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Vous avez sélectionné:
Acquainted with the Night
Partitions à imprimer
21 partitions trouvées
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1
Acquainted with the Night
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.910407 Composed by Noah St…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.910407 Composed by Noah Stremmel. 20th Century,Contemporary,Instructional,Standards. Octavo. 7 pages. Noah Stremmel #6201751. Published by Noah Stremmel (A0.910407). Acquainted with the Night is an SATB choral piece set to the lyrics of the poem by Robert Frost of the same name. Provoking a solemn and depressing mood, the piece begins in D minor and ends in C# minor, giving an overall descending feeling. The poem depicts the night as many dark experiences the narrator goes through, eventually becoming one with the night by the end of the poem.
$2.15
1.98 €
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Chorale SATB
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Noah Stremmel
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Acquainted with the Night
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Noah Stremmel
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SheetMusicPlus
Acquainted With the Night
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.878076 Composed by Judith Snowdon. …
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Piano Solo - Level 3 - Digital Download SKU: A0.878076 Composed by Judith Snowdon. 20th Century,Concert,Contemporary. Score. 2 pages. Judith E. Snowdon #3218737. Published by Judith E. Snowdon (A0.878076). A piano solo piece, intermediate level, which is a haunting tone poem, a musical narrative describing a mysterious journey through city streets at night. This piece features chromatic harmonies and whole tone scales. It is a good recital/festival piece for a creative, expressive student.
$3.99
3.67 €
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Piano seul
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Judith Snowdon
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Acquainted With the Night
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Judith E. Snowdon
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SheetMusicPlus
Acquainted With the Night
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1102335 By Brad Jacobsen. By Brad J…
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Piano Solo - Level 3 - Digital Download SKU: A0.1102335 By Brad Jacobsen. By Brad Jacobsen. Contemporary,New Age. Score. 5 pages. Brad Jacobsen #705743. Published by Brad Jacobsen (A0.1102335). An introspective solo piano piece, inspired by the Robert Frost poem of the same name. From the album, Nocturne available on all streaming services.
$4.99
4.59 €
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Piano seul
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Brad Jacobsen
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Acquainted With the Night
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Brad Jacobsen
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SheetMusicPlus
Round Midnight
Voix seule
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.888282 By Thelonious Monk. By…
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.888282 By Thelonious Monk. By Cootie Williams and Thelonious Monk. Arranged by Edward David Zeliff. Jazz. 7 pages. Edward David Zeliff #4822275. Published by Edward David Zeliff (A0.888282). Another in a series of jazz/blues torch song arrangements, this is the famous song by Thelonious Monk with its hauntingly atmospheric chords and melody. This setting makes an excellent recital item as a contrast in repertoire for the serious voice student, especially if the student is inexperienced in jazz improvisation and whose accompanist may not be that well acquainted with the jazz/blues idiom. Here the characteristic qualities of jazz and improvisation are written out and coordinated with the melody. Equally suitable for the advanced intermediate and professional levels.
$4.99
4.59 €
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Voix seule
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Thelonious Monk
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Edward David Zeliff
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Round Midnight
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Edward David Zeliff
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SheetMusicPlus
Prelude
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1239146 Composed by Nikolay Artcibo…
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Piano Solo - Level 5 - Digital Download SKU: A0.1239146 Composed by Nikolay Artcibouchev. Arranged by Yury Chugunov and Zellev. 20th Century,Classical,Contemporary,Grunge,Lent. Score. 3 pages. Zellev Music #834550. Published by Zellev Music (A0.1239146). Key Signature: C♯ minorTime Signature: 12/8Tempo: Moderato assai (very moderately (126))Difficulty: AdvancedNikolai Vasilievich Artsybushev (Russian: Ðиколай ВаÑильевич Ðрцыбушев; 7 March [O.S. 23 February] 1858 – 15 April 1937) was a Russian jurist, music publisher and promoter, and minor composer. His name is sometimes seen as Artsibushev, Artsybuchev, Artzibushev, Artzybushev, Artchibousheff, Arcybusev, etc.Artsybushev was born at Tsarskoye Selo in 1858. His legal studies were at the Imperial School of Jurisprudence in Saint Petersburg, after which he practised in St Petersburg as an attorney. He also dabbled in music composition, and Nikolai Rimsky-Korsakov gave him private lessons in music theory after Mily Balakirev said his works showed some promise.He also became acquainted with the music publisher Mitrofan Belyayev and participated in his regular weekly gatherings called Fridays (Vendredis). To mark these occasions, a group of 10 composers including Artsybushev collaborated on a 16-part suite for string quartet, called Les Vendredis. His contribution was a Serenade in A major. He also collaborated with others on Variations on a Russian Theme, in versions for both string quartet and orchestra.He was a member of the St Petersburg City Council. After Belyayev's death in 1903 he became chairman of the board of the Belyayev publishing house, in which capacity he had significant dealings with Alexander Scriabin. From 1908 to 1917 he was President of his city's branch of the Russian Musical Society, and later succeeded Rimsky-Korsakov as President of the Board of Trustees for the Society for the Encouragement of Russian Musicians.In 1920 he moved to Paris and became a director of the Belyayev publishing house there. He died in Paris in 1937, aged 79.His works other than those mentioned above are now little known, but include:-Polka caractéristique, Op. 4, orchestra-Valse-Fantaisie, Op. 9, orchestra-Scherzo in C, orchestra (this had its premiere at the same concert at which Rimsky-Korsakov's-Capriccio Espagnol was premiered)-Piano pieces-Orchestral and other arrangements of works by:--Borodin--Glazunov (Suite for string quartet, Op. 35)--Mussorgsky (Night on Bald Mountain, for piano 4-hands;world premiere recording) and--Rimsky-Korsakov (Sinfonietta on Russian Themes, Op. 31).[https://en.wikipedia.org/wiki/Nikolai_Artsybushev].
