available as standard notation (without TAB).ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$5.99
5.4 €
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Guitare notes et tablatures
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Alan Menken and Howard Ashman
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Brad Powell
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Be Our Guest
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Geofonica Artistworks
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SheetMusicPlus
Song of Christmas (for 3, 4 or 5 octave handbell choirs)
Cloches
Handbell - Level 2 - Digital Download SKU: A0.953737 Composed by COMPOSER Henry Joh…
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Handbell - Level 2 - Digital Download SKU: A0.953737 Composed by COMPOSER Henry John Gauntlett, and a Traditional French Carol. Arranged by G. R. Adkison. Christian,Christmas,Sacred. Score. 4 pages. Gary Ray Adkison #30517. Published by Gary Ray Adkison (A0.953737). Song of Christmas is an arrangement for 3-4-5 octave handbell choir. It is a 56 measure Christmas carol medley. It starts with Once in Royal David's City, in the key of F. The first verse uses handchimes, although handbells can be substituted for the chimes, if desired. The second verse is louder, switches to handbells, uses fuller chords and is in the key of Bb. The last two musical phrases of this carol are repeated, grandioso. There is then a softer handchime repeat of the last phrase. Without pause, it begins a lively version of Sing We Now of Christmas in Eb. The melody alternates between handchimes and handbells. When the chimes are playing, the bells only play fills, etc. There is a brief (2 measure) passage with handbells in the key of D, then it switches back to Eb for the big ending, using only bells. The ending is half-timed, with a descending chordal descant to the martellato stinger. (Throughout the entire arrangement, handbells can substitute for handchimes.) This arrangement is probably about a level 2 degree of difficulty.
$2.00
1.8 €
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Cloches
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COMPOSER Henry John Gauntlett, and a Traditional French Carol
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G
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Song of Christmas
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Gary Ray Adkison
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SheetMusicPlus
And Can It Be
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1197…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1197773 By ... Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Praise & Worship,Standards. Score and parts. 16 pages. Duration 141. J. Randolph Hall #4Yf2BB6j28a7TgAoghxJ3J. Published by J. Randolph Hall (A0.1197773). Key: Eb major.Section A starts off with the verse. Section B is the chorus. Then, a modulation to a new key with the aid of an Italian augmented sixth chord. Section C & D contain a descant by yours truly.
$4.00
3.6 €
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J
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And Can It Be
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J. Randolph Hall
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SheetMusicPlus
And Can It Be? (with "Amazing Grace") (Duet for Soprano & Alto Saxophone)
Saxophone Soprano et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.622692 Composed by Traditional, Thomas Campbell. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 14 pages. Exultet Music #3879055. Published by Exultet Music (A0.622692). This hymn combines the two melodies of And Can It Be? with the traditional and uplifting melody of Amazing Grace. Scored as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting and can be used throughout the liturgical year, but especially during the season of Lent.
$4.99
4.5 €
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Saxophone Soprano et Piano
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Traditional, Thomas Campbell
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Stephen DeCesare
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And Can It Be?
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Exultet Music
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SheetMusicPlus
And Can It Be? (with "Amazing Grace") (Duet for Soprano & Tenor Saxophone)
Saxophone Tenor et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level …
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.622689 Composed by Traditional, Thomas Campbell. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 14 pages. Exultet Music #3878731. Published by Exultet Music (A0.622689). This hymn combines the two melodies of And Can It Be? with the traditional and uplifting melody of Amazing Grace. Scored as a duet for Soprano and Tenor Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting and can be used throughout the liturgical year, but especially during the season of Lent.
$4.99
4.5 €
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Saxophone Tenor et Piano
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Traditional, Thomas Campbell
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Stephen DeCesare
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And Can It Be?
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Exultet Music
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SheetMusicPlus
And Can It Be? (with "Amazing Grace") (Trombone Duet)
Trombone et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 2 - Digital Download S…
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 2 - Digital Download SKU: A0.622690 Composed by Traditional, Thomas Campbell. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 14 pages. Exultet Music #3879017. Published by Exultet Music (A0.622690). This hymn combines the two melodies of And Can It Be? with the traditional and uplifting melody of Amazing Grace. Scored as a duet for Trombone with Piano accompaniment. Accessible and appropriate for any church or concert setting and can be used throughout the liturgical year, but especially during the season of Lent.
$4.99
4.5 €
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Trombone et Piano
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Traditional, Thomas Campbell
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Stephen DeCesare
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And Can It Be?
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Exultet Music
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SheetMusicPlus
Oh Shenandoah (for violin and piano)
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.522283 Composed by Traditional. A…
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Piano,Violin - Level 2 - Digital Download SKU: A0.522283 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Holiday,Patriotic,Wedding. 9 pages. Colin Kirkpatrick Publications #6526701. Published by Colin Kirkpatrick Publications (A0.522283). This beautiful song is one of the most popular American folk songs, evoking images of the river life of yesteryear. It is sure to be a popular addition to your violin recital, or it would make an excellent encore piece. The music lies easily under the hand and the top note is B just above the treble staff.  The standard is about ABRSM violin Grade 3-4 (UK). The duration is 03:55. As with most folk songs, there are many different versions of Shenandoah, and it’s impossible to determine the song’s exact provenance with any degree of certainty. It probably has its origin among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: an individual of commanding presence who lived for over a hundred years. Sailors heading down the Mississippi picked up the song and made it a capstan shanty, which they sang while hauling in the anchor. By the mid-1800s versions of the song were heard almost everywhere the American clipper ships ventured. Shenandoah was one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Add this lovely American song to your violin repertoire today!
$5.99
5.4 €
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Violon et Piano
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the mid-1800s versions of the song were heard almost everywhere the American clipper ships ventured
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Clarinet - "And Can It Be?" Theme and Variations
Clarinette et Piano
Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.844323 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Gospel,Sacred,Spiritual. Score and parts. 16 pages. Dan Cutchen Music #3114437. Published by Dan Cutchen Music (A0.844323). Lovely theme and variation arrangement of this powerful hymn for Bb Clarinet and piano.Time: approximately 5:50For piano ACCOMPANIMENT Track, copy and paste the following into the search bar: Clarinet - And Can It Be? Piano ACCOMPANIMENT Track, Dan CutchenTo contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contacthttps://youtu.be/e_8ezDp9Njo
$6.00
5.41 €
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Clarinette et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Clarinet - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
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