Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Act Like A Man
Non classifié
512
Piano & claviers
Piano seul
332
Piano, Voix
71
Piano, Voix et Guitare
71
Piano Facile
54
Orgue
34
Instruments en Do
29
1 Piano, 4 mains
15
Piano Quatuor: piano, violon, alto, violoncelle
7
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
Piano grosses notes
3
Accompagnement Piano
2
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
30
Guitare
28
Ligne De Mélodie, (Paroles) et Accords
8
Ukulele
7
Mandoline
5
4 Guitares (Quatuor)
1
Basse electrique
1
Mandoline, Guitare (duo)
1
Banjo
1
Piano, Guitare (duo)
1
Ensemble de guitares
1
3 Guitares (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
73
Chorale 3 parties
29
Chorale TTBB
17
Chorale 2 parties
13
Chorale Unison
12
Voix Alto, Piano
10
Chorale SSAA
8
Voix Soprano, Piano
5
Voix Soprano
3
Voix duo
3
Voix Baryton, Piano
3
Voix basse, Piano
2
Voix Tenor
2
Chorale SSAATTBB
2
Voix haute
2
Chorale SSATTB
1
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
Voix moyenne, Piano
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
55
Quatuor de Saxophones: 4 saxophones
47
Quintette de Saxophone: 5 saxophones
35
Flûte traversière et Piano
35
Clarinette et Piano
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Hautbois, Piano (duo)
28
2 Flûtes traversières, Piano
25
Ensemble de saxophones
25
2 Flûtes traversières (duo)
23
Saxophone Tenor et Piano
22
Clarinette
18
2 Clarinettes (duo)
17
Saxophone Baryton, Piano
17
Flûte, Hautbois, Clarinette, Basson
17
Saxophone Alto et Piano
17
Flûte traversière
16
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Soprano et Piano
14
Clarinette Basse, Piano
14
2 Hautbois (duo)
11
Ensemble de Clarinettes
11
Cor anglais, Piano
11
Saxophone Alto
10
Quatuor de Flûtes : 4 flûtes
10
Saxophone Tenor
9
Saxophone, Clarinette (duo)
8
Ensemble de Flûtes
8
3 Saxophones (trio)
8
Clarinette, Violon (duo)
6
Quintette de Flûte : 5 flûtes
6
Quintette de Clarinettes: 5 clarinettes
5
Flûte à bec Soprano
5
Flûte, Violon
4
Clarinette, Trompette (duo)
4
Flûte, Clarinette (duo)
4
Clarinette et Alto
4
2 Flûte à bec (duo)
3
Hautbois, Basson (duo)
3
Flûte, Trompette (duo)
3
Flûte à bec Alto, Piano
3
Flûte, Saxophone (duo)
3
Flûte, Alto (duo)
3
Hautbois, Flûte
3
Hautbois, Clarinette (duo)
2
Piccolo, Piano
2
Hautbois (partie séparée)
2
Saxophone (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Soprano, Piano
2
5 Flûtes à bec
2
3 Clarinettes (trio)
2
3 Flûtes à bec (trio)
2
Flûte et Trio à cordes
2
Flûte à Bec
2
Quatuor de Flûtes à bec
2
Flûte, Violoncelle
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Alto
2
Hautbois
1
Clarinette, Guitare (duo)
1
Hautbois, Violoncelle
1
Flûte et Guitare
1
Flute (partie séparée)
1
2 Saxophones, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte irlandaise
1
Saxophone et Orgue
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Clarinettes, Piano
1
Saxophone
1
Cor anglais et Harpe (duo)
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Trombone et Piano
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette
22
Euphonium, Piano (duo)
20
2 Trombones (duo)
19
Cor et Piano
16
Quatuor de cuivres: 4 trombones
15
Quatuor de Cuivres
12
2 Trompettes (duo)
12
Trombone
11
Cor anglais, Piano
11
Ensemble de Trombones
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
2 Cors (duo)
10
Ensemble de Trompettes
9
Tuba et Piano
9
Trompette, Piano
8
Cor
7
Tuba
7
Trompette, Saxophone (duo)
6
2 Tubas (duo)
5
Trompette, Trombone (duo)
5
Ensemble de Cors
5
Trompette (partie séparée)
4
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 4 trompettes
2
Euphonium, Tuba (duo)
1
2 Euphoniums (duo)
1
Euphonium
1
Trompette, Cor (duo)
1
Trombone, Cor (duo)
1
3 Trombones (trio)
1
3 Tubas (trio)
1
4 Tubas
1
Cor anglais et Harpe (duo)
1
Tuba et Orgue
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
94
Violon et Piano
47
Violon
26
Trio à Cordes: violon, alto, violoncelle
20
2 Violons (duo)
20
Alto, Piano
20
Violoncelle, Piano
16
2 Violoncelles (duo)
16
2 Altos (duo)
15
Violon, Violoncelle (duo)
14
Alto seul
10
Harpe
10
Violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
4 Violoncelles
7
Violon, Alto (duo)
7
