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Contours
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Saxophone (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Robert A
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Contours
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Robert A. Howard
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SheetMusicPlus
Soprano Saxophone Solo - Level 4 - SKU: A0.998869 Composed by Robert A. Howard. Contemporary,Jazz,Standards. Individual part. 4 pages. Robert A. Howard ...
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Soprano Saxophone Solo - Level 4 - SKU: A0.998869 Composed by Robert A. Howard. Contemporary,Jazz,Standards. Individual part. 4 pages. Robert A. Howard #6348469. Published by Robert A. Howard (A0.998869). 'Contours' explores various shapes and directions of brief musical phrases, in the context of a virtuosic single-movement solo work. The piece takes the notion of improvisation, commonly associated with the saxophone, and aims to convey this through a fully notated work. Contours is cast in an overall ternary form. A fairly chromatic opening section develops a succession of short phrases, occasionally repeated by octave displacement, that are separated by notated silences. The middle section is more obviously influenced by jazz and is itself in an arch form. It is framed by a fanfare idea followed by a theme of triplet arpeggios. The apex of this central part is a jazz-like syncopated melody. This idea is repeated with its own canon, thus giving the illusion of two saxophones answering each other in contrasting octaves. The opening section then returns in full, exact in rhythm and almost exactly in inversion by pitch. The piece is accessible for the listener and is appropriate for advanced saxophonists, including students and professional players.Duration: 6 minutes 30 seconds. Registered with PRS (Performing Rights Society, UK).
$3.49
Vigil
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Orgue
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INTERMÉDIAIRE
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Robert A
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Vigil
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Robert A. Howard
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SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1410578 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,New Age,Religious. Individual part...
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Instrumental Solo,Organ - Level 3 - SKU: A0.1410578 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,New Age,Religious. Individual part. 6 pages. Robert A. Howard #992998. Published by Robert A. Howard (A0.1410578). This work for solo organ aims to recreate the atmosphere of a vigil. Concepts of watching, waiting, meditating, and remembering are all associated with the various forms of 'vigils' that have and do exist worldwide. The piece is based on 8 ascending and varied cycles of a 9-bar added-note chord sequence and theme. Only the white notes are used, in the modal aeolian scale (A-A), within a slow, reverential tempo. There is an aspect of symmetry roughly about the centre, or apex of the work; dynamics and rhythmic complexity increase until the central variation, before receding until a quiet, reflective ending and quasi resolution.Duration: 6 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$4.99
Geometria
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Kent Piper
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a mirror image in sound
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Geometria
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RKPiper
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPi...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPiper (A0.1024240). Geometria is a serial composition*.Geometria, Latin for geometry, is an arrangement of sound shapes. Beginning with a parallelogram it moves to a square and then to a triangle. At the apex of the triangle the piece retrogrades back through the previous shapes; a mirror image in sound. The parallelogram is achieved by use of canon, the square by homophony and the triangle by staggered entrances. There are 5 instruments and 5 notes; F, F#, A,C# and Bb. F#,Bb,C# form a major triad, F#,A,C# form a minor triad, A,Bb,C# form trichord 3-3, Bb,C#,F form trichord 3-11 and A,C#,F form trichord 3-12. Therefore, 5 geometric shapes, 5 instruments, 5 notes, 5 plus harmonic possibilities and 5 players. *Serial Music - the use of a sequence of notes in a definite order as a thematic basis for a composition and a source from which the musical material is derived. Serialism was an attempt to escape tonal-centered compositions prior to the twentieth century. It began with Arnold Schoenberg's twelve tone-technique in the early 1900's, though some of his contemporaries such as Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono and Milton Babbit were also working to establish serialism as a form of post-tonal thinking. Other composers such as Bela Bartok, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiean, Arvo Part, Dmitri Shostakovich and Igor Stravinsky used serialism only for some of their compositions.
$5.99
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