$5.00
4.6 €
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Piano seul
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Nikolay Artcibouchev
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Yury Chugunov and Zellev
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7 March [O
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Prelude
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Zellev Music
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SheetMusicPlus
In the Bleak Midwinter (with “Silent Night”) Bassoon and Piano
Basson, Piano (duo)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1013760 Composed by Gustav von H…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1013760 Composed by Gustav von Holst, Franz Gruber, French Carol, Lowell Mason, adapted from Handel. Arranged by Cathy Stamegna. Christmas,Multicultural,Praise & Worship,Sacred,Traditional,World. Score and part. 12 pages. Cathy Stamegna #619363. Published by Cathy Stamegna (A0.1013760). This arrangement begins with In the Bleak Midwinter. Silent Night enters in the piano part as the first hymn repeats with melodic variation. Short transitions with Angels We Have Heard on High and Joy To the World add familiarity for the listener who may be less acquainted with the von Holst composition. Appropriate for worship, concert, recital. Although graded intermediate for the solo instrument, the piano accompaniment is more toward advanced intermediate. Set of Parts. Performance Time: 3:50.
$4.99
4.59 €
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Basson, Piano (duo)
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Gustav von Holst, Franz Gruber, French Carol, Lowell Mason, adapted from Handel
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Cathy Stamegna
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In the Bleak Midwinter
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Cathy Stamegna
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SheetMusicPlus
All Night, All Day
Chorale SATB
Chorus - Digital Download SKU: AX.00-PO-0003646 All Night, All Day - SATB, a …
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Chorus - Digital Download SKU: AX.00-PO-0003646 All Night, All Day - SATB, a cappella. Arranged by Andy Beck. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0003646. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003646). UPC: 038081511399.Acquaint your singers with the timeless African-American spiritual using this creative and accessible arrangement for a cappella voices. The basses sing an independent line, which provides rhythmic backdrop for triadic harmony in the upper voices, while contoured dynamics add interest. Optional shaker and conga parts are a great addition.Concert/Contest; Inst. Parts Available (choral).
$1.90
1.75 €
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Chorale SATB
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Andy Beck
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Inst
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All Night, All Day
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Auld Lang Syne (for Ukulele with TAB)
Ukulele
Ukulele - Level 1 - Digital Download SKU: A0.787430 Composed by Robert Burns, Tradi…
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Ukulele - Level 1 - Digital Download SKU: A0.787430 Composed by Robert Burns, Traditional. Arranged by Michael Thomas Andrews. Christmas,Holiday. Score. 1 pages. Michael Thomas Andrews #3689613. Published by Michael Thomas Andrews (A0.787430). 'Auld Lang Syne' or 'Old Lang Syne' is commonly sung around the English-speaking world at the stroke of midnight on New Year's Day – it is a tune that evokes strong feelings of nostalgia as people look back to the past, to old acquaintances, and look forward to the future. Here, the song is written out in standard notation, TAB, and with the addition of some simple ukulele chords. 2018 Holiday Contest Entry
$2.00
1.84 €
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Ukulele
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Robert Burns, Traditional
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Michael Thomas Andrews
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Auld Lang Syne
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Michael Thomas Andrews
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.99 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.99 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.99 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Auld Lang Syne - String Quintet or Group
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.750934 Composed by Traditiona…
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String Orchestra - Level 2 - Digital Download SKU: A0.750934 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. Score and parts. 13 pages. BJE Music #5017619. Published by BJE Music (A0.750934). Should auld acquaintance be forgot, and never brought to mind? Should auld acquaintance be forgot, and auld lang syne ? (Robert Burns)A traditional tune probably originating in Scotland: Auld Lang Syne is usually sung each New Year at midnight or as a song of farewell. It is common practice that everyone joins hands with the person next to him or her to form a great circle around the dancefloor, theatre, arena, etc.This is a straight forward arrangement for string group. An optional Violin III (sub for Viola) and Piano are also included in the PDF. If you use this arrangement let me know how it goes! Grade = 3.5 Duration = 2:10 minsThere is also an arrangement for Full Orchestra. and Concert Band.
