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Acquainted With the Night
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Vous avez sélectionné:
Acquainted With the Night
Partitions à imprimer
22 partitions trouvées
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1
Acquainted with the Night
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Chorale SATB
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INTERMÉDIAIRE
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Noah Stremmel
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Acquainted with the Night
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Noah Stremmel
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.910407 Composed by Noah Stremmel. 20th Century,Contemporary,Instructional,Standards. Octavo. 7 pages. Noah Strem...
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Choral Choir (SATB) - Level 3 - SKU: A0.910407 Composed by Noah Stremmel. 20th Century,Contemporary,Instructional,Standards. Octavo. 7 pages. Noah Stremmel #6201751. Published by Noah Stremmel (A0.910407). Acquainted with the Night is an SATB choral piece set to the lyrics of the poem by Robert Frost of the same name. Provoking a solemn and depressing mood, the piece begins in D minor and ends in C# minor, giving an overall descending feeling. The poem depicts the night as many dark experiences the narrator goes through, eventually becoming one with the night by the end of the poem.
$2.15
Acquainted With the Night
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Judith Snowdon
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Acquainted With the Night
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Judith E. Snowdon
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.878076 Composed by Judith Snowdon. 20th Century,Concert,Contemporary. Score. 2 pages. Judith E. Snowdon #3218737. Publish...
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Piano Solo - Level 3 - SKU: A0.878076 Composed by Judith Snowdon. 20th Century,Concert,Contemporary. Score. 2 pages. Judith E. Snowdon #3218737. Published by Judith E. Snowdon (A0.878076). A piano solo piece, intermediate level, which is a haunting tone poem, a musical narrative describing a mysterious journey through city streets at night. This piece features chromatic harmonies and whole tone scales. It is a good recital/festival piece for a creative, expressive student.
$3.99
Acquainted With the Night
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Brad Jacobsen
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Acquainted With the Night
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Brad Jacobsen
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1102335 By Brad Jacobsen. By Brad Jacobsen. Contemporary,New Age. Score. 5 pages. Brad Jacobsen #705743. Published by Bra...
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Piano Solo - Level 3 - SKU: A0.1102335 By Brad Jacobsen. By Brad Jacobsen. Contemporary,New Age. Score. 5 pages. Brad Jacobsen #705743. Published by Brad Jacobsen (A0.1102335). An introspective solo piano piece, inspired by the Robert Frost poem of the same name. From the album, Nocturne available on all streaming services.
$4.99
Acquainted With The Night
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Rich Campbell
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Acquainted With The Night
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Pay The Band Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1476413 Composed by Rich Campbell. 21st Century,Contemporary,Contest,Festival. 16 pages. Pay The Ban...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1476413 Composed by Rich Campbell. 21st Century,Contemporary,Contest,Festival. 16 pages. Pay The Band Music #1053932. Published by Pay The Band Music (A0.1476413). A setting of Robert Frost's metaphorical rendering of feelings of depression, isolation and alienation. Rhythmic and thought-provoking. Medium difficulty, appropriate for high school, collegiate and community choirs. SATB w/piano accompaniment. Commissioned by Penn High School Choirs, IN.
$3.00
Round Midnight
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Thelonious Monk
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Edward David Zeliff
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Round Midnight
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Edward David Zeliff
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.888282 By Thelonious Monk. By Cootie Williams and Thelonious Monk. Arranged by Edward David Zeliff. Jazz. 7 pages. ...
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Vocal Solo,Voice - Level 4 - SKU: A0.888282 By Thelonious Monk. By Cootie Williams and Thelonious Monk. Arranged by Edward David Zeliff. Jazz. 7 pages. Edward David Zeliff #4822275. Published by Edward David Zeliff (A0.888282). Another in a series of jazz/blues torch song arrangements, this is the famous song by Thelonious Monk with its hauntingly atmospheric chords and melody. This setting makes an excellent recital item as a contrast in repertoire for the serious voice student, especially if the student is inexperienced in jazz improvisation and whose accompanist may not be that well acquainted with the jazz/blues idiom. Here the characteristic qualities of jazz and improvisation are written out and coordinated with the melody. Equally suitable for the advanced intermediate and professional levels.
