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Vous avez sélectionné:
Absinthe
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
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Absinthe
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Clarinette
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Pascal Proust
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Absinthe
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Solo Bb Clarinet - Grade 4 - SKU: FX.FX072859 Composed by Pascal Proust. Original Composition. Classical, Educational. Solo Part. 3 pages. Duration 2 mi...
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Solo Bb Clarinet - Grade 4 - SKU: FX.FX072859 Composed by Pascal Proust. Original Composition. Classical, Educational. Solo Part. 3 pages. Duration 2 minutes, 5 seconds. FLEX Editions - Digital Sheet Music #FX072859. Published by FLEX Editions - Digital Sheet Music (FX.FX072859). A piece in the form of a joyous and colorful study, for technically and musically confirmed clarinet players. - Pascal PROUST ; A perfect Piece for exams or auditions - from 7-8 years of Clarinet practice ; Instruments: 1 Solo Bb Clarinet.
$7.95
Guitar Trio No. 3 in D Minor with Violin and Cello "Absinthe"
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Contemporain
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Ken Turley
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Guitar Trio No. 3 in D Minor w
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Ken Turley
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SheetMusicPlus
Cello,Guitar,Violin - Level 4 - SKU: A0.926000 Composed by Ken Turley. 20th Century,Contemporary. 32 pages. Ken Turley #1921601. Published by Ken Turley...
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Cello,Guitar,Violin - Level 4 - SKU: A0.926000 Composed by Ken Turley. 20th Century,Contemporary. 32 pages. Ken Turley #1921601. Published by Ken Turley (A0.926000). Trio for classical guitar, violin and cello in two movements. For intermediate to advanced players, the music moves between dramatically rhythmic to flowingly lyrical with melodic interplay between the two strings and a guitar accompaniment of varied textures. Great performance piece. Computer generated listening sample is the first movement. Individual parts when printed double sided are arranged for ease of page turning during performance.
$7.00
Absinthe
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Guitare notes et tablatures
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Blues
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Greg Koch
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Absinthe
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Hal Leonard
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SheetMusicPlus
By Greg Koch. This edition: scorch. Blues. Guitar Tab. 10 pages. Published by Hal Leonard...
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By Greg Koch. This edition: scorch. Blues. Guitar Tab. 10 pages. Published by Hal Leonard
$4.99
La fée verte for bassoon and string orchestra (mp3)
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Franck Leblois and Octava Cham
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La fée verte for bassoo
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David Warin Solomons
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SheetMusicPlus
Strings Bassoon - Level 4 - SKU: A0.1371404 By Franck Leblois and Octava Chamber Orchestra. By David Warin Solomons. 21st Century,Contemporary. Full Per...
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Strings Bassoon - Level 4 - SKU: A0.1371404 By Franck Leblois and Octava Chamber Orchestra. By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 100. David Warin Solomons #955621. Published by David Warin Solomons (A0.1371404). This miniature for bassoon and string orchestra was written as part of a multi-composer suite for the Delian Society based on the poetry of Paul Verlaine. It was premiered by Franck Leblois and the Octava Chamber Orchestra (the audio sample is the performance in question several years ago). The string parts are originally an arrangement of my choral setting of Gavin Ewart's poem Alcohol and the bassoon part completes it and makes it more French. The Verlaine quote comes from his Bonne Chanson collection in which he rejects the green fairy (absinthe) - arrière l'oubli qu'on cherche en des breuvages execrés - get thee behind me the forgetfulness we look for in these accursed drinks.
$4.50
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Fleur d'Absinthe
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Piano seul
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Contemporain
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Claude SACRE
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Fleur d'Absinthe
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Ensemble Arietta
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SheetMusicPlus
Composed by Claude SACRE. 20th Century, Contemporary Classical, Impressionistic. Individual Part. 3 pages. Published by Ensemble Arietta (S0.199979). - Individu...
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Composed by Claude SACRE. 20th Century, Contemporary Classical, Impressionistic. Individual Part. 3 pages. Published by Ensemble Arietta (S0.199979). - Individual Part - 20th Century,Contemporary Classical,Impressionistic - Ensemble Arietta
$4.99
Absinthe Frappe. Prince George and Chorus
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Chorale SATB
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Victor Herbert
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drinking
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Absinthe Frappe. Prince George
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Composed by Victor Herbert (1859-1924). For piano and voice (solo and SATB chorus). Portraits, Alcoholic beverages, Eating & drinking. Lester S. Levy Collec...
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Composed by Victor Herbert (1859-1924). For piano and voice (solo and SATB chorus). Portraits, Alcoholic beverages, Eating & drinking. Lester S. Levy Collection. Published by Johns Hopkins University Sheridan Libraries
$5.99
Absinthe
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Trombone
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Pascal Proust
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Absinthe
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
By Pascal Proust. Solo. For 1 Solo Trumpet. Classical, Educational. Grade 4. Part. 3 pages. Published by FLEX Editions - Digital Sheet Music ...
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By Pascal Proust. Solo. For 1 Solo Trumpet. Classical, Educational. Grade 4. Part. 3 pages. Published by FLEX Editions - Digital Sheet Music
$7.95
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