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Abstract Mirror
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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ORGUE
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Abstract Mirror
Partitions à imprimer
6 partitions trouvées
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1
Abstract Mirror
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Michael Berkeley
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Abstract Mirror
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Oxford University Press Digital
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SheetMusicPlus
String quintet - SKU: OX.9780193202146 Composed by Michael Berkeley. Score. 59 pages. Oxford University Press Digital #9780193202146. Published by Oxfor...
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String quintet - SKU: OX.9780193202146 Composed by Michael Berkeley. Score. 59 pages. Oxford University Press Digital #9780193202146. Published by Oxford University Press Digital (OX.9780193202146). ISBN 9780193202146.Abstract Mirror is a single movement work for string quintet. The composer writes: 'After listening to the Schubert Quintet, it occurred to me that one of the many virtues of that score is the way the second cello is absorbed effortlessly into the texture. I became fascinated with the reverse, highlighting the added sonority of the bass texture.' The title refers not only to the reverse image that a mirror provides but also to the idea of fragmentation, refraction, and distortion.
$39.50
Abstract Mirror
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Michael Berkeley
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Abstract Mirror
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Oxford University Press Digital
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SheetMusicPlus
String quintet - SKU: OX.9780193200913 Composed by Michael Berkeley. Score. 44 pages. Oxford University Press Digital #9780193200913. Published by Oxfor...
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String quintet - SKU: OX.9780193200913 Composed by Michael Berkeley. Score. 44 pages. Oxford University Press Digital #9780193200913. Published by Oxford University Press Digital (OX.9780193200913). ISBN 9780193200913.For string quintet. A response to Schubert's String Quintet in C (D956), this work highlights the added bass sonority provided by the second cello. It is a single movement work and explores ideas of fragmentation, refraction, and distortion.
$32.50
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Pictures at an Exhibition
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Popular Demand - Well think po
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Fiona Hickie
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bright and cheery. 8:05.
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Pictures at an Exhibition
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Fiona Alice Hickie
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.738395 Composed by Fiona Hickie. Baroque,Classical,Contemporary,Jazz. Score. 13 pages. Fiona Alice Hickie #6714313. Publi...
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Piano Solo - Level 4 - SKU: A0.738395 Composed by Fiona Hickie. Baroque,Classical,Contemporary,Jazz. Score. 13 pages. Fiona Alice Hickie #6714313. Published by Fiona Alice Hickie (A0.738395). A new version of Pictures of an Exhibition that reflects on what art galleries are like today. Why not take your audiences for a walk through the art gallery. It is composed for solo piano. It includes: The Gallery - A majestic Walk through the gallery The Ancients - Ancient artworks 0:41 Environmental Reflection - Artwork based on the environment .The outside parts mirror each other. This of the top side being a pretend image, while the reflection is the hidden destruction. 2:57 Baroque Masters - 5:37 Rite of Opinion - Based on the beautiful song, Clare de Lune'. Here it has been given the Stravinsky treatment to represent how some modern art seems abstract and not particularly pleasing to the eye, but becoming a talking point. 6:50 By Popular Demand - Well think pop art; bright and cheery. 8:05.
$7.99
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Piano Sonata No. 1 Movement 2 "A Saunter"
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Piano seul
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DÉBUTANT
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Contemporain
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 2
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Samuel Warren Hatch
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1025432 Composed by Samuel Warren Hatch. 20th Century,Contemporary. Score. 5 pages. Samuel Warren Hatch #4764151. Publish...
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Piano Solo - Level 1 - SKU: A0.1025432 Composed by Samuel Warren Hatch. 20th Century,Contemporary. Score. 5 pages. Samuel Warren Hatch #4764151. Published by Samuel Warren Hatch (A0.1025432). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. II. A Saunter is a piano work based on the thoughts/feelings gained from a somber walk through a beautiful city. It embraces the duality of the abstract and the concrete, mirroring how a walk can be one admiring his/her surroundings and reflecting on life’s sufferings, simultaneously.
$3.99
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Abstract Mirror