$4.99
Prelude
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Piano seul
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AVANCÉ
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Nikolay Artcibouchev
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Yury Chugunov and Zellev
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7 March [O
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Prelude
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1239146 Composed by Nikolay Artcibouchev. Arranged by Yury Chugunov and Zellev. 20th Century,Classical,Contemporary,Grung...
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Piano Solo - Level 5 - SKU: A0.1239146 Composed by Nikolay Artcibouchev. Arranged by Yury Chugunov and Zellev. 20th Century,Classical,Contemporary,Grunge,Lent. Score. 3 pages. Zellev Music #834550. Published by Zellev Music (A0.1239146). Key Signature: C♯ minorTime Signature: 12/8Tempo: Moderato assai (very moderately (126))Difficulty: AdvancedNikolai Vasilievich Artsybushev (Russian: Ðиколай ВаÑильевич Ðрцыбушев; 7 March [O.S. 23 February] 1858 – 15 April 1937) was a Russian jurist, music publisher and promoter, and minor composer. His name is sometimes seen as Artsibushev, Artsybuchev, Artzibushev, Artzybushev, Artchibousheff, Arcybusev, etc.Artsybushev was born at Tsarskoye Selo in 1858. His legal studies were at the Imperial School of Jurisprudence in Saint Petersburg, after which he practised in St Petersburg as an attorney. He also dabbled in music composition, and Nikolai Rimsky-Korsakov gave him private lessons in music theory after Mily Balakirev said his works showed some promise.He also became acquainted with the music publisher Mitrofan Belyayev and participated in his regular weekly gatherings called Fridays (Vendredis). To mark these occasions, a group of 10 composers including Artsybushev collaborated on a 16-part suite for string quartet, called Les Vendredis. His contribution was a Serenade in A major. He also collaborated with others on Variations on a Russian Theme, in versions for both string quartet and orchestra.He was a member of the St Petersburg City Council. After Belyayev's death in 1903 he became chairman of the board of the Belyayev publishing house, in which capacity he had significant dealings with Alexander Scriabin. From 1908 to 1917 he was President of his city's branch of the Russian Musical Society, and later succeeded Rimsky-Korsakov as President of the Board of Trustees for the Society for the Encouragement of Russian Musicians.In 1920 he moved to Paris and became a director of the Belyayev publishing house there. He died in Paris in 1937, aged 79.His works other than those mentioned above are now little known, but include:-Polka caractéristique, Op. 4, orchestra-Valse-Fantaisie, Op. 9, orchestra-Scherzo in C, orchestra (this had its premiere at the same concert at which Rimsky-Korsakov's-Capriccio Espagnol was premiered)-Piano pieces-Orchestral and other arrangements of works by:--Borodin--Glazunov (Suite for string quartet, Op. 35)--Mussorgsky (Night on Bald Mountain, for piano 4-hands;world premiere recording) and--Rimsky-Korsakov (Sinfonietta on Russian Themes, Op. 31).[https://en.wikipedia.org/wiki/Nikolai_Artsybushev].
$5.00
In the Bleak Midwinter (with “Silent Night”) Bassoon and Piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Gustav von Holst, Franz Gruber
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Cathy Stamegna
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In the Bleak Midwinter
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Cathy Stamegna
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.1013760 Composed by Gustav von Holst, Franz Gruber, French Carol, Lowell Mason, adapted from Handel. Arranged by Cathy...