2 Contrebasses (duo)
5
Contre Basse
5
Ensemble de Violons
5
Ensemble d'Altos
5
Trio à Cordes: 3 violoncelles
4
Harpe, Flûte (duo)
4
Quatuor à cordes : 4 altos
4
Trio à Cordes: 2 violons, violoncelle
4
Quatuor à cordes: 4 violons
3
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Contrebasse, Piano (duo)
2
4 Contrebasses
1
Violoncelle, Orgue
1
2 Violons, Piano
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Voix
1
Harpe, Violon (duo)
1
Violon, Orgue
1
Trio à cordes: 3 violins
1
Harpe et Piano
1
Trio à cordes: 3 altos
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
67
Orchestre
59
Orchestre à Cordes
41
Orchestre de chambre
23
Ensemble de cuivres
15
Ensemble Jazz
8
Ensemble de Percussions
7
Cloches
6
Jazz combo
4
Batterie
2
Fanfare
1
Piano et Orchestre
1
Marimba
1
Orchestre, Violon
1
Xylophone, Piano
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1 100
Partitions Numériques
3 118
Librairie Musicale
1 687
Matériel de Musique
1 093
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Act Like A Man
Partitions à imprimer
3 118 partitions trouvées
<
1
26
51
....
3101
La donna è mobile. (Rigoletto - Main Theme) Mandolin sheet music and tablature.
#
Mandoline
#
FACILE
#
Comédie Musicale
#
Giuseppe Verdi
#
Ioannis Kalpakis www
#
La donna è mobile.
#
Ioannis Kalpakis
#
SheetMusicPlus
Mandolin - Level 2 - SKU: A0.877176 Composed by Giuseppe Verdi. Arranged by Ioannis Kalpakis www.mandolin.gr. Musical/Show,Opera,Romantic Period,Traditi...
(+)
Mandolin - Level 2 - SKU: A0.877176 Composed by Giuseppe Verdi. Arranged by Ioannis Kalpakis www.mandolin.gr. Musical/Show,Opera,Romantic Period,Traditional,World. Score. 2 pages. Ioannis Kalpakis #6253535. Published by Ioannis Kalpakis (A0.877176). La donna è mobile is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. This is an arrangement for Mandolin. Tablature included.Mandolin tuning: E5 A4 D4 G3Mandolin fingerings, pick direction symbols are included.Also this arrangement can be played by many instruments which play music using the treble clef.Enjoy it. For students who would like to take advantage of internet technology, lessons are now available over the internet via Skype. Contact:giannismusic@gmail.comSkype username: mathimata
$5.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
#
Orchestre de chambre
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: The Acts of the
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
The house of the rising sun. Mandolin sheet music and tablature
#
Mandoline
#
DÉBUTANT
#
Traditional
#
Ioannis Kalpakis www
#
The house of the rising sun. M
#
Ioannis Kalpakis
#
SheetMusicPlus
Mandolin - Level 1 - SKU: A0.877173 Composed by Traditional. Arranged by Ioannis Kalpakis www.mandolino.blogspot.com. Country,Folk,Instructional,Rock. S...
(+)
Mandolin - Level 1 - SKU: A0.877173 Composed by Traditional. Arranged by Ioannis Kalpakis www.mandolino.blogspot.com. Country,Folk,Instructional,Rock. Score. 2 pages. Ioannis Kalpakis #4981135. Published by Ioannis Kalpakis (A0.877173). The House of the Rising Sun is a traditional folk song, sometimes called Rising Sun Blues.This is an arrangement for easy Mandolin. Tablature included.Mandolin tuning: E5 A4 D4 G3Mandolin fingerings, pick direction symbols and chords are included.Also this arrangement can be played by many instruments which play music using the treble clef. Also guitar chord diagrams included!Listen to on https://youtu.be/Rc1mU2l9i1EEnjoy it.For students who would like to take advantage of internet technology, lessons are now available over the internet via Skype. Contact:giannismusic@gmail.comSkype username: mathimata
$5.00
The Man Who Laughs
#
Ensemble de Percussions
#
AVANCÉ
#
the end of this section, the a
#
Jehad Choate
#
The Man Who Laughs
#
Jehad Choate
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #47...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
Man! I Feel Like A Woman!
#
Piano Facile
#
FACILE
#
Shania Twain
#
Man! I Feel Like A Woman!
#
Juan Carlos Esteve
#
SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1099827 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by juan carlos esteve / Gran Coda. 20th Cen...