$7.50
6.9 €
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Orchestre à Cordes
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Traditional
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Brendan Elliget MAGA 537
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Auld Lang Syne - String Quintet or Group
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BJE Music
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SheetMusicPlus
We Remember Him Still (SATB) - A New Christmas Carol Music James Cox Lyrics John O'Donoghue
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.934778 Composed by James C…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.934778 Composed by James Cox. Christian,Christmas,Contemporary,Sacred. Octavo. 15 pages. James Cox #4742461. Published by James Cox (A0.934778). A Brand new Christmas Carol for 2019 with lyrics by novelist and poet John O'Donoghue. Featuring SATB with piano, simple melodies with rich harmonies and rousing unison final verse this Carol will be a perfect piece for your Christmas recital or concert.Duration: 2 mins 40 secondsLyrics: Christ He was born on a day cold as this,Crowned in the end with sharp thorns on a hill,Betrayed by his friend with a welcoming kiss,And yet tonight we remember Him still.By birth He was lowly, poor as can be,Acquainted with sorrow, He shared in our plight,Most of His life veiled in mystery,And yet still we remember Him tonight.His example remains – the gospels attestHis was a holiness the world could not kill.The stars look down on the Earth that he blessed,And so tonight we remember Him still.Carols we sing bring to mind the Christ childWho came in darkness to bring us His lightTo the halt, the lame, the blind, the exiled.And so still we remember Him tonight.
$2.50
2.3 €
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Chorale SATB
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birth He was lowly, poor as can be,
Acquainted with sorrow, He shared in our plight,
Most of His life veiled in mystery,
And yet still we remember Him tonight
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James Cox
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We Remember Him Still
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James Cox
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SheetMusicPlus
We Remember Him Still (SSA) - A New Christmas Carol Music James Cox Lyrics John O'Donoghue
Chorale 3 parties
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.934779 Composed by James Co…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.934779 Composed by James Cox. Christian,Christmas,Contemporary,Sacred,World. Octavo. 7 pages. James Cox #4745329. Published by James Cox (A0.934779). A Brand new Christmas Carol for 2019 with lyrics by novelist and poet John O'Donoghue. Featuring SATB with piano, simple melodies with rich harmonies and rousing unison final verse this Carol will be a perfect piece for your Christmas recital or concert.Duration: 2 mins 40 secondsLyrics: Christ He was born on a day cold as this,Crowned in the end with sharp thorns on a hill,Betrayed by his friend with a welcoming kiss,And yet tonight we remember Him still.By birth He was lowly, poor as can be,Acquainted with sorrow, He shared in our plight,Most of His life veiled in mystery,And yet still we remember Him tonight.His example remains – the gospels attestHis was a holiness the world could not kill.The stars look down on the Earth that he blessed,And so tonight we remember Him still.Carols we sing bring to mind the Christ childWho came in darkness to bring us His lightTo the halt, the lame, the blind, the exiled.And so still we remember Him tonight.
$2.50
2.3 €
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Chorale 3 parties
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birth He was lowly, poor as can be,
Acquainted with sorrow, He shared in our plight,
Most of His life veiled in mystery,
And yet still we remember Him tonight
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James Cox
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We Remember Him Still
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James Cox
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SheetMusicPlus
Auld Lang Syne - Concert Band PDF
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.750931 Composed by Traditional. A…
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Concert Band - Level 2 - Digital Download SKU: A0.750931 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. Score and parts. 40 pages. BJE Music #5017613. Published by BJE Music (A0.750931). Should auld acquaintance be forgot, and never brought to mind? Should auld acquaintance be forgot, and auld lang syne ? (Robert Burns)A traditional tune probably originating in Scotland: Auld Lang Syne is usually sung each New Year at midnight or as a song of farewell. It is common practice that everyone joins hands with the person next to him or her to form a great circle around the dancefloor, theatre, arena, etc.This is a straight forward arrangement for Concert band with a descant in the Piccolo, Flute and Trumpet parts. If you use this arrangement let me know how it goes!Grade = 3 Duration 2:00 minsThe MP3 was recorded with NotePerformer 3.