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Bassoon,Piano - Level 3 - SKU: A0.1013760 Composed by Gustav von Holst, Franz Gruber, French Carol, Lowell Mason, adapted from Handel. Arranged by Cathy Stamegna. Christmas,Multicultural,Praise & Worship,Sacred,Traditional,World. Score and part. 12 pages. Cathy Stamegna #619363. Published by Cathy Stamegna (A0.1013760). This arrangement begins with In the Bleak Midwinter. Silent Night enters in the piano part as the first hymn repeats with melodic variation. Short transitions with Angels We Have Heard on High and Joy To the World add familiarity for the listener who may be less acquainted with the von Holst composition. Appropriate for worship, concert, recital. Although graded intermediate for the solo instrument, the piano accompaniment is more toward advanced intermediate. Set of Parts. Performance Time: 3:50.
$4.99
All Night, All Day
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Chorale SATB
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Gospel Spirituel
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Musique Sacrée
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Andy Beck
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Inst
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All Night, All Day
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0003646 All Night, All Day - SATB, a cappella. Arranged by Andy Beck. Secular Choral. 10 pages. Alfred Music - Digi...
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Chorus - SKU: AX.00-PO-0003646 All Night, All Day - SATB, a cappella. Arranged by Andy Beck. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0003646. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003646). UPC: 038081511399.Acquaint your singers with the timeless African-American spiritual using this creative and accessible arrangement for a cappella voices. The basses sing an independent line, which provides rhythmic backdrop for triadic harmony in the upper voices, while contoured dynamics add interest. Optional shaker and conga parts are a great addition.Concert/Contest; Inst. Parts Available (choral).
$1.90
Auld Lang Syne (for Ukulele with TAB)
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Ukulele
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DÉBUTANT
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Noël
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Robert Burns, Traditional
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Michael Thomas Andrews
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Auld Lang Syne
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Michael Thomas Andrews
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SheetMusicPlus
Ukulele - Level 1 - SKU: A0.787430 Composed by Robert Burns, Traditional. Arranged by Michael Thomas Andrews. Christmas,Holiday. Score. 1 pages. Michael...
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Ukulele - Level 1 - SKU: A0.787430 Composed by Robert Burns, Traditional. Arranged by Michael Thomas Andrews. Christmas,Holiday. Score. 1 pages. Michael Thomas Andrews #3689613. Published by Michael Thomas Andrews (A0.787430). 'Auld Lang Syne' or 'Old Lang Syne' is commonly sung around the English-speaking world at the stroke of midnight on New Year's Day – it is a tune that evokes strong feelings of nostalgia as people look back to the past, to old acquaintances, and look forward to the future. Here, the song is written out in standard notation, TAB, and with the addition of some simple ukulele chords. 2018 Holiday Contest Entry
$2.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Auld Lang Syne - String Quintet or Group
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Orchestre à Cordes
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FACILE
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Traditional
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Brendan Elliget MAGA 537
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Auld Lang Syne - String Quinte
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BJE Music
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.750934 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. Score and parts. 13 pages. BJE Music...
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String Orchestra - Level 2 - SKU: A0.750934 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. Score and parts. 13 pages. BJE Music #5017619. Published by BJE Music (A0.750934). Should auld acquaintance be forgot, and never brought to mind? Should auld acquaintance be forgot, and auld lang syne ? (Robert Burns)A traditional tune probably originating in Scotland: Auld Lang Syne is usually sung each New Year at midnight or as a song of farewell. It is common practice that everyone joins hands with the person next to him or her to form a great circle around the dancefloor, theatre, arena, etc.This is a straight forward arrangement for string group. An optional Violin III (sub for Viola) and Piano are also included in the PDF. If you use this arrangement let me know how it goes! Grade = 3.5 Duration = 2:10 minsThere is also an arrangement for Full Orchestra. and Concert Band.
$7.50
We Remember Him Still (SATB) - A New Christmas Carol Music James Cox Lyrics John O'Donoghue
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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birth He was lowly, poor as ca
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James Cox
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We Remember Him Still
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James Cox
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.934778 Composed by James Cox. Christian,Christmas,Contemporary,Sacred. Octavo. 15 pages. James Cox #4742461. Pub...