(+)
Easy Piano - Level 2 - SKU: A0.1099827 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by juan carlos esteve / Gran Coda. 20th Century,Country,Pop. Score. 3 pages. Juan Carlos Esteve #703710. Published by Juan Carlos Esteve (A0.1099827). • Transcription of sheet music for keyboard (accompaniment) with chord figures of the theme Man! I Feel Like A Woman! • The download contains 2 pages in pdf format folio size A4 (21x29.7cm)-(8.27x11.69 in) • Original Tone: A • Degree of difficulty: Easy • Contact me to play other scores https://partiturasgrancoda.com/.
$4.99
’O sole mio. Mandolin. Sheet music and tablature
#
Mandoline
#
FACILE
#
Eduardo Di Capua
#
Ioannis Kalpakis www
#
’O sole mio. Mandolin. S
#
Ioannis Kalpakis
#
SheetMusicPlus
Mandolin - Level 2 - SKU: A0.877172 Composed by Eduardo Di Capua. Arranged by Ioannis Kalpakis www.mandolino.blogspot.gr. Opera,Traditional,World. Score...
(+)
Mandolin - Level 2 - SKU: A0.877172 Composed by Eduardo Di Capua. Arranged by Ioannis Kalpakis www.mandolino.blogspot.gr. Opera,Traditional,World. Score. 2 pages. Ioannis Kalpakis #4890191. Published by Ioannis Kalpakis (A0.877172). ’O sole mio is a globally known Neapolitan song written in 1898. This is an arrangement for Mandolin. Mandolin tuning: E5 A4 D4 G3Mandolin fingerings, and pick direction symbols are included.Also this arrangement can be played by instruments which play music using the treble clef.Enjoy it.For students who would like to take advantage of internet technology, lessons are now available over the internet via Skype. Contact:giannismusic@gmail.comSkype id: mathimata
$4.50
I've Gotta Get A Message To You
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
FACILE
#
Bee Gees
#
Peet du Toit
#
I've Gotta Get A Message To Yo
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
Man! I Feel Like A Woman!
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Shania Twain
#
Jim Farley
#
Europe
#
Man! I Feel Like A Woman!
#
Jim Farley arrangementsone.com
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1315520 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Jim Farley. Country,Pop,Ro...
(+)
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1315520 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Jim Farley. Country,Pop,Rock. Score. 13 pages. Jim Farley arrangementsone.com #904259. Published by Jim Farley arrangementsone.com (A0.1315520). ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger, composer and transcriptionist since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Cruise Ship, Broadway and Las Vegas performers as well as dozens of classic rock horn bands throughout the U.S., Canada & Europe. If you have any additional arranging needs, please contact Jim at farleyjc@gmail.com and visit his website at ARRANGEMENTS ON E!Â
$6.99
Man! I Feel Like A Woman!
#
Shania Twain
#
Jim Farley
#
2
and
Trombone
#
Man! I Feel Like A Woman!
#
Jim Farley arrangementsone.com
#
SheetMusicPlus
Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.1315516 By Shania Twain. By Robert John Mutt L...
(+)
Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.1315516 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Jim Farley. Country,Pop,Rock. 59 pages. Jim Farley arrangementsone.com #904255. Published by Jim Farley arrangementsone.com (A0.1315516). Arranged for 7-8 piece horn band, including: Directors Score, Piano/Vocal/Guitar, Leadsheet, Bass Guitar, Alto Sax, Tenor Sax (identical to Alto), Trumpets 1 & 2 and Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger, composer and transcriptionist since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Cruise Ship, Broadway and Las Vegas performers as well as dozens of classic rock horn bands throughout the U.S., Canada & Europe. If you have any additional arranging needs, please contact Jim at farleyjc@gmail.com and visit his website at ARRANGEMENTS ON E!Â
$99.99
Man! I Feel Like A Woman!
#
2 Violons (duo)
#
Shania Twain
#
Man! I Feel Like A Woman!
#
Hal Leonard Europe
#
SheetMusicPlus
Interactive Download SKU: HX.359546 By Shania Twain. This edition: Interactive Download. Country,Pop. Violin Duet. 5 pages. Published by Hal Leonard Euro...
(+)
Interactive Download SKU: HX.359546 By Shania Twain. This edition: Interactive Download. Country,Pop. Violin Duet. 5 pages. Published by Hal Leonard Europe (HX.359546).
$2.99
Man! I Feel Like A Woman!
#
Piano Facile
#
Country
#
Shania Twain
#
Man! I Feel Like A Woman!
#
Hal Leonard - Digital
#
SheetMusicPlus
Very Easy Piano - Interactive Download SKU: HX.1128633 By Shania Twain. This edition: Interactive Download,scorch. Country. Score. 5 pages. Hal Leonard -...