$15.00
13.8 €
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Orchestre d'harmonie
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Traditional
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Brendan Elliget MAGA 537
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Auld Lang Syne - Concert Band PDF
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BJE Music
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SheetMusicPlus
Auld Lang Syne - Clarinet Quartet or Group Score and Parts PDF
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.750932…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.750932 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. 12 pages. BJE Music #5017643. Published by BJE Music (A0.750932). Should auld acquaintance be forgot, and never brought to mind? Should auld acquaintance be forgot, and auld lang syne ? (Robert Burns)A traditional tune probably originating in Scotland: Auld Lang Syne is usually sung each New Year at midnight or as a song of farewell. It is common practice that everyone joins hands with the person next to him or her to form a great circle around the dancefloor, theatre, arena, etc.This is a straight forward arrangement for Clarinet Quartet or group. An optional Alto Clarinet (sub for Clarinet 3) is also available to print. Part 1 is also doubled on the Eb Clarinet. If you use this arrangement let me know how it goes!Grade = 3, Duration = 2:10 minsThe MP3 was recorded with NotePerformer 3.
$7.50
6.9 €
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Quatuor de Clarinettes: 4 clarinettes
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Traditional
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Brendan Elliget MAGA 537
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Auld Lang Syne - Clarinet Quartet or Group Score and Parts PDF
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BJE Music
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SheetMusicPlus
Auld Lang Syne - Flexible Brass Quartet or Group Score and Parts
Flûte, Hautbois, Clarinette, Basson
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.750935 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. Score and parts. 24 pages. BJE Music #5017661. Published by BJE Music (A0.750935). Should auld acquaintance be forgot, and never brought to mind? Should auld acquaintance be forgot, and auld lang syne ? (Robert Burns) A traditional tune probably originating in Scotland: Auld Lang Syne is usually sung each New Year at midnight or as a song of farewell. It is common practice that everyone joins hands with the person next to him or her to form a great circle around the dancefloor, theatre, arena, etc. This is a straight-forward arrangement for Flexible Brass Quartet or group. An optional Descant part is included for Bb and Eb Trumpet. Both Eb and F Horns included. If you use this arrangement let me know how it goes! Grade = 3, Duration = 2:10 mins The MP3 was recorded with NotePerformer 3.
$12.00
11.04 €
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Flûte, Hautbois, Clarinette, Basson
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Traditional
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Brendan Elliget MAGA 537
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Auld Lang Syne - Flexible Brass Quartet or Group Score and Parts
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BJE Music
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SheetMusicPlus
Auld Lang Syne - Double Reed Quartet Score and Parts PDF
Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - Digital Download SKU: A0.75…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - Digital Download SKU: A0.750940 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. 10 pages. BJE Music #5019199. Published by BJE Music (A0.750940). Should auld acquaintance be forgot, and never brought to mind? Should auld acquaintance be forgot, and auld lang syne ? (Robert Burns) A traditional tune probably originating in Scotland: Auld Lang Syne is usually sung each New Year at midnight or as a song of farewell. It is common practice that everyone joins hands with the person next to him or her to form a great circle around the dancefloor, theatre, arena, etc.This is a straight-forward arrangement for Double Reed Quartet: 2 Oboes and 2 Bassoons.If you use this arrangement let me know how it goes!Grade = 3, Duration = 2:10 minsThe MP3 was recorded with NotePerformer 3.
$7.50
6.9 €
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Traditional
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Brendan Elliget MAGA 537
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Auld Lang Syne - Double Reed Quartet Score and Parts PDF
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BJE Music
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SheetMusicPlus
Ten Thousand Men of Harvard
Trompette
Trumpet Solo - Digital Download SKU: A0.951628 Composed by A. Putnam. Arranged by T…
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Trumpet Solo - Digital Download SKU: A0.951628 Composed by A. Putnam. Arranged by Travis Hayman. Graduation. Individual part. 7 pages. Travis Hayman #6574907. Published by Travis Hayman (A0.951628). Ten Thousand Men of Harvard is the most frequently performed of Harvard University's fight songs. Composed by A. Putnam of Harvard College's class of 1918, it is among the fight songs performed by the Harvard Glee Club at its annual joint concert with the Yale Glee Club the night before the annual Harvard-Yale football game, as well as at the game itself. It is also played or sung at other athletic meets or other intercollegiate contests, usually by the Harvard University Band. To acquaint incoming freshmen with the song, early each academic year the band performs it in Harvard Yard, where most freshmen live. The football team sings it after wins, and new players are required to memorize it in both English and Latin.
$5.00
4.6 €
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Trompette
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A
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Travis Hayman
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Ten Thousand Men of Harvard
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Travis Hayman
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SheetMusicPlus
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