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Choral Choir (SATB) - Level 3 - SKU: A0.934778 Composed by James Cox. Christian,Christmas,Contemporary,Sacred. Octavo. 15 pages. James Cox #4742461. Published by James Cox (A0.934778). A Brand new Christmas Carol for 2019 with lyrics by novelist and poet John O'Donoghue. Featuring SATB with piano, simple melodies with rich harmonies and rousing unison final verse this Carol will be a perfect piece for your Christmas recital or concert.Duration: 2 mins 40 secondsLyrics: Christ He was born on a day cold as this,Crowned in the end with sharp thorns on a hill,Betrayed by his friend with a welcoming kiss,And yet tonight we remember Him still.By birth He was lowly, poor as can be,Acquainted with sorrow, He shared in our plight,Most of His life veiled in mystery,And yet still we remember Him tonight.His example remains – the gospels attestHis was a holiness the world could not kill.The stars look down on the Earth that he blessed,And so tonight we remember Him still.Carols we sing bring to mind the Christ childWho came in darkness to bring us His lightTo the halt, the lame, the blind, the exiled.And so still we remember Him tonight.
$2.50
We Remember Him Still (SSA) - A New Christmas Carol Music James Cox Lyrics John O'Donoghue
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Chorale 3 parties
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INTERMÉDIAIRE
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Noël
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birth He was lowly, poor as ca
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James Cox
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We Remember Him Still
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James Cox
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.934779 Composed by James Cox. Christian,Christmas,Contemporary,Sacred,World. Octavo. 7 pages. James Cox #4745329....
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Choral Choir (SSA) - Level 3 - SKU: A0.934779 Composed by James Cox. Christian,Christmas,Contemporary,Sacred,World. Octavo. 7 pages. James Cox #4745329. Published by James Cox (A0.934779). A Brand new Christmas Carol for 2019 with lyrics by novelist and poet John O'Donoghue. Featuring SATB with piano, simple melodies with rich harmonies and rousing unison final verse this Carol will be a perfect piece for your Christmas recital or concert.Duration: 2 mins 40 secondsLyrics: Christ He was born on a day cold as this,Crowned in the end with sharp thorns on a hill,Betrayed by his friend with a welcoming kiss,And yet tonight we remember Him still.By birth He was lowly, poor as can be,Acquainted with sorrow, He shared in our plight,Most of His life veiled in mystery,And yet still we remember Him tonight.His example remains – the gospels attestHis was a holiness the world could not kill.The stars look down on the Earth that he blessed,And so tonight we remember Him still.Carols we sing bring to mind the Christ childWho came in darkness to bring us His lightTo the halt, the lame, the blind, the exiled.And so still we remember Him tonight.
$2.50
Auld Lang Syne - Concert Band PDF
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Orchestre d'harmonie
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FACILE
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Traditional
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Brendan Elliget MAGA 537
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Auld Lang Syne - Concert Band
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BJE Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.750931 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. Score and parts. 40 pages. BJE Music #50...
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Concert Band - Level 2 - SKU: A0.750931 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. Score and parts. 40 pages. BJE Music #5017613. Published by BJE Music (A0.750931). Should auld acquaintance be forgot, and never brought to mind? Should auld acquaintance be forgot, and auld lang syne ? (Robert Burns)A traditional tune probably originating in Scotland: Auld Lang Syne is usually sung each New Year at midnight or as a song of farewell. It is common practice that everyone joins hands with the person next to him or her to form a great circle around the dancefloor, theatre, arena, etc.This is a straight forward arrangement for Concert band with a descant in the Piccolo, Flute and Trumpet parts. If you use this arrangement let me know how it goes!Grade = 3 Duration 2:00 minsThe MP3 was recorded with NotePerformer 3.
$15.00
Auld Lang Syne - Clarinet Quartet or Group Score and Parts PDF
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Traditional
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Brendan Elliget MAGA 537
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Auld Lang Syne - Clarinet Quar
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BJE Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.750932 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. 12 pages....