(+)
Very Easy Piano - Interactive Download SKU: HX.1128633 By Shania Twain. This edition: Interactive Download,scorch. Country. Score. 5 pages. Hal Leonard - Digital #23283. Published by Hal Leonard - Digital (HX.1128633).
$3.99
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723...
(+)
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
#
Contemporain
#
Matthew Scott Phillips
#
The Sundials: III; Tempus Fugi
#
Matthew Scott Phillips
#
SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phil...
(+)
Piano Trio,String Ensemble - SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
Bach: Jesu, Joy of Man's Desiring for Flute Choir
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
J
#
James M
#
Bach: Jesu, Joy of Man's Desir
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 3...
(+)
Woodwind Ensemble Flute - Level 3 - SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
Funny Like a Monkey for piano quartet
#
Piano Quatuor: piano, violon, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Robert M
#
Funny Like a Monkey for piano
#
Robert M. Greenberg
#
SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert ...
(+)
Piano Quartet,String Ensemble - Level 5 - SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
#
Classique
#
Robert Schumann
#
Nicole Elyse DiPaolo
#
Lorelei from Romanzen und Ball
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse Di...
(+)
Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse DiPaolo #3455867. Published by Nicole Elyse DiPaolo (A0.799605). A low-voice-friendly transposition of this relatively little-known Schumann song about the Lorelei (a mythical mermaid-like creature from the Rhine river). It has a one-octave range from C3-C4 as written, so it’s great for an undergraduate singer still sorting out technique. If you would like to commission a customized transposition in another key, please contact me through my website (linked below).About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 National Society of Arts and Letters Vocal Competition (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$4.95
Walk Like A Man
#
Piano, Voix et Guitare
#
Old Time Rock
#
Rock
#
The Four Seasons
#
Walk Like A Man
#
Hal Leonard - Digital
#
SheetMusicPlus
C Instrument,Guitar,Piano and Keyboard - Interactive Download SKU: HX.377813 By The Four Seasons. This edition: Interactive Download,scorch. Oldies,Pop,R...
(+)
C Instrument,Guitar,Piano and Keyboard - Interactive Download SKU: HX.377813 By The Four Seasons. This edition: Interactive Download,scorch. Oldies,Pop,Rock. Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #897150. Published by Hal Leonard - Digital (HX.377813).
$3.99
Walk Like A Man
#
Saxophone Alto
#
Old Time Rock
#
Rock
#
The Four Seasons
#
Walk Like A Man
#
Hal Leonard - Digital
#
SheetMusicPlus
Interactive Download SKU: HX.392821 By The Four Seasons. This edition: Interactive Download. Oldies,Pop,Rock. Alto Sax Solo. 1 pages. Published by Hal Le...
(+)
Interactive Download SKU: HX.392821 By The Four Seasons. This edition: Interactive Download. Oldies,Pop,Rock. Alto Sax Solo. 1 pages. Published by Hal Leonard - Digital (HX.392821).
$2.99
Walk Like A Man
#
Clarinette
#
Old Time Rock
#
Rock
#
The Four Seasons
#
Walk Like A Man
#
Hal Leonard - Digital
#
SheetMusicPlus
Interactive Download SKU: HX.392965 By The Four Seasons. This edition: Interactive Download. Oldies,Pop,Rock. Clarinet Solo. 1 pages. Published by Hal Le...
(+)
Interactive Download SKU: HX.392965 By The Four Seasons. This edition: Interactive Download. Oldies,Pop,Rock. Clarinet Solo. 1 pages. Published by Hal Leonard - Digital (HX.392965).
$2.99
Walk Like A Man
#
Flûte traversière
#
Old Time Rock
#
Rock
#
The Four Seasons
#
Walk Like A Man
#
Hal Leonard - Digital
#
SheetMusicPlus
Interactive Download SKU: HX.392849 By The Four Seasons. This edition: Interactive Download. Oldies,Pop,Rock. Flute Solo. 1 pages. Published by Hal Leona...
(+)
Interactive Download SKU: HX.392849 By The Four Seasons. This edition: Interactive Download. Oldies,Pop,Rock. Flute Solo. 1 pages. Published by Hal Leonard - Digital (HX.392849).
$2.99
Walk Like A Man
#
Flûte traversière
#
Old Time Rock
#
Rock
#
The Four Seasons
#
Walk Like A Man
#
Hal Leonard - Digital
#
SheetMusicPlus
Interactive Download SKU: HX.392886 By The Four Seasons. This edition: Interactive Download. Oldies,Pop,Rock. Flute Solo. 1 pages. Published by Hal Leona...
(+)
Interactive Download SKU: HX.392886 By The Four Seasons. This edition: Interactive Download. Oldies,Pop,Rock. Flute Solo. 1 pages. Published by Hal Leonard - Digital (HX.392886).
$2.99
<
1
26
51
....
3101
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Act Like A Man