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.750932 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. 12 pages. BJE Music #5017643. Published by BJE Music (A0.750932). Should auld acquaintance be forgot, and never brought to mind? Should auld acquaintance be forgot, and auld lang syne ? (Robert Burns)A traditional tune probably originating in Scotland: Auld Lang Syne is usually sung each New Year at midnight or as a song of farewell. It is common practice that everyone joins hands with the person next to him or her to form a great circle around the dancefloor, theatre, arena, etc.This is a straight forward arrangement for Clarinet Quartet or group. An optional Alto Clarinet (sub for Clarinet 3) is also available to print. Part 1 is also doubled on the Eb Clarinet. If you use this arrangement let me know how it goes!Grade = 3, Duration = 2:10 minsThe MP3 was recorded with NotePerformer 3.
$7.50
Auld Lang Syne - Flexible Brass Quartet or Group Score and Parts
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Traditional
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Brendan Elliget MAGA 537
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Auld Lang Syne - Flexible Bras
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BJE Music
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.750935 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. S...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.750935 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. Score and parts. 24 pages. BJE Music #5017661. Published by BJE Music (A0.750935). Should auld acquaintance be forgot, and never brought to mind? Should auld acquaintance be forgot, and auld lang syne ? (Robert Burns) A traditional tune probably originating in Scotland: Auld Lang Syne is usually sung each New Year at midnight or as a song of farewell. It is common practice that everyone joins hands with the person next to him or her to form a great circle around the dancefloor, theatre, arena, etc. This is a straight-forward arrangement for Flexible Brass Quartet or group. An optional Descant part is included for Bb and Eb Trumpet. Both Eb and F Horns included. If you use this arrangement let me know how it goes! Grade = 3, Duration = 2:10 mins The MP3 was recorded with NotePerformer 3.
$12.00
Auld Lang Syne - Double Reed Quartet Score and Parts PDF
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Traditional
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Brendan Elliget MAGA 537
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Auld Lang Syne - Double Reed Q
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BJE Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - SKU: A0.750940 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. 10 pa...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - SKU: A0.750940 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. 10 pages. BJE Music #5019199. Published by BJE Music (A0.750940). Should auld acquaintance be forgot, and never brought to mind? Should auld acquaintance be forgot, and auld lang syne ? (Robert Burns) A traditional tune probably originating in Scotland: Auld Lang Syne is usually sung each New Year at midnight or as a song of farewell. It is common practice that everyone joins hands with the person next to him or her to form a great circle around the dancefloor, theatre, arena, etc.This is a straight-forward arrangement for Double Reed Quartet: 2 Oboes and 2 Bassoons.If you use this arrangement let me know how it goes!Grade = 3, Duration = 2:10 minsThe MP3 was recorded with NotePerformer 3.
$7.50
Ten Thousand Men of Harvard
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Trompette
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A
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Travis Hayman
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Ten Thousand Men of Harvard
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Travis Hayman
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SheetMusicPlus
Trumpet Solo - SKU: A0.951628 Composed by A. Putnam. Arranged by Travis Hayman. Graduation. Individual part. 7 pages. Travis Hayman #6574907. Published ...
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Trumpet Solo - SKU: A0.951628 Composed by A. Putnam. Arranged by Travis Hayman. Graduation. Individual part. 7 pages. Travis Hayman #6574907. Published by Travis Hayman (A0.951628). Ten Thousand Men of Harvard is the most frequently performed of Harvard University's fight songs. Composed by A. Putnam of Harvard College's class of 1918, it is among the fight songs performed by the Harvard Glee Club at its annual joint concert with the Yale Glee Club the night before the annual Harvard-Yale football game, as well as at the game itself. It is also played or sung at other athletic meets or other intercollegiate contests, usually by the Harvard University Band. To acquaint incoming freshmen with the song, early each academic year the band performs it in Harvard Yard, where most freshmen live. The football team sings it after wins, and new players are required to memorize it in both English and Latin.
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Acquainted With the Night
